Peter Cox Movies

The world's most famous team of astronauts-cum-superheroes returns in the effects-heavy sequel Fantastic Four: Rise of the Silver Surfer. As the story opens, Sue Storm (aka The Invisible Girl [Jessica Alba]) and Reed Richards (aka Mr. Fantastic [Ioan Gruffudd]) prepare for their upcoming, superhero-studded wedding celebration. But Reed cannot stay focused on the nuptials -- he's distracted by wire reports of a bizarre, comet-like object hurtling toward the Earth with tremendous force, triggering brownouts, blackouts, tropical storms, and various other climatological disasters. When the said object hits the island of Manhattan, destroying much of the city in its wake, its identity becomes resoundingly clear. "It" is actually a "he" -- a psychotic villain known as The Silver Surfer (voice of Larry Fishburne) who intends, for some unascertainable reason, to destroy much of the Earth, just as he obliterated dozens of planets before it. Feeling compelled to rally their old gang and save the day, Sue and Reed summon Ben Grimm (aka The Thing [Michael Chiklis]) and Johnny Storm (aka The Human Torch [Chris Evans]) to take on the Surfer -- and end up battling not only him, but an obnoxious Army general (Andre Braugher) and the cantankerous Victor Von Doom (Julian McMahon), who has broken out of his icy prison that held him captive at the end of the first movie. Tim Story returns to direct this sequel. ~ Nathan Southern, All Movie Guide

Go West: King of Wishful Thinking - Live features the band performing seventeen songs including "What You Won't Do For Love," "I Want to Hear It From You," "True Colours," "Eye to Eye," and the title track. This release also features candid footage of the band backstage. ~ Perry Seibert, All Movie Guide

Self-involved corporate raider Edward Lewis (Richard Gere) has recently split up with his girlfriend. Seeking directions to the Beverly Hills Hotel, he makes the acquaintance of free-spirited hooker Vivian Ward (Julia Roberts) and decides to put her on a 3,000-dollar retainer as his "date." He Cinderellarizes her by bankrolling a full wardrobe and cosmetic makeover. Of course, the setup will be strictly platonic. A disarming modern-day fairy tale, Pretty Woman was the picture that made Julia Roberts a superstar. As charming as she is in her "giggling" sequences, Roberts' best scene is her triumphant return to a posh Rodeo Drive shop where she'd been previously snubbed. Keeping Pretty Woman afloat throughout is the buoyant direction of Garry Marshall and the always welcome presence of Marshall's stock company of actors, including Hector Elizondo as a stuffy but golden-hearted concierge. Pretty Woman began its life as a much darker story of prostitutes and homicidal drug dealers, but more box-office-savvy heads ultimately prevailed. ~ Hal Erickson, All Movie Guide

Technical flaws abound in this "punk" movie about an imaginary, 21st-century ghetto in Melbourne, Australia created by white-color, middle-class suburbanites to contain all the wild and wooly nonconformists in their society. At the center of ghetto life is a pub that features Sarah (Maryanne Fahey) and Bear (Michael Bishop), by night slamming the suburbanites and by day carrying out covert operations on the outside as the daring Cisco and Pancho. In that guise, the Bear dons various personas, such as that of a government minister, and announces radical changes to the citizenry: children should henceforth be painted green, family cars should be buried, and as winter chills the air, citizens are to sleep with ducks. This send-up of the middle-class is uneven and patchy, with acting that is alternately good and bad and lip-synching that is a misnomer -- but at the same time, this haphazard fluctuation in quality seems to fit right in with the theme of the movie itself -- slick just would not capture the point of it all. Future Schlock is here. ~ Eleanor Mannikka, All Movie Guide

Public safety takes a turn for the worse in this hit comedy, which spawned a long-running franchise. As a crime wave sweeps through a major city, the mayor decides that part of the problem may stem from overly restrictive qualifications for police officers, so she opens the door of the city's Police Academy to anyone who wants to join. Soon, the new class is overrun with misfits and losers, including Carey Mahoney (Steve Guttenberg), who is given the choice of joining the force or going to jail; Karen Thompson (Kim Cattrall), a pretty cadet whom Mahoney has his eye on; Moses Hightower (Bubba Smith), a mountain of a man who likes to tend flowers; and Larvell Jones (Michael Winslow), who has an uncanny ability to imitate the sound of practically anything. Constantly befuddled Commandant Lassard (George Gaynes) and his lackey, Lt. Harris (G.W. Bailey), are none too thrilled with their new charges, but as they try to wash their hands of the cadets, Mahoney and his classmates become all the more determined to make good. The surprising success of Police Academy spawned six sequels and two TV series. ~ Mark Deming, All Movie Guide

Monkey Grip is a frank portrayal of a year in the life of a divorced mother (Noni Hazlehurst) living in Melbourne, trying to cope with her daughter and her own relationship with a drug addict while trying to get into the music business. ~ John Bush, All Movie Guide