Paul Brinegar Movies

A gunslinging con man develops a tricky scheme to make a killing at a major poker tournament in this comic Western inspired by the popular television show. Mel Gibson assumes the role of Bret Maverick, the handsome rogue who hopes to cheat his way to success. In need of a large stake to enter a major card competition on a Louisiana steamboat, Maverick decides to take advantage of a few small-town poker players. These include the seemingly sweet Annabelle Bransford (Jodie Foster) and the intimidating Angel (Alfred Molina), neither of whom is too happy about their loss. Things become even more complicated for Maverick when the law gets involved, with Marshal Zane Cooper (James Garner, who played the role of Maverick in the original television series) giving chase. A series of stagecoach chases, complicated cons, and gun battles ensues, with Annabelle and Maverick finding time for plenty of flirtation along the way. ~ Judd Blaise, Rovi

Mark Lindsay Chapman (no relation to the murderer of John Lennon) stars in the made-for-TV The Annihilator. If the title sounds faintly reminiscent of The Terminator, it might just be more than a coincidence. The plot involves an army of mindless automatons, programmed to kill, kill, kill. Chapman plays a reporter whose efforts to halt the robot army are flummoxed by the fact that he himself is a fugitive from the law. The Annihilator premiered on April 7, 1986. ~ Hal Erickson, Rovi

In order to collect the $180 necessary to repair the "General Lee", Bo (John Schneider) and Luke (Tom Wopat) hire themselves out to drive an eighteen-wheeler, which is ostensibly transporting shock absorbers but is actually an illegal "casino on wheels" run by the delectable Helen Hogan (Jo Ann Pflug). When one of Jesse's friends loses $1200 at the casino's rigged roulette wheel, the Dukes concoct a "string" to get the money back, with Jesse (Denver Pyle) and Daisy (Catherine Bach) posing as a couple of wealthy high rollers. But they'd better hurry before Boss Hogg (Sorrell Booke) puts the casino out of business--not because he is shocked, SHOCKED, to find that gambling is going on in Hazzard County, but because he wants to get his mitts on the gambling equipment for his own gain! ~ Hal Erickson, Rovi

Dick Van Patten and Ruth Buzzi guest star as Carter and Amy Merkl, who are extremely grateful after the Squad 51 paramedics save their lives. Before long, however, the Merkls' persistent expressions of gratitude become downright annoying and obnoxious--especially when the couple insists upon hanging around the station house, day and night. Other emergency cases include a CPR attempt gone bad, a child struck in the eye by a BB gun (no, his name isn't Ralphie), a boat fire, and a potentially fatal false alarm. ~ Hal Erickson, Rovi

Everyone at the station house joins forces to get even with Chet (Tim Donnelly) for his never-ending practical jokes. Elsewhere, the victim of a motorcycle accident is forced to rely on extremely limited communications skills, and a worker trapped under a boat proves surprisingly uncooperative with his rescuer. Olympic swimming star Mark Spitz and his wife Suzy Spitz make their TV dramatic debuts as a young husband and his pregnant wife, who has been wounded by a malufunctioning gun. ~ Hal Erickson, Rovi

This western saga finds Jess Wade (Elvis Presley) as a reformed gunfighter who is stalked and captured by his former band of outlaws. Vince (Victor French) is the heavy who orders Jess' cheek to be branded with a hot iron. The gang terrorizes a small town by threatening to use a gold-plated and jewel-encrusted Mexican cannon on the innocent population. Presley sings only one song (the title track) in the last dramatic role of his career. The feature has the look and feel of the popular spaghetti westerns of the time. This routine western would be followed by the truly gaugeable The Trouble With Girls and Change Of Habit. Presley revived his live performing career soon after the forgettable last two films and continued touring until his death on August 16th, 1977. ~ Dan Pavlides, Rovi

The rest of the Ponderosa men are astonished when Hoss Cartwright shows up reeking of cologne and dressed to the nines. It is all part of Hoss' scheme to prove that mercenary saloon gal Dolly Bantree (Lola Albright) only loves grungy miner Buford Buckelew (Jack Elam) for his money. Paul Brineger, fresh from his lengthy stint on Rawhide, appears as Rev. Written by Robert V. Barron, "A Bride for Buford" first aired January 15, 1967. ~ Hal Erickson, Rovi

This episode is a virtual dry-run for the 1970s series Dallas, except that the question posed is not "Who Shot J.R.?" but instead "Who Killed J.K.?" There is no shortage of suspects when nasty oil tycoon Jerome Klee (Wendell Corey) is murdered, but the police finally settle upon Klee's foreman Allen Winford (James Best), who had been trying to prevent Klee from cheating an impoverished farmer named Jason Rohan (Paul Brinegar). Of course, Winford is innocent--else why would Perry Mason (Raymond Burr agree to take his case? ~ Hal Erickson, Rovi

Like many American International films of its era, How to Make a Monster was sold to distributors on the basis of its title alone: only after theatrical play dates had been established did anyone get around to writing a script! Robert H. Harris plays Pete Drummond, who according to the script has been chief makeup man at American-International for 25 years, or approximately 20 years before the studio was actually established. When the studio is sold, Pete is brusquely informed that neither he nor his monster creations -- notably the Teenage Werewolf and Teenage Frankenstein -- will be required any longer, inasmuch as American International is going to concentrate on musicals from now on. Angered and humiliated, Pete takes revenge on the callous studio heads by hypnotizing a couple of actors (Gary Clarke and Gary Conway) into believing that they're genuine monsters. Under Pete's control, the two thespians begin committing murders left and right, wreaking havoc throughout the American International lot. ~ Hal Erickson, Rovi

Perry (Raymond Burr) receives a phone call from Arlene Dowling (Susan Morrow), who claims that she was robbed of all her belongings (including her clothes!) while sunbathing. Among the missing items is Arlene's trailer, in which was hidden a diary. Shortly thereafter, Perry finds himself defending Arlene on a charge of murdering George Ballard--and on a more disturbing note, he is nearly brought up on perjury charges by DA Burger (William Talman). This episode is based on a 1955 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, Rovi

Small-town doctor Paul Beecher (John Beal) is given some strange pills by a dying elderly researcher. Later, when Paul gets a severe headache, his young daughter accidentally gives him the mystery pills. He's later puzzled by a series of strange deaths in which all the blood was drained from the bodies of the victims and then discovers the old researcher was working on a project involving vampire bats. The horrified Paul gradually begins to suspect that he himself is the killer. ~ Bill Warren, Rovi

Copper Sky was directed by Charles Marquis Warren, one of the prime movers of TV's Gunsmoke. The scene is a small western town that has been decimated by an Apache raid. The only survivor is drifter Jeff Morrow, who was locked up in jail at the time of the massacre. Before long, Boston schoolmarm Coleen Gray arrives in town, only to discover that there's no one left alive for her to teach. Releasing Morrow, Gray joins him in an arduous journey to the nearest white settlement--clear across the desert. Given the fact that Morrow is a heavy drinker with a bad attitude andGray is straight-laced and remonstrative, it doesn't take a film historian to figure out that Copper Sky is yet another variation on The African Queen. ~ Hal Erickson, Rovi

The first spaceship to Mars rounds the Red Planet and heads back toward Earth but runs into an unexplained phenomenon in space that accelerates the craft to such a high speed that all four men aboard black out. When they awake, they've crash-landed on a planet that they only gradually realize is Earth -- of the distant future: they have crashed through the time barrier. After they are chased by ugly "Mutates," they are taken in by the declining remnants of human civilization who live underground. It's now 2508 A.D, almost 400 years after an atomic war almost wiped out the human race. John Borden (Hugh Marlowe) falls in love with Garnet (Nancy Gates), daughter of Timmek (Everett Glass), leader of the underground people -- a fact that enrages Mories (Booth Colman), who's always assumed she would someday be his. The scheming Mories tries to turn his people against the space/time travelers, but falls victim to his own nefarious plans. Learning from Deena (Lisa Montell), a servant girl from the surface of Earth, that most people up there are normal though cruelly ruled by the deformed ones, Borden and his friends take on the mutates with modern weaponry and reclaim the Earth for normal humanity.

Although this is (surprisingly) the first American feature film to deal with scientific time travel, World Without End is really just another lost-civilization plot, complete with princess, evil grand vizier, and lots of skulking in corridors. There are few imaginative touches -- the giant spiders in particular are pathetic -- and some of the cast isn't very good. But for the period, this is slightly above-average science fiction; the exteriors, shot at the famous Iverson Ranch, have an open, fresh feeling, but the interior sets are unimaginative and routine. The plotline owes more than a little to H.G. Wells' The Time Machine (a lawsuit was filed), which makes the presence of Rod Taylor in the cast (as the hunk from our time) a little ironic, as just a few years later, he starred in George Pal's much-loved movie version of the Wells novel. ~ Bill Warren, Rovi