William Daniels Movies
American actor William Daniels was teamed at age 6 with his sister Jackie in a song-and-dance act that would become "The Daniels Family" when his other sister Carol joined. At the height of their activity, the Daniels were performing in as many as three radio shows per week, a welcome break from the harshness of their Brooklyn neighborhood. Acting in the long-running Broadway play Life with Father in 1945, Daniels was advised by the play's star and co-author Howard Lindsey to attend college just in case the acting business fell apart; after Army service and graduation from Northwestern University, Daniels found that, for him, the business had fallen apart. His confidence eroded by several years of relative inactivity, Daniels nearly turned down an opportunity to play Brick in a road company production of Cat on a Hot Tin Roof, but the play's author Tennessee Williams insisted upon casting Daniels. In 1960, the actor was cast with George Maharis in the Edward Albee play The Zoo Story, which won him the Obie and Clarence Derwent Awards and led to such choice Broadway assignments as One Flew Over the Cuckoo's Nest, On a Clear Day You Can See Forever and A Thousand Clowns. Much to his own amazement, Daniels found himself cast in a superhero-spoof sitcom, Captain Nice, in 1967, which fortunately wasn't on long enough to typecast him. The actor achieved recognition of a more positive nature for his role as Dustin Hoffman's obtuse father in The Graduate (1967) (he was all of ten years older than Hoffman). Daniels' role as John Adams in the 1969 Broadway musical 1776 resulted in another strong film showing when the play was transferred to celluloid in 1972. Reportedly as reserved and taciturn as his screen characters in real life, Daniels was perhaps ideally cast as the abrasive Dr. Mark Craig on the long-running (1982-88) TV drama St. Elsewhere; appearing as Mrs. Craig was Bonnie Bartlett, to whom Daniels had been married since college. Despite his high visibility in both films and television, William Daniels is probably best known internationally for a continuing TV role in which he was never seen--the ever-correct computerized voice of K.I.T.T., the superpowered automobile on the action series Knight Rider (1982-86). ~ Hal Erickson, All Movie Guide- 1976
Francis Gary Powers: The True Story of the U-2 Spy is a TV dramatization of the notorious Cold War incident of 1960. The story is told from the point of view of Powers (Lee Majors), an American pilot who was shot down over Russia while taking photographs on behalf of the CIA. The event occurs just before a crucial summit meeting between American President Dwight D. Eisenhower (James Flavin) and Soviet premier Nikita Khrushchev (Thayer David). Eisenhower tries to cover up the incident, allowing Khrushchev to make propagandistic hay of the whole affair. Robert E. Thompson's teleplay tends to depict the Americans as jerks, and the Russians as essentially good guys; even Powers' Soviet interrogator, portrayed by Nehemiah Persoff, comes off comparatively sympathetic. Also in the cast are Noah Beery as Powers' father and Lew Ayres as Allen Dulles. Francis Gary Powers: The True Story of the U-2 Spy was originally telecast September 29, 1976. ~ Hal Erickson, All Movie Guide
- 1976
This episode is a sobering lesson in civil liberties--or rather, the lack of those liberties when an innocent citizen is brought before a Federal Grand Jury. Much to his dismay, Jim Rockford (James Garner) is repeatedly subpoenaed and harrassed by zealous Federal prosecutor Gary Bevins (William Daniels), who is convinced that the detective knows more than he is willing to admit about the disappearance of union boss Frank Sorvino. When he isn't serving jail time for contempt of court, Jim is kept busy ducking and dodging Sorvino's cronies, as well as someone who is trying to kill him. Though ultimately Jim clears himself, justice has still not been served--and the episode ends with a blistering attack on the iniquities of the legal process as Rockford throws the prosecutor's sanctimonious words right back at him. ~ Hal Erickson, All Movie Guide
- 1976
In the third of the feature-length Quincy, M.E. episodes produced for the NBC Sunday Mystery Movie package, the LA County Coroner's Officer swings into action when movie star Roberta Rhodes dies under mysterious circumstances (note the repetitious initials, and then guess who "Roberta Rhodes" is really supposed to be). Though the police are convinced that Rhodes committed suicide, Quincy (Jack Klugman) thinks otherwise, and through the auspices of scandal-sheet publisher Reardon (William Daniels) Quincy discovers that the dead woman's secret lover, Congressman Charles Sinclair (Robert Foxworth), was with her at the time of her death--and may have been her murderer. Unable to accept the notion that his good friend Sinclair is a killer, Quincy goes off on his own investigation, quickly discovering that the gossip-mongering publisher may have a sinister hidden agenda. ~ Hal Erickson, All Movie Guide
- 1976
Jim (James Garner) is hired by antiques dealer Thomas Caine (William Daniels) to bid on a rare sculpted bird at an auction. Unfortunately, our hero "gets the bird" in more ways than one when, after purchasing the statue on Caine's behalf, he is attacked by hooligans and the artifact is broken. At this point, Jim would just as soon wash his hands of the whole affair, but in order to avoid paying for the busted bird, he agrees to attend another auction where a duplicate bird is on display. Complicating matters is the existence of a third bird--and of a clever and somewhat lethal art thief who is dogging Jim's trail every inch of the way. ~ Hal Erickson, All Movie Guide
- 1975
One of Our Own stars George Peppard as Dr. Jake Goodwin, the chief neurosurgeon of an inordinately busy hospital. As he makes his rounds, Goodwin becomes involved in a vast array of medical cases, solving virtually every problem he's confronted with. It looks, however, as though he's going to have tough sledding with the film's Major Crisis: A seriously injured doctor, and the two colleagues who battle over how to save his life. Originally telecast in May of 1975, One of Our Own was obviously conceived as a pilot for a George Peppard weekly series. But when that series premiered in September 1975, it had sprouted the new title of Doctor's Hospital (as opposed, perhaps, to Lawyer's Hospital). ~ Hal Erickson, All Movie Guide
- 1975
Fresh from her success in The Exorcist (and several years away from her tenure as queen of the women in prison flicks), Linda Blair stars in this searing TV movie. Sarah (Blair), a normal teenaged girl, begins drinking socially at high school parties. She soon finds that she can't stop--and even worse, she can't keep her boozing a secret. After a near-tragic baby-sitting episode, Sarah decides to attend Alcoholics Anonymous, but soon she's back on the hard stuff. Only when Sarah causes the death of a horse does she strengthen her resolve to remain "clean and sober." Sarah T: Portrait of a Teenage Alcoholic tempers the more sensational aspects of the subject matter with some unforgettably poignant vignettes--including the A.A. testimony of a boy who's even younger than Sarah. ~ Hal Erickson, All Movie Guide
- 1975
Bob's parents are briefly uprooted while their house is being painted. While Dad Hartley (Barnard Hughes) goes off on a fishing trip, Mom Hartley (Martha Scott) stays with Bob and Emily -- and the viewers brace themselves for another round of concentrated maternal smothering. Meanwhile, Bob has to mediate between elderly patient Edward T. Vickers Sr. (Lucien Scott) and his fractious son, Edward Jr. (William Daniels). Written by Arnold Kane, "Father & Sons & Mothers" first aired on November 29, 1975. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Newhart, Suzanne Pleshette, (more)
- 1974
Of the two rape-oriented TV movies of the 1973-74 season, A Case of Rape, first telecast February 20, 1974, is far and away the finer film (the other was the compelling but contrived Cry Rape). Elizabeth Montgomery stars as a housewife who is sexually assaulted not once but twice by a so-called family friend (Cliff Potts). The rape is only the beginning of a long cycle of humiliation and self-doubt: the investigating police are dismissive of Montgomery's charges, the female defense attorney (Rosemary Murphy) tries to put the victim on trial, and Montgomery's reputation and marriage (to Ronny Cox) are irrevocably damaged. Though things don't go well for her in the courtroom, Montgomery emerges from the experience a stronger and more self-reliant person, unwilling to allow herself to be destroyed by outside influences. Don't miss the final confrontation between raper and rapist after the trial--an underplayed but bone-chilling vignette. Had not Cicely Tyson sewn up the Emmy with The Autobiography of Miss Jane Pittman, Elizabeth Montgomery would certainly have copped the prize with A Case of Rape. ~ Hal Erickson, All Movie Guide
While the Watergate scandal filled the headlines, Alan J. Pakula's 1974 thriller took its inspiration from the conspiracy theories surrounding the Kennedy assassination. Journalist Joe Frady (Warren Beatty) misses witnessing the assassination of a senator at Seattle's Space Needle, but his newswoman former girlfriend Lee Carter (Paula Prentiss) was there. Even after a government commission concludes that it was a freak lone assassin, Lee tells Joe that she fears for her life since other witnesses keep dying. After she too turns up dead, Joe investigates, travelling to the small town where another witness has mysteriously expired. Stumbling on a corporate identity for the killers, Joe decides to dig deeper by infiltrating the Parallax Corporation as one of their hired assassins. As Joe becomes increasingly isolated in his assumed identity, he discovers what Parallax is all about -- but Parallax knows all about Joe too. Made between Klute (1971) and All the President's Men (1976), The Parallax View was the second film in Pakula's "paranoia" trilogy; it proved too dark even for a 1974 audience that embraced such other challenging films of that year as The Godfather, Part II and Chinatown, making The Parallax View the sole flop of Pakula's trilogy. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Warren Beatty, Hume Cronyn, (more)
- 1973
Murdock's Gang stars former TV newscaster Alex Dreier as celebrated trial attorney Bartley James Murdock. Framed for a crime, Murdock is disbarred and incarcerated. Upon his release, he becomes a private detective, assembling a gang of reformed criminals as his assistants. Murdock's team is expected to utilize their criminal skills for the purpose of solving crimes rather than committing them. In this pilot film for an unsold series, Murdock must solve the disappearance of a millionaire's trusted accountant. Murdock's Gang was partially filmed at Marineland of the Pacific. ~ Hal Erickson, All Movie Guide
- 1973
All the experts have declared that it is impossible to rob a safety-deposit vault surrounded by a sophisticated, high-tech alarm system--but that's just what happens. Clearly the heist was the work of a well-trained team, and the cops are able to arrest one of the suspects almost immediately. Chief Ironside (Raymond Burr), however, is certain that the man in custody is innocent...and meanwhile, the actual master thief is working on a plan to seal Ironside's doom! ~ Hal Erickson, All Movie Guide
The first independent production of former studio mogul Jack Warner, 1776 was adapted from the hit 1969 Broadway musical by Peter Stone and Sherman Edwards. William Daniels, Ken Howard, and Howard Da Silva are among the many actors who recreate their Broadway roles. The story is set during the first Continental Congress, when the Declaration of Independence was drafted by such founding fathers as John Adams (Daniels) and Benjamin Franklin (Da Silva). The script attempts to "humanize" these remote historical figures by contemporizing them -- particularly the character of Ben Franklin. Blythe Danner's character of Martha Jefferson is expanded for the film version to allow for an elaborate outdoor production number. After 1776, Warner made only one more film, the 1972 "grunge Western" Dirty Little Billy. On an added note: the picture was originally rated G with its theatrical running time of 141 minutes. It was later expanded to 166 minutes; the added scenes caused the MPAA to re-rate it PG (for language) in 1992. Both versions are available on video. ~ Hal Erickson, All Movie Guide
- Starring:
- William Daniels, Howard Da Silva, (more)
- 1969
- PG
James Garner is so good as Raymond Chandler's philosophical gumshoe Philip Marlowe that you forget he's totally wrong for the part. Based on Chandler's The Little Sister, Marlowe involves the detective's efforts to locate the missing brother of Orfamay Quest (Sharon Farrell). He follows the clues to two men who deny any knowledge of the brother's existence. Since both men soon find themselves on the wrong end of an ice pick, Marlowe deduces that there's more to this caper than a mere missing-person case. The plot thickens as more "dramatis personae" are added to the intrigues, including TV star Gayle Hunnicutt, Hunnicutt's gangster boyfriend H.M. Wynant and stripper Rita Moreno. A pre-stardom Bruce Lee shows up as a karate-happy thug who lays waste to Marlowe's office shortly before suffering a spectacular demise. It is preferable to view Marlowe in videocassette or theatrical form; the commercial TV print cuts so much out that viewers are left with virtually nothing but protection leader and a few close-ups of James Garner. ~ Hal Erickson, All Movie Guide
- Starring:
- James Garner, Gayle Hunnicutt, (more)
"Just one word: plastic." "Are you here for an affair?" These lines and others became cultural touchstones, as 1960s youth rebellion seeped into the California upper middle-class in Mike Nichols' landmark hit. Mentally adrift the summer after graduating from college, suburbanite Benjamin Braddock (Dustin Hoffman) would rather float in his parents' pool than follow adult advice about his future. But the exhortation of family friend Mr. Robinson (Murray Hamilton) to seize every possible opportunity inspires Ben to accept an offer of sex from icily feline Mrs. Robinson (Anne Bancroft). The affair and the pool are all well and good until Ben is pushed to go out with the Robinsons' daughter Elaine (Katharine Ross) and he falls in love with her. Mrs. Robinson sabotages the relationship and an understandably disgusted Elaine runs back to college. Determined not to let Elaine get away, Ben follows her to school and then disrupts her family-sanctioned wedding. None too happy about her pre-determined destiny, Elaine flees with Ben -- but to what? Directing his second feature film after Who's Afraid of Virginia Woolf?, Nichols matched the story's satire of suffocating middle-class shallowness with an anti-Hollywood style influenced by the then-voguish French New Wave. Using odd angles, jittery editing, and evocative widescreen photography, Nichols welded a hip New Wave style and a generation-gap theme to a fairly traditional screwball comedy script by Buck Henry and Calder Willingham from Charles Webb's novel. Adding to the European art film sensibility, the movie offers an unsettling and ambiguous ending with no firm closure. And rather than Robert Redford, Nichols opted for a less glamorous unknown for the pivotal role of Ben, turning Hoffman into a star and opening the door for unconventional leading men throughout the 1970s. With a pop-song score written by Paul Simon and performed by Simon & Garfunkel bolstering its contemporary appeal, The Graduate opened to rave reviews in December 1967 and surpassed all commercial expectations. It became the top-grossing film of 1968 and was nominated for seven Oscars, including Best Picture, Actor, and Actress, with Nichols winning Best Director. Together with Bonnie and Clyde, it stands as one of the most influential films of the late '60s, as its mordant dissection of the generation gap helped lead the way to the youth-oriented Hollywood artistic "renaissance" of the early '70s. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Dustin Hoffman, Anne Bancroft, (more)
The President's Analyst is James Coburn, whose position makes him privy to any number of delicate government secrets. Thus Coburn becomes a most desirable prize for several secret-agent organizations, including the CEA and the FBR (we know who these folks are really supposed to be, even though the phony names were crudely dubbed onto the soundtrack after the film was completed). When Coburn becomes expendable, he finds a pair of strong allies in the form of likeable political assassin Godfrey Cambridge and gay Soviet spy Severn Darden. The main plot involves an insidious, unnamed concern that wishes to harness Coburn's talents in order to brainwash the president -- and everyone else in America -- into submission. The President's Analyst is a terrific, on-target satire of virtually every sacred cow of the late 1960s; the satire was so potent, in fact, that when the NBC network broadcast the film in the early 1970s, it was compelled to remove the picture's punchline. ~ Hal Erickson, All Movie Guide
- Starring:
- James Coburn, Godfrey Cambridge, (more)
In preparing his romantic comedy Two For the Road, director Stanley Donen decided to utilize many of the cinematic techniques popularized by the French "nouvelle vague" filmmakers. Jump cutting back and forth in time with seeming abandon, Donen and scriptwriter Frederic Raphael chronicle the 12-year relationship between architect Wallace (Albert Finney) and his wife (Audrey Hepburn). While backpacking through Europe, student Finney falls for lovely music student Jacqueline Bisset, but later settles for Hepburn, another aspiring musician (this vignette served as the launching pad for the film-within-a-film in Francois Truffaut's 1973 classic Day for Night). Once married, Finney and Hepburn go on a desultory honeymoon, travelling in the company of insufferable American tourists William Daniels and Eleanor Bron and their equally odious daughter Gabrielle Middleton. Later on, during yet another road trip, Finney is offered an irresistible job opportunity by Claude Dauphin, which ultimately distances Finney from his now-pregnant wife. Still remaining on the road, the film then details Finney and Hepburn's separate infidelities. The film ends where it begins, with Finney and Hepburn taking still another road vacation, hoping to sew up their unraveling marriage. While critics did nip-ups over Stanley Donen's "revolutionary" nonlinear story-telling techniques, audiences responded to the chemistry between Audrey Hepburn and Albert Finney, not to mention the unforgettable musical score by Henry Mancini. Note: many TV prints of Two for the Road are edited for content, robbing the viewer of Finney and Hepburn's delightful "Bitch/Bastard" closing endearments. ~ Hal Erickson, All Movie Guide
- Starring:
- Audrey Hepburn, Albert Finney, (more)
- 1965
Jason Robards Jr. superbly re-creates his Broadway role in this 1965 film version of Herb Gardner's play. Robards plays Murray Burns, head writer of TV's popular Chuckles the Chipmunk show. Fed up with the rat race, Murray quits his job and retreats to his cluttered Manhattan apartment, where he carries on a nonconformist, laissez-faire existence with his 12-year-old nephew Nick (Barry Gordon). Though they're as close as father and son, Robards has never gotten around to legally adopting Nick, which brings him to the attention of social workers Sandra (Barbara Harris) and Albert (William Daniels). While Albert is disgusted by Murray's irreverence, Sandra falls in love with the free-spirited writer. Teaming up with Nick, Sandra tries to convince Murray to get another job. Arnold Burns (Oscar-winner Martin Balsam), Murray's agent-brother, is amused by his sibling's independence, but can find no work for him. Desperate not to lose Nick to the authorities, Murray offers to go back to Chuckles the Chipmunk -- aka Leo (Gene Saks), a neurotic bug who bullies his staff and hates kids. Young Nick is disillusioned by Murray's willingness to conform, and he throws an uncharacteristic temper tantrum. But the boy comes around to Murray's sudden realization that compromise is sometimes necessary if it's for the sake of someone you love. While the central message of A Thousand Clowns may grate on some viewers, the film is saved by the exuberance of the cast. ~ Hal Erickson, All Movie Guide
- Starring:
- Jason Robards, Jr., Barbara Harris, (more)
- 1963
This thought-provoking and only slightly heavy handed anti-war tract is based on a real incident that occurred during the atomic terror of the Cuban missile crisis. The tragedy begins when a civil defense siren is accidentally tripped while a school is in session. The panic-stricken children are immediately sent home. One young girl has an air-raid shelter in her backyard and invites many children inside. A less popular girl begs to be let in, but the first girl makes excuses and shuts her out leaving the terribly frightened child to hide out in an abandoned refrigerator where she dies. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jane Connell, William Daniels, (more)
- 1948
In this family farce, an older couple falls in love and decide to marry and embark upon a peaceful honeymoon without the bride's three bratty children. Unfortunately, the way things work out, the whole family ends up tagging along. The little darlings are less than pleased that their widowed mother has remarried and behave as monstrously as possible. Eventually their frustrated step-daddy has his fill and gives each of the brats a well-deserved licking. After a major quarrel, they each return home alone. Meanwhile a sly seductress who has her eye on the husband for a while, and who just happened to be staying at the same hotel, rushes back home and plans a little party designed to further humiliate the bride. Fortunately, a change of heart scuttle's the vixen's plans and happiness ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Claudette Colbert, Fred MacMurray, (more)
