Peter Brocco Movies

Joan Davis' cinematic swan song was the slapstick farce Harem Girl. Davis plays Susie Perkins, the secretary-travelling companion of Arabian Nights princess Shareen (Peggie Castle). Evil sheik Jamal (Donald Randolph) hopes to murder Shareem and claim her oil-rich country, but Susie does her best to foil this scheme. The plot requires Susie to pose as a jeweled and veiled harem dancer, leading to a series of athletic comedy routines, most of them better suited to a 2-reel comedy than a 7-reel feature. Director Edward Bernds, a recent graduate of Columbia's Three Stooges shorts, co-scripted Harem Girl with another Stooge veteran, Ellwood Ullman. ~ Hal Erickson, All Movie Guide

Mistaken identity and underhanded dealings set the stage for this adventure story based on Anthony Hope's classic novel. Rudolph Rassendyll (Stewart Granger) is a British tourist visiting the nation of Ruritania in the Balkans. A number of people comment upon Rassendyll's remarkable resemblance to Prince Rudolph, who in a matter of days is to be crowned the nation's new king, and the prince's staff even arranges a meeting between the two men. But Rudolph's devious brother believes it is he who should be the king, and he arranges for Prince Rudolph to be poisoned the night before his coronation. Desperate, Rudolph's minders beg Rassendyll to participate in the ceremony in Rudolph's place so that the usurper cannot take the throne. Rassendyll agrees, and the ceremony goes off without a hitch, but when the brother's men discover this subterfuge, they imprison the real Prince as they threaten to reveal the secret of the new "king." Rassendyll's dilemma is compounded when he finds himself falling in love with Princess Flavia (Deborah Kerr), Rudolph's intended. This was the fourth screen adaptation of The Prisoner of Zenda; a fifth, which focused on the tale's comic possibilities, starred Peter Sellers and was released in 1979. ~ Mark Deming, All Movie Guide

An insurance investigator, a dame with a yen for the finer things in life and a mail robbery gone horribly wrong are the ingredients in this low-budget but highly engrossing film noir. Charles McGraw and Louis Jean Heydt are tough insurance agents but their partnership comes in for some rough sailing when he former falls head over heels for Joan Dixon, a lady apparently not averse to letting herself be wined and dined by an obvious gang leader (Lowell Gilmore). In an attempt to win the lady's favors, McGraw concocts a plan to rob a mail train insured by his own company. Too late does he discover that the girl is perfectly willing to accept him as he is. ~ Hans J. Wollstein, All Movie Guide

Directed by former set designer William Cameron Menzies, this minor Civil War effort from low-budget producers King Brothers stars James Craig and Guy Madison as former West Point roommates now on opposing sides in the war between the states. Assigned to delay General Sherman's march toward Atlanta, Major Clay Clayborn (Craig) and 20 rebel volunteers take position on top of Devil Mountain where they proceed to bombard Union supply trains, at first almost unimpeded. Unaware that his best friend is leading the rebels, Union major Will Denning (Madison) prepares to blow up the entire mountain but Clay's former fiancé, Kathy Summers (Barbara Payton), manages to persuade him to cease fire while she negotiates a deal. Filmed in inexpensive Super Cine Color, Drums in the Deep South was produced independently and awarded an RKO release. ~ Hans J. Wollstein, All Movie Guide

Can it be that June Allyson is Too Young to Kiss in this bit of MGM fluff? Well, not really. Pianist Cynthia Potter (Allyson) is well into her 20s, but she's posing as a 14-year-old musical prodigy. It's part of her desperate effort to become a client of highly selective concert-promoter Eric Wainwright (Van Johnson), who is only hiring "young" performers. Wainwright falls for Cynthia's subterfuge, building a huge promotional campaign predicated upon his new protégé's "youth." He even adopts a fatherly attitude towards Cynthia, who would prefer that their relationship be a bit more intimate. Though it may seem to be a rehash of the 1943 comedy The Major and the Minor, Too Young to Kiss remains fresh and funny throughout, thanks to the script-writing know-how of Frances Goodrich and Albert Hackett. Ironically, Allyson was thirty-four when this film was shot. ~ Hal Erickson, All Movie Guide

Flame of Stamboul concerns dirty work at the Suez Canal, orchestrated by a master spy (George Zucco) known only as "The Voice." U.S. intelligence agent Larry Wilson (Richard Denning) is dispatched to Egypt to prevent the theft of top-secret defense papers. Here he is detained by exotic dancer Lynette Garay (Lisa Ferraday), who is the unwitting pawn of The Voice and his henchmen. Director Ray Nazarro, borrowed from Columbia's "B"-western unit, does a competent job with the derring-do at hand. One of the many sinister-looking characters in Flame of Stamboul is played by Norman Lloyd, who later co-starred on TV's St. Elsewhere. ~ Hal Erickson, All Movie Guide

The popular radio detective series The Fat Man was brought to the screen in 1951, with the series' original star J. Scott Smart retained in the title role. Smart plays porcine sleuth Brad Runyon, who tackles the mystery surrounding the murder of a Los Angeles dentist. With the assistance of general factotum Bill Norton (Clinton Sundberg), Runyon follows the trail of clues all the way to a three-ring circus. Famed Barnum & Bailey clown Emmett Kelly makes his screen debut as one of the suspects; others essential to the action are such up-and-comers as Rock Hudson, Julie London and Jayne Meadows. The film's flashback-within-flashback structure helps to enliven its more verbose passages. For the most part, The Fat Man plays more like a radio show than a movie--at least until the exciting climax, inventively staged by director William Castle. ~ Hal Erickson, All Movie Guide

In Sirocco Humphrey Bogart is cast as Harry Smith, a casino operator in 1925 Damascus. For a tidy profit, Smith runs guns to the Arab insurrectionists attempting to overthrow the French Protectorate. Chastised by French Colonel Feroud (Lee J. Cobb) for his lack of morals and political convictions, Smith merely sneers in agreement. Before long, he has become romantically involved with Feroud's mistress Violetta (Marta Toren), who hopes to use Harry as means of escape to Cairo. Only after being betrayed by the Arabs and roughed up by the French authorities does our "hero" begin to behave ethically -- but by then, it's too late. A weak attempt by Bogart's Santana Productions to duplicate the success of Casablanca. ~ Hal Erickson, All Movie Guide

A married team of diamond smugglers enter New York to fence their purloined gems unaware that the wife is carrying the highly contagious, deadly smallpox virus. The crooks ensconce themselves in a hotel without realizing that the wife's every move is being monitored by a Treasury agent. The husband directs her to stay put while he goes off on business. Actually he is going out to tryst with his conniving sister-in-law. Back in the room, the wife feels ill and so creeps out to see a doctor. The T-man loses her trail. The doctor doesn't recognize the dread disease until much later and so the woman is free to travel about leaving a trail of death behind her. Once again she is followed, but the agents have a hard time keeping up with her. Eventually she finds her husband and learns the truth. Not only has he been unfaithful, he and her sister are planning to abscond with the jewels. A struggle between man and wife ensues culminating in the husband's death. Afterward the woman goes to authorities and before succumbing to the disease, provides them with a badly needed list of those she contacted. ~ Sandra Brennan, All Movie Guide

Gunmen of Abilene top-bills Republic western hero Allan "Rocky" Lane and his horse Black Jack. Lane plays a U.S. marshal who is sent to investigate a reign of outlaw terror in Abilene. He arrives in town incognito, securing a job as deputy sheriff. Soon he discovers that the outlaws want to scare off the populace so that they can claim the gold ore that rests beneath the town. It's no surprise that Roy Barcroft is the chief heavy, though it is a bit startling that Barcroft's partner-in-crime is played by Peter Brocco, an actor usually cast as a pasty-faced gangster henchman or communist spy. ~ Hal Erickson, All Movie Guide

Gene Kelly as an Italian-American attorney? Once you get past this, the rest of Black Hand ought to go down easy. This expose of organized crime is set in New York's "Little Italy" the late 19th century. The various Italian immigrant merchants find themselves at the mercy of the Black Hand, a group which extorts money upon threat of death. Seeking vengeance for the mob-dictated murder of his father, Kelly tries to gather evidence against the Black Hand. He is frustrated in his efforts until he teams with Italian/American police inspector J. Carroll Naish. Though Naish is eventually murdered while assembling evidence, he is able to mail his findings to Kelly, who, after beating crime boss Marc Lawrence to a bloody pulp, delivers the guilty parties to the authorities. In the real-life incidents upon which this film is based, it was the Mafia, not the Black Hand, who functioned as the villain. Even in 1950, however, Hollywood had to tread gingerly whenever dealing with big-time crime; it was easier (and safer) to go after a "dead" criminal organization than a "live" one. ~ Hal Erickson, All Movie Guide

Warren Quimby (Richard Basehart) has a problem that he won't admit to: his wife, Claire (Audrey Totter), wants more fun and excitement out of life than the quiet, soft-spoken pharmacist can give her. So she steps out on him regularly, something that Warren refuses to recognize until the day she packs her bags and announces she's moving in with Barney Deager (Lloyd Gough), the flashy, high-living salesman whom she's been seeing on the side. Warren goes to Deager's, to ask her to come back, and gets beaten up by his rival. The worm suddenly turns in his own quiet way of doing things, and Warren decides he's going to get even -- he's going to murder Deager, but to do it and not get caught, he bides his time. He begins building a new identity for himself, changing his appearance (starting with getting rid of his thick glasses in favor of then-newly-invented contact lenses), and establishing his alter ego of "Paul Sothern" at a new address. He then starts making threatening calls to Deager, identifying himself as Sothern, in order to establish a history of enmity between the two. It's all going according to plan -- he will kill Deager and the blame will fall on "Sothern," who, of course, doesn't exist, and will have vanished. But then he meets Mary Chanler (Cyd Charisse), a neighbor at "Sothern"'s apartment building, and the two become attracted to each other. For every step forward that he takes in his plan for murder, he also finds himself with new possibilities in his life, growing out of his relationship with Mary. Finally, the night comes when he breaks into Deager's home and is about to kill him, when it dawns on Warren that he doesn't need to do this....He awakens Deager and tells him what almost happened and that he's leaving, and Deager is welcome to Claire, and leaves. It seems as though he's averted disaster when Claire shows up later that night, pleading for reconciliation and finally, when pressed, telling him that someone has murdered Deager. The man has been shot, and the police, led by lieutenants Bonnabel (Barry Sullivan) and Gonsales (William Conrad), are hunting for Paul Sothern. Now Warren is scared for his life, having done his best to frame himself, and Claire isn't helping by trying to run interference -- he can't tell if she's trying to protect the two of them, implicate Sothern, or protect herself, and he's too scared to say almost anything at all to the detectives. ~ Bruce Eder, All Movie Guide

Warren Douglas is Post Office Investigator Bill Mannerson in this diligent Republic programmer. Top billing, however, is awarded to Audrey Long as villainess Clara Kelso. The "maguffin" is a collection of rare stamps, which the baddies attempt to steal from stalwart Mr. Mannerson. Aiding and abetting the hero is his spirited fiancee April Shaughnessy (Jeff Donnell). The film's most interesting performances are rendered by Marcel Journet as a cosmopolitan criminal mastermind and former boxer Richard Benedict as Journet's deaf-mute henchman. Originally clocking in at 60 minutes, Post Office Investigator seems to be brisker and more entertaining in the 48-minute version prepared for television. ~ Hal Erickson, All Movie Guide