Charles Davis Movies

1993  
R  
In this erotic thriller a Hollywood porno director does far worse than seduce aspiring starlets upon his casting couch. His favorite trick is to tape them to chairs, focus a live camera on them and a monitor in front so they can watch while he strangles them to death. The strange series of deaths puts Detective Lewis and his partner Barry on the case. Meanwhile, the psycho director's beautiful neighbor, Nola Carlisle gets rid of her boy friend and begins eyeing the rather shy killer. She approaches him about putting together a promo video for her art and he agrees to it. They eventually end up making love and afterward, he confesses all. He does try to clean up his act, but by then it is too late. ~ Sandra Brennan, All Movie Guide

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1992  
R  
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Actor Robert De Niro started a production company to make films just like this one: stories which were unpopular with the establishment and which are unlikely to make a big splash at the box-office. Even so, this is a first-class production, and the filmmakers were the first to receive permission to film on the Pine Ridge (Sioux) Reservation in South Dakota, likely due to director Michael Apted's having previously made an accurate and sensitive documentary about Indian political prisoner Leonard Peltier's case, Incident at Oglala. The film did exactly as well as expected at the box-office but has since assumed greater importance as one of the tiny number of "mainstream" movies which faithfully and respectfully illuminate Native American issues. In the story, loosely based on the earlier documentary, Ray Levoi (Val Kilmer) is an ambitious up-and-coming FBI agent in the 1970s with great career prospects. The one thing he will not tolerate is any reference to his half-Indian heritage. As far as he is concerned, his loyalties and culture identify him with the government and his white mother. He is extremely touchy about anything to do with his father, who was an alcoholic full-blooded Sioux. However, the FBI wants to take advantage of his half-Indian blood to mend fences in a politically sensitive murder investigation, and it sends him exactly where he doesn't want to go. Further, he is widely advertised as being Indian, though he knows virtually nothing about his heritage and has renounced it to the best of his ability. Once on the reservation, he becomes deeply involved in a truly messy state of affairs and is drawn into situations where he is forced to confront his background, native spirituality, and the duplicity of the government and its allies within the tribe. Despite his consistent prickliness about his heritage, his heart is in the right place, and the reservation's sheriff (Graham Greene) and a wise spiritual elder (Chief Ted Thin Elk) patiently lead their unwilling FBI pupil on a soul-wrenching wild goose chase which paradoxically takes him straight to the heart of the matter. ~ Clarke Fountain, All Movie Guide

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Starring:
Val KilmerGraham Greene, (more)
1988  
 
In this socially-conscious drama, a migrant worker finds a new job on a plantation. He isn't there very long before he discovers that the local union leader is in cahoots with the plantation owner in a scheme to mistreat the other workers. Upon hearing this, the newcomer helps the workers to stand up for their rights. ~ Sandra Brennan, All Movie Guide

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Starring:
Darlanne FluegelMichael Moore, (more)
1987  
 
During a non-stop flight to London, a valuable necklace is stolen and the courier hired to guard the necklace is poisoned. One of the passengers is Jessica Fletcher (Angela Lansbury), who of course offers her services to Scotland Yard as they try to retrieve the gems and catch the killer. Among the main characters in this melodrama are a famous actress, a taciturn former police officer, and a furtive-looking tourist couple. ~ Hal Erickson, All Movie Guide

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1986  
PG  
In this Road Warrior clone, an aging trucker spends his retirement mining an old cobalt mine with the assistance of his devoted grandson. A good friend lures the trucker out of retirement by offering him a quarter of a million dollars to drive some plutonium from Nevada to a high-security operation in Arizona. He begins his trek in a high-tech rig unaware that terrorist are waiting to ambush him and his deadly cargo. ~ Sandra Brennan, All Movie Guide

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Starring:
Forrest TuckerJohn Ireland, (more)
1977  
 
In this TV pilot that spawned a brief series on NBC during 1977-78, Patrick Duffy plays the title character--an amphibian/human, equipped with gills--who washes up on shore and is taken to the hospital to recover. When the American government finds out his identity, it recruits him to help in the recovery of a secret submarine. ~ John Bush, All Movie Guide

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1973  
PG  
Happy As the Grass Was Green still stands as one of the few Mennonite-related films ever made. Graham Beckel plays an aimless hippie who visits his friend's Pennsylvania home town on the occasion of his friend's brother's death. The community is primarily Mennonite, whose lifestyle intrigues Beckel. Slowly undergoing a religious conversion, Beckel elects to renounce beads and bongs to join the small, devoutly religious community. While the cast includes such recognizable favorites as Pat Hingle and Geraldine Page, most of the cast of Happy As the Grass Was Green consists of genuine Pennsylvanian Mennonites. The film was based on a novel by Merle Good. ~ Hal Erickson, All Movie Guide

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1972  
 
Created for the "dime novels" in 1886, scientific detective Nick Carter has been transferred to film and radio several times in the past six decades, though most of these projects have tended to update his adventures. 1972's made-for-TV Adventures of Nick Carter restores the "turn of the century" surroundings of the original stories. Robert Conrad (somewhat older than his literary counterpart) portrays Nick Carter, a New York private investigator hired to locate the missing wife of a wealthy "robber baron" playboy. He also devotes some time to locating the murderer of a close friend. Though hampered by a tight budget, the film does a nice job recreating a 19th century world of crooked cops, graft-greedy politicians, all-powerful plutocrats, raggedy paper boys and Lower East Side lowlifes. Adventures of Nick Carter was one of three pilots for a projected "rotating" series of TV detective shows based on famed literary sleuths; the other two series in this aborted project were to have spotlighted the adventures of Sherlock Holmes and Hildegarde Withers. ~ Hal Erickson, All Movie Guide

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Starring:
Robert ConradShelley Winters, (more)
1971  
 
Jack Hill directed this alternately brutal and campy look at desperate women behind bars. An American named Collier (Judy Brown) has been convicted of murder in the Philippines and is sentenced to a grim women's prison in the jungle, where a mysterious German woman, Miss Deitrich (Christiane Schmidtmer), is the warden, and her head guard, sadistic Lucian (Katheryn Loder), keeps her charges in line through intimidation and violence. Collier shares a cell with tough-talking bisexual prostitute Grear (Pam Grier), hard-boiled political prisoner Bodine (Pat Woodell), thick-skinned but good-humored Alcott (Roberta Collins), drug-addicted Harrad (Brooke Mills), and tight-lipped Ferina (Gina Stuart). Bodine's boyfriend is the leader of an underground revolutionary faction, and when she learns he and his comrades are in danger, she begins to plot an escape for herself and her cellmates, with travelling peddlers Harry (Sid Haig) and Fred (Jerry Frank) becoming her unwitting collaborators. Meanwhile, Lucian is stepping up her torture of the prisoners at the behest of a mysterious masked stranger, and Collier is determined to find out who is behind the systematic brutality. The Big Doll House was the first "Women In Prison" exploitation epic produced for Roger Corman's New World Pictures; it was a big hit on the dive-in and grind house circuit, and spawned dozens of imitations (which are still being produced today). By the way, that's Pam Grier singing the theme song! ~ Mark Deming, All Movie Guide

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1968  
 
When a young resident of a peaceful Mexican village is brutally raped to death, the evidence points to one of three strangers in town, all of whom are Mexican-hating Anglo-Americans. The father of the dead girl hates all whites and is eager to lynch all three to make sure they get the culprit, but the sheriff, even though he too is not fond of the gringos either, fights to see that real justice prevails. ~ Sandra Brennan, All Movie Guide

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Starring:
Fernando LamasAldo Ray, (more)
1961  
 
Whenever the betwiching Roxane Berard guest-stars on Maverick, there's bound to be some elegant larceny, with at least one member of the Maverick clan ending up the victim. In this particular episode, Berard is cast as Danielle de Lisle, an apparent damsel in distress who asks Beau Maverick (Roger Moore) to safeguard a precious diamond. Sure enough, Beau is tricked into substituting a fake diamond for the genuine article--and ends up in jail for his troubles. ~ Hal Erickson, All Movie Guide

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1960  
 
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In this slightly muddled crime drama, a young man, Kelly (Doug Wilson), comes back to Los Angeles once he learns his brother has been murdered, and then he has to fight off suspicion by the police. Suspicion is natural in his case because he is a reformed thief. Kelly's luck could not be worse. He is beaten up by the gangster responsible for his brother's murder and his own mother turns him in to the cops. Even though his girlfriend Jill (Jeanne Baird) stands by him, the future looks anything but rosy as the police continue tallying him up as a loser. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Jeanne BairdMarilyn O'Connor, (more)
1960  
 
Billy Banjo (Jacques Aubuchon), an old friend of Paladin (Richard Boone), is currently running for the Wyoming State Senate. Billy's wife Elise (Rita Lynn) is so devoted to her husband that she is willing to do anything--anything!--to assure his victory. As a result, a nervous Billy hires Paladin (Richard Boone) to prevent Elise from arranging the murder of the opposing candidate! ~ Hal Erickson, All Movie Guide

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1960  
 
One of John Cheever's best known (and most often dramatized) short stories is basis for this tense episode. While riding home from his office on the 5:48 commuter train, married suburbanite James Blake (Zachary Scott) is confronted by Iris Dent (Phyllis Thaxter), his former secretary -- and former mistress. Pulling a gun on Blake, Iris intends to exact vengeance for being spurned and humiliated by him. Although the situation heats up as the train ride continues, Iris' revenge turns out to be a dish best served cold -- and dirty. ~ Hal Erickson, All Movie Guide

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1959  
 
Talented special effects and adventure director Michael Anderson (Around the World in 80 Days, 1956) keeps the suspense going in this drama about the wreck of the Mary Deare. John Sands (Charleton Heston) is the captain of a salvage ship that is almost rammed by the apparently abandoned Mary Deare. Sands boards the ship in search of plunder but as it is tossed on the high seas, he discovers a half-crazed captain aboard (Gary Cooper). The captain of the Mary Deare, Gideon Patch, tells Sands his story and in the end, the ship is scuttled and sinks. While Sands believes the story, the court does not believe it and Captain Patch is devastated. Determined to prove his innocence, the two captains dive down to the sunken Mary Deare to dredge up the evidence they need -- building up to a slam-bang climax. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Gary CooperCharlton Heston, (more)
1959  
 
The third season of Perry Mason begins with a typically baffling set of circumstances. Just before he left for a business trip, henpecked Bruce Chapman (Karl Weber) stumbled upon the strangled body of his hateful wife Marie (Peggy Knudsen). Deciding not to press his luck, Bruce did not report the crime. Upon his return, Bruce is charged with murder--even though all evidence suggests that his wife is still very much alive! To be sure, there has been a murder, and there is a culprit; it's up to Perry Mason (Raymond Burr) to figure out who did what to whom. ~ Hal Erickson, All Movie Guide

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1958  
 
A sweet but scatterbrained old lady named Nora Mae Quincy (Lenore Shanewise) comes to Perry Mason (Raymond Burr) with the slightly garbled story that her employer George Gordon (Edward Norris is a murderer--and will soon murder again. Nora is the nurse of Gordon's second wife Louise (Susan Dorn), whom Nora suspects is being poisoned by Gordon, offering as evidence the fact that man's first wife also died from an "accidental" poisoning. As it turns out, however, it is Nora who is accused of the second Mrs. Gordon's murder--but that doesn't necessarily mean that she's been framed by her boss. Based on a 1951 novel by Perry Mason creator Erle Stanley Gardner, this episode would be refilmed in 1964 as "The Case of the Woeful Widower". ~ Hal Erickson, All Movie Guide

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1957  
 
London, 1912: Sam Saunders (Charles Davis), wastrel son of kindly pawnbroker Joe Saunders (Edmund Gwenn), thinks nothing of taking advantage of his father's generosity. After nearly exhausting the senior Saunders' bank account, the shameless Sam schemes to increase his wealth by turning Joe in to the police for aiding and abetting a fugitive named Gus (Frederick Worlock). Will Joe finally give his son his comeuppance, or will Sam collect the reward money on his dad and live happily ever after? ~ Hal Erickson, All Movie Guide

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1957  
 
Everybody overreacts when Beaver (Jerry Mathers) gets an unusually high score on an IQ test. Ward (Hugh Beaumont) and June (Barbara Billingsley) are all but bursting with pride, while principal Miss Rayburn (Doris Packer) is convinced that our hero should be enrolled in a school for gifted children. It's quite a jolt for Beaver, therefore, when he is informed that his score was accidentally switched with that of another student -- and now he's got to tell everyone he's the same old "dumb" Beav. ~ Hal Erickson, All Movie Guide

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Starring:
Doris PackerJohn Hoyt, (more)
1957  
 
A strangler is plaguing fog-bound London, and each time the culprit strikes, two men are the first to arrive at the murder scene. One of them is Ottermole (Theodore Bikel), the police sergeant investigating the murders; the other is an obnoxious newspaper reporter (Charles Davis). Trouble is, the reporter always manages to beat the detective to the crime scene -- a fact that will result in tragedy for at least one of the two protagonists. Generally regarded as one of the best mystery stories ever written, Charles Davis' The Hands of Mr. Ottermole had previously been dramatized on both the radio and TV versions of Suspense. ~ Hal Erickson, All Movie Guide

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1957  
 
Previously filmed as a theatrical feature in 1939, Alec Coppel's semi-serious mystery play I Killed the Count was adapted 17 years later as Alfred Hitchcock Presents' only three-part episode. In part three, Inspector Davidson (John Williams) is no closer to solving the murder of Count Martoni than he was in parts one and two -- especially since no fewer than three people have come forward, confessing to the crime. Finally, Davidson is able to separate wheat from chaff and determine who is truly guilty...but he may be forced to free the miscreant on a legal technicality. ~ Hal Erickson, All Movie Guide

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1957  
 
Previously filmed as a theatrical feature in 1939, Alec Coppel's semi-serious mystery play I Killed the Count was adapted 17 years later as Alfred Hitchcock Presents' only three-part episode. In part two, Inspector Davidson (John Williams) has his hands full trying to determine who murdered the much-hated Count Martoni. No sooner has one suspect confessed to the crime than another suspect comes forward with another confession! Making matters worse for Davidson, there is not enough evidence to convict either one of the confessors. ~ Hal Erickson, All Movie Guide

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1957  
 
Previously filmed as a theatrical feature in 1939, Alec Coppel's semi-serious mystery play I Killed the Count was adapted 17 years later as Alfred Hitchcock Presents' only three-part episode. In part one, London police inspector Davidson (John Williams) hopes to find out who killed the much-hated Count Martoni (John Hoyt). There seems to be no shortage of suspects, and when one of them steps forward to confess to the murder, Davidson is certain that the case is closed...but it isn't, not by a long shot. ~ Hal Erickson, All Movie Guide

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1957  
 
Adapting a made-for-TV play that he had directed for the screen, John Frankenheimer made his feature film debut with this sensitive father-son drama. Tom Ditmar (James Daly) is a movie studio executive who has a strained relationship with his teenaged son Hal (James MacArthur). Hal is arrested after an incident in a movie theater in which he was provoked into slugging the manager, Grubbs (Whit Bissell). Hal is rude to the police officer, Sergeant Shipley (James Gregory). Tom Ditmar gets the charges dropped but doesn't believe his son's story. Hal goes back to talk to Grubbs to try to get him to tell his father what really happened. ~ Michael Betzold, All Movie Guide

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Starring:
James MacArthurKim Hunter, (more)
1957  
 
In his second Playhouse 90 appearance of the 1956-57 season, Art Crney stars as Robert Briscoe, the colorful, controversial Lord Mayor of Dublin, Ireland. Although of Jewish parentage, Briscoe was "accepted" as a Hibernian through and through on the strength of his fearless patriotism during the 1916 Irish Rebellion against British rule. As a member in good standing of the original Irish Republican Army and the nationalist Sinn Fein movement, Briscoe worked side by side with another legendary Irish freedom fighter, Eamon de Valera, reserving his fighting for the nighttime hours while pursuing a daytime job as a wool salesman. Briscoe's tireless and death-defying efforts on behalf of his countrymen were rewarded in 1956, when he won the mayoral race in the Dublin that he helped to wrest free from British domination. This 90-minute drama proved quite an eye-opener to TV fans who knew Art Carney only for his comic characterizations on The Jackie Gleason Show. ~ Hal Erickson, All Movie Guide

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Starring:
Art CarneyKatherine Bard, (more)

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