Richard Davies Movies

Not quite a B western but certainly no "A", Road Agent is kept alive by the boisterous byplay of stars Dick Foran, Leo Carrillo and Andy Devine. Summarily accused of murder, drifters Duke (Foran), Pancho (Carrillo) and Andy (Devine) are tossed into the hoosegow, only to be released when their alibi checks out. Far from offended by his ill treatment, Duke agrees to take the job of sheriff, retaining Pancho and Andy as his deputies. The gruesome threesome then sets about to solve a series of mysterious Wells Fargo robberies-which turns out to have been their secret mission all along! Dick Foran not only gets to sing from time to time, but also romances no fewer than two bright-eyed leading ladies, Annes Gwynne and Nagel. ~ Hal Erickson, All Movie Guide

In this comedy, a slightly addled young advertising executive works for his father's radio-advertising agency. His first job is to hire a famous big-game hunter for an upcoming show. Unfortunately, the man he chooses proves to be a fake and mayhem ensues. ~ Sandra Brennan, All Movie Guide

The Andrews Sisters headline this musical. They play the lead act at a popular nightclub. The trouble begins when they hire a few students from a financially foundering dance school for their newest production. One of the dancers, a rich young socialite, desperately wants to be in it too, but her prurient maiden aunts refuse to allow her to disgrace their family by becoming a common chorine. She and the club owner (who must have the aunt's permission because the girl is underage) try to convince them, but it's not easy. Meanwhile the talented girl finds herself falling hopelessly in love with the club bandleader. In desperation, the ingenious club owner has the obliging Andrews dress up as the aunties and sign the consent forms. The real aunts are infuriated when they discover the ruse and in a tizzy rush down to the club. They arrive just in time to catch the girl's performance and a predictably happy ending ensues. ~ Sandra Brennan, All Movie Guide

To say that Behind the Eight Ball is the best of the Ritz Brothers' quartet of Universal vehicles is faint praise indeed, but it's fact that the Ritzes pack an awful lot of laughs in the film's 60-minute running time. The story takes place at a summer theater in the Berkshire Mountains, where heroine Joan Barry (Carol Bruce) is staging a Broadway-bound musical comedy. Only one problem: two guest stars are shot and killed on two successive evenings, right in front of the audience. Hoping to solve the mystery, detective William Demarest demands that everyone -- actors and theatergoers alike -- return the following weekend to restage the show. But with no major performer willing to assume the fatal guest-star slot, Joan is forced to hire the Three Jolly Jesters (Al, Harry and Jimmy Ritz), Manhattan washroom attendants with showbiz aspirations. Though they're not keen on being set up as targets for the murderer, our three heroes gamely do as they're told -- and miracle of miracles, ultimately reveal that the killings are tied in with a nest of Axis spies! Highlights of this lightning-paced programmer include the Don Raye-Gene Paul hit song "Mister Five by Five" and the Ritz boys' specialty number "Charles Atlas Did It for Me". ~ Hal Erickson, All Movie Guide

This upbeat WW II-era musical features performances by the Andrews Sisters and Harry James as it tells the story of a rebellious young inductee who has trouble toeing the line until he meets a retired officer's lovely daughter. James and his band are also drafted and decide to perk up their camp by putting on a big show. Of the many songs featured, the best known is the Andrews' rendition of "Don't Sit Under the Apple Tree With Anyone Else but Me"." ~ Sandra Brennan, All Movie Guide

Top Sergeant was the third of four inexpensive Universal action films top-billing Leo Carrillo, Andy Devine and Don Terry. Terry plays the title character, drill sergeant Dick Manson of the Engineer Corps. Carrillo and Devine are cast respectively as Corporals Frenchy Devereaux and Andy Jarrett, whose merry antics constantly land them in the stockade. All three protagonists are instrumental in capturing a gang of bank robbers, but one of the crooks (Don Porter) escapes after killing Manson's younger brother (Gene Garrick). The rest of the picture details Manson's herculean efforts to track down the murderer without going AWOL. ~ Hal Erickson, All Movie Guide

After a four-year absence, Fred Astaire returns to RKO Radio for the Ginger Rogers-less The Sky's the Limit. Astaire plays a war hero who wants to spend a quiet furlough in New York. Since the city is poised to give Astaire a ticker-tape welcome, he sneaks into town incognito. He meets photojournalist Joan Leslie, who assumes that Astaire is a slacker and a coward because of his apparent unwillingness to contribute to the war effort. Just as in the earlier Astaire-Rogers vehicles, all misunderstandings are swept away at the end. Robert Benchley shows up to deliver a variation on his old "Treasurer's Report" monologue, while Clarence Kolb, Eric Blore, Neil Hamilton and Peter Lawford make uncredited appearances. Entertaining though the Astaire-Leslie duets may be in The Sky's the Limit, Astaire wraps this one up with his solo One for My Baby and One for the Road. ~ Hal Erickson, All Movie Guide

The Ritz Bros' third low-budget musical for Universal was the pointlessly titled Hi'ya, Chum! In this 61-minute timekiller, the Ritzes play The Merry Madcaps, a trio of itinerant entertainers who purchase a restaurant in a California boom town. While leading ladies Jane Frazee and June Clyde hold down the fort at the restaurant, the Ritz boys do their best to thwart the crooked schemes of gambler Edmund McDonald. Robert Paige, Ms. Frazee's vis-a-vis in Olsen and Johnson's Hellzapoppin', plays the nominal romantic lead. Outside of an amusing ballet parody, Hi 'Ya, Chum! is about 61 minutes too long. ~ Hal Erickson, All Movie Guide

A strong contender for the title of Universal's worst horror film of the 1940s, Jungle Woman continued the melodramatic exploits of "Ape-Woman" Paula Dupree (Acquanetta from Captive Wild Woman) including seemingly endless "flashback" footage. (Captive, of course, had itself "benefitted" from plenty of stock footage courtesy of the studio's 1933 Clyde Beatty film, The Big Cage.) Poor Dupree is found roaming an all-too familiar back lot jungle and is once again captured by a scientist (J. Carrol Naish), who proceeds to torment the girl to death. At his trial, Dr. Carl Fletcher is acquitted when he proves that the girl was not only more simian than human, but jealously stalked the good doctor's lovely daughter (Lois Collier). Fletcher is acquitted after an excursion to the morgue, where the body of Dupree has indeed transformed into that of an "Ape Woman." The film's odorous repute, even among the most ardent Z-movie apologists, stems mainly from its overuse of stock footage and some notoriously rotten acting. The studio's "Scream Queen," first-billed Evelyn Ankers, basically walked through her repeating role as Beth Mason and the film's only comedy relief was provided by the patently unfunny Edward M. Hyans, Jr., whose eventual demise thus came as a true relief. Worst of all, Irish-American character actor J. Carrol Naish, who was between Academy Award-nominated performances in Sahara (1943) and A Medal for Benny (1945), delivered perhaps the only bad performance of his long career as the not-so-mad doctor. Acquanetta (né Mildred Davenport), a former fashion model claiming to be the result of a liaison between an Arapaho princess and British royalty, was allowed to speak this time around, a fact which hasn't exactly enhanced the film's reputation either. Starlet Julie London was lucky; her small role as one of Lois Collier's friends landed on the cutting-room floor. The third and final installment in Universal's "Paula, the Ape Woman" trilogy, The Jungle Captive (1945), replaced Acquanetta (who had become a "goodwill ambassador" to South America for President Roosevelt) with 18-year-old starlet Vicky Lane. The series' strongest critic at the time, John T. McManus, actually took Universal to task for spreading "Nazi propaganda" through the work of legendary make-up artist Jack Pierce. "In Mein Kampf," McManus wrote, "Hitler calls the Negro a 'half-born ape.' Jungle Woman illustrates the point, changing a Hollywood glamor girl into an ape and vice versa with the Negro stage inserted right where Hitler says...Apparently it is to be an annual outrage unless somebody passes a law against propounding Nazi race theories in America." Still much debated today, Jungle Woman has a certain notoriety for modern audiences. ~ Hans J. Wollstein, All Movie Guide

Republic's Swingin' on a Rainbow utilizes a plotline that had already done service in several of the studio's previous budget musicals. Would-be songwriter Lynn Ford (Jane Frazee) comes to the Big City, demanding $1000 from bandleader Jimmy Rhodes (Richard Davies). It seems that Rhodes has scored a hit with one of Lynn's songs, which he has plagiarized. While hunting Rhodes down, Lynn meets a personable young man named Steve Ames (Brad Taylor) -- who, unbeknownst to her, is the pen-pal lyricist with whom she's been collaborating for the past year. Former comedy great Harry Langdon makes his final film appearance in a Robert Benchley-esque supporting role; Langdon died while rehearsing a song-and-dance number for the film. ~ Hal Erickson, All Movie Guide

In this drama, high-school sweethearts elope while still in school, and later have a second ceremony to please their parents. When reality sets in, the new husband abandons his dream of becoming a doctor to become a mechanic. They then move into the father of the bride's home where he lays down strict rules. When the groom gets involved with auto thieves, trouble ensues until both sets of in-laws team up to send him to college where he belongs. ~ Sandra Brennan, All Movie Guide

In a disturbing movie about psychosis, Hayley Mills plays Susan Harper, a young student who tries to help a rich, emotionally ill and sinister young man, Martin Durnley (Hywel Bennett). Martin is a schizophrenic who assumes the personality of a six-year-old boy when he is in his "nice" phase. Susan talks a store manager out of pressing charges against Martin after he steals a toy duck. Martin wants to take the toy to his mongoloid brother, who is in an institution. Martin's stepfather, Henry (Frank Finlay), enraged by his shoplifting, evicts Martin despite the pleas of his mother, Enid (Phyllis Calvert). Martin, again acting like a young child, is taken in by Susan's mother, Joan Harper (Billie Whitelaw), who runs a boarding house. ~ Michael Betzold, All Movie Guide