Raymond Day Movies

Set in a future in which the media has become nearly omnipotent, this violent and gory crime thriller blurs the thin line between life and art while commenting upon the insanity of those who would do anything for fame. The trouble begins when unemployed actor Bobby is hired to play a serial killer on a crime reenactment television series. Wanting to fully understand the killer's motivations, Bobby begins researching the crimes and even gets helpful police officers to furnish the grisly details of recent murders. By the show's taping, Bobby has become an expert. Soon afterward, Bobby becomes a star, something that delights the real culprit and inspires him to go on to even more lurid, headline-grabbing crimes. ~ Sandra Brennan, All Movie Guide

Stuart Orme directed this charming children's adventure-fantasy based on the book by Joan Aiken. Set during the imaginary reign of King James III, sometime in the last century, the story takes place in the snowbound and wolf-infested North Yorkshire countryside in England. The tale centers upon two children -- Bonnie (Emily Hudson) and Sylvia (Aleks Darowska) -- and how they attempt to foil a sinister plot by their evil governess Slighcarp (Stephanie Beacham). ~ Paul Brenner, All Movie Guide

Katherine (Jacqueline Bisset) is a photographer who lives in the exotic Greek islands with her sculptor husband Patrick (James Fox) in this comedy. The film lampoons tourists, contains beautiful scenery, and focuses on the relationship and eventual reconciliation of Katherine and Patrick. Side plots include a rebellious local involved in politics, an elderly Russian spy (Sebastian Shaw), and the search for an antique urn. Kenneth Branagh and Lesley Manville play British tourists and co-star with Irene Pappas, Robert Stephens, and Paris Tselios. ~ Dan Pavlides, All Movie Guide

In a gritty teen drama-comedy about racial tensions and high school competition, Christopher Wild stars as Kevin, the son of a white racist who goes against his father's prejudices by making friends with many black kids at school. The blacks have a band and majorette corps called the Crusaders that are blessed with talent but not much discipline. The white kids at school have their own marching band called the Knights, and Kevin is a hot-shot drummer for this otherwise pretty awful group of musicians. The Knights team up with the gorgeous majorette troupe known as the Emeralds and get ready for the big up-coming competition. Kevin gets invited by the Crusaders' conga drummer Melissa (Beverley Hills) to come practice with them and from those simple beginnings, he is caught up in a new romance and racial biases all at the same time. ~ Eleanor Mannikka, All Movie Guide

In this conventional, formulaic tale about a nonchalant snooker (pool, British style) hustler who is conned into competing in a national championship, good ensemble acting carries the story beyond its predictable evolution. Bob Geldof is Harry (Flash) Gordon, the snooker player who hustles games in low-end London halls, picking up a little cash here and there and also getting into occasional trouble. Nevertheless, he is more or less content with his life and his girlfriend (a prostitute who loves him) until promoter Billy Evans (Mel Smith) comes along and convinces him to leave the penny-ante and troubles behind and compete in a national championship for real money. Big stakes create bigger headaches, and by the time the final game is set to be played, Gordon is faced with a decision to either save his skin and give in to pressure to throw the game, or stick to his scruples and play the best he can. For foreign, including American English speakers, the accents in the snooker halls may leave them a little linguistically snookered at first. ~ Eleanor Mannikka, All Movie Guide

Trevor Howard is virtually the whole show in Sir Henry at Rawlinson End. He plays an eccentric-to-the-point-of-insanity nobleman whose love affair with the bottle is a long standing source of family embarrassment. Still, when the family mansion is plagued by an unfriendly ghost, Howard finds himself the only one willing or able to exorcise the spirit. Sir Henry at Rawlinson End was based on a radio play by Vivien Stanshall. As such, it is more satisfying for the ear than for the eye. ~ Hal Erickson, All Movie Guide

Babylon is a gritty, neorealist account of the lives of a group of West Indian youths living in London. Blue (Brinsley Forde) is the Rastafarian leader of a Sound System (a mobile disc-jockey team who spin reggae records at clubs, parties, and other gatherings) who is trying to prepare for an upcoming Sound System competition. Blue's love of music is one of the few positive outlets in his life; with the crime and violence of London's slums, the verbal and physical attacks by racist whites, and the jealousy of other DJs, Blue is reaching the end of his rope. That rope begins to fray when Blue is fired from his job, is brutally attacked by police officers, and discovers that his DJ equipment has been destroyed by angry neighbors. Unlike most films about reggae music and culture, Babylon doesn't explore the sunny side of Jamaican life or West Indian gangland culture; instead, it looks at how the implicit radicalism of reggae mirrored political and social concerns in the urban areas outside Jamaica where the music was so enthusiastically embraced. ~ Mark Deming, All Movie Guide

In this fascinating adventure of the England of the 1750s, the huge Frenchman Black Jack (Jean Franval) miraculously survives a hanging by the British authorities in Yorkshire and escapes from the grim jaws of "justice." He takes to the countryside in the company of Tolly, a teenaged boy who is able to translate Black Jack's odd speech into something comprehensible. They join up with Belle, an aristocratic teenager who has escaped from the madhouse her family imprisoned her in when she grew troublesome. Together, the three join a carnival. However, as it becomes clear that the girl is far from crazy, love between Tolly and Belle grows. This story, set in the mid-18th century, is based on a novel by Leon Garfield. ~ Clarke Fountain, All Movie Guide