Richard Day Movies

20th Century-Fox's The Man Who Wouldn't Die is based on No Coffin for the Corpse, a "Merlini the Great" mystery penned by Clayton Rawson. Alas, magician-sleuth Merlini has been reduced to an expository bit role, and the property has been converted into a "Michael Shayne" series entry. In the first scene, three men-industrialist Dudley Wolff (Paul Harvey), Wolff's secretary Dunning (Robert Emmet Keane) and research scientist Dr. Haggard (Henry Wilcoxon)-are shown disposing of a corpse in the dead of night. Shortly afterward, Wolff's daughter Catherine (Marjorie Weaver) shows up unexpectedly, with news of her recent marriage. Wolff and his confreres manage to keep their body-burying activities a secret from Catherine, but later that night her bedroom is invaded by a gun-wielding stranger-who happens to be the "body" buried in Scene One! Deducing that something is amiss, Catherine summons her old friend, detective Michael Shayne (Lloyd Nolan), to come to the Wolff mansion to investigate. So that Mike can move about without arousing suspicion, Catherine pretends that he's her new husband-which, of course, inevitably leads to chaos and confusion when the real hubby (Richard Derr) shows up. Before this happens, however, another murder takes place, apparently committed by that very active corpse, and it is this plus several randomly placed clues which prompts Mike to consult his magician pal Radini for advice. The suspect list includes Wolff's young wife Anne (Helene Reynolds) and Phillips the butler (Billy Bevan), while the "official" authorities are represented by bucolic Chief Meek (Olin Howlin) and dour coroner Larsen (Jeff Corey). More interesting for its supporting cast than its story, The Man Who Wouldn't Die is one of the lesser Michael Shayne mysteries, with Shayne seeming to be arbitrarily inserted in the proceedings. ~ Hal Erickson, All Movie Guide

Based on the Ben Hecht/Charlie McArthur play Chicago, Roxie Hart is a short-but-sweet satire of highly publicized court trials. Ginger Rogers plays showgirl Roxie Hart, whose no-good husband kills a man and insists that Roxie take the blame, since juries seldom send a woman to the chair. She agrees, figuring that the publicity will be beneficial to her career. Roxie's case is taken by grandstanding attorney Adolphe Menjou, who regards the sacred halls of justice as his own three-ring circus. George Montgomery plays the reporter covering the trial, who falls in love with Roxie and eventually marries her after she dumps her cowardly hubby. Roxie Hart plays fast and loose with legal ethics, but is no less hilarious because of it. Some of the best moments belong to Iris Adrian, as an imprisoned "Bonnie Parker"-type killer who's jealous that Roxie is stealing all the headlines. ~ Hal Erickson, All Movie Guide

Based on the novel by Vincente Blasco Ibanez, Blood and Sand is the beautifully rendered story of the rise and fall of a young, cocksure Spanish bullfighter, played by Tyrone Power. Working his way slowly up the ladder to success, Power achieves fame when he is praised to skies by fatuous, fickle critic Laird Cregar. A country boy at heart, Power finds himself way over his head with sophisticates, and is soon torn between his pious and faithful wife Linda Darnell and sexy, mercenary Rita Hayworth. It is Darnell, however, who comforts Power after his final, fatal goring in the bull ring. The film's best scenes depict the curious combination of horror and fascination with which bullfighting aficionados treat this most barbaric of "sports." Blood and Sand was previously filmed in 1922 with Rudolph Valentino; a Valentino contemporary, Alla Nazimova, plays Power's mother in the remakes. Portions of this film turned up as stock footage in the 1945 Laurel and Hardy comedy The Bullfighters. ~ Hal Erickson, All Movie Guide

Well-known New York sports promoter Frankie Christopher (Victor Mature) is the prime suspect in the murder of Vicky Lynn (Carole Landis), a successful model and would-be actress. Questioned relentlessly by the police, and particularly by hulking detective squad commander Ed Cornell (Laird Cregar), he maintains his innocence. Meanwhile, Vicky's sister Jill (Betty Grable) is also being questioned. Their answers, given in adjoining interrogation rooms, become the basis for brief, neatly constructed interlocking flashbacks at the opening of the movie that explain a ton of plot in very little time. Both are released after admitting nothing, and the police begin working on other suspects, including journalist Larry Evans (Allyn Joslyn), aging actor Robin Ray (Alan Mowbray), and hotel clerk William Harrison (Elisha Cook Jr.) Jill had little use for Frankie, the man who had been promoting her sister's career, but the two are drawn together in the course of trying to sort out their lives and the murder of her sister, and her realization that Frankie is capable of truly loving a woman, and not just exploiting her. Meanwhile, Cornell makes it his business to pressure and torment Frankie, illegally entering his apartment and promising him an arrest and a death sentence. Eventually, the noose seems to tighten around Frankie as the circumstantial evidence piles up, until Frankie, trying to clear himself, uncovers a clue leading back to the real killer -- who was known to Cornell all along. Confronting the detective in his apartment, Frankie discovers a veritable shrine to Vicky -- copies of her magazine covers and photos filling the walls of his apartment -- and learns that the man had his own dark reasons for wanting to kill him. His psychosis finally catching up with him, his career and reputation in ruins, Cornell reveals the truth to Frankie as he proceeds to take his own life. ~ Bruce Eder, All Movie Guide

Though it isn't obvious from the outset, A Very Young Lady is a remake of 20th Century-Fox' Girl's Dormitory; both films were based on a Hungarian play by Ladislas Fodor. Stepping into the old Simone Simon role is Jane Withers as hoydenish Kitty Russell, who is packed off to finishing school in the hopes that the experience will turn her into "a lady". Falling in love with headmaster Dr. Meredith (John Sutton), Kitty dares not express her ardor verbally, so she writes passionate love letters to the teacher, never intending to mail the mushy missives. Alas, one of the letters finds its way to Meredith's desk, resulting in a big-time scandal. It's up to teacher Alice Carter (Nancy Kelly), who also harbors a crush on Meredith, to straighten out the mess. Among other things, A Very Young Lady was the film in which Jane Withers receives her first screen kiss (Trivia alert: the boy is played by Richard Clayton). ~ Hal Erickson, All Movie Guide

Wily Honolulu detective Charlie Chan (Sidney Toler) is summoned when Miss Nodbury (Ethel Gryffies), an elderly eccentric, is murdered just before taking part in a seafaring treasure hunt. Chan deduces that the old lady died of fright, brought on by the apparent visitation of the ghost of her ancestor, a notorious pirate. Suspecting that the ghost was actually one of Miss Nodbury's enemies in disguise, Chan tags along on the treasure hunt to pinpoint the real killer. Meanwhile, Number Two Son Jimmy Chan (Victor Sen Yung) seeks out suspects on the waterfront, only to be constantly dunked in the briny by a wild-eyed but essentially harmless lunatic (Milton Parsons). A lesser Charlie Chan entry, Dead Men Tell is redeemed by its atmospheric harbor scenes, a specialty of director Harry Lachman. ~ Hal Erickson, All Movie Guide

A nostalgic and patriotic film from director Henry King similar to such later films as The Corn Is Green (1945). Claudette Colbert, stars as Nora Trinell, an aging schoolteacher awaiting a meeting with presidential candidate Dewey Roberts (Shepperd Strudwick). As Nora waits, she reflects on the past. It seems that a young Dewey (Douglas Croft) is Nora's pupil many years earlier in 1916, and has developed a schoolboy crush on his teacher, who encourages him to pursue his dreams. Nora, however, is quietly married to a fellow teacher, Dan Hopkins (John Payne), which inspires Dewey's jealousy when he discovers the truth. Tragedy awaits Dan, however, when he joins with the Canadian forces entering World War I. ~ Karl Williams, All Movie Guide

Spanning 50 years, director John Ford's How Green Was My Valley revolves around the life of the Morgans, a Welsh mining family, as told through the eyes of its youngest child Huw (Roddy McDowall). Over the years, the family struggles to survive through unionization, strikes, and child abuse. As they do so, their hometown and its culture begins to slowly decline. Donald Crisp portrays Gwilym, the patriarch of the Morgan household, who dreams of a better life for young Huw. Based on the novel of the same name by Richard Llewellyn, How Green Was My Valley won five Academy Awards in 1941, including Best Director, Best Supporting Actor (Crisp), Best Art Director, Best Cinematography, and Best Picture (beating Citizen Kane). The book was later adapted into a 1975 BBC miniseries. ~ Matthew Tobey, All Movie Guide

Skating star Sonja Henie and the Glenn Miller Orchestra share the spotlight in Sun Valley Serenade. Henie plays a Norwegian refugee adopted by band pianist John Payne, who mistakenly thought that the full-grown Miss Henie was a 10-year-old little girl. Payne's girlfriend, Lynn Bari, is a soloist with the Miller band, and also a violently jealous sort. When Bari quits Miller out of pique, Henie stages an elaborate ice show as a substitute. This impromptu spectacular thrills the audience at the Sun Valley resort hotel where most of the action takes place. Joan Davis and Milton Berle provide comic relief to the music and romance (you haven't lived until you've seen Berle on skis), while The Nicholas Brothers and Dorothy Dandridge perform a lively chorus of "Chattanooga Choo Choo." ~ Hal Erickson, All Movie Guide

Noted French director Jean Renoir made his American debut with this 1941 film. Walter Brennan plays Tom Keefer, a man who is falsely convicted of a murder and sentenced to death by hanging. He has escaped from prison and is hiding out in Georgia's Okefenokee Swamp. Keefer is dedicated to finding the real killer and clearing his name. A trapper, Ben Ragan (Dana Andrews), is out searching for his dog when he finds Keefer hiding in the swamp. Ben believes the man's tale of being falsely railroaded. The two men trap animals, and Ben sells the furs, while his father (Walter Huston) eats the meat. Keefer tells Ben to give his share of the money from their pelt sales to his daughter, Julie (Anne Baxter). Ben eventually falls in love with Julie, arousing the wrath of Ben's girlfriend Mabel (Virginia McKenzie), who tells authorities about Keefer's secret. Ben, however, refuses to cooperate with officials' efforts to locate the escaped convict. Swamp Water was released in Great Britain under the title The Man Who Came Back. It was remade in 1952 as Lure of the Wilderness, with Brennan playing the same role. ~ Michael Betzold, All Movie Guide

Jack Benny brings his own distinctive touch to Brandon Thomas' venerable (and oft-filmed) stage farce Charley's Aunt. Utilizing a gloriously unconvincing broad-A English accent, Benny is cast as Lord Fancourt Babberly, a somewhat overaged undergraduate at Oxford University. Babbs' roommates Jack Chesney (James Ellison) and Charley Wyckeham (Richard Haydn, in his film debut) are desirous of inviting their lady friends Kitty Verdun (Arleen Whelan) and Amy Spettigue (Anne Baxter) to their quarters, but first they must secure the services of a proper escort. When Charley's aunt Donna Lucia D'Alvadorez (Kay Francis) is detained, Jack and Charley coerce Babbs, who has dressed up as an old lady for a school play, to pose as the absent Donna Lucia. The fun really begins when, for reasons far too complicated to detail here, both Jack's father Sir Francis Chesney (Laird Cregar) and Amy's uncle Stephen Spettigue (Edmund Gwenn) romantically pursue the bogus aunt. The third-act arrival of the real Donna Lucia only adds to the comic confusion-but at least poor Babbs has finally found a lady friend closer to his own age. The female-impersonation angle in Charley's Aunt has been known to descend into vulgarity, but Jack Benny remains both hilarious and tasteful throughout. Understandably, the film was one of Benny's favorites. ~ Hal Erickson, All Movie Guide

Cesar Romero plays an outwardly tough prohibition-era gangster who in reality wouldn't hurt a fly. He maintains his "killer" reputation by planting evidence of his involvement at the scenes of other crooks' crimes. Romero begins aspiring for respectability when he falls in love with Virginia Gilmore and adopts the orphaned Stanley Clements. Through his own non-homicidal means, Romero redeems himself by wiping out a genuinely nasty gangster boss (Sheldon Leonard). Tall, Dark and Handsome was remade in 1950 as Love That Brute, with Paul Douglas in the Cesar Romero role--and with Romero playing the villain! ~ Hal Erickson, All Movie Guide