Alfonso Cuarón

A twenty-one year old American and a Mexican boy in the midst of puberty enter into an impossible romance in this tender drama from director Jonas Cuaron. ~ Jason Buchanan, All Movie Guide

Twenty acclaimed filmmakers from around the world look at love in the City of Lights in this omnibus feature. Paris, Je T'Aime features 18 short stories, each set in a different part of Paris and each featuring a different cast and director (two segments were produced by two filmmakers in collaboration). In "Faubourg Saint-Denis," Tom Tykwer directs Natalie Portman as an American actress who is the object of affection for a blind student (Melchior Belson). Christopher Doyle's "Porte de Choisy" follows a salesman (Barbet Schroeder) as he tries to pitch beauty aids in Chinatown. Nick Nolte and Ludivine Sagnier are father and daughter in "Parc Monceau" from Alfonso Cuarón. Animator Sylvain Chomet turns his eye to a pair of living, breathing mimes in "Tour Eiffel." An interracial romance in France is offered by Gurinder Chadha in "Quais de Seine." In "Le Marais" from Gus Van Sant, a man (Gaspard Ulliel) finds himself falling for a handsome gent (Elias McConnell) who works in a print shop. Isabel Coixet tells the tale of a man (Sergio Castellitto) who is making his final choice between his wife (Miranda Richardson) and his lover (Leonor Watling) in "Bastille." Juliette Binoche plays a grieving mother in Nobuhiro Suwa's "Place des Victoires," in which she's greeted by a spectral cowboy (Willem Dafoe). Richard LaGravanese's "Pigalle" finds a long-married man (Bob Hoskins) turning to a prostitute for advice on pleasing his wife (Fanny Ardant). Gérard Depardieu and Frédéric Auburtin direct Gena Rowlands and Ben Gazzara as longtime marrieds meeting for one final pre-divorce encounter in "Quartier Latin." Steve Buscemi learns a lesson about local etiquette in the Paris Metro in "Tuileries" from Joel and Ethan Coen. In "Loin du 16ème" by Walter Salles, a housekeeper (Catalina Sandino Moreno) longs for her own child as she tends to the infant of her wealthy employer. Elijah Wood stars in "Quartier de la Madeleine," a vampire tale from Vincenzo Natali. Wes Craven presents another fantasy in "Père-Lachaise," in which an engaged young man (Rufus Sewell) receives romantic advice from the spirit of Oscar Wilde (Alex Payne). A postal worker from Colorado (Margo Martindale) shares her thoughts on her visit to Paris in mangled French in Alexander Payne's witty "14th Arrondissement." Other segments include "Place des Fêtes" from Oliver Schmitz, Bruno Podalydès' "Montmartre," and "Quartier des Enfants Rouges" by Olivier Assayas, which stars Maggie Gyllenhaal. Paris, Je T'Aime received its world premiere at the 2006 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Y Tu Mamá También and Harry Potter and the Prisoner of Azkaban director Alfonso Cuarón returns to the helm to tell this futuristic tale in which society is without hope since humankind lost its ability to procreate. The year is 2027, and women can no longer give birth. The youngest inhabitant of the planet has just died at the age of 18, and all hope for humanity has been lost. As civilization descends into chaos, a dying world finds one last chance for survival in the form of a woman who has become inexplicably pregnant. Now, as warring nationalistic sects clash and British leaders try to maintain their totalitarian stronghold on the country, a disillusioned bureaucrat (Clive Owen) is brought back into the fold of activism by his guerrilla ex-wife (Julianne Moore). Reluctantly, he takes on the daunting task of escorting Kee (Claire-Hope Ashitey), the refugee who represents humankind's last hope for survival, out of harm's way and into the care of a mysterious organization known as The Human Project. Chiwetel Ejiofor, Charlie Hunnam, and Michael Caine co-star in this adaptation of author P.D. James's gripping 1992 novel. ~ Jason Buchanan, All Movie Guide

In 1978 New York artist and filmmaker Hugues de Montalembert's world went black. Viciously assaulted by two men who had broken into his apartment looking for money, de Montalembert's vision was forever darkened when one of the thieves threw a vial of paint thinner in his face. In the painful days that followed, de Montalembert's brain refused to accept his fate, processing powerful images that would motivate him to take control of his fate and overcome his handicap. In this film from director Gary Tarn, de Montalembert tells his tale of loss, anger, and hope in his own terms. ~ Jason Buchanan, All Movie Guide

A man with a secret forms an uneasy alliance with an opportunistic reporter in this drama from Mexico. Manolo Bonilla (John Leguizamo) is a broadcast journalist for a Latin-American tabloid television series who has been sent to Ecuador to cover the funeral services of three children who fell victim to a mass murderer known as "the Monster of Babahoyo." Shortly after Bonilla finishes interviewing a young mourner, the child is struck by a car driven by Vinicio Cepeda (Damián Alcázar), a traveling salesman who pedals bibles. The crowd assembled to pay their respects flies into a rage, pulling Cepeda from his car and nearly killing him. Bonilla's intervention ends up saving Cepeda's life, but the reporter is ashamed to admit that he and his cameraman didn't break through the crowd to save the driver, but in hopes of getting a better shot of those beating him. Cepeda is jailed for manslaughter, and when Bonilla visits him behind bars, he shares some unexpected news with the reporter -- he claims to know the identity of "the Monster of Babahoyo," and also knows where the killer has buried other victims. Cepeda is willing to share this information if Bonilla can help get him out of jail, but instead of handing the information to the police, Bonilla decides to investigate himself, certain that another scoop on the case will boost his ratings and his career. Crónicas was screened as part of the "Un Certain Regard" series at the 2004 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Mexican-born, New York-based filmmaker Alfonso Cuarón directed this Mexican box-office smash hit about a pair of randy upper-class buddies that sparked some controversy for its frank depiction of drug use and sexual exploration. With their respective girlfriends away in Europe, Julio (Gael García Bernal) and his upper-class friend Tenoch (Diego Luna) are looking forward to a summer full of drink, drugs, and cheap meaningless sex. During a wedding, they meet Luisa (Maribel Verdú) -- the 28-year-old wife of Tenoch's scholarly cousin -- and try to convince her to go on a road trip to Heaven's Mouth, a made-up beach paradise the two claim is on the Oaxacan coast. To their surprise, Luisa -- who is looking to escape her troubled life for a spell -- agrees to go along. Two days into the trip, tension starts to build between the two friends: Luisa has had sex with each, and now both lads are not-so-quietly vying for her affection. Soon simmering jealousies boil over into savage arguments, threatening to completely destroy their friendship. After an enormously successful run in Mexico and Guatemala, this film was screened to much acclaim at the 2001 Venice, Toronto, and New York Film Festivals. ~ Jonathan Crow, All Movie Guide

A privileged, free-spirited young girl tries to adapt to life in a strict boarding school in this charming, critically acclaimed children's fantasy. Adapting a novel by Frances Hodgson Burnett, also the author of The Secret Garden, the film shifts the story's setting to World War I. 10 year-old Sara Crewe (Liesel Matthews) has been left in a respected New York City boarding school while her British father heads overseas to fight. Filled with wild stories and a playful attitude, the unconventional Sara becomes popular amongst her classmates but quickly comes into conflict with the harsh headmistress, Miss Minchin (Eleanor Bron), who attempts to quash the child's individuality. The young girl's situation takes a serious turn for the worse when she unexpectedly receives word of her father's death, and, suddenly impoverished, is forced into life as a servant. Treated as a lesser class of person by her former companions, Sara instead befriends her fellow servants and turns to the power of imagination in order to maintain hope for the future. In addition to changing the story's setting, screenwriters Richard LaGravenese and Elizabeth Chandler add a layer of Indian mythology to the tale, allowing director Alfonso Cuaron the chance to punctuate the riches-to-rags fable with a series of lush, imaginative fantasy sequences. Though A Little Princess had difficulty attracting audiences during its initial run, its visual splendor and touching storytelling were praised by many critics, several of whom proclaimed the film one of the best family-oriented productions of its time. ~ Judd Blaise, All Movie Guide

Tomas is a very busy fellow and is about to grow much, much busier. He has his current girlfriend in bed in one apartment, and his lady boss in bed in the next one, and is crossing from one to the other on a window ledge. Neither one has figured out what he is up to. His juggling act becomes much more complicated when, on one occasion from the ledge between the two apartments he spots his pretty new neighbor. It's only a matter of time before one or all of these women gives him his richly deserved comeuppance. ~ Clarke Fountain, All Movie Guide