Kent Broadhurst Movies

Detectives Briscoe (Jerry Orbach) and Green (Jesse L. Martin) investigate the murder of a cleric. Once the suspect is in custody, the D.A.'s office tries to persuade Father Evans (John Dossett) to reveal that he heard the perpetrator confess the crime. But even though the admission was made outside the church, the priest insists upon honoring the edicts of the Confessional, and refuses to provide the necessary information. ~ Hal Erickson, Rovi

A suicide investigation is turned over to homicide when it is revealed that the white victim may have been killed because she adopted a black baby. While trying to determine the baby's paternity, the detectives and the lawyers unearth some unpleasant secrets in the past of one of the suspects. But do these secrets have any bearing on the killing -- and even if they do, will they ever be heard by a jury? ~ Hal Erickson, Rovi

This is a romantic comedy with an analytical edge from noted Belgian director Chantal Akerman. Set in New York, the fun begins when freewheeling French dancer Beatrice and stodgy psychoanalyst Henry Harriston agree to exchange apartments. He will live in her bohemian Paris flat and she in his upscale, neat-as-a-pin Manhattan abode. The two have never met when they change places. Poor frazzled Henry is hoping that some quiet time in Paris will provide him with some badly needed cultural enrichment and relaxation from the demands of his wealthy clients. Unfortunately there is no rest, as he is constantly assailed by Beatrice's numerous suitors. Beatrice also deals with an onslaught of Henry's needy patients. Poor Henry can no longer stand being away and so quietly returns home. He notices a stream of patients coming from his home and they look unusually happy and well-adjusted. Even his dog looks happier. Wanting to learn her secret, Henry masquerades as a one of his own patients. It is not long before romantic sparks begin to fly. ~ Sandra Brennan, Rovi

In the second half of the two-part Babylon 5 adventure "War Without End", Ambassador Sinclair's explanation concerning the fate of Babylon 4 may be the key to victory over the Shadow Forces. But first, a bit of time-hopping is in order. Sheridan is thrust 17 years into the future for a suprising confrontation with an imperious but curiously fearful Londo, and a backward journey is prepared to alter the outcome of a crucial battle that occured one thousand years ago. Written by J. Michael Straczynski, Part Two of "War Without End" first aired in the US during the week of May 23, 1996. ~ Hal Erickson, Rovi

As visually stylish as it is graphically violent, this thriller directed by Luc Besson concerns Mathilda (Natalie Portman), a 12-year-old girl living in New York City who has been exposed to the sordid side of life from an early age: her family lives in a slum and her abusive father works for drug dealers, cutting and storing dope. Mathilda doesn't much care for her parents, but she has a close bond with her four-year-old brother. One day, she returns from running an errand to discover that most of her family, including her brother, have been killed in a raid by corrupt DEA agents, led by the psychotic Stansfield (Gary Oldman). Mathilda takes refuge in the apartment of her secretive neighbor, Leon (Jean Reno), who takes her in with a certain reluctance. She discovers that Leon is a professional assassin, working for Tony (Danny Aiello), a mob kingpin based in Little Italy. Wanting to avenge the death of her brother, Mathilda makes a deal with Leon to become his protégée in exchange for work as a domestic servant, hoping to learn the hitman's trade and take out the men who took her brother's life. However, an affection develops between Leon and Mathilda that changes his outlook on his life and career. Besson's first American film boasted a strong performance from Jean Reno, a striking debut by Natalie Portman, and a love-it-or-hate-it, over-the-top turn by Gary Oldman. Léon was originally released in the U.S. in 1994 as The Professional, with 26 minutes cut in response to audience preview tests. Those 26 minutes were restored in the director's preferred cut, released in 1996 in France as Léon: Version Intégrale and in the U.S. on DVD as Léon: The Professional in 2000. ~ Mark Deming, Rovi

This made-for-television drama first aired on NBC and was made shortly after the tragic stand-off in Waco, Texas when a conflict between the federal Bureau of Alcohol, Tobacco and Firearms and a group of cultist led by charismatic leader and self-proclaimed messiah David Koresh turned into a bloody battle that left the believers' compound burned and many dead. Soon after the dust settled, investigations revealed that the bloodshed may have been unnecessary. Filmed on location, near Tulsa, Oklahoma, the film recounts events before, during and after the catastrophe. ~ Sandra Brennan, Rovi

Actor John Turturro spent a dozen years getting his script for Mac before the cameras; he'd originally planned to merely act in the film, but the stringent budget required that he direct as well. Turturro plays Mac, one of three grown brothers in an Italian/American family living in 1950s New York. His other siblings are would-be "macho man" Vico (Michael Badalucco) and idealistic Bruno (Carl Capatoro). All three are unhappily employed at a construction firm run--badly--by Olek Krupa. Convinced he knows more about the business in his little finger than Krupa does in his whole carcass, Mac sets up his own construction company, wooing away most of Krupa's employees. On the verge of great success, Mac finds that his brothers are unwilling to commit themselves to his new business, a fact that causes an irreparable schism in their relationship. Co-starring in Mac as John Turturro's wife is the real-life Mrs. Turturro, Katherine Borowitz. ~ Hal Erickson, Rovi

Martin Sheen stars as an American newsman in Rome who begins to investigate the appearance of several corpses found throughout Europe with their hands cut off. He soon uncovers not only plots of plutonium theft, but also of nuclear arms deals and dark political schemes. ~ Kristie Hassen, Rovi

Shock to the System is a black comedy about a middle-aged advertising executive (Michael Caine) who loses his long-awaited promotion to a younger man (Peter Reigret). In frustration, Caine accidentally pushes a panhandler in front of a subway train--and he gets away with the death. Realizing that committing murder might be a little easier than he previously had thought, he begins plotting the murder of several of his corporate enemies. ~ Stephen Thomas Erlewine, Rovi

The PBS series Great Performances first presented the made-for-TV feature Seize the Day. The time is the success-driven '50s; Robin Williams plays Tommy Wilhelm, a middle-ager who has just lost his salesman's job. Margaret, his wife (Katherine Borowitz), is on the verge of divorce and fully intends to take him to the cleaners whether he has an income or not. Doctor Adler (Joseph Wiseman), Tommy's judgmental father, cannot abide having a failure in the family and refuses to lend his son a single penny. In desperation, Tommy heads to New York City, where his old wheeler-dealer pal Dr. Tamkin (Jerry Stiller) has promised him a job. Even there, however, Tommy is defeated by the cold-shoulder treatment afforded him by the people whose opinions he values most. Seize the Day was adapted by Ronald Ribman from the novel by Saul Bellow. ~ Hal Erickson, Rovi

Based on a true story, Silkwood begins and ends with Karen Silkwood (Meryl Streep) driving along a lonely road in 1974, heading to a meeting with a New York Times reporter to deliver evidence of negligence at the Kerr-McGee Plant in Cimarron, Oklahoma. The balance of the film flashes back to Karen's ribald private life with her lover (Kurt Russell) and her loose-living friends (Cher and Diana Scarwid). This is in contrast to her humdrum job at Kerr-McGee--or it least it was humdrum until Karen and several other employees become contaminated by radiation. The higher-ups want to sweep this incident under the rug, but Karen thinks that something's fishy, and informs the union of that fact. X-rays of the faulty fuel rods and written proof of the inadequate safety measures that caused Karen's illness are tampered with, forcing Karen to conduct her own private investigation. As she gathers evidence, Karen becomes a pariah to her boyfriend because of her obsession. She finally organizes the evidence into a briefcase, and heads off to her meeting with the Times reporter. She never makes it; the "official" report on her fatal auto accident is that Ms. Silkwood had been drinking and was under the influence of tranquilizers. Kerr-McGee was eventually forced to pay the Silkwood family an enormous settlement because of her contamination, but the full facts behind her convenient accident have never been revealed (though the filmmakers clearly indictate whom they hold responsible). Director Mike Nichols and screenwriters Nora Ephron and Alice Arlen surround this true story with a lively, improvisational atmosphere that gets the best out of Streep, Russell, and Cher, while providing perhaps the fullest on-screen realization of Nichols' theater-based techniques of realistic, character-centered, dialogue-driven filmmaking, as well as one of the first movie screenplays from future director Ephron. ~ Hal Erickson, Rovi

In Sidney Lumet's powerful courtroom drama The Verdict, Paul Newman stars as Frank Galvin, an alcoholic Boston lawyer who tries to redeem his personal and professional reputation by winning a difficult medical malpractice case. Frank, down on his luck, is presented with the case of his life when he is approached by the family of a woman who has been left in a coma following an operation in a large Catholic hospital. Helped by his assistant Mickey (Jack Warden), he agrees to take the case, hoping for a fast settlement. When he visits the victim in the hospital, he becomes emotionally involved, turns down a sizable settlement offer made by the hospital, and decides to bring the case to trial despite the formidable opposition of the Church and its lawyer, Newman (James Mason). He is also assisted by his new girlfriend, Laura (Charlotte Rampling), a woman who turns out to have an unusual past. Oscar-nominated for "Best Picture" and "Best Director" (Lumet) as well as for "Best Adapted Screenplay" (David Mamet from a novel by Barry Reed), The Verdict is an outstanding, if not very legally accurate, courtroom drama; Frank's decision to try the case without telling the family of the victim of the settlement offer would probably lead to his real-life disbarment. Paul Newman and James Mason give fine, Oscar-nominated performances, and Charlotte Rampling is quite good as the deceitful Laura, who never seems to turn down a drink. ~ Linda Rasmussen, Rovi

Fact-based drama starring Robert Redford as Henry Brubaker, the new inmate at a run-down Southern prison that's become notorious for corruption and violence. After he witnesses several instances of gross misconduct and defuses a tense confrontation with a crazed inmate (Morgan Freeman), Brubaker reveals to the guards and administrators that he's not a criminal at all, but the new warden, assigned by the governor to infiltrate the facility undercover. His identity confirmed, Brubaker takes office and sets about shaping up policies and procedures, despite resistance from, incredibly, even some of the more entitled convicts. With the help of the prison's chief trustee (Yaphet Kotto) and a compassionate ally (Jane Alexander), the warden effects some positive change, but powerful business interests line up against him when his ideas threaten their financial bottom line. A reform-minded, socially conscious, and politically liberal picture of the type usually associated with director Norman Jewison, this fact-based prison drama was the result of a troubled production that saw original director Bob Rafelson replaced with Cool Hand Luke (1967) and The Amityville Horror (1979) helmsman Stuart Rosenberg. Despite the backstage turmoil, Brubaker was an acclaimed release and an Oscar-nominated, career-finale triumph for co-screenwriter Arthur A. Ross, creator of Creature From the Black Lagoon (1954) and father of successful writer/director Gary Ross. ~ Karl Williams, Rovi