Monty Cox Movies

Filmmaker Michael O. Sajbel explores the relationship between wealth and happiness with this spiritual-minded tale about a privileged young man who receives a most unexpected inheritance. Adapted from the best-selling book by author Jim Stovall, The Ultimate Gift opens as trust-fund baby Jason Stevens (Drew Fuller) prepares to receive a sizable inheritance from his late grandfather Red (James Garner). Though Jason is convinced that the money is about to come flowing in, he receives a sudden shock upon discovering that Red has instead decided to offer him something much more valuable than simple cash. Realizing that his spoiled grandson has lived a sheltered life in which he has always been handed the very best of everything, Red has devised a crash course in living comprised of 12 gifts that will challenge the arrogant young man in ways that he could never have imagined nor anticipated. In the weeks that follow, Jason will befriend a terminally ill child (Abigail Breslin) and her grief-stricken mother (Ali Hillis) while attempting to determine whether it is money or happiness that truly matters in life. Brian Dennehy and Lee Meriwether co-star in an uplifting drama from the director of The Ride and One Night with the King. ~ Jason Buchanan, Rovi

This preposterous thriller stars Tom Berenger (Platoon) as Ernie Dewalt, a drug-addicted ex-cop with a catheter, and that isn't the worst of it. Ernie teaches creative writing at a small college where prominent professor Alex Laughton (Stephen Lang) has been blown apart with a shotgun while groping the frequently nude Jeri Kari Wuhrer in a car on Lover's Lane. Laughton's widow, Elizabeth (Valeria Golino) drags the reluctant Ernie out of retirement to clear her name, as she is the prime suspect. When he's not mainlining drugs or trading japes with investigating detective Robert Davi, Ernie is haunted by visions of Jeri, taunting him about his incompetence. It's not really Jeri, of course, and may even be the spirit of his former alcoholism, but the plot is so muddled that it's hard to tell. Ernie has a vision of himself snapping nude photos of Jeri and Laughton having sex in a field; Elizabeth is loudly whispered about in the local supermarket; and the ridiculous resolution will please no one. Bad film buffs should get a kick out of Ernie weeping to Elizabeth about his catheter, but other viewers should avoid this jaw-dropping stupidity at all costs. ~ Robert Firsching, Rovi

An uneven but entertaining blend of graphic horror and black comedy from John Landis, very much in the mode of the director's successful An American Werewolf in London. French actress Anne Parillaud -- star of Luc Besson's acclaimed thriller La Femme Nikita -- plays Marie, a lithe and lovely vampire with a conscience who will not take "innocent blood" and maintains a low profile by dining exclusively on criminals and lowlifes. She finds a virtual smorgasbord in Pittsburgh's criminal underworld, arriving in the thick of a bloody mob war sparked by ruthless kingpin Sal Macelli (Robert Loggia). After preying on one of Macelli's hoods (Chazz Palminteri), Marie fumbles her attack on the boss himself and he manages to escape, eventually transforming into a vampire himself. Macelli soon comes to appreciate his new superhuman condition and hatches a diabolical scheme to control the syndicates by turning his underlings into vampires -- including his beleaguered lawyer, Emmanuel Bergman (Don Rickles). Marie, faced with a new and powerful undead enemy, is forced to take matters into her own claws. To this end she enlists the reluctant aid (and eventual affection) of undercover cop Joe Gennaro (Anthony LaPaglia), whose cover has just been leaked to the press, making him a target for Macelli and his growing army of blood drinkers. Landis has crafted a dark and brooding film, pumped up with bouts of extreme gore and gangland violence -- but where American Werewolf's occasional comic touches helped to ground the story and give the "straight" horror scenes more punch, most attempts at humor here seem jarring and out of place. The film's highlights come from numerous horror in-jokes, including cameos from Sam Raimi, Clive Barker, Dario Argento and Linnea Quigley; Rickles' explosive death scene ranks among the weirdest in cinema history. ~ Cavett Binion, Rovi

Businessman Larry Burrows (James Belushi) has a wife who ignores him, a screwball friend who won't leave him alone, and a car that continually breaks down. All that and more is enough to give him a mid-life crisis. After his car stalls once more, he enters a bar looking for help and encounters a bartender (Michael Caine) who shows him what his life would have been like, if he hadn't struck out in a baseball game back in high school. ~ John Bush, Rovi

The "history is inviolate" theory so chillingly elucidated in Ray Bradbury's The Sound of Thunder is recycled for the made-for-TV Timestalkers. William Devane plays a genially eccentric professor who teams with time traveller Lauren Hutton to prevent the course of history from being disastrously altered. In a manner slightly reminiscent of the 1984 movie hit The Terminator, Devane and Hutton must deal with Klaus Kinski, a mad scientist from the 26th century, who plans to hopscotch through time, spreading death and destruction wherever he goes. The odyssey takes the main characters to all manner of locales, including the Old West. Veteran actor Forrest Tucker made his final screen appearance in Timestalkers, which originally aired March 10, 1987. ~ Hal Erickson, Rovi

A John Carpenter story served as the launching pad for Black Moon Rising. Veteran thief Quint (Tommy Lee Jones) is hired by the FBI to steal some politically volatile computer tapes. The owners of the tapes are displeased, and begin chasing Quint all over the countryside. Just when he's about to surrender his booty, Quint's car -- wherein the tapes are stored -- is stolen by Nina (Linda Hamilton). She delivers the car to her corporate-villain boyfriend Ryland (Robert Vaughn), who runs a hot auto ring. Nina then has second thoughts and decides to throw in with Quint...and round and round we go. The "Black Moon" of the title is the name Quint's high-tech, low-slung vehicle. ~ Hal Erickson, Rovi

This science fiction thriller was inspired by a mythical real-life event, the WWII era disappearance of an entire naval vessel during a radar-cloaking test. In 1943, David Herdeg Michael Pare and Jim Parker Bobby DiCicco are sailors stationed aboard a Virginia battleship. Their vessel is undergoing an experiment conducted by brilliant scientist Dr. Longstreeet (Eric Christmas), who is attempting to render Allied craft invisible to radar. The ship becomes briefly invisible, but the test is a disaster and most of the crew are horribly killed. However, two crewmen are missing. In 1984, Herdeg and Parker emerge in the Nevada desert, having somehow traveled through time. Longstreet, still trying to perfect the device after 40 years, is running another experiment that pulls the missing sailors into the present. Realizing what's occurred, Herdeg and Parker flee, fearing for their lives. Fugitives, they befriend a skeptical modern woman, Alison Hayes (Nancy Allen). An effect of time pulls Parker back into 1943, leading to a bizarre reunion between Herdeg, still trapped in the future, and Parker, now a senior citizen. The film was followed by a sequel nine years later. ~ Karl Williams, Rovi