Michael Cristofer Movies

History's most renowned ladies' man finally meets his match in this historical romance laced with comedy and adventure. In Venice in 1753, Giacomo Casanova (Heath Ledger) is a notorious playboy whose way with women goes too far when he's caught leaving the bedroom of a novice nun, and one of the leading prosecutors of the Inquisition, Pucci (Jeremy Irons), puts him on trial. The Doge (Tim McInnerny), Venice's political point man, is a friend of Casanova's and pulls strings to get him off the hook and allow him to stay in the city, but under one condition -- he must take a wife and remain faithful to her. Casanova sets his sights on Victoria (Natalie Dormer), a lovely young maiden who is obviously taken with the handsome ladykiller, but he's not the only one who wants her hand. Giovanni Bruni (Charlie Cox) is a young man who is very much in love with Victoria, and in order to move him out of the picture, Casanova challenges him to a duel. However, when Casanova is bested in swords in the challenge, he discovers he's actually been parrying with Giovanni's sister, Francesca (Sienna Miller). As Casanova gets to know Francesca, he discovers she's a gifted writer and a bright and independent woman as well as a good hand with a sword, and he comes to the realization that she's the woman he wants to take to the altar. However, Francesca has already been promised to the vain and chubby Papprizzio (Oliver Platt), a man she's never met, and she doesn't seem at all interested in the notorious Casanova. Casanova also stars Lena Olin, and Omid Djalili. ~ Mark Deming, All Movie Guide

After making his directorial debut with the acclaimed made-for-cable movie Gia, writer Michael Cristofer helmed his first big-screen offering with this drama. When eight men and women in their early-to-mid-20s head out for a night on the town, hopping from one Los Angeles club to the next, not everything goes as planned as they discover the joys and perils of dating at the end of the 20th Century. Body Shots shifts among the perspectives of its eight characters, played by Sean Patrick Flanery, Ron Livingston, Jerry O'Connell, Amanda Peet, Emily Procter, Tara Reid, Brad Rowe, and Sybil Temchen. The film had a number of titles during production, including The Night Before and Jello Shots, the latter of which was reportedly axed to avoid legal problems with the company that makes the gelatin dessert product. ~ Mark Deming, All Movie Guide

Based on a two-character play by Michael Cristofer (who also wrote the screenplay), Breaking Up is an odd sort of love story about a couple who aren't sure what to do about their relationship. Steve (Russell Crowe) is a photographer and Monica (Salma Hayek) is a schoolteacher. They're in love, but their emotional bond is so intense it borders on manic-depressive -- at any given moment, they're either deliriously happy with each other or so frustrated they're ready to call it off for good. Every time they try to sit down and seriously discuss their relationship, it turns into a disaster -- they can't stay together but they can't stay apart, either. As Monica summarizes their relationship, "It's a failure, but it's ours." Breaking Up follows Steve and Monica as they debate the pros and cons of their relationship over several years in vignettes that range from the comic to the horrifying. Breaking Up was shot in 1995, but didn't emerge into limited release until 1997. ~ Mark Deming, All Movie Guide

Anne Rice's best-selling romantic horror tale about the origins of a centuries-old vampire inspired this popular, atmospheric chiller. One of director Neil Jordan's major Hollywood productions, the film stays close to its source material, retaining the frame of a young reporter (Christian Slater) interviewing a man who claims to be a 200-year-old vampire. The man, Louis (Brad Pitt), shares his story, beginning in 18th-century New Orleans with his first encounters with the charismatic and decadent vampire Lestat (Tom Cruise). Lestat converts Louis to blood-sucking and immortality, but Louis fails to adopt Lestat's cavalier attitude, instead tormenting himself with guilt over his new nature. The two vampires remain deeply, if reluctantly, connected over the years, while becoming intimately involved with others of their kind, including Claudia (Kirsten Dunst), a mature immortal in a young child's body. Fans of the novel raised numerous objections, particularly after Rice initially spoke out against the casting of Cruise as Lestat; further casting difficulties followed the death of River Phoenix, whose role as the interviewer was assumed by Christian Slater. Rice later recanted her objections, and the combination of thrills and gothic romance proved popular with audiences. ~ Judd Blaise, All Movie Guide

Brian De Palma's Hollywood sanitization of Tom Wolfe's scabrous satire stars Tom Hanks as Sherman McCoy, the "master of the universe," a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin (Melanie Griffith), a Southern belle golddigger. Sherman and Maria are driving back to Maria's apartment from the airport when Maria takes a wrong turn on the expressway and the two find themselves in the South Bronx. She sees a black youth approaching Sherman's car and Maria, frightened, guns the engine, running over the teenager and killing him. The two drive away and decide not to report the accident to the police. Meanwhile, indigent alcoholic journalist Peter Fallow (Bruce Willis), anxious for a story to make good with his editor, comes upon the hit-and-run tale through local black community activist, Reverend Bacon (John Hancock). Bacon plans to use the hit-and-run case as a rallying point for the black community, while Fallow recognizes the press coverage inherent in prosecuting the callow Sherman. As Sherman is brought to his knees, the New York community fragments into different factions who use the case to suit their own cynical political purposes. Finally, Sherman is left without any allies to support him except for the sympathetic Judge White (Morgan Freeman) and the remorseful Fallow. ~ Paul Brenner, All Movie Guide

This drama about affluent Los Angeles teens is taken from the novel by Bret Easton Ellis. Clay (Andrew McCarthy) is a college freshman who returns home during Christmas break. Clay's old flame Blair (Jamie Gertz) is now more interested in her new beau Julian (Robert Downey, Jr.), the fun-loving party boy with a penchant for drugs. While Clay tries to rekindle a thing with Blair, Julian becomes addicted to cocaine and starts freebasing. Julian's friends try halfheartedly to intervene, with no success. Soon he is so far in debt to drug dealer Rip (James Spader) that Julian becomes a male prostitute, whoring for enough money for his next fix. Michael Bowen co-stars with Tony Bill and Nicholas Pryor in this trip into the seamy world of darkness in sunny California. ~ Dan Pavlides, All Movie Guide

Falling in Love can be described as an urban American Brief Encounter. Reteamed for the first time since The Deer Hunter, Robert De Niro and Meryl Streep star as a married couple. Thing of it is, they're not married to each other. While Christmas shopping for their respective families, architect Frank Raftis (DeNiro) and graphic artist Molly Gilmore (Streep) "meet cute," their holiday packages becoming mixed up. What starts as a pleasant chance acquaintance blossoms into romance. Inevitably, however, both parties realize that what they're doing is wrong--a shade too late to save their marriages, as it turns out. The film ends with a bittersweet "one year later" coda. The natural charisma of its stars lends distinction to the otherwise so-so Falling in Love. ~ Hal Erickson, All Movie Guide

Steve McQueen served as both star and executive producer for this film version of the drama by Henrik Ibsen, which was adapted by Arthur Miller. When Dr. Thomas Stockmann (McQueen) discovers that a tannery has dangerously polluted a hot spring in his community, he feels that it is his duty to share this information with the people. However, a number of prominent citizens (including Stockmann) intended to use the hot springs as the centerpiece of a health spa, and Tom's brother Peter (Charles Durning), the town's mayor, contends that a clean-up of the spring would be impractical, expensive, and would scare off potential customers. Stockmann is still eager to share his story with the community, but the town council is determined to silence him, and in time they turn public opinion against him. The outcry against Stockmann's activism eventually ruins his medical practice and drives a wedge between Stockmann and his wife Catherine (Bibi Andersson). While An Enemy of the People became a pet project for McQueen, it received indifferent reviews and poor distribution, opening in only a few scattered American cities several years after it was completed. ~ Mark Deming, All Movie Guide

The second and last TV pilot film to bear the Crime Club title, the 1975 Crime Club once again involves a state-of-the-art crime solving organization whose members are professional investigators from various public and private sectors. The principal characters are a detective (Scott Thomas), a reporter (Eugene Roche) and a criminal lawyer (Robert Lansing). The crime in question in this pilot concerned a social outcast who seeks public notoriety by confessing to a series of grisly ice pick murders. The three protagonists combine their brain power to solve the case, but their efforts failed to convince any network to pick up the project. Crime Club joined its 1973 predecessor in Universal's syndicated package of made-for-TV movies. ~ Hal Erickson, All Movie Guide

This Americanized remake of John Osborne's play changes the locale from a seedy British amusement pier to an equally seedy burlesque house in Santa Cruz, California. Jack Lemmon assumes the Laurence Olivier role as Archie Rice, a third-rate entertainer who's a failure but won't admit it. Selfishly feeding his own ego, Archie destroys the lives of those around him, including his long-suffering wife (Sada Thompson), his formerly famous father (Ray Bolger) and his disenfranchised grown children. This made-for-TV film is set in the 1940s to allow for several period-flavor tunes by Marvin Hamlisch, the best of which is the jaunty "Honolulu Lulu". ~ Hal Erickson, All Movie Guide