John Davidson Movies

A Gathering of Eagles stars Rock Hudson as a colonel in the peacetime Strategic Air Command. His devotion to his duty as a wing commander takes a toll on his men, his marriage, and his own well-being. It is to Hudson's credit that he was willing to put his image on the line with this essentially unsympathetic characterization, and a tribute to his underrated ability as an actor that he compels us to care for him. Popular British leading lady Mary Peach makes a rare Hollywood appearance as Hudson's English wife. An unexpected bonus to A Gathering of Eagles is a semicomic musical piece, "The SAC Song," by dilettante satirist Tom Lehrer. ~ Hal Erickson, All Movie Guide

During the early days of East Indian independence in 1947, a native rebellion threatens a hotel full of Britishers, Europeans and Americans. Gunrunner Alan Ladd could care less about anything other than his own neck. Ladd runs up against the resistance of a pacifist Indian leader (Charles Boyer), who hopes to quell the factional disturbances. Falling in love with Deborah Kerr, blind daughter of missionary Cecil Kellaway, Ladd decides to forego mercenary involvement in India's internal affairs and to shepherd the stranded non-Indians to safety. Paramount was overproducing again in 1951, so Thunder in the East didn't go into release until 1953, at which time its story was outdated enough to result in utter indifference from the paying public. ~ Hal Erickson, All Movie Guide

Even at age 38, Loretta Young could successfully pull off her ingenue duties in the innocuous comedy Half Angel. Young plays Nora, a prim and proper nurse, engaged to the stuffy Tim (John Ridgely). Unbeknownst to both, Nora is a sleepwalker; during her nocturnal forays, the less-inhibited side of her personality takes over. While somnambulizing one evening, she heads to the home of her former boyfriend John (Joseph Cotten) and makes amorous advances towards him. Fascinated, John tries to get Nora to behave the same way while she's awake, but it takes eight reels to accomplish that formidable feat. Half Angel bears no resemblance to the 1936 Claire Trevor vehicle of the same name. ~ Hal Erickson, All Movie Guide

This musical comedy stars William Powell as Emery Slade, who was once a major film star but lately isn't getting much work. Arrogantly determined to climb back to the top, Slade convinces studio chief Melville Crossman (Adolphe Menjou) to give him the male lead in the film version of a Broadway musical. However, Crossman's offer comes with a catch: Emery has to persuade the show's female lead to appear in the movie. Slade heads to New York to seal the deal, but instead he discovers a gifted young unknown named Julie Clark (Betsy Drake) and decides she's perfect for the role. Crossman is not too enthusiastic about this news, and neither is publicist Bill Davis (Mark Stevens), who is given his pink slip along with Slade. However, Slade is determined to make a career for Julie in Hollywood, though it's not until later that he realizes why he feels so strongly about her. Movie buffs will get a kick out of Menjou's performance, closely modeled on 20th Century Fox boss Darryl F. Zanuck. ~ Mark Deming, All Movie Guide

Another of 20th Century-Fox's Technicolor musical biopics, Oh You Beautiful Doll is allegedly the life story of popular composer Fred Fisher. As played by S. Z. "Cuddles" Sakall, Fisher is a serious musician who yearns to write opera rather than tin pan alley hits. Since the aged, portly Sakall couldn't be the romantic lead, he is third-billed in deference to June Haver as Fisher's daughter and Mark Stevens as a slick song plugger. Despite his shame at being popular, Fisher is gratified when his songs are given a classy symphonic arrangement at Aeolian Hall. Among the tunes heard in Oh, You Beautiful Doll are "Chicago," "Dardanella," "Peg o' My Heart" and the title song. ~ Hal Erickson, All Movie Guide

Another of 20th Century-Fox's "drawn from today's headlines" dramas of the late 1940s, Behind the Iron Curtain (a.k.a. The Iron Curtain) is based on the true-life defection of Soviet Embassy code specialist Igor Gouzenko. Portrayed by Dana Andrews, Gouzenko is brought to Canada under a cloud of secrecy by Russian "special agents", the better to help them in their espionage efforts. Despite the fact that he is far from Russia, Gouzenko is hounded by his suspicious superiors and denied the simplest basic rights. When Gouzenko realizes that his government will soon call him back to Russia to engage in the "class struggle," the code clerk decides to defect, stealing secret information and turning it over to the Canadian Ministry of Justice. At first, Gouzenko is ignored, but when his information is digested by the Canadian government, the authorities round up the Communist spy ring. Gouzenko and his family are put in protective custody by the Canadian government, while several of Gouzenko's Russian superiors are punished by the Communist higher-ups for allowing the clerk to slip through their hands. Filmed in a semi-documentary style, Behind the Iron Curtain is more matter-of-fact and less paranoic than other "Red scare" films of the period. ~ Hal Erickson, All Movie Guide

In this detective drama, a gumshoe must find a priceless hunk of jade. His several leads evaporate when the police succeed in killing all of the suspects. Angered, the dick relaxes in a motel room and ponders the remaining clues, not realizing until it is almost too late that the biggest clue is right under his nose. ~ Sandra Brennan, All Movie Guide

A post-WWII romantic comedy that explores the effects of the war on American marriage, this film stars Fred MacMurray and Paulette Goddard as Peter and Mary Morley, a pair of constantly fighting attorneys. They are on the verge of breaking up their marriage when the war breaks out. Mary goes into the Women's Army Corps, and when she returns after the war, she's no longer sure if she wants a divorce. In her absence, however, Peter has hooked up with Gloria Fay (Arleen Whelan), who demands that he sign the divorce papers. In turn, Jack Lindsay (MacDonald Carey, one of Peter's clients, has fallen for Mary, but he doesn't want to move in with her until the divorce is official. ~ Michael Betzold, All Movie Guide

A real three-handkerchief affair, Sentimental Journey stars John Payne and Maureen O'Hara as a Broadway producer Bill and his actress-wife Julie. Unable to have children, Julie adopts orphaned girl Hitty (Connie Marshall). Shortly afterward, Julie dies of a heart attack, leaving Hitty in the care of the sullen Bill, who can't seem to "connect" with the girl. Eventually Hitty wins Bill's heart, but not without the implicit celestial intervention of the departed Julie. Much-needed comedy relief is provided by Mischa Auer and, to a lesser extent, William Bendix. Sentimental Journey was remade in 1958 as The Gift of Love, with Lauren Bacall in the Maureen O'Hara role. ~ Hal Erickson, All Movie Guide

In this engagingly silly musical fantasy from the waning days of WW2, Fred MacMurray stars as Bill, who wants to serve his country but has been classified 4-F. While working at a local USO, Bill falls in love with the fickle Lucilla (June Haver, soon to be Mrs. Fred MacMurray), never realizing that he himself is worshipped from afar by the sensible Sally (Joan Leslie). Stumbling across an old lamp donated to a scrap drive, Bill impulsively rubs the lamp--and out pops Ali (Gene Sheldon), a bibulous, bumbling genie. Hoping to become a hero in Lucilla's eyes, Bill asks Ali to put him in the US Army. The genie complies, but gets his wires crossed, and Bill ends up in the Continental Army during the Revolutionary War. In short order, Bill meets two lookalikes of the girls in his life at "Ye U.S.O.", shows up at Valley Forge and trades quips with General Washington (Alan Mowbray)--who, in anticipation of MacArthur and Eisenhower, bombastically insists that he has no political aspirations--unsuccessfully tries to alert Washington of the duplicity of Benedict Arnold (John Davidson), and ultimately finds himself behind enemy lines with a troop of Hessians, whom he tries to hoodwink by delivering a Nuremberg-style speech, replete with "Sieg Heils." Arrested and sentenced to a Hessian firing squad, Bill again summons Ali, who whisks him off to the year 1492. In an elaborate "opera bouffe", Bill musically dissuades the sailors serving under Christopher Columbus (Fortunio Bonanova) from staging a mutiny, convincing them to continue seeking out the New World (as represented by a group of Cuban natives in a conga line). Once on dry land, Bill is entranced by a comely Indian maiden who looks a lot like Lucilla, only to be entrapped in an old-fashioned "badger game" cooked up by the girl's wily Native American boyfriend (Anthony Quinn). Buying his way out of an embarrassing situation by agreeing to purchase Manhattan Island for $24, Bill is then transported to "New Amsterdam" in the mid-1600s. In his efforts to persuade the local Dutch elders that he is the rightful owner of Manhattan, Bill succeeds only in getting arrested again. This time, however, the drunken Ali manages to zap our hero back to the 20th Century--with the 17th-century equivalent of Sally in tow. The songs, by Kurt Weill and Ira Gershwin, are appropriately bright and satirical, but none are standouts. Still, Where Do We Go From Here? is one of those frothy 1940s concoctions that is absolutely impossible to dislike. ~ Hal Erickson, All Movie Guide

Based on the comic book by the same name, the hero takes on a crazed scientist who creates deadly machines for his own villainous schemes. ~ Kristie Hassen, All Movie Guide

Burlesque queen Ann Corio took time out of her runway activities in the 1940s to star in three Monogram features, of which Call of the Jungle was the last. Unlike the earlier Corio vehicles, Jungle is not an escapist musical but a somber drama-or at least, that was the intention. Wrapped in a fetching sarong, the star plays Tana, a South Sea damsel who doubles as an amateur detective. Unfortunately, Tana does not inform the authorities that she's taken it upon herself to track down a pair of jewel thieves, and as a result she is suspected of being a crook herself. With all the other leading man serving in WW2, Tana's romantic interest is played by James Bush, a capable if colorless character actor. Billed forth in Call of the Jungle is Claudia Dell, who once played Spanky's mom in the "Our Gang" series. ~ Hal Erickson, All Movie Guide

Nyoka Gordon (Kay Aldridge) leads an expedition into the most remote part of the Libyan desert in search of her father, Professor Henry Gordon (Robert Strange), who disappeared while seeking out the long-lost golden tablets of Hippocrates. The tablets, among other attributes, are reputed to contain the cures for any number of deadly diseases that still plague mankind. Nyoka and her father are the only two people in the world who can translate the papyrus giving directions to the hiding place of the tablets. Her allies in her search include: Dr. Larry Grayson (Clayton Moore), a young physician; Torrini (Tristram Coffin), an Italian adventurer; Professor Campbell (Forbes Murray), a colleague of her father's; and Red Davis (Billy Benedict), their driver. Opposing them is Vultura (Lorna Gray), the leader of a deadly desert cult, who regard the tablets as sacred and will do anything -- including committing murder -- to prevent their discovery and removal. Aided by her ally, Cassib (Charles B. Middleton), and the Taureg tribesmen, Vultura and her cultists lay all manner of deadly traps, involving everything from burning pits of fire and tunnels filled with hurricane-like winds to just plain getting crushed by the embrace of Vultura's trained gorilla, Satan (Emil Van Horn). Meanwhile, Nyoka and her expedition also face the danger of treachery from within. Nyoka must first secure the papyrus and avenge the murder of Major Reynolds in the opening chapter, and then get past the opposing Taureg tribesmen -- and little does she realize that the leader of the Tauregs is far closer to her than she ever could have guessed. ~ Bruce Eder, All Movie Guide