Johnny Dankworth Movies

Ian Bertram (Robert Lindsay) is a mathematical genius who works as an accountant for a multinational firm based in England. When he meets Cary Porter (Molly Ringwald), who recently started working for the same company, Ian immediately falls in love and quickly proposes marriage. Cary accepts, and they plan a modest wedding, but when Ian's accounting skills earn him the admiration of company head Herbert Dreuther (John Geilgud), Herbert offers to pay for a honeymoon in Monte Carlo and give them a ride back on his yacht. But while Mr. Dreuther means well, he has problems with his memory, and once Ian and Cary get to Monte Carlo, Herbert has forgotten all about them. Stuck at the hotel with a large bill that he can't afford, Ian works out a plan to win at roulette; his scheme works, and he earns enough to pay their bill, get them home, and have plenty left over. But his sudden success at the gambling tables makes Ian drunk with power, and Cary discovers that her new husband has turned into a power-hungry tyrant. Strike It Rich was adapted from the novel Loser Takes All by Graham Greene; it has been shown under the novel's title, as well as under the title Money Talks. ~ Mark Deming, All Movie Guide

In this grim wartime drama, two vengeful soldiers of fortune engage in a deadly competition to see who can kill the other first. ~ Sandra Brennan, All Movie Guide

Two steadfast members of Frank Sinatra's self-styled "clan," Peter Lawford and Sammy Davis Jr., are the stars of Salt and Pepper. The boys run a swinging nightclub in London's Soho district (which explains their awful "mod" wardrobe) and also reluctantly double as secret agents. Their current assignment is to put the kibosh on a half-baked military officer (John LeMesurier), who plans to hijack a nuclear sub and hold England captive. The film is securely locked into the 1960s, with weird camera angles and out-of-focus optical effects, plenty of compliant young miniskirted damsels, and Bondlike action highlights. Salt and Pepper was followed two years later by a sequel, imaginatively titled One More Time. ~ Hal Erickson, All Movie Guide

Boom is taken from the Tennessee Williams play The Milk Train Doesn't Stop Here Anymore. Flora Goforth (Elizabeth Taylor) is a foul-mouthed, booze-swilling, pill-popping, middle-aged woman near death. She spends her time swearing at the servants and looks forward to the end of it all, until poet Chris Flanders (Richard Burton) comes to her island home. Known in literary circles as the "angel of death," the poet gives the dying woman some measure of comfort in his presence -- while he takes comfort in her liquor cabinet and her jewelry. Often she is visited by the Witch of Capri (Noel Coward), a gossip-minded homosexual who appears to be Flora's only friend. Williams wrote the screenplay, which unfortunately proved ineffectual, as Taylor and Burton were seemingly caught up in their own world of wallowing in self-importance. The feature did little to boost the sagging careers of Burton and Taylor or to alter the public's negative opinions of their personal lives. ~ Dan Pavlides, All Movie Guide

Raquel Welch breaks the surly bonds of Earth and loves every minute of it in this lighthearted spy spoof. Fathom Harvill (Welch) is an American skydiver touring Europe with a U.S. parachute team when she's approached by Douglas Campbell (Ronald Fraser), a Scottish agent working with American intelligence. According to Campbell, a triggering mechanism for nuclear weapons has gone missing in the Mediterranean, and Douglas wants Fathom to help find it. After encountering Chinese operative Peter Merriweather (Anthony Franciosa), Fathom discovers that Campbell is actually a private eye and that she's been tricked into helping him snag some jewelry. But what's the whole truth, and whose side is Fathom supposed to be on? ~ All Movie Guide

A classic 1960's cult film in the British "angry young man" tradition, the hero of this film from Czech director Karel Reisz is more lunatic than agitator. Morgan Delt (David Warner) is an artist from a working class background, married to Leonie (Vanessa Redgrave), a woman far above him in social standing. Given to a rich fantasy life to begin with, Morgan goes off the mental deep end when Leonie informs him that she's asking for a divorce and taking up with art dealer Robert Stephens (Charles Napier), a man more befitting her class. Thoroughly gone around the bend, Morgan enacts a series of bizarre gags and stunts in a campaign to win Leonie back, including putting a skeleton in her bed and crashing her wedding dressed as a gorilla. His antics eventually get Morgan arrested and committed to an asylum, where he embraces his mother's ardent communist beliefs. Redgrave was Oscar nominated for Best Actress for her role, her feature film debut. ~ Karl Williams, All Movie Guide

An amoral American makes his way through genteel British society in this drama. Marco (Michael Thomas Parks) is a self-centered would-be artist from the United States who is living in England while supposedly studying his craft. Marco is close friends with Timothy (John Leyton), a native studying medicine, but when Marco meets Timothy's girlfriend Sarah (Jennifer Hilary), he makes plans to steal her away from him. Marco seduces Sarah at a party thrown by Timothy's mother Carol (Jennifer Jones); when Carol happens upon the couple in flagrante delicto, she decides that Marco is beneath contempt and shares this opinion with her son; Sarah moves in with Marco shortly afterward. Timothy forgives Marco after he comes to his aid in a fight, and Carol begins to think that she may have been wrong about the young man. But Marco decides that he's tired of Sarah, and he plans to break up with her; when Timothy gets wind of this, he rushes out to give her the bad news in advance. Marco, however, plans to meet Sarah at Timothy's house; when instead he encounters Carol, he decides to add her to his list of conquests. The Idol was scripted by Millard Lampell, a dramatist and musician who was once a member of the folk singing group The Almanac Singers with Woody Guthrie and Pete Seeger. ~ Mark Deming, All Movie Guide

Julie Christie won an Oscar for her portrayal of a bored, amoral fashion model in this cynical melodrama from director John Schlesinger. Following the break-up of a teenage marriage, Diana Scott (Christie) drifts into the world of modeling and acting, where she meets a television news reporter, Robert Gold (Dirk Bogarde), who leaves his family for her and introduces her to a more powerful and wealthy set. Soon Diana meets somebody more attractive: public relations mogul Miles Brand (Laurence Harvey). After briefly leaving and then drifting back into Robert's life, experiencing an orgy and even getting an abortion, Diana eventually leaves the swinging London scene behind and settles down to an unfulfilling if comfortable life as the wife of millionaire Italian widower Cesare (Jose-Luis deVillalonga). Shocking in its day, Darling (1965) won Oscars for its costumes and script from Frederic Raphael. ~ Karl Williams, All Movie Guide

Wealthy wastrel James Fox hires insouciant cockney Dirk Bogarde as a valet. No sooner has he donned his working clothes than Bogarde begins exercising a subtle but insidious control over his master. Suggesting that the house could use a little fixing up, Bogarde convinces Fox to spend a whopping amount of money on it. But this is just a warm-up session for Bogarde, who by mid-film is calling all the shots in the Fox household, all the while pretending to keep his place. Fox's fiance Wendy Craig sees through Bogarde's game. Bogarde then brings his own lady friend Sarah Miles into the house. At Bogarde's insistence, Miles seduces Fox, thereby loosening Craig's hold on the confused young man. And so it goes. The homosexual subtext of The Servant disturbed some of the more hidebound critics of 1963; Harold Pinter based his cryptic screenplay on a novel by Robin Maugham. ~ Hal Erickson, All Movie Guide

"All I want is a good time. The rest is propaganda." That's the philosophy of archetypal British "angry young man" Arthur Seaton (Albert Finney). A middle-class working stiff in a dead-end job, Arthur's principal goal in life is to survive the work week, then spend the weekend raising as much hell and drinking as much beer and other liquor as possible. Since pleasure is all that Arthur lives for, he thinks nothing of starting up an affair with the wife (Rachel Roberts) of one of his co-workers (Bryan Pringle). His efforts to secure her an abortion when he gets her pregnant stem not out of concern for her but out of his own selfishness: why should he be tied down with a squalling brat? Despite his carousing and his ongoing desire to escape the dull routine of his weekday existence, Arthur is doomed to perpetuate that routine via his marriage to a complacent "nice" girl (Shirley Ann Field) from his own neighborhood. ~ Hal Erickson, All Movie Guide

Directed by American expatriate Joseph Losey, the British The Criminal is a gloom-wallow elevated by superb performances. Top crook Stanley Baker plans a clever bank robbery. It goes off hitchless, but the clerk responsible for "laundering" the stolen money insists upon a bigger percentage of the take, else he'll blow the whistle. Baker hides the money, whereupon he is turned over to the law by his ex-girlfriend, who is in cahoots with the clerk. Baker refuses to reveal the whereabouts of the loot, so his old gang arranges to have him broken out of jail -- and also arranges for Baker's "accidental" demise. Appearing as the greedy clerk in Concrete Jungle is Sam Wanamaker, who like Joseph Losey fled to England as a result of the Hollywood blacklist. ~ Hal Erickson, All Movie Guide

Six-Five Special is an expansion on the popular BBC TV variety series of the same name. Not unlike America Bandstand, the BBC's Six-Five Special spotlighted England's top rock-and-roll and R&B acts, as well as a few talented newcomers on the verge of stardom. The predictable plotline involves a group of teenaged hopefuls who compete for the honor of a few minutes' glory on the "telly." This slender scenario is, of course, an excuse to trot 16 well-known singing acts across the screen. Among the performers featured on 6.5 Special are Lonnie Donegan, Petula Clark, Jim Dale, Johnny Dankworth, Cleo Lane, Mike & Bernie Winters and the King Brothers. ~ Hal Erickson, All Movie Guide