Edward J. Cronjager Movies

In this routine crime melodrama, detective Steve Keenan (Robert Knapp) is faced with several problems at one time. He has a reputation for using excessive force in dealing with criminals, so when he kills a gangland boss during an arrest, there is some room for doubt about the circumstances leading up to the killing. In the meantime, Keenan is dogged by an unidentified man out to avenge the death of the gangster. Aside from that continually evolving situation, there is some mystery surrounding a woman who gets involved with Keenan. The setting is Los Angeles, and the city plays its own role in the film. ~ Eleanor Mannikka, All Movie Guide

Siege of Red River stars Van Johnson as a Confederate officer, who "appropriates" a shipment of gatling guns from the Northern troops in the waning days of the Civil War. Posing as a medicine show entrepreneur, Johnson smuggles the guns through enemy lines in his wagon. Renegade rebel Richard Boone steals the guns in order to sell them to the Indians. Surrendering himself to Union troops, Johnson sets after Boone with Yankee reinforcements in tow before the Indians can get their hands on the weapons. After Boone is killed, a northern nurse (Joanne Dru) pleads eloquently for the Yanks to be easy on Johnson; he is allowed to escape, but not before promising to marry the nurse at war's end. ~ Hal Erickson, All Movie Guide

A climactic donnybrook between hero Allan Lane and ace Republic villain Roy Barcroft is the highlight of this otherwise routine B-Western effort directed by John Ford's nephew Philip Ford. The railroad is coming to El Dorado on the Powder River and a phony agent, Devereaux (Douglas Evans), persuades the citizens that they must come up with $50,000 within three days or the building project may be in trouble. "Rocky" Lane, who is a genuine railroad man, knows that Devereaux is only an actor hired to swindle the good folks of El Dorado and that the real representative, Bob Manning (Bruce Edwards), may be in danger. The plot thickens when Manning's wife, Louise (Gerry Gantzer), arrives in El Dorado and immediately becomes a target of the swindlers. Using a phony telegram, Lane manages to flush out the leader of the gang, local tailor Shears Williams (Francis McDonald), but is then falsely accused of pocketing the $50,000 himself. Managing to prove his innocence, "Rocky" tracks down the villains in the tailor shop where a furious fight between good and evil ensues. Although stabbed in the shoulder, Lane succeeds in disarming his opponents. ~ Hans J. Wollstein, All Movie Guide

Bloodhounds of Broadway was one of many Damon Runyon adaptations filmed in the wake of the 1950 Broadway hit Guys and Dolls. Manhattan bookie Scott Brady skips town to avoid a crime investigation. He meets hillbilly Mitzi Gaynor and vows to get the talented young miss into show business. Thanks to her positive influence, the bookie agrees to face the investigating committee, but changes his mind and plans to skip the country. The broken-hearted Gaynor is gratified when Brady changes his mind again, confesses his crimes (none of them homicidal) and serves a year in jail. When he returns to civilian life, Gaynor is headlining at a posh nightclub, whose employees are all former crooks and gangsters--including Charles Bronson as a waiter! Bloodhound of Broadway was remade (sort of) under the same title in 1989, this time as a PBS American Playhouse special (subsequently given theatrical release) starring Matt Dillon and Madonna. ~ Hal Erickson, All Movie Guide

Personally supervised by Howard R. Hughes, the RKO Technicolor musical Two Tickets to Broadway stars Janet Leigh as a small-town girl who hopes to make it big in the Big Apple. Moving into a Manhattan boarding house populated by such showbiz hopefuls as Ann Miller, Tony Martin, Gloria De Haven and Barbara Lawrence, Leigh aspires to appear on the popular TV variety program hosted by bandleader Bob Crosby. Two-bit agent Eddie Bracken promises to make her dreams come true, even though he doesn't know Crosby from Adam. Along the way, Leigh falls for Martin, though the course of true love seldom runs smooth--in fact, at one point it threatens to run all the way back to Leigh's home town. Injecting their time-honored routines into the proceedings are veteran vaudevillians Joe Smith and Charlie Dale, playing a couple of stagestruck deli owners (their roles were originally slated for Stan Laurel and Oliver Hardy, but Laurel's illness precluded any film work). Despite the creative input of choreographer Busby Berkeley, the film's best number is the simplest: Let's Make Comparisons, wherein Bob Crosby explains why he's not his brother Bing. Seemingly a surefire box-office hit, Two Tickets to Broadway inexplicably posted a loss of $1,150,000. ~ Hal Erickson, All Movie Guide

Fritz Lang was the guiding hand of this laudable Republic Studios melodrama. Louis Hayward stars as a wealthy wastrel who tries to seduce the family maid. She resists, and he kills her. Long jealous of his brother Lee Bowman, Hayward does his best to pin the blame for the murder on his sibling. Also affected by Hayward's arrogant dementia is his long-suffering wife Jane Wyatt. Originally, director Lang had proposed that the unfortunate maid be a black woman, and that the killing take place accidentally during some harmless flirtation on Hayward's part. He was vetoed by the timorous Republic staff (even the slightest hint of miscegenation was taboo in 1950), but House by the River turned out pretty well all the same. ~ Hal Erickson, All Movie Guide

Virtually ignored at the time of its release, Capture has built up a small but enthusiastic following since its lapse into public domain. American oil man Lew Ayres kills a coworker whom he suspects of robbery. Thinking it over, Ayres wonders whether or not the man was innocent. He seeks out his victim's widow, played by Teresa Wright. They fall in love and marry, which does nothing to soothe Ayres' guilty conscience. When he discovers who was actually behind the robbery, Ayres goes after the real culprit, who is accidentally killed before justice can be done. Falsely accused of murder, Ayres now fully understands the untenable position of the man he'd killed so long before. The Capture was produced by Niven Busch, the then-husband of Teresa Wright. ~ Hal Erickson, All Movie Guide

This musical tells the tales of two movie extras who abscond to an expensive resort with their costumes and pretend to be aristocrats. Included in the film are ice skating numbers and songs. Songs include: "The Friendly Polka," "Count Your Blessings," and "Who Believes in Santa Claus." ~ Sandra Brennan, All Movie Guide

Also known as A Miracle Can Happen, On Our Merry Way is a multipart comedy linked by inquiring reporter Burgess Meredith. It is Meredith's job to interview several people, asking them what effect children have had on their lives. First he checks with two itinerant musicians (James Stewart and Henry Fonda), who earn extra under-the-counter money by fixing a music contest so the mayor's son will win. Next he meets Hollywood extras Dorothy Lamour and Victor Moore, who are hired to work with a precocious child star. Finally, the old "Ransom of Red Chief" twist is given to the tale of hoboes Fred MacMurray and William Demarest, who find themselves at the mercy of a preteen prankster, whose wealthy uncle (Hugh Herbert) won't take the kid back unless the hoboes pay him. Meredith returns to the newspaper office with a black eye, which earns him the sympathy and affection of coworker Paulette Goddard. Though the direction is credited to Leslie Fenton, portions of On Our Merry Way were actually directed (sans credit) by George Stevens and King Vidor. ~ Hal Erickson, All Movie Guide

Desert Fury is a rarety for the 1940s, a Technicolor "film noir." Set in a Nevada gambling town, the story concerns the various misadventures, romantic and otherwise, of Paula Haller (Lizabeth Scott), the rebellious daughter of gambling-house proprietress Fritzie Haller (Mary Astor, who steals the picture). Though no better than she ought to be, Fritzie is determined that Paula will not grow up as a "shady lady", but she'd fighting an uphill battle. John Hodiak plays crooked gambler Eddie Bendix (John Hodiak), who tries to exploit Paula's fascination with him for his own gain. Thank heaven that upright lawman Tom Hanson (Burt Lancaster) is on hand to rescue the heroine from the machinations of Bendix and his partner-in-perfidy Johnny Ryan (Wendell Corey). Desert Fury was adapted from the far racier and more explicit novel by Ramona Stewart. ~ Hal Erickson, All Movie Guide

Dana Andrews -- in one of the best performances of his career -- plays Logan Stuart, a bold, ambitious general store and freight company owner based in the mining settlement of Jacksonville, OR, in 1856. He and his best friend, local banker and express company owner George Camrose (Brian Donlevy), share an attraction for young, beautiful Lucy Overmire (Susan Hayward). However, that's all the two men share -- Stuart sees life in the Oregon territory as a challenge, to be worked out and overcome with thought and time, with the opportunity to build something lasting and significant in the process. Camrose only sees the opportunity to get rich fast and live easy, and he's addicted to gambling at the local saloon. What no one knows is that he's been doing his gambling with the gold dust that the miners have left on deposit in his vault -- and he's been losing. He wants to get out of the territory, to someplace like San Francisco, and plans to take Lucy away. Stuart, by contrast, is as much a frontiersman as a businessman, and so much a part of the community and so trusted and liked that he might even be a potential political leader, if he ever had the time and the willingness to settle down and stay put. He finds consolation over his loss of Lucy in an engagement to Caroline Marsh (Patricia Roc), a daughter of an Englishman who came to Oregon only to see her father killed by Indians, who lives with the homesteading family of Ben Dance (Andy Devine) and his wife (Dorothy Peterson) and their children. Out of friendship, and also a little guilt over the fact that he would love to be engaged to Lucy, Stuart gives Camrose the money to get even, but Camrose can't resist one last card game, and not only loses what Stuart gave him, but the gold dust of one miner -- who shows up unexpectedly in town that night, planning on getting his dust the next day. When the man turns up drowned, Camrose is accused of murder; Stuart stands by his friend, but he's found guilty and the miners, led by hot-headed young Johnny Steele (Lloyd Bridges), plan on hanging him, and shooting anyone who tries to get in the way. But before his fate can be settled, an Indian war starts over the killing of a young Native American woman, and the lives of every white settler in and around Jacksonville are suddenly endangered. There's all of that, plus four songs (including "Old Buttermilk Sky") from Hoagy Carmichael (who does a great acting job), all convincingly woven into the drama along with one of the music legend's best acting performances. ~ Bruce Eder, All Movie Guide

The bland performance of star George Raft is the only drawback of this splashy 20th Century-Fox musical. Set in turn-of-the-century San Francisco, the film casts Raft as Barbary Coast saloonkeeper Tony Angel, who endears himself to patrons and pedestrians alike by tossing out silver dollars at the slightest provocation. Though Tony is loved by saloon singer Sally Templeton (Vivian Blaine), he only has eyes for Nob Hill socialite Harriet Carruthers (Joan Bennett). Upon marrying Harriet, Tony realizes he is sorely outclassed, and turns to the bottle as the result. It's up to "Little Miss Fixit" Katie Flanagan (Peggy Ann Garner) to bring Tony and Sally back together. Ample comedy relief is provided by Alan Reed and B. S. Pully, while the largely uncredited supporting cast includes such familiar faces as J. Farrell McDonald, Nestor Paiva, Bud Jamieson, and Frank McCown, who rose to fame under the new moniker of Rory Calhoun. ~ Hal Erickson, All Movie Guide

On the day of his death in 1943, the spirit of Henry Van Cleave (Don Ameche) obligingly heads for the place where so many people had previously told him to go. The immaculately dressed septuagenarian arrives at the outer offices of Hades, where he is greeted by His Excellency (Laird Cregar), the most courteous and gentlemanly Satan in screen history. His Excellency doubts that Van Cleave has sinned enough to qualify for entrance into Hades, but Henry insists that he's led the most wicked of lives, and proceeds to tell his story. Each milestone of Henry's life, it seems, has occurred on one of his birthdays. Upon reaching 15, Henry (played as a teenager by Dickie Moore) naively permits himself to get drunk with and be seduced by his family's French maid (Signe Hasso). At 21, Henry elopes with lovely Martha Strabel (Gene Tierney) stealing her away from her stuffy fiance Albert Van Cleve (Allyn Joslyn), Henry's cousin. At 31, Henry nearly loses Martha when, weary of his harmless extracurricular flirtations, she goes home to her boorish parents (Eugene Pallette and Marjorie Main). Henry's grandpa (Charles Coburn) orders the errant husband not to let so wonderful a girl as Martha get away from him. Henry once more declares his love to Martha, and she can't help but be touched by his boyish sincerity. Twenty years later, Henry, now a faithful and proper husband and father, attempts to charm a beautiful musical-comedy entertainer (Helen Walker) so that she'll forsake his young and impressionable son. But Henry's gay-90s romantic approach is out of touch with the Roaring 20s, and he ends up paying the entertainer a tidy sum to rescue his son--a fact that amuses Henry's understanding wife Martha, who now knows that her husband is hers and hers alone. Ten more years pass: Henry dances a last waltz with Martha, whose loving smile hides the fact that she knows she hasn't much longer to live. Five years later, it is "foxy grandpa" Henry who must be kept in check by his conservative son Jack (Michael Ames). Finally, it is 1943: as he quietly drinks in the loveliness of his night nurse (Doris Merrick), the bedridden Henry contentedly breathes his last. His story told, Henry once again asks to be permitted to enter Hades. But His Excellency, realizing that the only "sin" Henry has truly committed is attempting to live life to the fullest, quietly replies "If you'll forgive me, Mr. Van Cleave, we just don't want your kind down here." While he allows that Henry may have some trouble getting past the Pearly Gates, the wait will be worth it, since his loving wife Martha will be waiting for him. His Excellency cordially escorts Henry to the elevator, giving the operator a one-word instruction: "Up." A charming delight from first frame to last, Heaven Can Wait is another winner from director Ernst Lubitsch, and his first in Technicolor. Samson Raphaelson's screenplay was based on Birthdays, a play by Laslo Bus-Fekete. ~ Hal Erickson, All Movie Guide