Peter Brocco Movies

Of all the "kill the commies" cold war films of the 1950s, John Wayne's Big Jim McLain may well be the worst. Certainly it's the hardest one to sit through today. The Duke and his partner Jim Arness (Wayne's real-life protege) head to Hawaii to investigate a subversive pro-Red organization. Feigning love for suspect Nancy Olson, Wayne ferrets out the name of the Big Cheese, played by Gayne Whitman. After a long wild-goose chase, peopled by such oddball types as Hans Conried and Alan Napier, Wayne catches up with his quarry, who has--egad!--already murdered Arness. Wayne exacts vengeance, paving the way for a final clinch with Nancy Olson, who turns out to be true-blue and not red after all. To quote Spike Jones: "Peeeeee.....yewwwww." ~ Hal Erickson, All Movie Guide

In this final episode of the Boston Blackie mystery series, our hero and his side-kick find themselves accused of murder after they are seen exiting a Chinese laundry where the proprietor is soon found murdered. Blackie must find the real killers before he gets in real trouble. Action and mystery ensue. ~ Sandra Brennan, All Movie Guide

This comedy stars Ronald Colman as Beauregard Bottomley, a self-styled genius in need of a job. He applies for a position with a large soap company, but Burnbridge Walters (Vincent Price), the firm's willfully eccentric president, falls into a "trance" while interviewing Beauregard and decides not to give him the job. When Beauregard overhears his sister Gwenn (Barbara Britton) listening to a game show sponsored by Walters' soap company, he discovers the perfect means to get revenge -- each time a contestant answers a question correctly, they double their prize money. Beauregard gets a spot on the show and starts winning -- and doesn't stop. Before long, the company owes him $40 million and Beauregard hasn't even broken a sweat. Beauregard is poised to bankrupt Walters and destroy his company, so the soap tycoon persuades Flame O'Neal (Celeste Holm) to pose as a nurse who will (a) find out if there's anything Beauregard doesn't know, and (b) distract him romantically. While a critical success and something of a cult item, Champagne for Caesar was a box office disappointment on its initial release; Ronald Colman appeared in only two more films before his death eight years later. ~ Mark Deming, All Movie Guide

Marching into an open field, Saunders (Vic Morrow) and his men are greeted with a barrage of machine-gun fire by a wounded GI named Murfree (Roddy McDowall). Once he has downed his weapon, Murfree explains that he is on his guard against Nazi spies who, disguised as Americans, have infiltrated the Allied ranks. It turns out, however, that the baby-faced gunner is harboring a secret, which only a fellow soldier named Larkin (William Bryant) knows...and Murfree sees to it that Larkin will never tell. ~ Hal Erickson, All Movie Guide

Cripple Creek is an excellent example of Columbia's "A-minus/B-plus" Technicolor westerns of the 1950s. Government agent Bret Ivers (George Montgomery) goes undercover to infiltrate a gang of gold smugglers. Ivers and his two partners (Jerome Courtland and Richard Egan) face exposure and sudden death at every turn; indeed, one of the federal agents meets his demise before the film is a third over. The villains are the erudite-but-deadly Denver Jones (John Dehner) and the just-plain-deadly Silver Kirby (William Bishop). With so much already in its favor, Cripple Creek hardly needs a romantic interest, but Columbia had to keep contract actress Karin Booth busy, thus she shows up briefly as a flashy saloon gal. ~ Hal Erickson, All Movie Guide

Even though it's Thanksgiving Week, all days off at the LAPD are cancelled in hopes of capturing a brutal holdup man who preys upon helpless women. Knowing that the perpetrator has been haunting the streetcar routes and bus stops, the department assigns several policewomen decoys throughout the city--with each female cop backed up by two males. Meanwhile, Friday (Jack Webb) and Smith (Ben Alexander) are kept busy following up a number of false leads. Ultimately, the criminal is put out of business permanantly...but success comes at a terrible price for young police officer Barney Swanson (Norman Bartold). Adapted from the Dragnet radio broadcast of May 20, 1954, this classic black and white episode is readily available on a multitude of public-domain VHS and DVD collections. ~ Hal Erickson, All Movie Guide

Duffy of San Quentin is an Allied Artists low-budgeter based on the life of the warden who first introduced reforms in the infamous California penal institution. Appalled by conditions in San Quentin, the grey-haired Duffy inaugurates a series of improvements. He also sets up an honor system, which brings him under fire from conservative law enforcement agencies. The lumpy, episodic continuity of Duffy of San Quentin is due to the fact that the film is comprised of an hour-long TV pilot film, padded out with hastily assembled new footage. While Duffy was consigned to TV within two years of its release, the film did well enough to engender a sequel, The Steel Cage (likewise a pilot film). Ironically, Paul Kelly, who stars as Duffy in both films, served a prison sentence for manslaughter in the 1920s. The British title of Duffy of San Quentin is Men Behind Bars. ~ Hal Erickson, All Movie Guide

Carl Reiner's semi-autobiographical novel Enter Laughing makes a largely successful transition to the screen. Reni Santoni plays the Reiner character, here named David Kolowitz. A machinist's apprentice in Depression-era New York, David dreams of becoming the new Ronald Colman. Defying the wishes of his parents (Shelley Winters, David Opatoshu), David lands a nonpaying job in a seedy theatrical production directed by broken-down ham Marlowe (Jose Ferrer). That the young aspiring actor knows nothing about his "craft" is evident the moment he speaks his first stage direction--"Enter Laughing"--as if it were a line of dialogue. Helped along by Marlowe's sex-starved daughter Angela (Elaine May), David manages to survive the rehearsal period, but his first public performance threatens to become a disaster when he can't find the entrance to the set. Still and all, David makes it through the play, cheered along by his now-supportive parents. Blessed with a marvelous supporting cast--including Jack Gilford, Don Rickles, Janet Margolin and veteran black comedian Mantan Moreland--Enter Laughing is a riot, especially for those viewers who have ever participated in amateur theatricals themselves. Only Reni Santoni fails to ring true as David Kolowitz (a role played on stage by Alan Arkin), though he has a few choice scenes, especially his impromptu performance on a subway. Watch for Rob Reiner in his film debut as a clumsy, self-conscious actor. ~ Hal Erickson, All Movie Guide