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Bill Cosby Movies

African-American entertainer Bill Cosby, in his own words, "started out as a child," the son of an eight-dollars-a-day maid and an absentee father. A product of grinding poverty, Cosby escaped his rundown Philadelphia neighborhood by dropping out of high school and joining the navy. He earned his diploma via correspondence course, then earned a football scholarship to Temple University. Working nights as a bartender, Cosby discovered he had the ability to make people laugh, so he temporarily shelved his plans to become an athletics teacher and set out to become a nightclub comedian. Most black comics of the era used the race issue in their act; this didn't quite work for Cosby, but relating humorous reminiscences about himself and his childhood buddies worked beautifully. After numerous TV guest shots and several top-selling, Grammy Award-winning record albums, Cosby was signed by producer Sheldon Leonard to co-star with Robert Culp in a weekly TV espionage series, I Spy. This was an era of acute racial tension; many NBC executives were wary about a black leading man, and quite a few Southern affiliates threatened not to run the show, but Leonard, a street scrapper from way back, refused to back down. I Spy was a hit, earning Cosby an Emmy. As the series progressed, the camaraderie between Cosby and Culp deepened, and by the end of the series, Culp was talking and ad-libbing in the same low-key, offbeat cadence that Cosby had adopted for his club appearances! After I Spy, Cosby signed a sweetheart deal with NBC, which guaranteed him a two-year run on his next program, whether the ratings were good or not. The Bill Cosby Show cast the star as high school coach Chet Kincaid, and was unusual for the time in that it was a sitcom minus a laughtrack. At times it was a sitcom minus laughs as well, but NBC had made its promise, and Cosby did his best. In the '70s he teamed with actor/director Sidney Poitier to make a trio of popular crime/comedy features: Uptown Saturday Night, Let's Do It Again, and A Piece of the Action. Viewers who think of Cosby in terms of one success after another have forgotten such failed 1970s TV projects as The New Bill Cosby Show and Cos. On the opposite end of the spectrum, there was The Cosby Show, the eight-season wonder that single-handedly rescued the sitcom format from oblivion in 1984 and enabled the woebegone NBC network to crack the Number One slot in the ratings week after week. And there were guest spots on the award-winning children's show The Electric Company and Fat Albert and the Cosby Kids (1969-84) a superlative Saturday morning cartoon show supervised by Cosby that managed to be what is now called "prosocial" without losing any of the fun. He has also been the long-time commercial spokesman for Jell-O. In the fall of 1996 Cosby returned to prime time TV with yet another The Cosby Show sitcom, again set in New York City and co-starring Phylicia Rashad. Although The Cosby Show became made him arguably the most famous person in the country, he could not capitalize that rush of fame into a film career choosing to make a series of box office bombs including Leonard Part 6 and Ghost Dad. He created yet another TV show, The Cosby Mysteries, and shepherded a successful animated chilsdren's series, Little Bill, to screens in 2001. He appeared in the big-screen version of Fat Albert in 2004.
~ Hal Erickson, Rovi
 
 
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Season two of I Spy finds globetrotting secret agents Kelly Robinson (Robert Culp) and Alexander Scott (Bill Cosby) plying their trade in such locales as Italy, Spain, and Las Vegas -- all the while posing as a high-priced tennis bum and his athletic trainer. As in season one, the series relies heavily on genuine location footage, with the stars playing out most of their scenes in the actual countries where the episodes are set (of course, an occasional pickup shot or close-up filmed within the walls of Desilu Studios in Hollywood still creeps in now and then!). While the series remained the most "adult" and realistic of the many spy shows of the period, and the characters of Kelly and Scotty spend as much time agonizing over the morality of their work as they do carrying out their assignments, the comedy content that had been sprinkled throughout season one of I Spy is even more pronounced in season two. Robert Culp may be the nominal star, but it is Bill Cosby who sets the comic pace and provides most of the series' delightful verbal improvisations -- with the pliable Culp sounding like a Cosby clone in several scenes! Which is not to say that Bill Cosby is the sole creative force behind the program; indeed, some of the best second-season episodes were scripted by Robert Culp. This season offers the series' only two-part episode, "To Florence, With Love," and also features the only "dual" performance by star Robert Culp, cast in his tradition "Kelly" role and as the Asian title character in "The War Lord." There are also a number of impressive guest-star turns: Boris Karloff plays a doddering scientist who imagines himself to be Don Quixote in "Mainly on the Plains"; Don Rickles delivers a shattering performance as a mean-spirited USO comedian who sparks an international crisis in "Night Train to Madrid"; and Wally Cox is delightful as a meek clerk whose fondness for foreign girls nearly proves fatal to Kelly and Scotty in "Casanova From Canarsie." The season ends with the poignant "Cops and Robbers," in which a not-so-sentimental journey to Scotty's old neighborhood imperils the live of his mother (played by the magnificent Beah Richards). Bill Cosby's performances in this and previous episodes are proof positive that his second Emmy award, bestowed upon him during the 1966-1967 awards ceremony, was richly deserved. ~ Hal Erickson, Rovi

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Starring:
Robert CulpBill Cosby, (more)