Dean Cundey Movies

Contemporary high schooler Marty McFly (Michael J. Fox) doesn't have the most pleasant of lives. Browbeaten by his principal at school, Marty must also endure the acrimonious relationship between his nerdy father (Crispin Glover) and his lovely mother (Lea Thompson), who in turn suffer the bullying of middle-aged jerk Biff (Thomas F. Wilson), Marty's dad's supervisor. The one balm in Marty's life is his friendship with eccentric scientist Doc (Christopher Lloyd), who at present is working on a time machine. Accidentally zapped back into the 1950s, Marty inadvertently interferes with the budding romance of his now-teenaged parents. Our hero must now reunite his parents-to-be, lest he cease to exist in the 1980s. It won't be easy, especially with the loutish Biff, now also a teenager, complicating matters. Beyond its dazzling special effects, the best element of Back to the Future is the performance of Michael J. Fox, who finds himself in the quagmire of surviving the white-bread 1950s with a hip 1980s mindset. Back to the Future cemented the box-office bankability of both Fox and the film's director, Robert Zemeckis, who went on to helm two equally exhilarating sequels. ~ Hal Erickson, All Movie Guide

This made-for-TV fantasy was directed by former Starsky and Hutch star Paul Michael Glaser. In one of her earliest roles, Madeleine Stowe plays Dr. Sharon Fields, who stumbles upon a secret plot by a covert organization of women to take over the world and execute all the men. The veteran cast of this silly timekiller includes cult favorites Stella Stevens, Tamara Dobson, and William Schallert, as well as more mainstream performers such as Peter Scolari, Nicholas Pryor, and Jennifer Warren. ~ Robert Firsching, All Movie Guide

Mickey Rooney stars in this made-for-TV holiday effort as an angel who refuses to renege on his promise to spend one final Christmas with his grandson (Scott Grimes). ~ Jason Ankeny, All Movie Guide

A sequel to one of the most popular horror films of all time, this psychological thriller received a pleasantly surprised, positive critical reception. Anthony Perkins returns as Norman Bates, who has just been released from an insane asylum after 22 years, having been judged clinically sane by the State of California over the objections of Lila Crane Loomis (Vera Miles), sister to one of Norman's murder victims. Norman returns home to the hotel and hilltop mansion he once inhabited with his mother. As a parole condition, Norman is hired at a local diner, where he struggles to join mainstream society, despite the stares of patrons aware of his past. At the diner, Norman befriends Mary (Meg Tilly), a waitress, and it seems that he may be putting some semblance of a life back together. But then Norman begins to experience hallucinatory encounters with his long-dead mother, including a handwritten note, a phone call, and a sighting of her standing at her favorite window. Is Norman's psychosis manifesting itself again, or are old enemies attempting to drive him back into an institution? As the pressure mounts, bodies pile up, and Norman's fragile hold on normality becomes more and more tenuous. ~ Karl Williams, All Movie Guide

In this comedy, a clumsy newspaper reporter visits her uncle's lab, accidently spills chemicals on herself, and finds herself invisible. She then uses her opaque state to get the scoop on a major art heist. ~ Sandra Brennan, All Movie Guide

The only installment of the Halloween series to abandon the Michael Myers story line, Halloween III: Season of the Witch is an intricate sci-fi horror hybrid. A week before Halloween, an older man named Harry Grimbridge (Al Berry) is wounded by a mysteriously dispassionate group of assailants in an industrial parking lot. After receiving treatment at a local hospital from Dr. Dan Challis (Tom Atkins) -- a hard-drinking divorced father of two -- Grimbridge is killed by an assassin who later sets himself on fire. Blowing off his own kids, Challis teams up with Grimbridge's daughter, Ellie (Stacey Nelkin), to find out why the middle-aged toy salesman was murdered. The duo's search soon leads them to a Halloween-mask factory run by inventor and practical joker Conal Cochran (Dan O'Herlihy). In between bouts of passionate lovemaking, Ellie and Challis begin to realize that the sinister old businessman has something other than treats in mind for America's kids -- something to do with the Silver Shamrock masks that Challis' children and thousands of other youngsters have bought for the holiday. Original screenwriter Nigel Kneale, whose scripts for Britain's Quatermass TV series made him a beloved science fiction fixture, sued the producers of Halloween III to have his name removed from the credits after seeing the gory finished product; director Tommy Lee Wallace ultimately received screenplay credit. John Carpenter, director of the first Halloween film, co-produced the third installment with Debra Hill, who would later soldier on without Carpenter for additional, belated sequels. ~ Brian J. Dillard, All Movie Guide

In this standard romantic drama slated for TV movie channels, Valentine (Karen Black) is dissatisfied in her marriage to a racecar driver (Tony Lo Bianco) and begins a romantic liaison with a student at the community college she attends. Her husband has also been unfaithful, and his indiscretions are what prompt her own behavior. Since her marital woes continue, Valentine leaves home, gets a job as a waitress at a local nightclub, and ponders her future as nothing right now seems certain. ~ Eleanor Mannikka, All Movie Guide

The year is 1997. Manhattan Island is now a heavily guarded maximum-security prison, where the scum of the earth have converged. When Air Force One crash-lands in Manhattan, the president (Donald Pleasence) is held hostage by its denizens. One-eyed mercenary Snake Plissken (Kurt Russell) is strong-armed into rescuing the chief executive. He is aided, not always willingly, by a tough gal (Adrienne Barbeau) and a manic cab driver (Ernest Borgnine). Escape from New York was followed by a sequel of sorts in 1996, Escape From L.A., again starring Kurt Russell. ~ Hal Erickson, All Movie Guide

This goofy sci-fi/horror nonsense plays like '50s-style alien-invasion schlock with a dollop of '80s-style blood and gore. The invasion -- such as it is -- is perpetrated on various backwoods hunters and campers by a scarcely-seen alien that looks like a menacing Star Trek guest star in a glam-rock outfit. The alien's rather simple frontal attack employs an arsenal of toothy, pulsating frisbees that glow in the dark and glom onto the necks and backs of various flannel-clad denizens of the woods. That's about it... oh, and there's a few reliable character actors on hand to spout silly dialogue. Jack Palance plays a crusty hunter who fancies the alien stuffed and mounted, not caring that it plans to do the same to him (now there's a trophy); Martin Landau turns in an eye-rolling performance as the local lunatic, whose paranoid ravings presage those of his character in the feature film The X-Files. Also known as It Came Without Warning. ~ Cavett Binion, All Movie Guide

Following the phenomenal box-office success of his seminal horror classic Halloween, director John Carpenter teamed up with producer Debra Hill for a second independent horror project, this time in the mode of an old-fashioned ghost story. The end result was The Fog, a spooky romp about a dark secret that returns to haunt the Pacific fishing community of Antonio Bay on the 100th anniversary of the town's charter. Carpenter sets the mood in the film's prologue, which features grizzled old sea salt Mr. Machen (John Houseman) spinning ghost stories for a group of local children. For his final tale, he recounts the legend of the Elizabeth Dane -- a ship which crashed 100 years ago against the very rocks upon which the children are sitting. Meanwhile, as the clock strikes midnight on the fateful anniversary of that disaster, eerie phenomena begin to plague the town as a dense fog bank creeps toward the bay. Seeming to appear from nowhere and emitting a ghostly glow, the fog surrounds a small trawler filled with drunken fishermen, who glimpse the vague outline of a decrepit sailing vessel before being brutally killed by shadowy figures brandishing hooks and swords. That morning, news of their disappearance is relayed to the town by Stevie Wayne (Adrienne Barbeau), owner and operator of the local radio station. The news reaches the wife of one of the fishermen, city councilwoman Kathy Williams (Janet Leigh) and local boy Nick Castle (Tom Atkins), who takes a trip out to the abandoned boat to investigate, accompanied by teenage drifter Elizabeth Solley (Jamie Lee Curtis). As the day progresses, a grim series of events paints a decidedly unpleasant picture of Antonio Bay's founders, and foreshadows the ghostly retribution that awaits the town's present-day residents. When Mrs. Williams visits local priest Fr. Malone (Hal Holbrook) about a benediction for that night's centennial ceremony, he relates a ghastly tale discovered in his grandfather's journal, which details the town fathers' decision to murder a group of lepers who had planned to build a commune outside of Antonio Bay. Just as the night's proceedings are haunted by the horrors of the past, the ghosts of the murdered dead have returned to seek symbolic revenge by claiming the lives of six townspeople, arriving amid the ominous fog bank which has completely engulfed Antonio Bay. Carpenter reportedly shot and inserted additional gory scenes after the original 'PG' cut failed to impress preview audiences. ~ Cavett Binion, All Movie Guide

It's the ladies to the rescue in the low-budget actioner Angel's Brigade. Wearing form-fitting fatigues, the female stars play a team of highly trained avengers. Their mission: to wipe every drug dealer off the face of the earth. To accomplish this, they drive around in a custom-built van, decked out with the latest in high-tech weaponry. You've never heard of any of the leading ladies in Angel's Brigade, but the supporting cast is overloaded with such pop-culture celebs as Jack Palance, Peter Lawford, Jim Backus, Neville Brand, Pat Buttram, Alan Hale Jr, and Arthur Godfrey. ~ Hal Erickson, All Movie Guide

It was "The Night HE Came Home," warned the posters for John Carpenter's career-making horror smash. In Haddonfield, Ilinois, on Halloween night 1963, 6-year-old Michael Myers inexplicably slaughters his teenage sister. His psychiatrist Dr. Loomis (Donald Pleasence) can't penetrate Michael's psyche after years of institutionalization, but he knows that, when Myers escapes before Halloween in 1978, there is going to be hell to pay in Haddonfield. While Loomis heads to Haddonfield to alert police, Myers spots bookish teenager Laurie Strode (Jamie Lee Curtis) and follows her, constantly appearing and vanishing as Laurie and her looser friends Lynda (P.J. Soles) and Annie (Nancy Loomis) make their Halloween plans. By nightfall, the responsible Laurie is doing her own and Annie's babysitting jobs, while Annie and Lynda frolic in the parent-free house across the street. But Annie and Lynda are not answering the phone, and suspicious Laurie heads across the street to the darkened house to see what is going on ... . ~ Lucia Bozzola, All Movie Guide