David Cronenberg

Two spies on either side of their respective warring nations team up to take down an international criminal group called the Matarese in this MGM adaptation of Robert Ludlum's novel. Denzel Washington stars in the Relativity Media co-production, directed by David Cronenberg from a script by 3:10 to Yuma's Michael Brandt and Derek Haas ~ Jeremy Wheeler, All Movie Guide

Viggo Mortensen, Naomi Watts, Armin Mueller-Stahl, and Vincent Cassel star in this David Cronenberg's thriller concerning a London midwife who unwittingly stumbles into a clandestine Russian sex trafficking ring. An unidentified Russian teen has been rushed to a London hospital after going into labor. Though midwife Anna Khitrova (Watts) does manage to deliver a healthy baby girl, the newborn's mother dies tragically during delivery. But the deceased mother's secrets did not die with her, because she has left behind a diary. Determined to ensure the newborn is placed with her rightful family, Anna attempts to read the diary and discovers a business card for a local restaurant therein. Upon visiting the restaurant Anna is greeted by kindly owner Semyon (Mueller-Stahl), who generously offers to translate it for her. But Semyon is not what he appears to be, and before long Anna begins to fear that the child could be in great danger. Semyon admits to Anna that the diary contains information about his son Kirill (Cassell) that could land the volatile offspring in jail despite the fact that Kirill is at heart a good person. As the truth begins to unfold and Anna begins to believe that Kirill and his driver Nikolai (Mortensen) - an ambitious driver seeking to ascent the ranks of the notorious Russian mafia - mean the baby harm, an underworld storm begins to brew that could consume all involved. ~ Jason Buchanan, All Movie Guide

David Cronenberg directed this screen adaptation of a graphic novel by John Wagner and Vince Locke which explores how an act of heroism unexpectedly changes a man's life. Tom Stall (Viggo Mortensen) lives a quiet life in a small Indiana town, running the local diner with his wife, Edie (Maria Bello), and raising their two children. But the quiet is shattered one day when a pair of criminals on the run from the police walk into his diner just before closing time. After they attack one of the customers and seem ready to kill several of the people inside, Tom jumps to the fore, grabbing a gun from one of the criminals and killing the invaders. Tom is immediately hailed as a hero by his employees and the community at large, but Tom seems less than comfortable with his new notoriety. One day, a man with severe facial scars, Carl Fogarty (Ed Harris), sits down at the counter and begins addressing Tom as Joey, and begins asking him questions about the old days in Philadelphia. While Tom seems puzzled, Carl's actions suggest that the quiet man pouring coffee at the diner may have a dark and violent past he isn't eager to share with others -- as well as some old scores that haven't been settled. ~ Mark Deming, All Movie Guide

Ralph Fiennes plays a grown man haunted by his childhood in David Cronenberg's stylized psychological drama Spider. Upon his release from a mental institution, Spider (Fiennes) takes up residence in a halfway house. Paranoid, quiet, and forever making notes, Spider spends much of the film remembering scenes from his youth, specifically a horrific event from his childhood that occurred after he came to believe that his father (Gabriel Byrne) was having an affair on his mother (Miranda Richardson). The psychological terror builds to a climax that challenges how much the viewer can believe Spider's recollections of the event. Bradley Hall plays Spider as a boy, and Richardson portrays many different women who come into contact with Spider. Spider was screened in competition at the 2002 Cannes Film Festival. ~ Perry Seibert, All Movie Guide

Canadian filmmaker David Cronenberg, who has long been fascinated by the ways new technology shapes and manipulates the human beings who believe they are its masters, is in familiar territory with eXistenZ, a futuristic thriller which combines elements of science fiction, horror and action-adventure. What is eXistenZ? According to the glossary Cronenberg put together for this film, it is a new organic game system that, when downloaded into humans, accesses their central nervous system, transporting them on a wild ride in and out of reality. What's more, it changes every time it is played, by adapting to the individual user -- you have to play the game to find out why you are playing the game. More than one person can plug into the same game and set out on a series of bizarre and surrealistic adventures together. The narrative takes place sometime in the near future, when game designers are worshipped as superstars and players can organically enter inside the games. Allegra Geller (Jennifer Jason Leigh), the goddess among computer game designers whose latest invention, 'eXistenZ,' taps deeply into its users' fears and desires by blurring the boundaries between reality and escapism, is subject to an assassination attempt and forced to flee. Her sole ally is Ted Pikul (Jude Law), a novice security guard sworn to protect her. Persuading Ted to play the game, Allegra draws them both into a phantasmagoric world where existence ends and eXistenZ begins. Jennifer Jason Leigh, who is supposedly something of a computer nerd in real life, is hip and sexily alluring as Allegra Geller. When she and Pikul make love and are transported to the bizarre setting of a trout farm which has been converted to an assembly line production plant for games, they delve deeper into the dangerously intriguing game. Soon the forces of Anti-eXistenZialism will close in on Pikul and Allegra. eXistenZ marks the first time since Videodrome that Cronenberg has written a completely original screenplay. eXistenZ was inspired by the tribulations of the fugitive writer Salman Rushdie, author of the Satanic Verses. After interviewing the author for a magazine article in 1995, Cronenberg was struck with the idea of an artist who suddenly finds himself on a hit list for religious or philosophical reasons and is forced to go into hiding. The idea of a game came later on, for which he created a new vocabulary. According to Cronenberg, eXistenZ thematically connects to Crash, Videodrome, Naked Lunch and even M. Butterfly in terms of exploring the extent to which we create our own levels of reality and the idea of a creative act being dangerous to the creator. This is the second film on which Alliance Atlantis has been associated with Cronenberg, after Crash, which won the Special Jury Prize at the 1996 International Cannes Film Festival. On the occasion of the presentation of eXistenZ, Cronenberg received a Silver Bear for his outstanding artistic achievements at the 49th International Berlin Film Festival in 1999. ~ Gönül Dönmez-Colin, All Movie Guide

This 1998 film about a dysfunctional Los Angeles family is directed by Bruce Wagner, on whose novel this is based. Everyone in this family has a problem. Perry (Frank Langella) is a successful TV producer who has been diagnosed with inoperable cancer just before his 60th birthday. His son Bertie (Andrew McCarthy) is an unsuccessful actor but a wonderful father with an adorable daughter and an ex-wife who is known to show up for visitations visibly stoned. Rachel (Rosanna Arquette), a niece who is now his adopted daughter, finds out that her father murdered her mother years ago before taking his own life. We follow these characters as they go through their share of hardships and love. We are given a lot to chew on, including death, adultery, AIDS, and deceit. Wagner got a lot of very good actors to appear in small roles, including Amanda Donohoe, Buck Henry, Elizabeth Perkins, and Ed Begley Jr.. Prior to this film Wagner was chiefly known as the writer of Wild Palms and Scenes from the Class Struggle in Beverly Hills. ~ Brett Harrison, All Movie Guide

The price of fame is murder -- or at least it is in the mind of one woman in New Hampshire. Suzanne Stone (Nicole Kidman) has spent most of her life wanting to be famous; she's attractive, speaks well, and imagines herself to be intelligent ("imagines" is the key word here), so she has set her sights on becoming a TV anchorwoman. However, opportunities for female broadcasters are hard to come by in Little Hope, New Hampshire, and she's convinced that her husband, the once handsome but now flabby restaurant manager Larry Maretto (Matt Dillon), is just getting in her way. Suzanne gets herself a spot hosting a weather report on a local public access station, and is preparing a documentary called "Teens Speak Out," which puts her in touch with a trio of high school students -- Jimmy (Joaquin Phoenix), Russell (Casey Affleck), and Lydia (Alison Folland) -- who are even more desperate for attention than she is. When Suzanne hatches a plot to get Larry out of her life once and for all, she uses Jimmy, who has developed a serious crush on her, to do her dirty work, but Larry's sister Janice (Illeana Douglas), who has long believed there was something fishy about Suzanne, eventually begins to realize what happened to her brother. Nicole Kidman won a Golden Globe award for her work in this film, which represented something of a comeback for director Gus Van Sant after the commercial and critical disaster of Even Cowgirls Get the Blues. Screenwriter Buck Henry plays a small role as a high school teacher. ~ Mark Deming, All Movie Guide

The deep bond formed between a troubled nephew and his simple uncle, whose character is reminiscent of Lenny from Of Mice and Men, is the focus of this Canadian melodrama set during the Depression in rural Ontario. Nine-year old Verlin will not talk, or cannot talk. His concerned and overprotective mother takes him to a doctor. She is angry at her husband Ferris whom she believes is indifferent to her boy's plight. When Ferris's child-like brother Henry comes to visit, the boy's life begins to change. Henry spends time with boy and teaches him about life. The two befriend Mabel, a retired, town prostitute with physical disabilities. The three outcasts become very close as they encounter obstacles to their friendship. ~ Sandra Brennan, All Movie Guide

David Cronenberg's cinematic intensity eviscerates this adaptation of David Henry Hwang's passionate stage production. Based on a true incident involving a French diplomat who carried on an affair for 18 years with a man the diplomat thought was a woman, M. Butterfly begins in 1964 Beijing when French foreign service employee Rene Gallimard (Jeremy Irons) becomes smitten with Chinese opera performer Song Liling (John Lone). Before long, Gallimard is enamored with Song, and they begin an inflamed affair -- bracketed by the stipulation that Gallimard will never be allowed to look upon her in a state of complete undress. Gallimard agrees to the rules, but, as he climbs up the diplomatic ladder, the communist government gets involved, corralling Song to become an informer for the government. When, at last, Gallimard's passion demands nudity, Song flees the relationship. Gallimard, pining for his lost love, then becomes a physical and mental wreck. He leaves China and accepts a two-bit diplomatic position, but then Song appears once again to Gallimard. At that point, Gallimard is arrested and, during the subsequent sensational trial for treason, his affair is exposed for the sham that it is. ~ Paul Brenner, All Movie Guide

This cinematic/literary hybrid fuses motifs from Beat writer William S. Burroughs's novel of the same name with elements of the author's biography and plenty of the cerebral alienation and biomorphic special effects fans of creepy cult director David Cronenberg have come to expect. Bill Lee (Peter Weller) wants to write, but he exterminates bugs to pay the bills. His wife, Joan (Judy Davis), becomes addicted to Bill's bug powder dust, and soon he joins her in a world of unorthodox hallucinogens; he visits the kindly yet sinister Dr. Benway (Roy Scheider) and walks away with his first dose of the black meat -- a narcotic made from the flesh of the giant aquatic Brazilian centipede. Soon, monstrous beetles are whispering conspiracy theories in Bill's ears and his nebbish writer friends Hank (Nicholas Campbell) and Martin (Michael Zelniker) are sleeping with Joan under his nose. When a party trick involving a liquor glass and a gun goes awry, killing Joan, Bill flees to Interzone, a Mediterranean city full of talking insectoid typewriters, double agents, offbeat aesthetes, and plots within plots. As he navigates this paranoid landscape, Bill begins ingesting another drug called mugwump jism and writes fragments that Hank and Martin soon assemble into a novel under the title Naked Lunch. As beat literature aficionados know, Interzone is based on Tangiers -- the city where Burroughs wrote Naked Lunch. The incident in the film in which Hank and Martin appropriate Bill's writing and have it published closely approximates the real-life circumstances of the novel's publication, although it was Allen Ginsberg and Jack Kerouac who helped out the real-life Burroughs. The William Tell incident that kills Bill's wife is also drawn from the author's real life. "William Lee" is both Burroughs' literary stand-in and the name under which he published his first autobiographical novel Junky. Ian Holm, who plays Joan Frost's husband, Tom, would appear in Cronenberg's similarly experimental eXistenZ several years later. ~ Brian J. Dillard, All Movie Guide

Multimedia horror maven Clive Barker followed the success of his feature directorial debut Hellraiser with this equally surreal effort, based on his novella Cabal. The story involves the plight of Aaron Boone Craig Sheffer, a young man tormented by visions of monstrous, graveyard-dwelling creatures. Seeking the aid of his clinically cold therapist Dr. Decker (played by Canadian horror auteur David Cronenberg) in deciphering his nightmares, Boone becomes convinced that his frequent blackouts are linked to a recent spate of mutilation murders in the area. His frantic search for the truth leads him to the subterranean city of Midian, the dwelling place of a mythical race of undead nocturnal monsters known as the "Nightbreed." But it is only after he is cornered and shot dead by police that Boone's real journey begins -- he finds himself resurrected as one of the Breed and initiated into Midian's inner circle, where his latent supernatural powers are unleashed, leading to his realization of Dr. Decker's sinister role in the murders for which he was framed. Though Barker's unique and graphic vision is somewhat blunted by choppy editing (thanks to relentless tampering from the studio), this is nevertheless a fine sophomore project from a talented storyteller; the central conceit of presenting the monsters as the "good guys" -- at least compared to the gun-and-bible-toting lunatics who hunt them -- is handled with verve and originality. ~ Cavett Binion, All Movie Guide