Dean Cundey Movies
Cinematographer Dean Cundey is among those unsung master photographers whose names appear parenthetically next to the names of their more celebrated directors. Cundey's first feature credit was Where the Red Fern Grows (74). Thereafter, he worked on such John Carpenter films as Halloween (78), The Fog (80) and The Thing (81). Few films have so successfully captured the wet, overgrown ambience of Central America as has the Cundey-lensed Romancing the Stone (84), directed by Robert Zemeckis. One year later, Cundey successfully coordinated flashy special effects with two vastly different time-frames (the 1950s and the 1980s) in Zemeckis' Back to the Future. Cundey's prowess at seamlessly melding live action with laboratory effects prompted Zemeckis to re-engage Cundey for the landmark live/cartoon combo Who Framed Roger Rabbit?, which earned Cundey an Academy Award nomination. As late as 1993, Cundey was still convincingly juggling reality with computer-generated artifice in Jurassic Park. ~ Hal Erickson, All Movie GuideThe cheerleaders of Benedict High are a rowdy, randy bunch with little regard for rules, decorum, or anything that gets in the way of a good time with the stud football players they date. The big game against Baker High is coming up, and the intense rivalry between the schools leads to spirited chicken fights on the beach and extensive T.P. sessions. The cheerleaders' chaperone, Ms. Johnson (Jacqueline Cole), tries hard to rally her charges and keep their restless libidos from distracting the star players, but they continually take advantage of her sweet nature and naïveté, leading to high jinks which get some of their boyfriends suspended from the team. However, high school politics will soon be the least of their troubles. Benedict High's creepy janitor, Billy (Jack Kruschen), is a member of a local Satanic group, and he wants revenge against all the kids who ridicule him on campus. He kidnaps the four cheerleaders and Ms. Johnson, then drives them to a remote location to sacrifice and ravage his victims on a Satanic altar. Suddenly overcome by the dark forces of the underworld, Patti (Kerry Sherman) strips naked of her own volition and climbs upon the altar, where she is imbued with a strange power that knocks Billy cold. The girls seek out the nearest law, which turns out to be Sherriff Bubb (John Ireland); he also doubles as the Satanic High Priest of the area. When his wife, Emma (Yvonne DeCarlo), senses the dark power that has invaded Patti, they decide that they have been delivered the perfect virgin sacrifice to their evil Lord. The girls make a hasty escape, but discover that the tiny town they've landed in is a hotbed of Satanism, so they are recaptured and brought once again before the devil's altar for a Black Mass. But which of these sassy, over-sexed girls is the virgin meant for sacrifice? The shocking answer leads to death, destruction, and a whole new way of life for the cheerleaders of Benedict High. ~ Fred Beldin, All Movie Guide
A WW I German spy attempts to drive an artillery-adorned automobile into the States in this comedy. ~ Kristie Hassen, All Movie Guide
When Bigfoot is sighted near a Louisiana lake, two college students (Dennis Fimple, John David Carson) camp out to confirm the legendary monster's identity. ~ John Bush, All Movie Guide

- 1976
- R
- Add The Witch Who Came From the Sea to QueueAdd The Witch Who Came From the Sea to top of Queue
Two interesting figures in offbeat cinema -- director Matt Cimber (who was married to Jayne Mansfield and directed her final film before going on to a handful of expressive blaxploitation efforts) and screenwriter Robert Thom (who wrote Wild in the Streets and Bloody Mama) -- teamed up for this unusual portrait of one woman's descent into madness. Molly (Millie Perkins) is a woman who is haunted by vivid memories of abuse and molestation at the hands of her father, who was a ship's captain; now middle-aged, Molly is obsessed by the ocean and images associated with pirates and sailing lore, which fill her with both fascination and loathing. Molly dotes on her young nephews (Jean Pierre Camps and Mark Livingston) and often spins tall tales for them in which her father is a noble hero, but her sister, Cathy (Vanessa Brown), is not comfortable with her presence, and soon the boys are old enough to spend their time elsewhere. Single and lonely, Molly longs for a man, and is openly attracted to strong, burly types, but at the same time she bears a deep hatred for them, and sometimes murders and dismembers the men she lures into her home. However, given Molly's penchant for fantasy, how much of her story is real, and how much is the product of her twisted imagination? Shot in 1971 but not released until 1976, The Witch Who Came From the Sea was one of the first feature films for cinematographer Dean Cundey, who later went on to work with Steven Spielberg and Ron Howard. ~ Mark Deming, All Movie Guide
- Starring:
- Millie Perkins, Lonny Chapman, (more)
Based on the novel by Wilson Rawls, this film follows the events that befall a young Oklahoma farm boy as he, with the help of his two beloved hounds, struggles to help his family get by in the hard times of the 1930s. ~ Iotis Erlewine, All Movie Guide
- Starring:
- James Whitmore, Beverly Garland, (more)














