Danny D. Daniels Movies

The further misadventures of bumbling Los Angeles police Lieutenant Frank Drebin (Leslie Nielsen) are chronicled in this third installment in the popular Naked Gun comedy series. This by-the-numbers entry begins with Drebin as a happily retired house-husband called back into action when an evil terrorist organization threatens Los Angeles. As in the other Naked Gun films, this plot is merely an excuse for an unhinged, rapid-fire succession of gags, ranging from satirical lampoons of cop movies to broad slapstick, all played with a perfectly straight face. Nielsen provides his familiar combination of complete witlessness and oblivious dignity as Drebin, and the film attempts to match the earlier Naked Gun films -- and the Police Squad! television series that inspired them -- in the number of jokes. However, the film proved less successful than its predecessors, as some viewers found that the freewheeling comic style of the earlier films had solidified into its own formula, now mildly entertaining but disappointingly predictable. ~ Judd Blaise, Rovi

A suicidal artist tries to end his miserable life on Halloween night and fails after jumping off the roof of a ramshackle LA boarding house. After the fall, his soul has somehow become possessed by the spirit of a murderous criminal. This horror movie explains how and why. Now the poor bum finds himself haunted by terrible dreams of places he's never been and atrocities he could never think of committing. The dreams take an even darker edge when he begins reading about of a series of murders. Each victim was killed in exactly the same way he dreamed they were; he also learns that each was involved in the killing of the crook. ~ Sandra Brennan, Rovi

In this Road Warrior clone, an aging trucker spends his retirement mining an old cobalt mine with the assistance of his devoted grandson. A good friend lures the trucker out of retirement by offering him a quarter of a million dollars to drive some plutonium from Nevada to a high-security operation in Arizona. He begins his trek in a high-tech rig unaware that terrorist are waiting to ambush him and his deadly cargo. ~ Sandra Brennan, Rovi

The second of the George Lucas/Steven Spielberg Indiana Jones epics is set a year or so before the events in Raiders of the Lost Ark (1984). After a brief brouhaha involving a precious vial and a wild ride down a raging Himalyan river, Indy (Harrison Ford) gets down to the problem at hand: retrieving a precious gem and several kidnapped young boys on behalf of a remote East Indian village. His companions this time around include a dimbulbed, easily frightened nightclub chanteuse (Kate Capshaw), and a feisty 12-year-old kid named Short Round (Quan Ke Huy). Throughout, the plot takes second place to the thrills, which include a harrowing rollercoaster ride in an abandoned mineshaft and Indy's rescue of the heroine from a ritual sacrifice. There are also a couple of cute references to Raiders of the Lost Ark, notably a funny variation of Indy's shooting of the Sherpa warrior. ~ Hal Erickson, Rovi

Adapted from Dennis Potter's landmark British TV miniseries and relocated to the United States during the Depression, Pennies from Heaven dramatizes how popular songs both shaped and reflected the thoughts of people living through economic (and emotional) hardship. Arthur Parker (Steve Martin) is a sheet music salesman who believes that he can spot a hit a mile away and wants to open his own store. But he can't get a bank loan and his wife Joan (Jessica Harper), who has savings left to her by her father, refuses to give him the money. Also, while Arthur has a fierce sexual appetite, Joan generally refuses his advances. While on the road, Arthur meets Eileen (Bernadette Peters), a shy schoolteacher as desperate for affection as Arthur is hungry for sex. They begin an affair, which leads to tragedy for both. Punctuating the drama of Pennies from Heaven are elaborate musical numbers in which the characters lip-synch to popular songs of the day, which at once lift their hopes and reflect their fears. Arthur's buoyant tap number to "My Baby Said Yes" and Eileen's saucy rendition of "Love is Good for Anything That Ails You" are reflections of their needs for money and love, and their pas de deux on "Let's Face the Music and Dance" is at once an escape and an acknowledgement of their hopelessness. ~ Mark Deming, Rovi

Mark Twain's classic tale is brought to the screen for the fourth time, this time with a tuneful score by Richard M. Sherman and Robert B. Sherman, who also wrote the screen adaptation. Johnny Whitaker stars as Tom Sawyer, with Jeff East in his first film role as Huck Finn. Jodie Foster is also on hand, playing the role of Becky Thatcher. This enjoyable family fare was nominated for three Academy Awards: Best Art Direction, Best Song Score and Best Costume Design. ~ Paul Brenner, Rovi

Curry (Rod Taylor) is a veteran soldier-of-fortune hired by the president of the Congo for a three day mission. He and native Congoan Ruffo (Jim Brown) are to oversee the safe passage of a train through hostile enemy territory and bring back some uncut diamonds and a human cargo of fugitives loyal to the Congo cause. The two employ the drunken Doctor Wreid (Kenneth More) and a suspicious ex-Nazi named Henlein (Peter Carsten). The quartet, along with 40 of the Congo's best soldiers, try to maneuver the train against the rebel forces and save the beautiful missionary Claire (Yvette Mimieux) at no extra charge. The action takes place in the wake of the political unrest that swept the Congo in the 1950s. ~ Dan Pavlides, Rovi

Narrator Rudy Vallee announces that he knows we are a "real high class audience," thus he has "some swell story to tell." Thus begins The Night They Raided Minsky's, set in the rarefied world of burlesque in the 1920s. Amish girl Rachel Schpitendavel (Britt Ekland) comes to New York in hopes of securing work as a dancing interpreter of religious stories. She gets a job at Minsky's burlesque house, where the dance numbers are "Biblical" only when some gum-chewing stripper performs Salome's Dance of the Seven Veils. The many subplots leading up to Rachel's accidental invention of the striptease during a midnight Minsky's show involve many: top banana Chick Williams (Norman Wisdom) and womanizing straight-man Raymond Paine (Jason Robards Jr.); Billy Minsky (Elliot Gould), whose efforts to stage girlie shows at the National Winter Garden are looked down upon by Minsky Sr. (Joseph Wiseman), who holds the lease on the theater; gangster Trim Houlihan (Forrest Tucker), who intends to shut down Minsky's if he can't get a piece of the action; Ekland's preacher father Harry Andrews, who shows up in New York just in time to see his daughter bare all in front of a cheering audience; and Vance Fowler (Denhom Elliot), self-appointed protector of public morals, whom Paine hopes to embarrass by having Rachel perform her religious dance. A straightforward adaptation of Rowland Barber's novel The Night They Raided Minsky's would seem to be called for here, but novice director William Friedkin and film editor Ralph Rosenblum seem determined to turn the film into a kaleidoscope Hard Day's Night clone. Happily, producer Norman Lear is able to accommodate several nostalgic re-creations of such burlesque chestnuts as "Crazy House" and "Meet Me Round the Corner," as well as six delightful in-period songs penned by Bye Bye Birdie's Charles Strouse and Lee Adams, the best of which is the ribald "Perfect Gentleman." Bert Lahr makes his last appearance on screen in the role of washed-up funnyman Professor Spats; he died during production, and had to be extensively doubled throughout. ~ Hal Erickson, Rovi

In this British melodrama based on a French novel by Catherine Arley, Sean Connery plays Anthony Richmond, a money-hungry young man enraged that his rich, dying uncle doesn't plan to include him in his will. Instead, Charles Richmond (Ralph Richardson) plans to give his fortune to charity. Anthony recruits a young nurse, Maria (Gina Lollobrigida), for a nefarious scheme. Her job is to care for the old man and get him to marry her and change the will so she gets his fortune. Then she will give Anthony a three-million-dollar share. Maria does her job well, but she comes to actually love Charles. ~ Michael Betzold, Rovi