Andrew Davies Movies

Screenwriter Andrew Davies' adapts Charles Dickens' tale of struggle and hardship in 1820s London. Returning to England after many years abroad, Arthur Clennam (Matthew Macfadyen) sees a sparkle in the eye of diminutive young seamstress Amy Dorrit (Claire Foy). But "Little Dorrit" works for his mother, and in digging for the truth about the mysterious girl he winds up at Marshalsea Debtors Prison. There, he discovers that the specter of debt follows the object of his affections like an oppressive shadow. ~ Jason Buchanan, All Movie Guide

Hattie Morahan, Charity Wakefield, and Dominic Cooper star in screenwriter Andrew Davies' adaptation of the classic Jane Austen tale of love and class conflict. Marianne Dashwood (Wakefield) has fallen deeply in love with John Willoughby (Cooper), yet despite their feelings for one another the wealthy Willoughby is considered an improper suitor for the financially destitute girl. Marianne's sister Elinor (Morahan)'s pleads with her sibling to end the romance or risk becoming the subject of gossip in their chatty social circle, all the while struggling to suppress her own romantic disappointment. So how does one find happiness in a society where the rules are set according to status and money? Perhaps a winning mix of sense and sensibility is the key to striking a harmonious balance, and living a life without regrets.
~ Jason Buchanan, All Movie Guide

A precocious Edwardian girl suffocating from the social norms is forced to choose between following her heart and obliging her family's wishes after falling for a handsome but unsuitable stranger during a trip to Italy. Based on author E.M. Forster's tale of forbidden love and scripted by Pride and Prejudice scribe Andrew Davies, director Nicholas Renton's playful period drama follows young Lucy Honeychurch as she takes a trip to Italy and exchanges a brief albeit life-altering kiss with the unsuitable George Emerson. Later, as Lucy's snooping chaperone attempts to keep her on the path laid out by her family, her engagement to the dull Cecil draws near, and her repressed feelings boil to the surface, she is taken aback to encounter the dashing object of her affections back in her homeland of England. What's a girl to do when her wedding date has been set in stone but the love of her life won't be standing at the alter? ~ Jason Buchanan, All Movie Guide

Director Susanna White (Bleak House) and award-winning screenwriter Andrew Davies (Pride and Prejudice) helm this BBC adaptation of the 1892 novel The Diary of a Nobody, which follows the comic misadventures of a middle-class clerk named Charles Pooter (Hugh Bonneville) whose snobbery and social aspirations far outpace his lowly station in life. ~ Sandra Bencic, All Movie Guide

A trio of orphans becomes embroiled in a mysterious and long-running lawsuit in this sprawling BBC adaptation of the Charles Dickens novel. A legend in the legal circles of Victorian London, the messy inheritance case of Jarndyce and Jarndyce has been trickling through the courts for years with no end in sight. Nobleman John Jarndyce (Denis Lawson) has seen the case destroy more than one life, so when he becomes guardian to three young people -- beautiful Ada Clare (Carey Mulligan), Ada's cousin Richard Carstone (Patrick Kennedy), and her devoted companion, Esther Summerson (Anna Maxwell Martin) -- he vows to shield them from its pernicious effects by bringing them to the safety of his estate, the eponymous Bleak House. Richard, however, becomes obsessed with the unattainable Jarndyce inheritance, to the detriment of his career and mental health. Esther, meanwhile, remains haunted by her origins; the product of a scandalous pregnancy, she was raised by her aunt and knows nothing about her dead mother's identity. Meanwhile, imperious noblewoman Lady Dedlock (Gillian Anderson) plots to hide the evidence of her own mysterious past -- a quest that leads her to the intrigue surrounding Jarndyce and Jarndyce. She is but one of dozens of characters who find themselves drawn into the lawsuit's web of corruption, blackmail, and murder. Bleak House debuted October 27, 2005, on BBC One. It received its U.S. premiere on January 22, 2006, on PBS's Masterpiece Theatre, where the 15 British episodes were combined into six longer blocks. Britain's Royal Television Society named the series Best Drama Serial of 2005. A previous adaptation of Dickens' novel ran on Masterpiece Theatre in 1985. ~ Brian J. Dillard, All Movie Guide

ER regular Alex Kingston stars as the title character in this British-produced biopic of first century A.D. "warrior queen" Boudica. After the death of her husband, King Prasutagus (Steven Waddington), the feisty Boudica becomes the leader of the Iceni, a Celtic tribe living in East Anglia. Though Boudica and her followers put up a valiant defense, their homeland is overrun by the Roman legions of the mad emperor Nero (Andrew Lee Potts), who has devised a hellish scheme to put the "ginger bitch" in her place. Beaten and bound by the conquering soldiers, Boudica is forced to watch as her daughters are brutally raped. Assuming that the Iceni queen has been humbled and no longer poses a threat to the Empire, Nero spares her life -- which turns out to be one of the emperor's biggest errors in judgment, as the vengeful Boudica and her army set about to prove in bloodthirsty fashion that she is, to paraphrase a much-later British monarch, a queen with "the heart and stomach of a king." In America, Warrior Queen proved to be an uncharacteristically violent Masterpiece Theatre offering when it was broadcast over PBS in the fall of 2003. ~ Hal Erickson, All Movie Guide

Produced for British television, Daniel Deronda was adapted from George Eliot's final novel, written in 1874 (and first filmed in 1921). As was her habit, Eliot laid bare the hypocrisy and venality of Victorian-era "class culture," at the same time admitting that a certain amount of conformity was necessary if one hoped to survive in a world where nonconformity was not only looked down upon but actively suppressed. Essentially, both the novel and the TV presentation are comprised of two separate stories, linked together by the titular Daniel Deronda (Hugh Dancy), a young man of Jewish heritage. In the main narrative, Daniel is attracted to the spoiled, headstrong Gwendolen Harleth (Romola Garai), who is reluctantly poised to enter into a marriage of convenience with the wealthy, snobbish, and intensely anti-Semitic Henleigh Grancourt (Hugh Bonneville). This romantic intrigue is played against the curious relationship between Daniel and the Zionist visionary Mordecai (Daniel Evans), who tirelessly proselytizes in favor of a permanent homeland for the Jewish people. Things come to a head when Daniel finds himself falling in love with Mordecai's sister Mirah (Jodhi May). Originally telecast in three parts on the BBC beginning December 7, 2002, Daniel Deronda was re-edited as a two-parter for the PBS anthology Masterpiece Theatre, where it first aired on March 30, 2003. ~ Hal Erickson, All Movie Guide

Originally produced in the U.K. for BBC1, where it first aired on October 9, 2002, the three-part miniseries Tipping the Velvet was adapted from Sarah Waters' best-selling debut novel of the same name. Set in the 1890s, the series focuses on the romance between Nan Astley (played by Rachel Stirling, daughter of actress Diana Rigg), a cook in the seaside restaurant owned by her father, and Kitty Butler (Keeley Hawes), a musical hall entertainer specializing in male impersonation. Given the strict (and somewhat hypocritical) moral restrictions of the Victorian era, the lesbian relationship between Nancy and Kitty must be kept a closely guarded secret, except in the hedonistic underground circles in which the actress and her libertine friends travel. Tipping the Velvet was brought to the US by way of the BBC America digital-cable service beginning May 23, 2003. ~ Hal Erickson, All Movie Guide

The six-part British miniseries The Way We Live Now was adapted from the satirical 1875 novel by Anthony Trollope. The central character was Augustus Melmotte (David Suchet), a mysterious international financier of questionable parentage. Invading the uppermost circles of Victorian society, Melmotte inveigled a considerable number of prominent Londoners in a spectacular get-rich-quick scheme. Among those involved were the Carburys, an aristocratic but cash-poor family anxious to recoup their fortunes by whatever means necessary. Details essential to the plot include the somewhat one-sided romance between Melmotte's rebellious daughter Marie (Shirley Henderson) and caddish Sir Felix Cadbury (Matthew MacFadyen), the exploits of an American adventuress (Miranda Otto) with a predilection for shooting her lovers, and a high-born author of trashy romance novels. Though written in the late 19th century, the story line had a queasily contemporary significance to those burned by such financial peccadillos as the Enron scandal in the early 21st century. Originally telecast by the BBC beginning November 11, 2001, The Way We Live Now was shown in America (as a four-parter) on PBS' Masterpiece Theatre starting April 1, 2002. ~ Hal Erickson, All Movie Guide

Debuting November 28, 1999, over BBC1, the four-part British miniseries Wives and Daughters was the second of two TV adaptations of Elizabeth Gaskell's unfinished novel (the first aired in 1972). Set in the early 1800s, the story takes place in a small, gossip-driven English town. Upon the remarriage of her father, heroine Molly Gibson (Justine Waddell) isn't quite sure how to "take" to her modish stepmother, Hyacinth (Francesca Annis), and airheaded stepsister, Cynthia (Keeley Hawes). The fun really begins when both Molly and Cynthia fall in love with Roger Hamley (Anthony Howell), son of the village squire. Inasmuch as author Gaskell passed away before concocting a solution to this romantic triangle, it was up to screenwriter Andrew Davies to come up with a happy (or at least satisfying) denouement. In America, Wives and Daughters was seen as part of PBS' Masterpiece Theatre anthology beginning April 2, 2001. ~ Hal Erickson, All Movie Guide

Though not the most ambitious British TV adaptation of William Makepeace Thackeray's 19th century novel Vanity Fair, this six-part BBC1 version was arguably the most expensive and elaborate. Natasha Little was cast as scheming country lass Becky Sharp, who managed to climb to the top of the British social ladder during and after the Napoleonic Wars, leaving a trail of broken hearts, betrayed friendships, and shattered reputations in her wake. Somehow, however, Becky always managed to land on her feet, and after mending her ways in middle age, she lived out her declining years as a much-beloved "Lady Bountiful." Debuting in Britain on November 1, 1998, Vanity Fair subsequently aired as part of the American public TV Masterpiece Theatre anthology beginning October 24, 1999. ~ Hal Erickson, All Movie Guide

The trilogy begun with House of Cards and To Play the King comes to a close in this two-part miniseries produced for the BBC. Francis Urquarth (Ian Richardson) has used his guile and cunning to rise to the position of Britain's Prime Minister, and with the end of his political career appearing on the horizon, he's looking for a way to end his reign on an impressive note. With this in mind, Urquarth throws himself into a series of negotiations that would bring a peaceful end to the United Kingdom's conflicts with Cyprus. However, the Cypriote negotiators have discovered some information about Urquarth's youthful indiscretions that could bring his political career to an inglorious end. The Final Cut, like the two miniseries which preceeded it, was based on a novel by Michael Dobbs. ~ Mark Deming, All Movie Guide