Luther Davis Movies

Across 110th Street is a violent urban thriller about a corrupt, older white cop (Anthony Quinn) and an honest, young African-American cop (Yaphet Kotto) chasing three robbers-cum-murderers who ran away with $300,000 that belonged to the Italian mob. The police must find them before the sadistic Mafia henchman Nick D'Salvio (Anthony Franciosa) reaches them first. The film has reached a cult status; the title song, performed by Bobby Womack, was later used in Jackie Brown, Quentin Tarantino's extended homage to the crime flicks of the 1970s. ~ Yuri German, All Movie Guide

Psychologist Don Murray investigates the claim of Nobel prize winning scientist Ray Milland, who insists he has spoken to his young daughter. The thing of it is, the daughter has been dead for several weeks. At first dismissing the claims as the delusions of a grief-stricken man, Murray decides to stick with the case when he notices that the Government is acutely interested in Milland's ethereal "conversations". As the story unfolds, we learn that the apparitions are tied in with a complicated espionage plot. Daughter of the Mind was one of the first high-quality offerings of ABC's Movie of the Week series. The film also represented the TV-movie debut of Gene Tierney, as the other woman in the scientist's life. ~ Hal Erickson, All Movie Guide

Olivia de Havilland stars in this sensationalistic shocker as Mrs. Halyard, a wealthy widow recuperating from a broken hip. Inside her mansion, she becomes trapped between floors in her elevator. She activates an emergency alarm but succeeds only in attracting the attention of the wino (Jeff Corey), who steals goods from her house and sells them to a fence. The wino visits Sade (Ann Sothern), a prostitute, who spreads the plight of Mrs. Hilyard's dilemma to three young hoods, Randall (James Caan), Elaine (Jennifer Billingsley), and Essie (Rafael Campos). The trio follows the wino and the hooker back to the mansion, where they have an orgy, kill the wino, and lock Sade in a closet. Randall taunts Mrs. Hilyard and confronts her with a nasty suicide note from her son, Malcolm (William Swan). Mrs. Hilyard, mustering up her strength, attempts to fight back against Randall and the two other goons. ~ Paul Brenner, All Movie Guide

This episode offers a fascinating glimpse into the mindset of American war correspondents, some of whom regarded themselves as "above" such inconveniences as following military protocol and remaining within established Allied perimeters. When reckless American photographer Eleanora Hunt (Elizabeth Allen) becomes stranded in "No Man's Land," Hanley (Rick Jason) is ordered to bring her back. His task is made even more difficult by the fact that Eleanor seems to regard WW2 merely as an opportunity for her own professional advancement, thus putting the lives of her would-be rescuers in serious jeopardy. ~ Hal Erickson, All Movie Guide

Director Henry Levin followed up this light romantic comedy with Where the Boys Are and started a beach trend going. This conventional story stars one of his favorite actors Clifton Webb as Robert Dean, the father of two lively teen-age daughters. He and his wife Mary (Jane Wyman) accompany their daughters on a South American junket. Meg (Jill St. John) and Betsy (Carol Lynley the 17-year-old model turned actress) are the teens. Since Robert is a psychiatrist, one would assume he has the inside scoop on the teen years, but as the family make stops in Lima, Sao Paulo, and Rio de Janeiro it is clear that the daughters are winning the day. Handsome young men enter the picture, and it is not long before romance follows right behind. ~ Eleanor Mannikka, All Movie Guide

Luther Davis' racy wartime comedy Kiss Them for Me was expurgated a bit for the 1957 film version. Cary Grant, Ray Walston and Larry Blyden portray three navy war heroes who've been booked on a morale-building "vacation" in San Francisco. Eluding their ulcerated public relations officer (Werner Klemperer), the trio arranges a wild party with plenty of pretty girls. Cary Grant is paired with knockout Suzy Parker, an icy socialite who eventually thaws under his charms. Also on hand is Jayne Mansfield, playing a "good time girl" whose profession was a bit more explicit in the original play; the role was originated by Judy Holliday, who brought a wistfulness to the character that Ms. Mansfield couldn't quite manage. TV sitcom fans will get a kick out of the supporting cast of Kiss Them For Me: Ray Walston, later star of My Favorite Martian plays a libertine navy officer; Werner Klemperer, shorn of the accent he'd use as Colonel Klink in Hogan's Heroes, is hilarious as the flustered p.r. man; and Richard Deacon (Leave It to Beaver, The Dick Van Dyke Show) pops up unbilled as a dour businessman who can't understand the war-hero mystique. ~ Hal Erickson, All Movie Guide

Producer Leonard Sillman's 1952 edition of his popular Broadway revue New Faces was filmed just as it was staged, save for a wraparound fictional romantic story. The newly grafted plotline involves the efforts of director Ronny Graham to stave off an angry creditor long enough to open his show. We occasionally cut away to the backstage intrigues, but never long enough to take anything away from Sillman's talented cast of newcomers. The cast includes Eartha Kitt, singing such standards-to-be as "C'est Ci Bon" and "Monotonous"; Robert Clary, doing a medley of his hit "I'm in Love With Miss Logan"; Alice Ghostley, belting forth a brace of satirical torch songs; Paul Lynde (heavier than we're used to seeing him), offering his "safari" monologue and later participating in a screamingly funny Death of a Salesman takeoff; and Ronny Graham, performing an extended lampoon of either Tennessee Williams or Truman Capote (we aren't too sure; judge for yourself). Carol Lawrence also makes her first film appearance herein. The Broadway production's biggest song hit, "Love Is a Simple Thing," is sung and danced to the oversaturation point. Among the many writers was a young fellow by the name of Melvin Brooks (that's how he's billed). Its production flaws and budget shortcomings notwithstanding, the widescreen, full-color New Faces offers a rare opportunity for a 1990s audience to see what a '50s-style musical revue really looked like to the opening-night crowd. ~ Hal Erickson, All Movie Guide

Gene Kelly as an Italian-American attorney? Once you get past this, the rest of Black Hand ought to go down easy. This expose of organized crime is set in New York's "Little Italy" the late 19th century. The various Italian immigrant merchants find themselves at the mercy of the Black Hand, a group which extorts money upon threat of death. Seeking vengeance for the mob-dictated murder of his father, Kelly tries to gather evidence against the Black Hand. He is frustrated in his efforts until he teams with Italian/American police inspector J. Carroll Naish. Though Naish is eventually murdered while assembling evidence, he is able to mail his findings to Kelly, who, after beating crime boss Marc Lawrence to a bloody pulp, delivers the guilty parties to the authorities. In the real-life incidents upon which this film is based, it was the Mafia, not the Black Hand, who functioned as the villain. Even in 1950, however, Hollywood had to tread gingerly whenever dealing with big-time crime; it was easier (and safer) to go after a "dead" criminal organization than a "live" one. ~ Hal Erickson, All Movie Guide

When he was first offered the film version of the best-selling Frederick Wakeman novel The Hucksters, Clark Gable turned it down, characterizing the book as "filthy and not entertainment." He finally agreed to star in the film after screenwriter Luther Davis' extensive laundering job. Gable plays Vic Norman, a radio advertising executive just returned from World War II. His wartime experiences have soured him on the phony aspects of his profession; nonetheless, he takes a job with the biggest and phoniest agency in town, headed by the glad-handing Kimberly (Adolphe Menjou). At Kimberly's recommendation, Vic takes over the Beautee Soap account, which brings him in close quarter's with Beautee's boorish head man Evans (Sidney Greenstreet). At their first meeting, Evans unexpectedly spits on his highly polished conference table. "Gentlemen," he growls, summing up his philosophy on advertising, "You have just seen me do a disgusting thing. But you will always remember it!" (Evans was based on George Washington Hill, the colorfully crude president of the American Tobacco Company). Vic's first assignment for Evans is to round up 25 high society women to sign testimonials for Beautee Soap. The least cooperative of the bunch is young widow Mrs. Dorrance (Deborah Kerr, in her American film debut), the stepdaughter of an American war hero. Attracted to Vic, Mrs. Dorrance signs the agreement, but breaks off her personal relationship with Vic when it appears as though he's making unsolicited advances towards her. The ever-demanding Evans then insists that Vic sign up two-bit comedian Buddy Hare (Keenan Wynn) for a radio program. Becoming more and more corrupt with each passing day, Vic obtains Hare's service at a rock-bottom price by blackmailing the comedian's agent (Edward Arnold), Vic's onetime close friend. A demo record is made of Hare and of nightclub singer Jean Ogilvie (Ava Gardner), who is in love with Vic but who eventually gives him up because of his apparent lack of scruples. Returning to the Beautee Soap headquarters, Vic watches dumbstruck as Evans smashes the demo record--then laughs uproariously, telling Vic that the contract is his, along with a $25,000 bonus. By this time, Vic is so disgusted with himself and with Evans' childish baiting tactics that he tells off the soap mogul in no uncertain terms, ending his tirade by dousing Evans with a pitcher of water. Having regained his integrity, Vic is now worthy of the love of Mrs. Dorrance, who has forgiven him his earlier misdeeds. As the film ends, she encourages Vic to use his advertising talents for something clean and honest (and, undoubtedly, starve to death in the process!) To mollify Madison Avenue, screenwriter Davis narrowed the attack on advertisers to one single radio sponsor; to please Gable, Mrs. Dorrance was changed from a still-married woman to a widow, while Vic Rodman is transformed from a "huckster" to an idealist who Does the Right Thing at the end. The Hucksters is one of Clark Gable's best postwar films, as well as one of the finest Hollywood satires of the rarefied world of advertising. ~ Hal Erickson, All Movie Guide