Laurie Craig Movies

Adapted from Beverly Cleary's perennially popular book series, Ramona and Beezus stars newcomer Joey King as Ramona Quimby, a grade-schooler with a big imagination. So big, in fact, that she often clashes with her no-nonsense teacher (Sandra Oh). When Ramona's upbeat dad (John Corbett) loses his job, the family -- including her teenage sister, Beezus (Selena Gomez), and their practical-minded mother (Bridget Moynahan) -- must make major adjustments, like dad learning how to run the house. Ramona dreams up various plans to make money so that she can save their house, but because everybody in the family seems too preoccupied to help her with her own worries, she turns to the one person who always has time for her, Aunt Bea (Ginnifer Goodwin). But even Aunt Bea is distracted these days because her ex-boyfriend -- and Quimby family next-door neighbor -- Hobart (Josh Duhamel) keeps trying to win Bea back. ~ Perry Seibert, Rovi

In the Babe tradition of talking animatronic animals, this comedy adventure gets underway when animal-research-lab janitor Misha (Tony Shalhoub) expresses concern for a Blue-crown Conure parrot named Paulie (voice of Jay Mohr) caged in a dank basement. Misha settles back as Paulie tells his life story, seen in flashback: When Paulie was owned by little Marie (Hallie Kate Eisenberg), the parrot helped the little girl get rid of her stutter. After Marie tried to teach Paulie how to fly, he wound up in a pawnshop owned by Artie (Buddy Hackett), where he got an education in one-liners. Paulie and Ivy (Gena Rowlands) learn Marie's family is in LA, so Ivy agrees to drive Paulie cross-country in her RV. However, Marie goes blind and dies. Paulie is forced to fly to LA, where small-time entrepreneur Ignacio (Cheech Marin), with an eye for talent, talons and tacos, puts Paulie to work as a dancer at his taco-stand, where Paulie gets a birds-eye view of a female parrot with pretty plumage. Unfortunately, researcher Dr. Reingold (Bruce Davison), convinced Paulie can bring him academic recognition, steps in with a false promise to link the parrot up with Marie. Betrayed, Paulie refuses to speak anything other than the standard "want-a-cracker" lines, resulting in solitary confinement. Misha, who knows why the caged bird talks, hopes to free Paulie for an eventual reunion with Marie. Animal stunt coordinator Boone Narr and Stan Winston animatronics brought Paulie to life. For another fine-feathered film, see Dean Riesner's Bill and Coo (1947); the film's all-bird cast (dressed in human clothing) brought a "Special Award" for producer Ken Murray during the 1948 Oscar ceremony. ~ Bhob Stewart, Rovi

The Working Girls in this New York-based film are laboring away at the World's Oldest Profession. Molly (Louise Smith), a Yale grad whos lives with her lesbian lover, turns tricks to keep food on the table. She approaches each day with fear and loathing, carrying out her responsibilities with crisp, businesslike efficiency. Her coworkers include Gina (Marussia Zach), who hopes to stay a hooker just long enough to finance her own business, and Dawn (Amanda Goodwin), an outspoken college student who harbors dreams of becoming a lawyer. The film covers a single day in the lives of these three ladies, neither judging nor apologizing: a job's a job, the film seems to be saying, whether it's punching a clock or rolling in the sack with an elderly stranger. Director Lizzie Borden's matter-of-fact approach to her material (based on six months' worth of interviewing genuine prostitutes) places Working Girls head and shoulders above the usual lachrymose "ladies of the evening" drama. ~ Hal Erickson, Rovi