Grover Dale Movies
An international collection of well-known directors contributed to this compilation film, each fashioning a short film inspired by an aria from a famous opera. The approaches vary broadly, from the playful abstraction of Jean-Luc Godard's segment, which illustrates Armide with exercising body-builders, to the more literal approach of Franc Roddam, who transports Tristan und Isolde's story to modern-day Las Vegas. A particular stand-out is Julian Temple's take on Rigoletto, which recasts Verdi as the accompaniment to a contemporary Southern California sex farce. ~ Judd Blaise, All Movie Guide
- Starring:
- Theresa Russell, Nicola Swain, (more)
In this underscripted and not wholly convincing drama, Kevin Bacon plays Jack Casey, an up-and-coming broker who crashes on the stock market one day and cashes in whatever he has left to become a bicycle messenger in San Francisco. Although not exactly a logical alternative, bicycling the hilly streets of S.F. turns out to be dangerous after Casey runs into Gypsy (Rudy Ramos), the street pusher who has the messengers run drugs for him. A series of characters and events drop in and out of the conflict between Gypsy and Casey, including love interest Terri (Jami Gertz) and Casey's friend Hector (Paul Rodriguez). Music dominates throughout the film which includes scenes of breakdancing on bikes. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Kevin Bacon, Jami Gertz, (more)
- 1985
This campy drama, set in the 1940s, was inspired by a hit song by Barry Manilow. It tells the tale of an aspiring songwriter, Lola, a showgirl, and the sleazy owner of the Copa. Tragedy ensues as the two men duel over Lola's love. ~ Sandra Brennan, All Movie Guide
- 1981
- R
Trying to recreate the screwball comedy success of his collaborations with Peter Bogdanovitch, actor Ryan O'Neal headlined this sporadically funny mixture of light farce and social satire. O'Neal stars as Bobby, an intellectual English professor who leaves his job when his father Jack (Jack Warden) appeals to him for help. A garment manufacturer, Jack is in serious debt to humongous loan shark Eddie (Richard Kiel), and he desperately needs his business to provide the capital to pay Eddie back. Completely by accident, Bobby invents the solution to his dad's problem: see-through denim blue jeans with strategically placed holes in the rear that expose one's backside. The fickle public goes mad over the "sexy" new style, and the money starts flowing in, but Bobby exacerbates his father's problems greatly when he falls for and begins dating the amorous Lira (Mariangela Melato), whose husband is none other than Eddie. So Fine was the feature directorial debut of popular Blazing Saddles (1974) writer Andrew Bergman, who would wait eight years before getting behind the camera again with the much more successful The Freshman (1990). ~ Karl Williams, All Movie Guide
- Starring:
- Ryan O'Neal, Jack Warden, (more)
"Gorgeous goyish guy" meets Jewish radical girl in Sydney Pollack's glossy romance. In 1937, frizzy-haired Red co-ed Katie Morosky (Barbra Streisand) briefly captures the attention of preppy jock Hubbell Gardiner (Robert Redford) with her passionate pacifism, while the writing talent beneath his privileged exterior entrances her. Almost eight years later, the two are reunited in New York, when well-coiffed leftist radio worker Katie spies military officer Hubbell snoozing in a nightclub. Through her force of will, and in spite of his smug rich friends, the two opposites fall in love, sparring over Katie's activist zeal and Hubbell's writerly ambivalence after a failed first novel. They head to Hollywood so that Hubbell can write a screenplay for his buddy-turned-producer J.J. (Bradford Dillman). But the House Committee on Un-American Activities' Communist witch hunt in 1947 tears the pair apart, as a pregnant Katie refuses to keep silent about the jailing of the Hollywood Ten, while a faithless Hubbell decides to save his career. When the two meet again at the dawn of the '60s, TV hack Hubbell and A-bomb protestor Katie feel the old pull, but they have to decide if it's worth the grief. Although blacklisted writers had returned to Hollywood -- and won Oscars -- by the early 1970s, the HUAC sections of Arthur Laurents's screenplay were still considered dicey, resulting in substantial cuts; Laurents reportedly blamed star Redford for not fighting them hard enough. Regardless of the edits, and critics' complaints about the film's schlockiness, 1973 audiences went for the well-executed and still politically tinged weepie, turning The Way We Were into one of the most popular films of 1973 and Redford into a major heartthrob. Streisand won an Oscar nomination for Best Actress and the Streisand-sung title tune won for Best Song. Despite the eviscerated politics, The Way We Were poignantly captures the insoluble dilemma of reconciling private desires with public awareness. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Barbra Streisand, Robert Redford, (more)
- 1970
- PG
Wealthy, insensitive young Beau Bridges buys an inner-city tenement, planning to evict the present occupants and construct a luxury home for himself. But once he ventures into the tenement, he grows quite fond of the low-income ethnic types who dwell within. He even kicks over the traces of his WASP upbringing by romancing black tenants Diana Sands and Marki Bey. Though essentially a comedy, The Landlord offers several painful truths about ghetto existence. Essentially, Beau Bridges acts as the audience's "eyes:" we learn as he learns, we grow as he grows. The Landlord represents the first directorial effort of Oscar-winning film editor Hal Ashby. ~ Hal Erickson, All Movie Guide
- Starring:
- Beau Bridges, Lee Grant, (more)
- 1967
British musical star Tommy Steele had starred in Half a Sixpence in London and on Broadway, thus he was first choice for this garish film version. Based on the H.G. Wells story Kipps (previously filmed in 1941 with Michael Redgrave), Half a Sixpence tells the tale of a humble London drapery clerk (Steele) who inherits a fortune. He briefly forgets his old mates and his faithful girl friend (Julia Foster), but soon discovers that High Society isn't his cup of tea. Filmed during the "monster musical" cycle fostered by The Sound of Music, Half a Sixpence isn't really suited for the spectacular approach dictated by co-producer Charles H. Schneer. Fortunately, the guiding directorial hand is the film's other producer: George Sidney, a veteran of MGM's Arthur Freed unit, who knew how to successfully weld music with story. Thanks to Sidney and star Steele, Half a Sixpence never gets too out of hand, though we'd argue with some of the eyestrain-inducing color choices in the bigger numbers. The film might have done better at the box office had the score yielded a few hit songs. ~ Hal Erickson, All Movie Guide
- Starring:
- Tommy Steele, Julia Foster, (more)
Jacques Demy directed this frothy tribute to the Hollywood musicals of the 1940s, a follow-up to his earlier success The Umbrellas of Cherbourg (1964). Twin sisters Delphine and Solange (played by real-life sisters Catherine Deneuve and Françoise Dorleac) live in the small coastal town of Rochefort, where they run a school teaching dancing and music. Both feel frustrated in Rochefort, and they dream of travelling to Paris, where they believe romance and opportunity awaits them. Meanwhile, their single mother, Yvonne (Danielle Darrieux), who runs a cafe in town, pines for her lost love, Simon (Michel Piccoli). One day, one of Yvonne's regular customers, a sailor with an artistic bent named Maxence (Jacques Perrin), shows her a painting of the imaginary girl of his dreams, and she looks just like Delphine, whom he's never met. Meanwhile, Simon has returned to Rochefort, bringing with him a close friend, American pianist Andy Miller (Gene Kelly); Simon has made friends with Solange and introduces her to Andy, who immediately falls in love with her. Sadly, Les Demoiselles de Rochefort was Françoise Dorleac's last film; she died in an auto accident shortly after completing the picture. ~ Mark Deming, All Movie Guide
- Starring:
- Catherine Deneuve, George Chakiris, (more)
Meredith Willson's second Broadway hit (the first and biggest was The Music Man) proved a lucrative vehicle for the equally unsinkable Debbie Reynolds. Based on a true story, the film casts Debbie as hoydenish Molly Brown, who wangles her way into Denver High Society when she marries "overnight millionaire" Johnny Brown (Harve Presnell). When the local social arbiters give Molly the brush-off, she pulls off a coup by bringing a representative of European royalty, Prince Louis de Laniere (Vassili Lambrinos) into the Colorado community. Her admiration for the prince causes a rift in her marriage; it takes the sinking of the Titanic--wherein Molly heroically commandeers one of the lifeboats and is responsible for rescuing several of the passengers--to bring Molly and Johnny together again. While the energetic performances of such songs as I Ain't Down Yet and Belly Up to the Bar Boys are to be cherished, the real highlight of The Unsinkable Molly Brown is a society ball which ends up in a pie fight between the Denver "elite" and Molly's rambunctious mining-town cronies. Treated condescendingly by the critics, the film struck a responsive chord with audiences to the tune of a $7.5 million gross. ~ Hal Erickson, All Movie Guide
- Starring:
- Debbie Reynolds, Harve Presnell, (more)
