Leo Britt Movies

A spaceman -- with a raygun -- for hire takes on a crooked land baron in this drama that moves Western themes into outer space. In the year 2021, Bill Kemp (James Olson), the first man to walk on Mars, is an astronaut for hire, renting his services to the highest bidder. J.J. Hubbard (Warren Mitchell) is a multi-millionaire who pays Kemp to help blast an oncoming asteroid out of its orbit so that it will avoid the Earth and crash into the moon. However, Hubbard's goal is hardly benevolent. The moon is being excavated for mineral resources, and since fragments of the asteroid in question resemble jewels, it will allow Hubbard to fraudulently jack up land prices on the lunar surface. Kemp also learns that Hubbard was responsible for the death of the brother of Clementine Taplin (Catherine Schell), the woman he loves. Kemp realizes that he can no longer do business with Hubbard, and he sets out to foil Hubbard's schemes before it's too late. Moon Zero Two was directed by Roy Thomas Baker, who also made a number of pictures for Hammer Films, including the respected sci-fi cult film Quatermass and the Pit. ~ Mark Deming, Rovi

Danny Kaye spoofs medieval swashbucklers in this classic musical comedy. While the infant King of England awaits his rightful place as leader of the British Empire, his rule is usurped by Roderick (Cecil Parker), an evil pretender to the throne. Brave rebel leader The Black Fox (Edward Ashley) intends to remove Roderick from the palace and bring the crown back to its true owner, but in the meantime the baby king needs to be looked after, which is the job of a man named Hawkins (Kaye). The Black Fox travels with the little king and his rebels as they search for the key to a secret tunnel that will allow them passage into the castle. Maid Jean (Glynis Johns), one of the rebels, meets a man en route to the Castle who is to be Roderick's new jester. The rebels quickly hatch a plan: detain the jester and send Hawkins in his place; the king can then find the key and initiate the overthrow. Hawkins is able to persuade Roderick and his men that he is indeed a jester, but his espionage work gets complicated when Princess Gwendolyn (Angela Lansbury) falls in love with him, and he runs afoul of Sir Ravenhurst (Basil Rathbone), the evil genius behind Roderick. Court Jester features Kaye's famous "Pellet with the Poison" routine. ~ Mark Deming, Rovi

Based on the popular mystery play by Frederick Knott, Dial M For Murder is more talky and stagebound than most Hitchcock films, but no less enjoyable. British tennis pro Ray Milland suspects that his wealthy wife Grace Kelly is fooling around with handsome American Robert Cummings. Milland blackmails a disgraced former army comrade (Anthony Dawson) into murdering Kelly and making it look like the work of a burglar. But Milland's carefully mapped-out scheme does not take into account the notion that Kelly might fight back and kill her assailant. When the police (represented by John Williams) investigate, Milland improvises quickly, subtly planting the suggestion that his wife has committed first-degree murder. He almost gets away with it; to tell you more would spoil the fun of the film's final thirty minutes. Hitchcock claimed that he chose this single-set play because he was worn out from several earlier, more ambitious projects, and wanted to "recharge his batteries." Compelled by Warner Bros. to film Dial M for Murder in 3-D, Hitchcock perversely refused to throw in the standard in-your-face gimmickry of most stereoscopic films of the era--though watch how he visually emphasizes an important piece of evidence towards the end of the film. ~ Hal Erickson, Rovi

Curt Siodmak's The Magnetic Monster (1953) is a truly novel science fiction film, in terms of its rather cerebral plot and low-key, quietly intense execution. As much a mystery and, in its first half, a manhunt, as it is a sci-fi-thriller, the movie pushed lots of suspense buttons for viewers in 1953 and still holds up more than a half century later. Richard Carlson (who also co-produced) plays Dr. Jeff Stewart, an agent for the Office of Scientific Investigation. Stewart and his colleague, Dr. Dan Forbes (King Donovan), begin searching for a dangerously radioactive element, which they have good reason to believe is somewhere in the Los Angeles area. They soon learn that this is no ordinary investigation -- among its other attributes, the unknown element generates enough radiation to kill, and also manifests a powerful magnetic field. The trail leads them to Dr. Howard Denker (Leonard Mudie), a rogue scientist who, working on his own, has created a new isotope of an element called serranium, which proves to be not only highly radioactive, but dangerously unstable in ways that science has never seen before. Every 11 hours, the serranium mass enters a growth cycle requiring massive amounts of energy, which it obtains by absorbing the energy from the atomic structure of any matter around it, releasing huge amounts of radiation in the process. The serranium mass doubles in size with each cycle, doubling its energy needs in the process, as well as the potential destructiveness of the next cycle. The danger lies not only in the potential for destruction in the serranium's rapidly increasing energy absorbtion, but its ever-increasing mass, which, at some point, will threaten to unbalance the Earth itself, in its rotation and orbit. Long before that, however, the resulting radiation is going to start killing large numbers of people, and the destructive force accompanying it will threaten to split the Earth's surface apart. Stewart and Forbes soon recognize that the only hope they have of stopping the process is to get ahead of it, by bombarding the serranium with enough energy to force it to divide into two relatively stable elements. The only possible source of sufficient energy is the world's largest cyclotron, which has been built by the Canadian government in Nove Scotia -- but is even it powerful enough to do the job, and can they get the deadly isotope there in time? ~ Bruce Eder, Rovi

Based on a play by Barre Lyndon, They Came by Night stars beloved Scottish actor Will Fyffe as jeweler James Fothergill. When a valuable ruby is stolen right from under his nose, Fothergill offers to help Scotland Yard capture the crooks. To do this, he pretends to go crooked himself, the better to join the gang. For a while, it seems as though Fothergill really has gone over to the "other side", but this illusion is dispelled in the pulse-pounding bank-robbery finale. They Came by Night was released in the US by 20th Century-Fox, and directed by one of that studio's most talented contractees, Harry Lachman. ~ Hal Erickson, Rovi

An old man learns the sad truth of the old saw about being careful what you wish for in this horror outing that is based on the enduring cautionary tale. It all begins with an army sergeant who is given a magical monkey's paw while fighting in India. He learns that the paw contains three wishes. Later the soldier is seen visiting an elderly couple in England. He tells of the paw and how no wish it grants comes without a terrible price. Despite the warning, the old man is tempted by the paw's power and so slyly steals it from the soldier as he departs in the morning. the old man's first wish is for enough money to pay the dowry of the girl her son wants to marry. Sure enough the wish is granted. Unfortunately, money comes from the son's life insurance, for the boy is killed at work. Horrified, the father wishes for his son to be alive, but then fearing that the paw will do something even more dreadful wishes that he had never said that. The next day, as if by magic, the man awakens to find his son hale and hearty. Whew! It was all but a bad dream. ~ Sandra Brennan, Rovi