Jim Broadbent Movies
One of England's most versatile character actors, Jim Broadbent has been giving reliably excellent performances on the stage and screen for years. Particularly known for his numerous collaborations with director Mike Leigh, Broadbent was shown to superlative effect in Leigh's Topsy-Turvy, winning the Venice Film Festival's Volpi Cup for his portrayal of British lyricist and playwright W.S. Gilbert.Born in Lincolnshire, England, in 1949, Broadbent trained at the London Academy of Music and Dramatic Arts. Following his 1972 graduation, he began his professional career on the stage, performing with the Royal National Theatre, the Royal Shakespeare Company, and as part of the National Theatre of Brent, a two-man troupe he co-founded that performed reduced histories. In addition to his theatrical work, Broadbent did steady work on television, acting for such directors as Mike Newell and Stephen Frears.
Broadbent made his film debut in 1978 with a small part in Jerzy Skolimowski's The Shout. He went on to work with such directors as Stephen Frears (The Hit, 1984) and Terry Gilliam (Time Bandits [1981], Brazil [1985]), but it was through his collaboration with Leigh that Broadbent first became known to an international film audience. In 1991, he starred in Leigh's Life Is Sweet, a domestic comedy that cast him as a good-natured cook who dreams of running his own business.
Broadbent gained further visibility the following year with substantial roles in Neil Jordan's The Crying Game and Newell's Enchanted April, and he could subsequently be seen in such diverse fare as Woody Allen's Bullets Over Broadway (1994), Widows' Peak (1994), Richard Loncraine's highly acclaimed adaptation of Shakespeare's Richard III (1996), and Little Voice (1998), the last of which cast him as a seedy nightclub owner. Appearing primarily as a character actor in these films, Broadbent took center stage for Leigh's Topsy-Turvy (1999), imbuing the mercurial W.S. Gilbert with emotional complexity and comic poignancy. Roles in Bridget Jones's Diary, Moulin Rogue, and Iris made 2001 quite a marquee year for Broadbent; the actor earned both an Oscar and a Golden Globe for his affecting turn in Iris. ~ Rebecca Flint Marx, All Movie Guide
- 1988
The cast and crew of the satirical British comedy series Blackadder reunited for this perverse one-hour spin on Dickens' A Christmas Carol. Rowan Atkinson stars as Ebeneezer Blackadder, a kindly and beloved London businessman. Alas, Ebeneezer is too warm-hearted and generous to suit his greedy, grasping ancestors, who on Christmas Eve appear in spectral form to force their descendant to live down to Blackadder family tradition. Also appearing are Tony Robinson as Baldrick, Robbie Coltrane as The Spirit of Christmas, Miriam Margoyles as Queen Victoria, Jim Broadbent as Prince Albert, and Miranda Richardson in the dual role of Elizabeth I and Asphyxia XIX. A Blackadder's Christmas Carol made its British TV bow on December 22, 1988. ~ Hal Erickson, All Movie Guide
- Starring:
- Rowan Atkinson, Tony Robinson, (more)
- 1987
- PG
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Superman (Christopher Reeve) tries to save the world from nuclear destruction at the hands of Lex Luthor (Gene Hackman) in this action film featuring the man of steel. In a speech to the United Nations, Superman declares he will rid the world of all nuclear weapons. Arch-villain Luthor emerges from prison obsessed with killing Superman and creates an adversary known as Nuclear Man (Mark Pillow). The two engage in a fight to the finish in various landmarks on Earth before taking their battle into outer space. When Lois Lane (Margot Kidder) invites both Superman and Clark Kent to a double-date dinner, Superman's powers are tested so that both men can be present. Jackie Cooper plays the gruff veteran newspaper editor Perry White, with Marc McClure as Jimmy Olsen. Sam Wanamaker plays tabloid tycoon David Warfield, the millionaire who buys the Daily Planet. Mariel Hemmingway is Warfield's daughter Lacy, Clark Kent's date at Lois' luxury apartment. This is the least interesting of the four Superman movies starring Christopher Reeve. ~ Dan Pavlides, All Movie Guide
- Starring:
- Christopher Reeve, Gene Hackman, (more)
Anthony Hopkins stars in The Good Father as a publishing executive whose wife Julie Walters has left him, taking their son with her. Walking around like a zombie after this blow, Hopkins is brought back to life by involving himself in the profound problems of his friend Jim Broadbent. Feeling that his misguided pro-feminist stance has caused him all his trouble, Hopkins encourages Broadbent, whose own wife is leaving him with their son in tow, to fight for custody of the child in court. Hopkins even agrees to finance Broadbent's legal fees. As Broadbent's custody battle intensifies into a bitter, all-out war, Hopkins becomes more relaxed concerning his own domestic difficulties. Allowing Broadbent to be his emotional surrogate, a becalmed Hopkins feels secure enough to try to reconcile with his ex-wife Walters. But she is aware, even if he isn't, that his problems stem not from his relationship with women, but from his resentment of his son, whose birth was the beginning of the end of his marriage. Contrary to the title and his own self-deceptions, Hopkins is not "the good father." The film was scripted by Christopher Hampton from a novel by Peter Prince. ~ Hal Erickson, All Movie Guide
- Starring:
- Anthony Hopkins, Jim Broadbent, (more)
- 1986
- R
In a story powered by the songs on an LP by Mick Jagger, this film is really one long video clip advertising Jagger's album. The plot takes the music from one number to the next, and begins with the rock star and his wife having an argument in Rio which leads to his being mugged and taken to the interior of Brazil to work on a plantation. Once there, the lady of the manor chases him around, but he manages to escape back to Rio only to find that someone else has been impersonating him and making off with the big bucks. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Mick Jagger, Jerry Hall, (more)
- 1985
As this interesting drama wends its way through a state bureaucracy filled with a broad spectrum of characters all trying to protect their turf, it alludes to the writer Franz Kafka's views on governmental mazes and the nature of an unwanted physical transformation. Young Franz (Robert Hines) breaks out in a rash and goes to the insurance company to get the means to find out what is happening (he works with textile dyes and suspects a connection there). Instead of being helpful, the bureaucrats dismiss him until a certain Mr. Kafka (Daniel Day-Lewis) advances his own theories as to Franz's problem. Much later down the road, yet another possibility is ironically provided. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Daniel Day-Lewis, Jim Broadbent, (more)
Brazil constitutes Terry Gilliam's enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. The results are thoroughly unprecedented in the cinema.
Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.
Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, All Movie Guide
Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.
Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, All Movie Guide
- Starring:
- Jonathan Pryce, Michael Palin, (more)
In this offbeat crime film, Willie Parker (Terence Stamp) an English mobster turned informant, has been given a new identity and has been living in a small, isolated village in Spain for 10 years. Unfortunately for Parker, the men he has betrayed have ascertained his whereabouts and send Braddock (John Hurt), a professional hitman, and his apprentice Myron (Tim Roth) to bring Parker to Paris where his ex-associates await. After kidnapping Parker, nothing goes as planned. Now they are followed by a Spanish policeman (Fernando Rey) who seems to anticipate each of their moves, and they are burdened by Maggie (Laura del Sol), the mistress of a fellow mobster they were forced to kill. What should have been a routine hit becomes a psychological battle between all the participants as Parker, in a fight for time and for his life, plays one against the other. Set against the bleak Spanish landscape and featuring evocative and memorable theme music, the film builds to a surprising conclusion where the true nature of all the characters is revealed. Terence Stamp develops the character of Parker in a subtle but surprisingly comic performance and Laura del Sol shines as a woman who will do what is necessary to survive. Tim Roth, in his film debut, plays a brutal, but oddly endearing thug. But it is John Hurt, in a sensitive and nuanced performance, who brings a perceptive intelligence and depth to his role which adds a philosophical and psychological dimension to the film. Hurt plays his difficult role without a misstep and with a rare economy of action. Thoughtful and frequently amusing, The Hit, superbly written by Peter Prince, is both a compelling and suspenseful crime drama and also a deep and profound meditation on life, death and courage. ~ Linda Rasmussen, All Movie Guide
- 1983
It is now the year 1492: Edmund (Rowan Atkinson) is still jockeying to become King of England, while the actual monarch, Richard IV (Brian Blessed), is busily making enemies of everyone in Europe. In order to prevent a war with Spain, Edmund is ordered to marry that country's Princess Maria (Miriam Margoyles). This, he figures, will put him in an excellent position to fulfill his dream of ruling England -- but things don't quite work out as planned. The episode's funniest moments belong to Jim Broadbent as the Princess' interpreter, Don Speekingleesh. "The Queen of Spain's Beard" first aired on July 6, 1983. ~ Hal Erickson, All Movie Guide
- Starring:
- Rowan Atkinson, Tony Robinson, (more)
Christopher Walken stars in John Irvin's graphic adaptation of Frederick Forsythe's novel about a mercenary sent to overthrow the government of an African country. Walken is Shannon, an American soldier of fortune who has staged incidents in Central America and Africa that helped topple governments. Shannon decides to take on one more mission when American businessman Endean (Hugh Millais), working for a large mining company wanting to move into an African country, hires Shannon to scout out the terrain of the country and see if the government is weak enough to be overthrown. Shannon assumes the guise of a photographer for a nature magazine and travels through the country, meeting a wide-array of people. But the government becomes suspicious of Shannon and throws him in jail, where, between torture sessions, he meets an imprisoned dissident leader. Through his imprisonment, Shannon comes to understand more fully the struggles of the African country. ~ Paul Brenner, All Movie Guide
- Starring:
- Christopher Walken, Tom Berenger, (more)
A young boy joins a group of renegade dwarves on an unpredictable journey through time in this humorous fantasy. Monty Python animator Terry Gilliam mostly achieves a tricky balancing act in his second feature as sole director, creating a dark, irreverent comedy disguised as a family adventure. Particularly amusing are the boy's encounters with various historical figures, including an entertainment-starved Napoleon (Ian Holm), a powerful Agamemnon (Sean Connery), and a surprisingly stuffy Robin Hood, embodied by Gilliam's Python cohort John Cleese. Episodic by nature, the film is less successful when dealing with the larger narrative, which concerns the pursuit of the dwarves and their time-traveling map by the Supreme Being. However, the combination of Gilliam's visual exuberance and the witty script (by Gilliam and Michael Palin) ensures an entertaining, if erratic, journey. ~ Judd Blaise, All Movie Guide
- Starring:
- John Cleese, Sean Connery, (more)
- 1979
- R
Director J. Lee Thompson directed this World War II adventure drama from a script by author Bruce Nicolaysen who adapted the screenplay from his novel The Perilous Passage. Anthony Quinn stars as a brave Basque mountaineer who is hired by the American military to guide Professor Bergsson (James Mason) and his family over the dangerous Pyrenees. Together the two men struggle to ensure the group's survival and elude Von Berkow a crazed Nazi played by Malcolm MacDowell. ~ Matthew Tobey, All Movie Guide
- Starring:
- Anthony Quinn, James Mason, (more)
- 1978
- R
An asylum director begins telling a visitor to a cricket game the story of one of his "better" patients, Crossley (Alan Bates) who is able to compete. Some time previously, Crossley accosted Anthony (John Hurt), a composer, just after church and was for some reason invited to dinner. Once at the composer's home, he tells the story of his unusual upbringing among Australian Aborigines, and of the awful and strange gifts this has left him with. Among them is the ability to bring about another's death by using a certain kind of shout. The next morning, he begins to weave an erotic spell on the composer's wife Rachel (Susannah York), and then proves his killing ability on a sheep in a field. His influence increasingly disrupts their peaceful lives, until in a confrontation, the composer finds a way to best Crossley - but which results in his being placed in a mental institution. ~ Clarke Fountain, All Movie Guide
- Starring:
- Alan Bates, Susannah York, (more)
