Wes Craven Movies

One of the horror genre's best-known and most celebrated directors, Wes Craven has been widely credited with reinventing the teen horror movie. Initially gaining fame and notoriety for his Nightmare on Elm Street series in the 1980s, Craven enjoyed a second wave of popularity in the 1990s with his phenomenally successful Scream series, which spoofed the teen horror genre even as they revived it. The films kicked off a trend in teen horror films, inspiring any number of imitators that, for the most part, failed to live up to Craven's own work.

A product of a strict Baptist upbringing in Cleveland, OH, Craven received a B.A. in Psychology and Education from Wheaton College and earned an M.A. in Philosophy from Johns Hopkins University. After teaching humanities for awhile, Craven plunged into filmmaking as a production assistant and editor for several "B" companies. He made his directorial debut with Last House on the Left (1972), a gruesome little effort that, to put it mildly, affected different people in different ways. Some viewers found this repellently staged "revenge for rape" story profound, citing the fact that Craven based the movie on Ingmar Bergman's Virgin Spring; others, including such mainstream commentators as Leonard Maltin, have condemned Last House on the Left as utter excrement. No matter how one felt about Craven, however, one could not deny his power to manipulate his audience. This power was further evidenced with The Hills Have Eyes (1977), which again met with radically divided opinions -- and made a fortune.

With Swamp Thing (1982), Craven graduated to big budgets, and also revealed a gift for comedy. Nightmare on Elm Street (1984) was an equally effective blend of gore and grim humor which spawned several sequels and served to introduce the world to Freddy Krueger, vengeful specter par excellence. The popularity of the film and its sequels established Craven as a force to be reckoned with in Hollywood, although he was only directly involved with two of the six sequels. In 1994, he directed Wes Craven's New Nightmare, a Pirandellian affair in which he and Nightmare cast regulars Robert Englund, Heather Langenkamp, and John Saxon played "themselves" -- as did Freddy Kruger!

Two years later, Craven experienced another milestone in his career with Scream. The success of the film and its numerous imitators effectively established Craven as a hot mainstream commodity, and he followed the film with the equally successful (though not as critically praised) Scream 2 the following year. In 1999, he effected a radical departure from the genre with The Music of the Heart, a sentimental drama that starred Meryl Streep as a violin teacher who brings music to the lives of children in Spanish Harlem. The film was quickly dismissed by audiences and critics alike, and, in 2000, Craven returned to more familiar territory with Scream 3, the latest in his in saga of hip, ironic terror. When production difficulties and poor audience reaction resulted in Cursed failing to do for werewolf films what the Scream franchise did for slashers, Craven quickly switched gears to Hitchcockian suspense for the airborne thriller Red Eye. Lean, mean, and ultimately fairly forgettable, Red Eye did manage to keep viewers on the edge of their seats for (a scant) 85 minutes even if it didn't exactly have the legs to leave a lasting impression. Nevertheless, Red Eye did hold a special place in Craven's heart as during filming the director was wed to film producer Iya Labunka.

Back on the writing block, Craven would adapt Kiyoshi Kurosawa's apocalyptic 2001 shocker Pulse for American consumption before allowing his 1977 screenplay for The Hills Have Eyes to be updated by High Tension screenwriting duo Alexandre Aja and Gregory Levasseur. The updated version was such a success that it gave birth to a sequel, The Hills Have Eyes 2, which was released in 2007.

Craven has occasionally curbed his stomach-churning tendencies (though not his willingness to run viewers through an emotional wringer) with his television work, including selected episodes of the Twilight Zone revival of the mid-'80s. In 1989, Craven produced a sitcom, The People Next Door, about a cartoonist who had the ability to imagine his drawings into existence. ~ Hal Erickson, All Movie Guide
1996  
R  
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Scream is at once a slasher film and a tongue-in-cheek position paper on the "dead teenagers" movies of the late 1970s/early 1980s that plays as half-parody, half-tribute. Sydney Prescott (Neve Campbell) is having a rough time lately: she's still getting over the brutal rape and murder of her mother a year ago, and now one of her friends (Drew Barrymore) has been killed by a lunatic who harassed her with terrifying phone calls, then stabbed her to death while wearing a Halloween costume. Soon Sydney is receiving similar phone calls, quizzing her on the arcane details of such films as Friday the 13th and Prom Night, and is attacked by the same cloaked maniac. With her father missing, she has hardly anyone on her side except her best friend Tatum (Rose McGowan) and Tatum's brother Dewey (David Arquette), a half-bright cop. As for the murderer, it could be any number of people: Syd's father; her cute but overly intense boyfriend Billy (Skeet Ullrich); Tatum's goofball boyfriend Stuart (Matthew Lillard); or Randy (Jamie Kennedy), who works at the local video store and seems to like horror movies just a little too much. Much like Halloween, Scream spawned a series of sequels and inspired a large number of similar films -- its original working title, Scary Movie, became the title of the 2000 parody film by Damon Wayans. ~ Mark Deming, All Movie Guide

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Starring:
Neve CampbellCourteney Cox Arquette, (more)
1996  
PG13  
A horror semi-parody targeted at the young adult market that ravenously gobbles up horror books like R.L. Stine's Goosebumps series, this made-for-TV vampire tale stars Chauncey Leopardi as Zach, a teenage rebel with a flair for telling ghost stories, who stumbles on an underground cabal of vampires when he takes a fateful ride on a New York subway. The vampire's leader, Valentine (Ron Silver), proposes a deal to young Zach, offering him safe passage to the world above, thus enabling the trapped vampire -- who can only mingle with humanity through the willing assistance of an innocent youth -- to reach the surface as well. Our young hero balks at this idea and escapes to the surface with a wild story for his skeptical pals, who shun him until one of their number is kidnapped by the undead subway dwellers in exchange for Zach's cooperation. Though atmospherically photographed, this low-budget production is a bit too corny to provide either laughs or chills, and it suffers further from lethargic pacing. ~ Cavett Binion, All Movie Guide

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Starring:
Chauncey LeopardiRon Silver, (more)
1995  
R  
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Comedian Eddie Murphy tried something different with this 1995 film that he produced and co-wrote, enlisting veteran horror director Wes Craven to give the story some chills. The uneven comedy-horror tale features Murphy as a vampire named Maximillian who arrives in Brooklyn on a ship full of people who have been brutally murdered. One of the corpses on board closely resembles that of Rita (Angela Bassett), one of the detectives assigned to the case. Maximillian targets Rita, hoping to get a dance with her that will bring her under his control. He enlists the help of a worker named Julius (Kadeem Hardison), biting his neck and turning him into a slowly decaying ghoul. Also seeking to romance Rita, though in a less sinister way, is her longtime detective partner Justice (Allen Payne). Maximillian uses his supernatural powers to interfere with the budding romance. Murphy also plays a preacher and an Italian gangster in this bizarre film. ~ Michael Betzold, All Movie Guide

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Starring:
Eddie MurphyAngela Bassett, (more)
1995  
R  
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A weekend encounter group session goes dreadfully wrong in this campy thriller done in the tradition of an old Ed Wood movie. Richard, a disturbed, but serious student who has been having strange recurring dreams, has just received the go-ahead for his research project. With a group of subjects, he will travel to his forest cabin to hold a "fear confrontation" session. The subjects are an eclectic fear-filled group, and much of the movie focuses on their discussions as they begin to face them. The thrills begin when Morty, a mysterious old-fashioned dime store wooden Indian suddenly appears in a closet. Morty is not a friendly fellow, nor is he as inanimate as he seems. When the group goes to a local amusement park, people begin to die. ~ Sandra Brennan, All Movie Guide

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1994  
R  
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Veteran horror director Wes Craven was responsible for the hit 1984 film A Nightmare on Elm Street, which introduced the character of Freddy Krueger. After Craven sold the rights to his character, Krueger became filmdom's top grossing monster, with five sequels by 1991. In this post-modernist horror film, Craven plays himself, a filmmaker working on a script for a movie that seems to be spinning out of control. Also playing himself, as well as playing his customary character Krueger, is Robert Englund. The original teenage hero of the first Nightmare film, Heather Langenkamp, also plays herself. She is still haunted by Freddy dreams, but Craven convinces her to make another Krueger film to exorcise her demons. Unfortunately, her son Dylan (Miko Hughes) is being taken over by Freddy himself, who materializes and kills Dylan's beloved nanny, Julie (Tracy Middendorf). Dylan, possessed by the evil spirit, escapes from the hospital and tries to cross a freeway with his mother in pursuit. Craven finds that his character has literally become a creation out of his control. ~ Michael Betzold, All Movie Guide

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Starring:
Robert EnglundHeather Langenkamp, (more)
1993  
 
Horror virtuoso John Carpenter hosts this goofy horror anthology, originally produced for Showtime as a gory stepchild of HBO's Tales from the Crypt series. Playing an emaciated, eye-rolling "coroner," John introduces the audience to a triptych of creepy vignettes in the EC horror-comics mode while paddling about in the guts of assorted cadavers and cracking jokes more gag-inducing than anything oozing on the slab. Two of the stories are directed by Carpenter himself: "The Gas Station" is a retread (pun intended) of Halloween-style scare tactics as a pretty gas-station attendant watches various oddballs pass by her window after hearing that an escaped killer is on the loose; "Hair" is a morbid, hilarious look at man's obsession with his own virility in which Stacy Keach turns to a bizarre hair-growth clinic (run by David Warner & Debbie Harry) which promises instant results, but at a horrific price. The third segment, directed by Tobe Hooper, involves a baseball player (Mark Hamill) who receives an eye transplant after a car accident and soon begins having optical flashbacks revealing (you guessed it) the identity and tendencies of the eye's former owner -- a serial killer. The second segment is by far the most entertaining, featuring a wonderfully neurotic performance by Keach, but the first and last chapters are too derivative to offer much for the discriminating horror buff, although the same fans will enjoy several cute cameos from other genre directors, including Wes Craven, Sam Raimi and Roger Corman. ~ Cavett Binion, All Movie Guide

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1991  
R  
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Wes Craven wrote and directed this surrealistic horror-comedy, which was inspired by a true story of parents keeping their children locked in a basement for years. Fool (Brandon Adams), an African-American teen, breaks into the home of the wealthy landlords who evicted his family from a ghetto tenement. A fortune in gold coins is rumored to exist inside, but Fool discovers that the mansion is a chamber of horrors presided over by a pair of incestuous, serial killer siblings (Everett McGill and Wendy Robie). The twisted couple has also tried to raise a succession of kidnapped boys. Each botched effort is handled the same way -- the victim's eyes, ears and tongues are removed, and he's sent to live in the sealed-off basement, where a colony of similarly deformed "brothers" resides. Fool is able to avoid the evil lovers as he moves through the house's maze of hidden passageways. He discovers that the occupants have a daughter, Alice (A.J. Langer), who has survived their abuse, so he rescues her and they attempt to free the "people under the stairs." Adams, who made his feature debut with in film, was familiar to viewers as the star of rock singer Michael Jackson's Moonwalker (1988). ~ Karl Williams, All Movie Guide

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Starring:
Brandon AdamsEverett McGill, (more)
1990  
 
Night Visions is a serial-killer-at-large TV movie starring James Remar and Loryn Locklin. Remar portrays the tough LA cop on the case. Ms. Locklin is a psychic, engaged by the police in a desperate effort to ferret out the killer. Unfortunately the psychic borders on the psychotic; her visions seem tinged by her own miserable past experience--and by the fact that she has multiple personalities. This reasonably original premise rapidly dwindles down to predictability; its happy ending was dictated by the fact that the film was the pilot for an unsold series. Night Visions was directed by Wes Craven, who was required by network edicts to tone down the gleeful gore which permeated his Nightmare on Elm Street films. ~ Hal Erickson, All Movie Guide

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1990  
 
No one should have been surprised that the Nightmare on Elm Street horror-flick series would spawn a weekly TV anthology. Nor was anyone amazed that the TV version wasn't quite up to the gory level of the original. Still, the 44-episode Freddy's Nightmares had plenty of shocks and scares for the unwary. On this evening's program, the repulsive Freddy Krueger (Robert Englund) explains how he became the bon vivant and fashion plate whom we know and hate so well. Freddy's ramblings lead into the evening's drama, all about a fellow who decides that the best way to get ahead is to stomp on everyone in his path. ~ Hal Erickson, All Movie Guide

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1990  
 
Freddy's Nightmares was a two-season TV anthology, loosely inspired by the Nightmare on Elm Street movie series. Robert Englund hosted as the unspeakable Freddy Krueger, spiked glove and all. The TV program was never quite as gruesome as its movie counterpart, but it was still not to be watched alone on a gloomy night. In "Lucky Stiff", Freddy prattles on about a young woman who wins a lottery. As the subsequent drama unfolds, we learn that our heroine's windfall was anything but lucky. ~ Hal Erickson, All Movie Guide

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1990  
 
To allay potential criticism of the Freddy's Nightmares TV anthology, executive producer Wes Craven attached a disclaimer. Unlike the Nightmare on Elm Street films that spawned the series, Freddy's Nightmares would never depict the murder of anyone under the age of 18. Thank goodness for small favors. In this 60-minute episode, the unspeakable Freddy Krueger (Robert Englund) decides to celebrate Halloween with a few "friends". He throws an impromptu party in a medical school morgue, whereupon the script segues into the evening's drama, all about a trick-or-treat scheme which goes horribly awry. ~ Hal Erickson, All Movie Guide

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1990  
 
"Dreams That Kill" is an episode of the syndicated TV anthology Freddy's Nightmares. You've guessed it; the series was spun off from the popular (and gruesome) Nightmare on Elm Street films. Robert Englund repeats his screen role as the hideous Freddy Krueger, though he's not quite as homicidal on the small screen. In this 60-minute installment, Freddy announces that he wants to become a talk show host. This devices segue into the evening's drama, a story of...well, of dreams that kill. ~ Hal Erickson, All Movie Guide

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1989  
R  
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Wes Craven's Shocker takes media manipulation to a new level in this story of an evil force emitted from television sets that has the power to kill. The film centers on high school athlete Jonathan Parker (Peter Berg). His estranged father is homicide detective Don Parker (Michael Murphy), who has been working on capturing an elusive serial killer plaguing the town. One night, during a particularly vivid nightmare, Jonathan dreams that while Parker is away on an assignment, his family is murdered by the serial killer. In the dream, Jonathan can identify the killer -- local television repairman Horace Pinker (Mitch Pileggi). Amazingly, it turns out that Jonathan's nightmare was reality. Using Jonathan's dream as evidence, Pinker is brought to trail, found guilty, and sentenced to death in the electric chair. Before his execution, Pinker makes a pact with the devil so when he is electrocuted, the electricity from the chair will give his spirit powers of evil. At first, Pinker's murderous spirit travels in and out of people's bodies, prompting the host to commit murder. But when it seems more effective to communicate with people by television signals, the spirit is willing and soon people suddenly become possessed by Pinker's spirit through TV screens and engage in murderous atrocities. All this is done by Pinker to exact retribution upon Jonathan, who was responsible for sending him to his death. ~ Paul Brenner, All Movie Guide

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Starring:
Peter BergMichael Murphy, (more)
1988  
 
"It's My Party and You'll Die If I Want You To" was one of the earlier entries of the 44-episode TV anthology Freddie's Nightmares. If you've guessed that this syndicated series was a spin-off of the Nightmare on Elm Street films, you're right. You're also right if you've deduced that the hideous Freddy Krueger -- aka Robert Englund -- is the host. This time out, Freddy materializes at his 20-year high school reunion. After a few wretched puns about death and murder, Freddy introduces us to the evening's drama: the story of a high school nerd's revenge, two decades after the fact. ~ Hal Erickson, All Movie Guide

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1987  
PG13  
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Based on the popular novel by V. C. Andrews, Flowers in the Attic centers on such chancy topics as incest and misguided religiosity. When their father is killed, teenagers Cathy (Kristy Swanson) and Chris (Jeb Stuart Adams), together with their preteen siblings Cory (Ben Ganger) and Carrie (Lindsay Parker), are put in the care of their religious-zealot grandmother (Louise Fletcher). Grandma has never approved of the wanton lifestyle of the kids' mother Corinne (Victoria Tennant), and she has no intention of extending her love to the children. Even worse, Corinne is anxious to win back the love of her estranged father, who, knowing that Corinne and her late husband were cousins and thus incestuously linked, would never approve of any children from this union. Thus, the four children are locked in their grandmother's attic, far from the view of their unforgiving grandfather. How the kids cope with their imprisonment is the heart of the film. ~ Hal Erickson, All Movie Guide

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Starring:
Louise FletcherVictoria Tennant, (more)
1987  
R  
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The best of the Elm Street sequels, this creepy, surreal fantasy features terrific effects, a fine young cast, and an air of grim fatalism that sets it apart from its giggly successors. Patricia Arquette stars as Kristen, whose nightmare leads to a slashed wrist which looks suspiciously like a suicide attempt. She is placed in a hospital psychiatric ward with a group of six other troubled teens who all dream about the same horribly burned man (Robert Englund) trying to kill them. Perhaps the most unusual thing about this picture, however, is the unexpected depth of sadness running through it. There are some achingly sweet moments in this otherwise frightening film which, though not disruptive, are impossible to analyze. The first and most bizarre of these is Heather Langenkamp's entrance, which inexplicably causes most viewers to get misty-eyed, and there are several similar scenes throughout the film. One answer can be found in the sensitive direction of Chuck Russell, who emphasizes the tragedy and utter hopelessness in these kids' lives and manages to wring some unexpectedly perceptive turns from his cast. This is a film in which a great deal of care was obviously lavished on individual scenes (the sets are outstanding) and performances. The results are well worth repeated viewings, and prove that sequels don't necessarily have to be inferior films. ~ Robert Firsching, All Movie Guide

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Starring:
Heather LangenkampPatricia Arquette, (more)
1987  
R  
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Horror maven Wes Craven attempted a slight change of pace from his usual slasher movie milieu with this chiller loosely based on a true story. Bill Pullman stars as Dennis Alan, a Harvard researcher sent to Haiti by a pharmaceutical company to investigate the zombie legend and any possible connection it might have to a rumored drug that could be used as a new breed of powerful anaesthetic. Once on the Caribbean isle, Alan is aided by a good voodoo priest or "houngan" (Paul Winfield) and his daughter (Cathy Tyson), who runs a local clinic. Alan's search also pits him against an evil houngan, Dargent Peytraud (Zakes Mokae). Peytraud also controls the Tonton Macoute (the Haitian secret police), who are involved with soon-to-be-deposed dictator "Baby Doc" Duvalier. The Serpent and the Rainbow was based on the book of the same name by Wade Davis, an ethnobotanist whose real-life hunt for the zombie drug was credited with cracking the medical mystery behind the myth. ~ Karl Williams, All Movie Guide

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Starring:
Bill PullmanCathy Tyson, (more)
1986  
 
Sponsored by the publishers of Fangoria magazine, this documentary explores the world of horror-film conventions. Interviewed are such celebrities as make-up expert Tom Savini and directors Tobe Hooper and Wes Craven. ~ Brian Gusse, All Movie Guide

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1986  
R  
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With the over-the-top gruesomeness of The Re-Animator to compare it to, Wes Craven's Deadly Friend limps into the second tier, coming across as a Frankenstein tale lost on Elm Street. Paul (Matthew Laborteaux) is a teen computer genius who has recently moved to a new town. The quiet and peaceful milieu permits him to continue experimenting with his life's work -- a human-like robot named Bee Bee. But Paul becomes smitten with the comely girl next door, Samantha (Kristy Swanson). For Samantha, however, the small-town life is less than quiet and peaceful; she is the victim of an abusive father, who she dreams of killing. During an argument, her father pushes her down the stairs, and she lapses into a coma. Paul, with the help of local paperboy pal Tom (Michael Sharrett), decides to implant Bee Bee's microchips into Samantha's brain to re-animate her back to life. But Samantha, restored to life and with the strength of an inhuman robot, decides to exact vengeance upon her father and the rest of the townspeople who have done her wrong. ~ Paul Brenner, All Movie Guide

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Starring:
Matthew LaborteauxKristy Swanson, (more)
1985  
 
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This made-for-TV effort from horror director Wes Craven and Salem's Lot producer Richard Kobritz involves a case of cryogenic suspension gone horribly wrong. A wealthy industrialist (Michael Beck) arranges for his body to be kept on ice in a high-tech cryonic chamber with specialized instructions regarding his revival at a future date when medical science can restore him to life. Thanks to a computer malfunction, these instructions are not followed properly, and Beck emerges from the frozen crypt as an empty, soulless creature and a vessel of pure evil with an appetite for destruction. So evil, in fact, that his own mother (Beatrice Straight) decides he must be destroyed and sets out to do the deed herself. ~ Cavett Binion, All Movie Guide

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1984  
R  
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A decade of wisecracking sequels have not diminished the power of this striking horror film from the director of Scream. Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter (Heather Langenkamp) traces the cause to child molester Fred Krueger (Robert Englund), who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. The teenaged leads are sympathetic and intelligent, unlike the dumb victims presented in most films of the period, and they are ably backed up by veterans like John Saxon and Ronee Blakley. Director Wes Craven creates moments of real dread by examining the line between nightmares and reality, as well as the "sins of the parents" theme, and although the film is quite gory, it never resorts to cheap bloodletting for its effect. A unique and disturbing experience, this film is highly recommended for horror buffs. ~ Robert Firsching, All Movie Guide

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Starring:
John SaxonRonee Blakely, (more)
1984  
 
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This minor made-for-TV effort from horror auteur Wes Craven is one of the oddest attempts at seriously blending supernatural horror and science fiction elements, which amounts to a muddled but amusing failure. The convoluted plot involves scientist Robert Urich's experiments with a new spacesuit designed to detect non-human lifeforms for a proposed expedition to Venus. When a sultry succubus (Susan Lucci, who was born for such a role) begins exerting her demonic influence on the members of a country club -- including Urich's wife and children -- he dons the completed suit for a literal journey into hell itself to rescue them. Craven's skill manages to elevate this loopy premise slightly above the level of pure nonsense, but low production values and the constraints of TV censorship prevent it from being adequately explored. ~ Cavett Binion, All Movie Guide

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Starring:
Susan LucciRobert Urich, (more)
1984  
R  
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This atrocious sequel to the 1977 horror classic is padded with so much of that film's footage that it seems more like a rerun than a new story. The entire cast seems to have lengthy flashbacks of the previous movie's events, including -- in what must be a cinematic first -- the German shepherd dog. The remaining screen time is spent on an uninvolving battle between some bland motocross bikers and the cannibal hillfolk. To be fair, director Wes Craven has stated that the film was extensively tampered with prior to release. That may get Craven off the hook, but doesn't make this muddled mess any easier to watch. ~ Robert Firsching, All Movie Guide

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Starring:
Michael BerrymanTamara Stafford, (more)
1982  
PG  
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Director Wes Craven, who went on to fame as the force behind blockbuster horror films such as A Nightmare on Elm Street, departed from his favorite genre to film this unique cult classic -- a spoof on the mad scientist movies of the 1950s. Adrienne Barbeau stars as Alice Cable, a government agent sent to replace a man who has disappeared while guarding a secret experimental lab in the middle of the Louisiana bayous. Dressed in heels and a skirt, Cable professes unease at her strange new surroundings, but she is soon wooed by Dr. Alec Holland (Ray Wise). Holland is working on a concoction that combines plant and animal cells. Arcane (Louis Jourdan) is the criminal mastermind who is trying to steal the secret recipe for the potion. When Arcane and his mercenaries break into the government camp, they kill Holland's sister Linda (Nannette Brown) and the scientist is accidentally doused with his own formula and bursts into flames, then dives into the swamp. Arcane's men pursue Cable, but she is rescued by a mysterious green man. It takes several rescues for her to understand that the Swamp Thing (Dick Durock) is Dr. Holland, transformed by his own formula. ~ Michael Betzold, All Movie Guide

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Starring:
Louis JourdanAdrienne Barbeau, (more)
1981  
R  
Deadly Blessing, a disappointing effort from famed horror-film director Wes Craven, tells the story of a woman's fight against a religious cult which will not stop at murder. Martha (Maren Jensen) lives alone near a conservative, repressive religious cult led by Isaiah (Ernest Borgnine). Martha's husband was murdered under mysterious circumstances after he left the cult. Martha and her two visiting friends Vicky (Susan Buckner) and Lana (Sharon Stone) find themselves being pressured to live in the area and they begin having nightmares and accidents. Soon more murders begin, and the woman fear for their lives. Craven gets good performances from his cast and bases his plot on the interesting premise of persecution and retribution, but the unsatisfying and implausible ending ruins what suspense he has built. While on the whole, the film is a failure, it has outstanding cinematography by Robert Jessup and a beautiful score composed by James Horner. ~ Linda Rasmussen, All Movie Guide

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Starring:
Maren JensenSusan Buckner, (more)

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