Julie Davis Movies

An award-winning film school graduate is forced to confront her sexual hang-ups when she makes the move to Los Angeles and reluctantly becomes an editor at a profitable pornography studio. Jody Balaban (Leelee Sobieski) is a 25-year-old filmmaker who's about to get a rude awakening. Despite Jody's collegiate success, she's still unemployed a year after graduating, and she's about to be faced with one of the most difficult decisions of her life. Jody isn't a fan of pornography, but it seems that an editing position at Grind Productions is her best shot at earning a steady paycheck. With great reluctance, the idealistic Jody goes to work cutting skin flicks by day, and scheming to realize her own personal vision as a filmmaker by night. Before long, Jody and Grind Productions director Jeff Drake (Matthew Davis) have become fast friends. Much like Jody, Jeff was once a "serious" filmmaker with ambition to spare. Jeff sees a little of himself in Jody, though these days his youthful idealism has long since given way to jaded cynicism. Meanwhile, as Jody begins feeling aroused by the very films she once judged so harshly, she realizes that the only way to truly live free is to finally face her own sexual hang-ups. ~ Jason Buchanan, Rovi

Actor and playwright Dan Bucatinsky wrote the screenplay for this adaptation of his play I Know You Are, But What Am I?, though for the big-screen version, his slightly fractured love story was given a same-sex twist. Eli (Dan Bucatinsky) is a journalist working with a major L.A. newspaper who is single and not loving it. Eli is also gay, and makes no secret of the fact that he's looking for a nice guy that he can settle down with. Eli's best friend Brett (Adam Goldberg) knows a woman named Jackie (Sasha Alexander), who says she has a friend who would be perfect for Eli. Thus Eli is introduced to Tom (Richard Ruccolo), a special education instructor and devoted nightlife enthusiast. Eli and Tom's first date turns out to be just short of a disaster; Tom indulges in his overweening enthusiasm for alcohol and tobacco, and Eli is disgusted to learn Tom has never seen Gone With the Wind. Things appear to be over for Eli and Tom before they even started, until they meet by chance while shopping a few days later; this time, a conversation rather than an argument develops, and the two end up spending the night together. Eli begins to think love may have finally found him, until Tom dashes off the next morning, leaving Eli to wonder if Tom has any interest at all in a long-term commitment. All Over the Guy also features small cameo roles by Lisa Kudrow, as an actress not skilled in voice-over work, and Christina Ricci as Eli's cynical sister. ~ Mark Deming, Rovi

In this independent comedy about the pitfalls of romance in the 1990s, Katie (Marla Schaffel) is a 25-year-old aspiring songwriter living in Los Angeles. Katie is also a virgin; she's been saving herself for the perfect man, but with the passage of time, she's becoming more firmly convinced that he doesn't actually exist. Katie frequently commiserates about the sad state of her love life with her friend Janet (Meredith Scott Lynn), who left her virginity behind a long time ago in the pursuit of a good orgasm but isn't having any more luck in landing her dream man. Katie is good friends with Ben (Mitchell Whitfield), a sweet but nebbishy guy who is crazy about Katie and wants to move their relationship from the platonic to the romantic. Katie, however, doesn't think he's the right man, and she prefers to keep him at arms length; she's shocked (but probably shouldn't be) when Ben ends up sleeping with Janet. When Katie meets Richard Webber (Michael Harris), a successful British songwriter, she thinks that she may have finally found the handsome prince she's been waiting for, but she soon discovers that he's merely a charming frog with a lot of empty promises. Julie Davis, who wrote, produced, directed, and edited I Love You . . . Don't Touch Me!, also appears in a supporting role as Lisa. ~ Mark Deming, Rovi

The thin storyline for this film is that three young women hope to gain a foothold in the acting profession, so they perform nude in front of the window of the disk jockey (Mad Man Jack played by Al Music) who is running a contest that would launch their careers. Along with many songs by a wide variety of groups -- from The Police to Blondie -- are crowds of young women cheerleading, doing aerobics, hang gliding, wind-surfing, and performing any number of physical feats. Other than music and nubile women in sporting events, the film has little to say and was never released theatrically. ~ Eleanor Mannikka, Rovi