Franco Cristaldi Movies

Cinema Paradiso offers a nostalgic look at films and the effect they have on a young boy who grows up in and around the title village movie theater in this Italian comedy drama that is based on the life and times of screenwriter/director Giuseppe Tornatore. The story begins in the present as a Sicilian mother pines for her estranged son, Salvatore, who left many years ago and has since become a prominent Roman film director who has taken the advice of his mentor too literally. He finally returns to his home village to attend the funeral of the town's former film projectionist, Alfredo, and, in so doing, embarks upon a journey into his boyhood just after WWII when he became the man's official son. In the dark confines of the Cinema Paradiso, the boy and the other townsfolk try to escape from the grim realities of post-war Italy. The town censor is also there to insure nothing untoward appears onscreen, invariably demanding that all kissing scenes be edited out. One day, Salvatore saves Alfredo's life after a fire, and then becomes the new projectionist. A few years later, Salvatore falls in love with a beautiful girl who breaks his heart after he is inducted into the military. Thirty years later, Salvatore has come to say goodbye to his life-long friend, who has left him a little gift in a film can. In 2002, over a decade after the film's original release, Tornatore brought the original 170-minute director's cut to American screens for the first time. ~ Sandra Brennan, Rovi

Adapted from Umberto Eco's best-selling novel, director Jean-Jacques Annaud's The Name of the Rose is a 14th century murder-mystery thriller starring Sean Connery as a Sherlock Holmes-esque Franciscan monk called William of Baskerville. When a murder occurs at a secluded Benedictine Abbey, William is called in to investigate. As he and his apprentice, Adson von Melk (Christian Slater), delve deeper and deeper into the case, more dead bodies begin to turn up. Eventually, Bernardo Gui, an inquisitor played by F. Murray Abraham gets involved, but he may not have the best intentions. Sean Connery's performance earned him the award for Best Actor at the 1988 British Academy Awards. ~ Matthew Tobey, Rovi

Set in an early medieval period, this swashbuckling costume drama pits Christian knights against infidels in an imaginary holy war, and what is more astounding and a tribute to the Italian love of amore, is that the commanders from each side fall in love with "enemy" women and decide to call it a day, pack in their arms, and go off to do better things. Ruggero (Ronn Moss) leads the infidels in some of the best-looking armor this side of Armani, and Rolando (Rick Edwards) is at the forefront of the Christian knights. One of the knights is a misnomer -- he is actually a she, Bradamante (Barbara De Rossi), and when she sees the well-clad Ruggero, she agrees to hand over his sister Isabella (Tanya Roberts) just to get in his good graces. These four protagonists go through a series of adventures and misadventures in a gorgeous setting of Byzantine castles, mountain canyons, and dark forests, all complemented by aesthetic, inventive sets and creative costuming. ~ Eleanor Mannikka, Rovi

Thirteen months and ten million dollars were lavished upon this ten-hour, four-part TV miniseries about legendary globetrotter Marco Polo. Newcomer Ken Marshall played the title character, a 14th century Venetian explorer who, among other accomplishments, firmly established the "silk route" between Europe and the Orient, introducing such precious commodities as spaghetti and fireworks to the Occidental world. In addition to featuring the usual polyglot of major British and American stars in cameo roles (including Denholm Elliott, Anne Bancroft, John Gielgud, Leonard Nimoy, and Burt Lancaster), the production represented the first Western production to be filmed on location in China since WWII -- not to mention the first English-language appearance of celebrated Chinese stage and film actor Ying Ruocheng, superbly cast as the mighty Kublai Khan. An American-Italian-Austrian-French-British co-production, Marco Polo received its first U.S. showing when it was telecast by NBC from May 16 through 19, 1982. A "condensed" version, running approximately 270 minutes, was later made available in Europe and South America. ~ Hal Erickson, Rovi

Based on an autobiographical novel by Carlo Levi, Cristo si e fermato a Eboli stars Gian-Maria Volonte as Levi, a prominent anti-fascist author and artist who, during Mussolini's regime was exiled to Eboli, a tiny village in Southern Italy. The government believed Levi's controversial views would fall on deaf ears, but as he spent time in the small pastoral community, the simple wisdom of the peasants came to have a profound impact on Levi, and his beliefs would also impact the people of Eboli. Francesco Rosi's film is usually screened in a version running 150 minutes, though a longer 210 minute cut is also available. ~ Mark Deming, Rovi

This thriller is based on the still politically sensitive story of the assassination of General Francisco Franco's heir apparent General Carrero Blanco. The General was to have been kidnapped by the Basque separatists, but when that proved too difficult, they arranged to bomb his car (with him in it) to smithereens. In order to do this, they had to dig a tunnel under a city street. The ensuing explosion blew the car over the roof of a nearby house. ~ Clarke Fountain, Rovi

Federico Fellini's warmly nostalgic memory piece examines daily life in the Italian village of Rimini during the reign of Mussolini, and won the 1974 Academy Award as Best Foreign Film. The film's greatest asset is its ability to be sweet without being cloying, due in great part to Danilo Donati's surrealistic art direction and to the frequently bawdy injections of sex and politics by screenwriters Fellini and Tonino Guerra. Fellini clearly has deep affection for the people of this seaside village, warts and all, and communicates it through episodic visual anecdotes which are seen as if through the mists of a favorite dream, playfully scored by Nino Rota and lovingly photographed by Giuseppe Rotunno. ~ Robert Firsching, Rovi

Well-known actor Gian Maria Volonte carries this Italian biographical film almost single-handedly in his role as the industrialist Enrico Mattei. Mattei gave Italian industry a much-needed shot in the arm in the postwar era and died under suspicious circumstances in 1962. However, like many larger-than-life figures, he was not without his flaws. He created a giant monopolistic industry, which he is thought to have maintained free from interference by the government through the application of generous bribes. When he set out to make Italy a power in the petroleum world, however, he ran into serious difficulties. ~ Clarke Fountain, Rovi

Set in a Catholic boy's school, this wearisome tale concerns a group of obnoxious rich students and their pompous headmasters. The film tries hard to be an allegory of the anti-establishment social atmosphere of the early 1970s, evidently attempting to prove that Mankind is basically bestial by depicting all the characters as repulsive and self-serving. There's no highlight to speak of, though the scene in which the students stage a deliberately offensive amateur theatrical is perhaps the most watchable sequence. In the Name of the Father is a dreary exercise in heavy-handedness and repetition. ~ Hal Erickson, Rovi

The true story of a tragic 1928 arctic expedition provides the basis for this adventure drama that was a joint Italian and Russian co-production. Peter Finch stars as General Umberto Nobile, who is visited in Rome by the ghosts of those whose lives were taken in his ill-fated mission forty years earlier. In flashback, Nobile recalls the attempt to cross the North Pole by flying dirigible, the Italia. When the airship crashes, Nobile and his crew are scattered across the ice, left to struggle against the freezing cold elements and local polar bears, among other hazards. In an effort to save the expedition, the great explorer Roald Amundsen (Sean Connery), the first man to reach the South Pole, is dispatched to rescue Nobile. When Amundsen disappears (never to be heard from again), an icebreaker is launched to bring national hero Nobile home, but at the expense of his crewmates. Although The Red Tent (1971) was considered a costly box office failure, the film did win a Golden Globe for Best English Language Foreign Film. ~ Karl Williams, Rovi

In this Italian satire a poli sci professor from a large, wealthy family stirs up turmoil amongst his family and friends when he decides to run for office on the Socialist party ticket. His brother the Maoist tries to thwart his endeavors. Other family members get involved in the struggle for political power, sexual gratification, and money. ~ Sandra Brennan, Rovi