Hal David Movies

Jacqueline Susann spent a long career on the edges of show business as an actress and model, but it never really paid off until she quit acting to write her first novel. Valley of the Dolls was a proudly sleazy potboiler that sold 26 million copies and had readers wondering which characters matched up to which real-life show-biz figures. Susann wrote several other successful novels, but fame and fortune didn't make her life any less tumultuous; she had well-publicized problems with drugs and alcohol and a series of free-wheeling affairs, although she stayed with her husband Irving Mansfield until her death in 1974 at the age of 56. Isn't She Great is a screen biography that focuses on Susann's roller-coaster literary career, with Bette Midler as Susann and Nathan Lane as Mansfield; David Hyde Pierce, Stockard Channing, John Cleese, and Sarah Jessica Parker round out the supporting cast. ~ Mark Deming, All Movie Guide

Martin Scorsese explores the life of organized crime with his gritty, kinetic adaptation of Nicolas Pileggi's best-selling Wiseguy, the true-life account of mobster and FBI informant Henry Hill. Set to a true-to-period rock soundtrack, the story details the rise and fall of Hill, a half-Irish, half-Sicilian New York kid who grows up idolizing the "wise guys" in his impoverished Brooklyn neighborhood. He begins hanging around the mobsters, running errands and doing odd jobs until he gains the notice of local chieftain Paulie Cicero (Paul Sorvino), who takes him in as a surrogate son. As he reaches his teens, Hill (Ray Liotta) is inducted into the world of petty crime, where he distinguishes himself as a "stand-up guy" by choosing jail time over ratting on his accomplices. From that moment on, he is a part of the family. Along with his psychotic partner Tommy (Joe Pesci), he rises through the ranks to become Paulie's lieutenant; however, he quickly learns that, like his mentor Jimmy (Robert DeNiro), his ethnicity prevents him from ever becoming a "made guy," an actual member of the crime family. Soon he finds himself the target of both the feds and the mobsters, who feel that he has become a threat to their security with his reckless dealings. Goodfellas was rewarded with six Academy Award nominations including Best Picture; Pesci would walk away with Best Supporting Actor for his work. ~ Jeremy Beday, All Movie Guide

In this stylized adaptation of her 1988 off-Broadway show, singer/actress/comedian Sandra Bernhard explores celebrity, stereotypes, and her own childhood in a series of monologues and musical numbers. Although much of the material comes straight from the original stage show, Bernhard and co-writer John Boskovich updated many of her pop-cultural musings and added several new production numbers. They also turned a one-woman show into something of a mockumentary, staging interviews with Bernhard's fictional manager (Lu Leonard) and adding several additional characters. Most of the action is staged in a theater full of well-heeled African American patrons who slowly leave in disgust at Bernhard's performance, which includes her deadpan fantasies about an imagined gentile childhood, a dalliance with Warren Beatty, and a trip to Studio 54. Originally given a limited release by New Line Cinema in 1990, Without You I'm Nothing was quickly pulled from theaters when the company that produced it went bankrupt. Eventually, however, it made its was to home video and DVD. ~ Brian J. Dillard, All Movie Guide

On August 8, 1963, the Royal Mail train, on its nighttime run from London to Glasgow, was robbed by 15 men who got away with 2.6 million pounds (today the equivalent of $35 million). Buster tells the story of one of the junior robbers, Buster Edwards (played by pop singer Phil Collins), in a crime that came to be known as the Great Train Robbery. The film details the planning of the famous heist, but its main concern is Buster's relationship with his family and his devotion to his wife June (Julie Walters). The Edwards are like a British Kramden family, trying to make ends meet from day-to-day in their rental apartment, but instead of a bus driver, Buster is a two-bit thief who has the fine luck of hardly ever getting caught. After the Royal mail train robbery, the heat intensifies, since the Conservative Government, already smarting from the Profumo scandal, latches onto the train robbery as a means to deflect attention from the scandal by bringing the train robbers quickly to justice. Buster and June go into hiding and have a series of close calls before finally escaping to Mexico. Finally in paradise, the Edwards find their money quickly being eaten up and discover that they cannot adapt to the Mexico milieu. June, for her part, is homesick, and Buster, always ready to keep her happy, makes the grand gesture -- to return to England and turn himself in to the police. ~ Paul Brenner, All Movie Guide

In this adaptation of Ian Fleming's 1955 novel, James Bond (Roger Moore) must thwart Sir Hugo Drax (Michel Lonsdale), who plans to wipe out all of humankind and replace it with a super race that he has cultivated in a massive space station. The girl in the case is American secret agent Holly Goodhead, intelligently played by Lois Chiles. "Jaws," the steel-mouthed henchman played by Richard Kiel in The Spy Who Loved Me (1977), makes a return appearance in Moonraker, turning good guy (complete with a girlfriend of his own) in the process. Bernard Lee makes his last appearance as "M" in this most costly of James Bond's 1970s escapades. ~ Hal Erickson, All Movie Guide

Sheila (Jeannie Berlin) is not one of life's golden people: she's not especially good-looking, charming, charismatic, or smart. As a result, she has to struggle constantly. For some reason, she decides to move from the suburbs to New York City. Now she has a roommate (Rebecca Dianna Smith), a job with a record company, and a self-imposed obligation to try to meet some men. One night she goes out to a singles bar and meets Sam (Roy Scheider), a nice-looking doctor. They have what is for him a one-night stand, but Sheila is smitten. She hasn't had all that much luck with men, and this one she would like to keep. Embarrassed, Sam tries as gently as he can to ignore her. This becomes much more difficult when he starts dating Sheila's personable roommate. The screenplay for this gentle comedy was adapted by Gail Parent from her best-selling book of the same name. ~ Clarke Fountain, All Movie Guide

In this gritty and violent period drama set in the depths of the Great Depression, Lee Marvin stars as "A No. 1", the acknowledged King of the Hoboes. A No. 1 is famous among his fellow tramps for his ability to catch a ride on any train, no matter how risky the hop or dangerous the guards. He acts as a sort of mentor for Cigaret (Keith Carradine), a young hobo who brags that some day he'll surpass A No. 1 in his accomplishments. But neither has had the courage to ride a train guarded by Shack (Ernest Borgnine), an unusually sadistic railroad cop who will brutally beat or even murder any man who tries to catch a ride on his train. A No. 1 is determined that no one, not even Cigaret, is going to deny him his title, so taking his life in his hands, he and Cigaret hop a ride on Shack's train, and they are soon bearing the full brunt of his violent nature. Emperor of the North features superb location photography by Joseph F. Biroc and a fine supporting cast, including Charles Tyner, Simon Oakland, Elisha Cook Jr., and Sid Haig. ~ Mark Deming, All Movie Guide

In this western, an outlaw anxiously awaits the arrival of his betrothed, who is under the false impression that her fiancé is worth a fortune. Unfortunately, the fellow has earned nothing during his stint in the West. Desperate to keep her, he begins plotting the theft of a Mexican bandit's loot. But before he can, he will need a Gatling gun. He knows a man who has one, but the gun owner refuses to part with it unless the outlaw agrees to find him a woman. The outlaw then kidnaps a likely candidate from a stage coach. Unfortunately, he doesn't realize that the woman is a colonel's wife. Later as he is hauling his heavy gun, he runs into the colonel who is looking for his missing wife. A shoot out ensues and things look bleak for the outlaw until the colonel's wife intervenes and suggests to her husband that since he is about to retire, he ought to allow the fellow to take the chance and try to pull off the heist. ~ Sandra Brennan, All Movie Guide

Peter Reaney (Rod Taylor) is the successful talent agent who enjoys the things that money can buy. He also considers himself a parasite, living off the talents of his clients. When his wife Angela (Penelope Horner) walks out on him, he moves in with his friend Val (James Booth) and his wife Jody (Carol White). He and Jody engage in an adulterous affair, but Peter's main worry is doing damage control for the spoiled pop singer Barry Black (Clive Francis). Peter pays off a woman impregnated by Black in order for her to afford an abortion and keep the star's name out of the scandal sheets. Sickened by Black's behavior, he quits the agency and punches out the pop star at a personal appearance. When his friend Val dies, the hard-drinking former agent is free to pursue his romance with Jody in this seriocomic satire. ~ Dan Pavlides, All Movie Guide

Virtually the first third of The April Fools takes place at a trendy party held by sharkish executive Ted Gunther (Peter Lawford). It is here that Howard Brubaker (Jack Lemmon), one of Gunther's employees, makes the acquaintance of the boss' lovely young trophy wife Catherine (Catherine Deneuve). It happens that Brubaker is unhappily wed to Phyllis (Sally Kellerman, who gives an excellent performance in an essentially one-note role) and that Catherine is equally unhappy in her relationship with Gunther. The two lost souls run off together, planning to fly to Paris. There's approximately 25 minutes' worth of plot in The April Fools; much of the leftover time is eaten up by a protracted drunken-driving sequence involving suburban hubbies Lemmon, Jack Weston, Harvey Korman and Kenneth Mars, and by a lengthy episode featuring Charles Boyer and Myrna Loy as a robust, free-thinking elderly married couple. Some good dialogue, notably Lemmon's shaggy-dog story about goldfish and Chinese food, cannot hide the slightness of the piece. Still, a great many filmgoers were charmed by The April Fools. ~ Hal Erickson, All Movie Guide

It wasn't as well received at the box office as the pictures that preceded it or followed it, but Peter Hunt's On Her Majesty's Secret Service was the finest of the James Bond movies and also arguably the last truly great movie in the series. James Bond, portrayed here by George Lazenby (in his only performance in the role) has spent nearly two years trying to track down Ernst Stavro Blofeld (Telly Savalas), the head of SPECTRE. He has been taken off the case by his chief (Bernard Lee), an action the pushes him to the point of considering resigning from Her Majesty's Secret Service, just as he opens a possible new avenue of attack on his quarry. Whilst in the field, Bond has chanced to cross paths with the Contessa Teresa Di Vicenzo (Diana Rigg), a beautiful but desperately unhappy woman, whom he rescues from one apparent suicide attempt and an embarrassing moment at a casino gaming table -- the Contessa, who prefers to be called Tracy ("Teresa was a saint"), is the daughter of Marc Ange Draco (Gabriele Ferzetti), an industrial and construction magnate and also a crime boss, who is impressed with Bond personally as well as professionally, and would like to see him marry his daughter. Bond is, at first, unwilling to involve himself with a woman -- any woman -- on that level, but Draco's underworld contacts give Bond a vital clue to Blofeld's whereabouts that get him back on the case and hot on the man's trail. Journeying incognito to Blofeld's mountaintop retreat in the Swiss Alps, Bond finds the criminal mastermind posing as a would-be nobleman and also as a philanthropist, running a clinic devoted to the treatment and eradication of allergies. It's all a front for a surprisingly sinister (and scientifically valid) plot for international blackmail that would make any previous Bond villain quake in fear. And in the process of staying alive long enough to have a chance of stopping Blofeld, Bond discovers the Tracy is truly like no woman he's ever known before -- one special enough that he finds himself willing to give up his life as a free-living, free-loving bachelor. ~ Bruce Eder, All Movie Guide

Michael Caine's first starring role was a foray into dramatic irony, scripted by Bill Naughton from his novel and play. Alfie (Caine) is a charming, rogueish Cockney who cannot get his fill of women. He uses them without shame or malice, jumping from one promiscuous female's bed to another without much thought or feeling. Of course, Alfie's not as carefree as he would have the audience -- to whom he often speaks directly -- think: he treats his pregnant, common-law wife, Gilda (Julia Foster), quite shabbily, and has an affair with a married woman (Vivien Merchant) that leaves her pregnant, for which Alfie arranges an abortion. In the end, Alfie never finds lasting meaning or pleasure but remains an unrepentant, if low-class, Don Juan. Caine was Oscar-nominated for his performance. ~ Don Kaye, All Movie Guide