Frank Davis Movies

Betty Smith's best selling novel A Tree Grows in Brooklyn inspired an Oscar-winning 1945 film, a play and a Broadway musical; this 1974 73-minute telefilm - a pilot for a weekly series drama -- represents the fourth incarnation. Cliff Robertson plays Johnny Nolan, a bibulous waiter living in turn-of-the-century Brooklyn. When Nolan dies, it is up to his widow Katie (Diane Baker) to carve out an existence for herself and her children Francie (Pamelyn Ferdin) and Neely (Michael James Wixted). Ultimately, Katie marries kindly Brooklyn cop McShane (James Olson). Nancy Malone costars as Katie's promiscuous sister Sissy. First telecast March 27, 1974, A Tree Grows in Brooklyn failed to generate high enough ratings for a regular series. ~ Hal Erickson, All Movie Guide

In providing the "synopsis" for Are Husbands Necessary?, one best-selling film source says merely "And what about this film?" There's more to the story than that, of course--but not much. The film was based on Mr. and Mrs. Cugat, a novel by Frank Davis. Ray Milland and Betty Field play a warring married couple who hope to patch up their differences by adopting a baby. When Milland's ex-flame Patricia Morrison shows up unexpectedly, the fur flies. ~ Hal Erickson, All Movie Guide

Colonel Tim McCoy's third western for MGM starred the former Indian sign language interpreter as an army captain facing demotion until successfully defeating a gang of Mexican cutthroats. Set in old California, the film depicted several real-life American heroes, including Kit Carson (Fred Warren) and Brig. Gen. Stephen Kearney (played by Romaine Fielding who, for now obscure reasons, billed himself Edwin Terry). The only series western star MGM ever had, McCoy enjoyed five releases in 1927 alone. ~ Hans J. Wollstein, All Movie Guide

Denzel Washington stars in this adaptation of the novel by African-American crime author Walter Mosley, the first of his stories to reach the screen. Ezekiel Rawlins (Washington), known to his friends as "Easy," has just lost his job at an aircraft plant in post-WW II Los Angeles, a time when good-paying jobs for black men are hard to come by. He's wondering how to make his mortgage payment when he's approached by De Witt Albright (Tom Sizemore), who describes his job as "doing favors for friends." It seems that a woman named Daphne Monet (Jennifer Beals) has gone missing; Daphne is the former girlfriend of wealthy mayoral candidate Todd Carter (Terry Kinney) and a known habitué of the black jazz clubs and night spots on L.A.'s Central Avenue. Albright offers Easy $100 to help him find Daphne, and while he doesn't have any detective experience, the price is right, so Easy agrees. After a passionate affair with a friend of Daphne's, Coretta James (Lisa Nicole Carson), leads to that woman's murder, Easy enlists the help of his friend Mouse (Don Cheadle), who seems to know just a bit too well how to use a gun, which gives Easy all too clear a look at the lower depths of L.A.'s upper crust. ~ Mark Deming, All Movie Guide

Directed by Gregory Hoblit (Primal Fear), Fallen is a blend of the police drama and supernatural thriller genres. Homicide detective John Hobbes (Denzel Washington) narrates, taking the audience back to "the time I almost died." This sets a flashback in motion, beginning at the prison cell of serial killer Edgar Reese (Elias Koteas), who grabs Hobbes' hand and sings the Rolling Stones' "Time Is on My Side." After Reese is executed, Hobbes and his partner, Jonesy (John Goodman), find a seeming copycat killer, committing murders in a manner not unlike Reese. Hobbes is drawn into the occult after he meets theology professor Gretta Milano (Embeth Davidtz), the daughter of a dead police officer. Hobbes becomes a suspect himself, but he continues his search for the truth. Co-producer Dawn Steel died just as this film was due for release. ~ Bhob Stewart, All Movie Guide

John DeBello, the man who brought you The Attack of the Killer Tomatoes back in 1978, was responsible for the 1987 fantasy farce Happy Hour. The premise: a Coors-like beer manufacturer stumbles onto a secret ingredient that compels the guzzlers of America to consume its product exclusively. The complication: the magic formula has been stolen by a rival brewery. The original beermeisters send Rich Little out to steal back the formula, while the rival company dispatches Jamie Farr to prevent Little from completing his mission. Upon meeting one another, Rich and Jamie discover that they're old college chums and former student activists. Together, Little and Farr attempt to foil the mercenary machinations of both beer companies. Is Happy Hour as funny as John DeBello imagined it to be? Let us merely observe that the film's high point is a shot of a group of six-year-olds chugging beer, and that the closing image is of a pretty blonde who chastises the audience for not being smart enough to follow the plot. ~ Hal Erickson, All Movie Guide

Burt Lancaster stars as Jim Thorpe, the Native American sports whiz whom many consider the greatest athlete of the 20th century. We first see Thorpe as a child on the reservation, highly resistant to the notion of going to school. He proves to be an excellent student, eventually attending the all-Indian college in Carlisle, Pennsylvania. Still, Thorpe doesn't feel like mixing much with the other students until coach Charles Bickford encourages the lad to go out for the track team. Thorpe finds that he can be more "articulate" as an athlete than as a scholar, and soon excels at all school sports. He also marries his college sweetheart, non-Indian Phyllis Thaxter. After graduation, Thorpe tries to get a coaching job, but is frozen out by the white establishment. Determined to make a name for himself, he enters the 1912 Olympics at Stockholm, where he earns more gold medals than anyone else and is praised as the world's greatest athlete by the King of Sweden. Unfortunately, the fact that Thorpe briefly played semi-professional baseball while attending Carlisle costs him his amateur status--and every one of his medals. Things go from bad to worse for Thorpe after this; his son dies, his marriage disintegrates, and he crawls into a bottle. Thorpe has hit rock bottom when he is reunited with his old coach Bickford, who offers Jim a ticket to the 1932 Olympics in Los Angeles. It is the first small step on the road to regeneration for Jim Thorpe (alas, real life was not so kind; Thorpe died in near-poverty, and it was not until years after his death that his Olympic medals were restored). Jim Thorpe, All American was directed by Michael Curtiz, who previously had secured small acting roles for the real Thorpe in such films as Knute Rockne: All American (1940). ~ Hal Erickson, All Movie Guide

Director Sam Wood always seemed most comfortable with cozy family-oriented films like Lord Jeff. Freddie Bartholomew plays Geoffrey Braemer, a basically good kid who falls in with bad company. The orphaned Geoffrey is being used as part of jewel-theft scheme masterminded by his so-called aunt Doris Clandon (Gale Sondergaard) and her confederate Hampstead (George Zucco). Left holding the bag when his cohorts skip town, Geoffrey is saved from reform school by kindly Captain Briggs (Charles Coburn), who enrolls the boy in the Russell-Cotes Merchant Marine Training School. At first antagonistic, Geoffrey eventually makes friends with his fellow students, especially Irish boyo Terry O'Mulvaney (Mickey Rooney). A series of misunderstandings brings disgrace upon Geoffrey, but he redeems himself by delivering Doris and Hampstead into the waiting hands of Law-with a little help from his new shipmates, of course. A teenaged Peter Lawford makes his American film debut as Geoffrey's school chum Benny Potter. ~ Hal Erickson, All Movie Guide

Scripted in another era, the premise for this interesting though conventional drama defending a partially mixed marriage would not be as convincing a few decades later. Chuck Nelson (John Drew Barrymore) is a wealthy young man who travels South of the border and meets and then marries Ginny (Julie London). His new bride is a wonderful woman until Chuck's socialite mother (Agnes Moorehead) discovers that one of Ginny's grandparents was of African ancestry. The imperious mother-in-law lands the new couple in an embittered court battle as she makes every attempt to annul their marriage. Nat "King" Cole plays Ginny's uncle, and Anna Kashfi is Maria, her cousin. ~ Eleanor Mannikka, All Movie Guide

A romantic triangle heats up the Alaskan tundra in this romantic comedy. Bascom Dinsmore (Robert Montgomery) is a radio operator who is stationed at a remote outpost in the frozen plains of Alaska. Dinsmore gets very little in the way of companionship, particularly of the female variety, so he's more than a bit enthusiastic when lovely Irene Champion (Myrna Loy) and her wealthy British groom-to-be Sir James Felton (Reginald Owen) have to make an emergency landing near his cabin. Dinsmore takes an immediate liking to Champion, and she appears to feel the same, much to the consternation of Felton. As Dinsmore and Felton wage a merry battle over Champion's hand, Clara Wilson (Winifred Shotter), Felton's former fiancée, arrives on the scene, eager to win back the affections of her now-wealthy ex-boyfriend. ~ Mark Deming, All Movie Guide

Springfield Rifle was Gary Cooper's third western in a row, released not long after the classic High Noon. Cooper plays Union army officer Lex Kearney, who undertakes a covert investigation to find out why the North's supply of horses has suddenly diminished. Because of the top-secret nature of his mission, Kearney is forced to distance himself from everyone he knows, including his wife Erin (Phyllis Thaxter) and son Jamie (Michael Chapin). Heading to a remote cavalry post, he discovers that renegade soldiers have been stealing horses and selling them to the South. Someone at the post has been operating as the thieves' "inside man," and Lex, posing as a dishonorably discharged soldier, aims to ferret out the traitor. Had it not followed directly on the heels of the critical and financial success of High Noon, Springfield Rifle might have fared better with audiences and reviewers. ~ Hal Erickson, All Movie Guide

For his initial effort from his own Norma Productions, Burt Lancaster picked a winner in Ten Tall Men. Lancaster stars as "Sergeant Mike," a two-fisted Foreign Legionnaire presiding over a lovable band of mercenaries, sneak thieves and cutthroats. While sitting in the stockade for the umpteenth time, Mike learns of a Riff plan to attack his fort. He and his men break jail and embark on their own attack of the Riffian encampment. Part of their strategy (much of which is improvised on the spot) is to kidnap Mahia (Jody Lawrence), the toothsome daughter of the Riffian sheik. Understandably, Mahia despises her captors until she realizes that the film's real villain is the covetous Caid Hussan (Gerald Mohr). This one's got everything, from a campy reenactment of a key scene in Beau Geste to the old reliable threat of a red-hot iron upon female flesh. Mari Blanchard, fully clothed for a change, shows up early in the film as a coquettish French mademoiselle who foments an all-out donnybrook among Mike and his fellow legionnaires. With the exceptions of Jody Lawrence and Gerald Mohr, no one in Ten Tall Men takes the proceedings too seriously; the film has some of the cheeky insouciance of Lancaster's subsequent swashbuckler The Crimson Pirate. ~ Hal Erickson, All Movie Guide