Stanley Cortez Movies
American cinematographer Stanley Cortez's given name was Krantz; he had it changed professionally following the lead of his older brother, film star Ricardo Cortez. While attending New York University, Cortez became an assistant cameraman for the various movie studios operating in Manhattan. He briefly pursued the occupation of portrait photographer before returning full-time to movie work at the end of the silent era. He remained an assistant and associate photographer during the early 1930s, with time out to direct the 1932 short subject Scherzo. By 1937, Cortez was a director of photography at Universal Pictures, confined to the studio's "B" product. Beyond such mood pieces as the 1941 comedy/horror film The Black Cat, there was little opportunity for Cortez to develop a style of his own, though word got around that he could attain evocative results with a minimum of fuss. Orson Welles signed Cortez to shoot his Citizen Kane follow-up The Magnificent Ambersons in late 1941. Throwing out all the economy and efficiency he'd learned on his Universal "B"s, Cortez proceeded to eat up valuable production time in achieving his admittedly marvelous photographic effects. RKO held Cortez partially responsible for the cost overrun (and ultimate failure) of Ambersons, and as a result his next two important assignments--Universal's Flesh and Fantasy (1943) and Since You Went Away (1944)--were filmed in collaboration with other, less time-consuming cinematographers. Nonetheless, it is Magnificent Ambersons for which Cortez will always be remembered, and for which he won an award from the Film Critics of America. Cortez's first Technicolor assignment, The Man on the Eiffel Tower (1949) made quite an impression on Charles Laughton, the film's star; when Laughton directed the deliberately stylized Night of the Hunter (1955) six years later, Cortez was behind the camera. While there would be the occasional "A" picture to his credit, most of Cortez's subsequent photography was confined to such low-budget films as The Naked Kiss (1964), Dillinger (1965) and Ghost in the Invisible Bikini (1966)--all magnificently shot if nothing else. Perhaps Cortez' oddest assignment in the latter stages of his career was the mid-1950s melodrama Madmen of Mendora, which was never released in its original form; in 1964, Cortez' superb camerawork for this project was spliced together with artlessly shot new footage, and the result was the notorious They Saved Hitler's Brain (1964). Several of Cortez' assignments in the 1970s were in the "special photography" or title-sequence category, e.g. Tell Me That You Love Me Junie Moon (1970), Damien--The Omen II (1978) and When Time Ran Out (1980). Cortez also dabbled in television work from time to time, notably on the all-star TV-movie suspensor Do Not Fold, Spindle or Mutilate (1971). Cortez died of heart failure in Los Angeles on December 23, 1997. He was 92 years old. ~ Hal Erickson, All Movie Guide- 1977
Claude Lelouch's Another Man, Another Chance is set in 1870. Fleeing from the Franco-Prussian war, Jeanne (Genevieve Bujold) and boyfriend Francis (Francis Huster) escape to the American west. Their course does not run smooth, and soon Jeanne is left alone to care for her baby. Meanwhile, American veterinaran Jimmy (James Caan), an absolute stranger to Bujold, endures his share of woes, not least of which is the rape and murder of his wife by desperadoes. Inevitably, Caan and Bujold meet and fall in love. Having already suffered the death of Huster, Jeanne tries to dissuade Jimmy from his single-minded pursuit of his wife's murderers. This character conflict determines the outcome of the film's final scenes. Another Man, Another Chance was distributed in the US by United Artists. ~ Hal Erickson, All Movie Guide
- Starring:
- James Caan, Geneviève Bujold, (more)
Poorly written, directed and photographed, The Doomsday Machine is one of those cheap sci-fi farragos which rounds up several faded stars and then gives them nothing to work with. Among the trapped former luminaries are Denny Miller, Mala Powers, Bobby Van and Henry Wilcoxon. The plot (for lack of a better word) involves a spaceship and its squabbling crew. The space travellers must bury the hatchet long enough to try to save the Earth from destruction. Beware: That alluring videocassette on your local rental shelves titled Escape From Planet Earth is really Doomsday Machine in disguise. ~ Hal Erickson, All Movie Guide
This bleak World War II action drama, directed by John Guillermin, concerns the Ludendorff Bridge at Remagen -- the last remaining span across the Rhine into Germany during the final days of the war in 1945. German General von Brock (Peter Van Eyck) is ordered to blow up the bridge rather than let it fall into American hands. Von Brock is reluctant to carry out the orders, however, because that would mean abandoning 50,000 soldiers to the on-coming Americans. Putting Major Paul Kreuger (Robert Vaughn) in charge, he tells him to try to hold the bridge as long as possible. Meanwhile, U.S. Brigadier General Skinner (E.G. Marshall) is trying to trap the retreating Germans by making a push to the Rhine. Leading the offensive is Major Barnes (Bradford Dillman), an officer held in contempt by most of the men. Platoon leader Lieutenant Phil Hartman (George Segal) takes a particular dislike to him. Hartman is also at odds with Sergeant Angela (Ben Gazzara), a scavenger who likes to steal from the corpses of dead German soldiers. As the Americans push onward to Remagen, the Germans step up their resistance. When the Americans reach Remagen, Krueger unsuccessfully attempts to blow up the bridge and throws all his soldiers into a full-assault on the Americans. Skinner orders that the American soldiers must push forward and take the bridge intact. In the face of heavy German opposition, Hartman and Angelo find that they must put aside their differences and fight for a common cause -- to take the bridge at all costs. ~ Paul Brenner, All Movie Guide
- Starring:
- George Segal, Robert Vaughn, (more)
An international collection of second-string actors grace the cast of this bargain-basement Sergio Leone knock off. Terence Stamp stars as Azul, the son of evil Mexican bandit Ortega (Ricardo Montalban). Although Azul is a mean, low-down, varmint like Ortega's three other sons, there is a slight glimmer of goodness in his soul since he is adopted. He proves it when he kills one of his brothers who was attempting to rape beautiful Texan maid Joanne (Joanna Pettet). Renouncing his adopted family and claiming a new moniker by the name of Blue, he helps Joanne and her father on their farm, and soon Blue and Joanne are in love. Remorseful at the loss of Blue, Ortega tracks him down to regain his love. Instead, Blue rejects him, and Ortega, humiliated and disgraced by his son's rejection, gathers together an army in order to return to wreak revenge upon the Texans. Now Blue must organize the Texans into a fighting force to face the bandit army of his father. ~ Paul Brenner, All Movie Guide
- Starring:
- Terence Stamp, Joanna Pettet, (more)
After his head is surgically removed and sustained, Hitler is, essentially, still alive and living on an island in the Caribbean. When a young woman and her husband goes in search of her scientist-father and sister, they find a group of Nazis--still under the command of Der Fuhrer--who plan to resume their atrocities upon humanity in a scheme of world domination. ~ Kristie Hassen, All Movie Guide
- Starring:
- Walter Stocker, Audrey Caire, (more)
- 1966
American-International's Beach Party series came to an abrupt end with Ghost in the Invisible Bikini. Because of such tangible reasons as contractual commitments, coupled with such intangibles as illness and death, most of the series "regulars" are absent. Deborah Walley and Aron Kinkaid fill the roles usually played by Annette Funicello and Frankie Avalon, while Benny Rubin plays a comic-Indian role obviously intended for Buster Keaton. Only Harvey Lembeck, as the inimitable Eric von Zipper, is on hand from the good old days. The plot is set in motion by the ghostly Boris Karloff, a corpse who must perform one good deed before gaining entrance into the Hereafter. Together with a sexy spirit (Susan Hart) (the titular lass in the invisible bikini), the corpse attempts to save the heiress (Walley) from the murderous machinations of a greedy attorney (Basil Rathbone) and his cohorts (Rubin and Jesse White). Music is provided by such second-generation celebs as Nancy Sinatra and Claudia Martin, and with The Bobby Fuller Four lip-synching a pair of songs. The climax is a less-funny reworking of the final sequence in Beach Blanket Bingo, with the heroine (Walley) strapped to the longest buzzsaw plank in film history. ~ Hal Erickson, All Movie Guide
- Starring:
- Deborah Walley, Tommy Kirk, (more)
- 1966
- NR
Monstrous carnivorous trees with dangerously acidic saliva set off from their secret tropical paradise home in Antarctica to eat every human on Earth. Fortunately, the U.S. Navy isn't about to let that happen. ~ Sandra Brennan, All Movie Guide
- Starring:
- Mamie van Doren, Anthony Eisley, (more)
- 1965
This exploitation crime drama offers a fictionalized account of John Dillinger just before he became known as one of the most ruthless mobsters of the 1930s. The tale begins as Dillinger and his girlfriend try to rob her daddy's safe and get caught red-handed. Dillinger takes the fall and goes to the joint where he encounters some of America's most infamous gangsters including Pretty Boy Floyd and Baby Face Nelson. Dillinger helps them all escape and together they become some of the most fearsome criminals ever. Because he is considered Public Enemy No. 1, Dillinger decides to undergo a total face transformation. Following the operation, he kills the surgeon, who was trying to force himself on Dillinger's moll. Later, he wrongs her and this ultimately leads to tragedy for him and for her. Keep an eye out for background people dressed in 1960s clothing, quite an anomaly for a film set in the '30s. ~ Sandra Brennan, All Movie Guide
- Starring:
- Nick Adams, Robert Conrad, (more)
- 1964
Lust and corruption destroy the career of a prominent senator in this super-sleazy political drama. He is involved with at least three different women, one of whom he inadvertently impregnates during a big party. Another of the senator's women takes the girl to a back-alley abortionist who violates the poor woman. Eventually the Senator asks one of the women to marry him, but later as he is watching a skin-flick he realizes that his beloved is the star and he drops dead from heart failure. ~ Sandra Brennan, All Movie Guide
Kelly (Constance Towers), a prostitute who wants to transform her life, beats up her pimp, takes the 75 dollars he owes her, and leaves town. Winding up in the small town of Grantville, she turns a trick with Griff (Anthony Eisley), who is actually the sheriff. After paying her for sex, Griff tells Kelly that Grantville is a clean town and orders her out, though he refers her to a brothel in a neighboring city. Instead, Kelly makes a final break with her past and becomes a nurse's aide at the local children's hospital. In that capacity, she meets Grant (Michael Dante), who is a benefactor of the hospital, a descendant of the town's founder -- and Griff's best friend. As Grant and Kelly fall in love, Griff viciously accuses Kelly of using her hospital job to hide ongoing illicit activities. When Kelly tells Grant about her past, he seems to accept her without reservation and proposes marriage; however, Kelly soon learns the perverse truth about her fiancée and takes matters into her own hands. Samuel Fuller's raw film noir exposes the hypocrisy of a supposedly proper society. Beneath the veneer of respectability lies an exploitive abuse of power, no different from that of any pimp. ~ Steve Press, All Movie Guide
- Starring:
- Constance Towers, Anthony Eisley, (more)
- 1964
In this crime drama, a bored, but seductive wife of a wealthy old ranch goes cruising for trouble and finds it when she picks up a hapless hitchhiker who soon falls under her sexy spell. Like a fly to a spider's web, he is drawn to her bedroom. Unfortunately, the old rancher sees him leaving and flies into a rage, killing his cheating wife. The crooked county sheriff is delighted by the events as he can now begin blackmailing the rancher. To cover for the crime, he arrests the poor drifter who doesn't even know the woman is dead. In the end, the rancher kills the sheriff and confesses all. ~ Sandra Brennan, All Movie Guide
- Starring:
- John Derek, Aldo Ray, (more)
- 1963
Science goes too far as one of the greatest villains of the 20th century makes a last stand in South America in this crackpot thriller. After government scientists develop a new and virulent variety of nerve gas, Professor John Coleman (John Holland) sets out to create an antidote until he mysteriously disappears. Coleman's daughter Kathy (Audrey Caire) and her husband, Phil Day (Walter Stocker), who works in U.S. intelligence, begin to suspect foul play; they're approached by a man named Teo (Carlos Rivas) who is trying to tell them about the professor and a strange place called Mandoras when he's suddenly shot to death. With no other clues to follow, Kathy and Phil travel to the tiny Latin American nation of Mandoras, where Kathy happens to meet her hepcat sister, Suzanne (Dani Lynn), at a nightclub. Suzanne tells Kathy and Phil that she and the professor had been kidnapped, and when they're introduced to Teo's brother Camino (also played by Rivas), they learn of a bizarre plot. According to Camino, scientists in a secret lab on Mandoras have kept the disembodied head of Adolf Hitler (Bill Freed) alive in a jar, and under the orders of "Mr. H" they're engaged in a deadly scheme to take over the world and resurrect the Third Reich. The film Madmen of Mandoras received a brief theatrical release in 1963; later, when it was sold to television, the movie (running a brief 74 minutes) was padded with additional sequences, reported shot by a group of film students, that feature a completely different cast and don't at all resemble the shadowy visual style of the original movie. The strange variant television cut of the film gained a cult following under its title, They Saved Hitler's Brain. ~ Mark Deming, All Movie Guide
- Starring:
- Walter Stocker, Audrey Caire, (more)
Shock Corridor represents filmmaker Samuel Fuller at his most excessive, but few would have it otherwise. Peter Breck plays a ruthless journalist who believes that the quickest way to a Pulitzer Prize is to uncover the facts behind a murder at a mental hospital. To glean first-hand information, Breck pretends to go insane and is locked up in the institution. While pursuing his investigation, Breck is sidetracked by the loopy behavior of his fellow inmates. During a hospital riot, Breck is straightjacketed and subjected to shock treatment. By now almost as crazy as he's previously pretended to be, Breck begins imagining that his exotic-dancer girlfriend Constance Towers (a Samuel Fuller "regular") is actually his sister! Typical of the Fuller ouevre, the characters in Shock Corridor are either saved or destroyed by their individual obsessions. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Breck, Constance Towers, (more)
- 1961
This third film version of the lachrymose Fannie Hurst novel Back Street stars Susan Hayward as Rae Smith the role previously essayed by Irene Dunne (in 1932) and Margaret Sullavan (in 1941). In both earlier films, Rae Smith sacrifices 28 years of her life to her married lover, who can never get a divorce and who compels Rae to squirrel herself away in a shabby back-street apartment. In contrast, Susan Hayward's Rae Smith is a fiercely independent fashion designer, whose fidelity to the very married John Gavin doesn't retard her livelihood in the least. Vera Miles makes a meal of her supporting role as Gavin's shrewish, alcoholic wife. Though cinematographer Stanley Cortez does his utmost, he can't completely hide the fact that Hayward is at least ten years older than her costars, making her seem more of a doting aunt than the "other woman" (the film might have been more effective had Hayward and Miles switched roles). Its plot inconsistencies and logic lapses notwithstanding, Back Street proved to be another hit for producer Ross Hunter. ~ Hal Erickson, All Movie Guide
- Starring:
- Susan Hayward, John Gavin, (more)
Slipping along an ill-defined track between seriousness, subtle farce, and all-out slapstick, this sci-fi comedy-drama by director Irvin S. Yeaworth, Jr. (The Blob, 1958) would be entertaining enough for the moppet set and highly amusing in many spots for adults as well. What sets the ball rolling is that a tyrannosaurus rex, a brontosaurus, and a neolithic man are brought back to life from their prehistoric world. As desperate leaders of the modern world try their best to kill off the carnivorous tyrannosaurus rex, the caveman is receiving high-voltage culture shock from the "civilization" he encounters all around him. One sequence has him coming face to face with a woman in full make-up -- and both go screaming off in terror. Gregg Martell is the confused Neanderthal, Julio (Alan Roberts) is a boy who tries to make friends with the brontosaurus, and Mike Hacker (Fred Engelberg) is the requisite villain. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Ward Ramsey, Paul Lukather, (more)
- 1959
A somewhat wooden rendition of an improbable western, this tale of Basques crossing the U.S. in 1847 with a load of grapevines has stock characters in slightly different guises. Susan Hayward is Gabrielle, a member of the Basque party who inexplicably speaks with a French accent (Basques speak their own unique language, and secondarily either Spanish or French.) She and her husband Andres (Carl Esmond), along with the others, are hoping to start a wine-growing industry on the West coast. Jeff Chandler is Lon Bennett, the lascivious-minded guide of the wagon train who openly chases after Gabrielle. Even after Gabrielle's husband is accidentally killed and she is married off, by custom, to his younger brother, Bennett does not relinquish his ardor. Their problematical relationship continues as several adventures befall the group, including the requisite battle with Native Americans. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Susan Hayward, Jeff Chandler, (more)
- 1959
A low-budget, tawdry police yarn with the world of prostitution and gangsters thrown in, Vice Raid features Mamie Van Doren as Carol Hudson, a Motor City hooker. The bosses of the prostitution racket have Hudson go to New York City to entrap a police officer and get him thrown off the force. She does as she is told and then the gangsters make a mistake -- they abuse her younger sister. Angered to the core, Hudson decides to team up with the cop she helped frame and put the mobsters behind bars. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Mamie van Doren, Richard Coogan, (more)
The United States space program reports that its missing, overdue manned Mars probe has returned to Earth orbit, but that they haven't been able to make radio contact with it. When it is brought down by remote control, they find three of the four crewmembers aboard: one of them, Professor Gettell (Les Tremayne), is dead; another, mission commander Colonel Tom O'Bannion (Gerald Mohr), is in a coma and suffering from some kind of alien infection; and the third, exo-biologist Iris Ryan (Nora Hayden), is in a state of shock. The ship's tape library seems to have been wiped clean of any record of what took place on the mission, and the doctors can't begin to save O'Bannion until they know what happened. In desperation, they decide to put Iris Ryan into a state of hypnosis, forcing her to recall the events of the mission. The bulk of the film is an un-narrated flashback in which we see the voyage to Mars and the quartet of explorers -- rounded out by technician Sam Jacobs (Jack Kruschen) -- proceeding successfully to a landing. As they draw closer to signs of intelligent life, however, the group also encounters increasingly dangerous creatures, including a man-eating plant, a giant bat-rat-spider, and a huge amoeba-like creature that consumes anything in its path. Sam is killed in an encounter with one of these menaces and O'Bannion is infected with an alien microbe, even as the ship is held fast by a powerful magnetic force. Gettell figures out a way to launch, at the cost of his own life, and Iris is left alone with the stricken O'Bannion on the journey back to Earth. The film concludes as the scientists find the one piece of information left on the ship's tapes, a warning from the Martians that the primitive, war-like people from Earth may not visit the planet again, except at risk to their lives. One of a relative handful of 1950s sci-fi films done in color, The Angry Red Planet did its rivals one better with the use of a special effects process called "Cinemagic," which gave the entire screen a deep red tint but also created the illusion of dimensionality (i.e. 3-D, sort of), and made the monsters look particularly eerie. The mixture of better-than-usual special effects, coupled with more than competent acting (Mohr, Tremayne, and Kruschen were veterans of mainstream films and television) helps make this one of the more entertaining space-flight stories of its period, though not quite in a league with It! The Terror From Beyond Space for sheer suspense. ~ Bruce Eder, All Movie Guide
- Starring:
- Gerald Mohr, Les Tremayne, (more)
When Alistair Cooke shows up to introduce Three Faces of Eve, we know that the fact-based story will bear more than a little fidelity to truth. Joanne Woodward won an Academy Award for her portrayal of Eve, a young Georgia housewife suffering from multiple personalities. Eve's husband (David Wayne), confused by his wife's aberrant behavior when assuming her two "other selves," seeks out help from a psychiatrist (Lee J. Cobb). Carefully probing Eve's subconscious via hypnosis, the doctor finds out that, though each of Eve's personalities is aware of the other's existence, none are related. After months of therapy, Eve is purged of her negative selves and is totally cured. Ironically, Joanne Woodward would herself play a psychologist confronted with a multiple-personality case in the Emmy-winning 1976 TV movie Sybil. ~ Hal Erickson, All Movie Guide
- Starring:
- Joanne Woodward, David Wayne, (more)
- 1957
When an Army general is appointed to the sensitive diplomatic post that the powerful publisher of a prominent news magazine had hoped would go to a particularly qualified civilian, she launches a vitriolic campaign to discredit the general. First the publisher orders one of her cameraman to snap a few incriminating photographs of the general. In order to get them, she invites the general out for a night on the town. No matter how hard she tries to get him drunk, the general remains sober. Unfortunately, she ends up quiet tipsy and falls in a pool where she nearly drowns until the general rescues her. The sodden but grateful publisher kisses him and it is at that point that they realize that animosity is rapidly turning to love, at least for her. When she discovers that her newborn love is fated to remain unrequited because of things from the general's past, the jealous publisher pens a poisonous article about him. This creates all kinds comical obstacles and further misunderstandings. ~ Sandra Brennan, All Movie Guide
- Starring:
- Susan Hayward, Kirk Douglas, (more)
- 1956
The dramatic weight of Man From Del Rio rests securely on the broad shoulders of star Anthony Quinn. Cast as an indigent Mexican gunslinger, Quinn is asked by an old pal to clean up an outlaw-ridden western town. Knowing that his reputation is exaggerated, Quinn relies on braggadocio and bluff to keep the villains at bay. But when he is appointed town sheriff, it is "put up or shut up" time. Katy Jurado, who'd become "typed" as a western actress since High Noon, costars as Quinn's would-be lover. Man From Del Rio offers little that hasn't been seen before, but Anthony Quinn keeps things moving at a fast and exciting clip. ~ Hal Erickson, All Movie Guide
- Starring:
- Anthony Quinn, Katy Jurado, (more)
Adapted by James Agee from a novel by Davis Grubb, The Night of the Hunter represented legendary actor Charles Laughton's only film directing effort. Combining stark realism with Germanic expressionism, the movie is a brilliant good-and-evil parable, with "good" represented by a couple of farm kids and a pious old lady, and "evil" literally in the hands of a posturing psychopath. Imprisoned with thief Ben Harper (Peter Graves), phony preacher Harry Powell (Robert Mitchum) learns that Ben has hidden a huge sum of money somewhere near his home. Upon his release, the murderously misogynistic Powell insinuates himself into Ben's home, eventually marrying his widow Willa (Shelley Winters). Eventually all that stands between Powell and the money are Ben's son (Billy Chapin) and daughter (Sally Jane Bruce), who take refuge in a home for abandoned children presided over by the indomitable, scripture-quoting Rachel Cooper (Lillian Gish). The war of wills between Mitchum and Gish is the heart of the film's final third, a masterful blend of horror and lyricism. Laughton's tight, disciplined direction is superb -- and all the more impressive when one realizes that he intensely disliked all child actors. The music by Walter Schumann and the cinematography of Stanley Cortez are every bit as brilliant as the contributions by Laughton and Agee. Overlooked on its first release, The Night of the Hunter is now regarded as a classic. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Mitchum, Shelley Winters, (more)
- 1954
On the eve of his execution, killer Edward G. Robinson busts out of prison with the help of his girlfriend (Jean Parker) and a crook posing as a reporter (Warren Stevens). Robinson takes along five hostages, including the daughter of the murdered head guard (Sylvia Findley), a real reporter (Jack Kelly), and a priest (Milburn Stone). Escaping with Robinson is a murderous bank robber (Peter Graves), who is wounded while evading the law. The bleeding robber heads for the safety deposit box where he keeps his ill-gotten gains, allowing the Law to follow the trail of blood to Robinson's hideout. Robinson threatens to kill his hostages if he's not given safe passage, then murders the priest just to prove his point. Appalled at this action, the bank robber kills Robinson, allows the surviving hostages to escape, and gives himself up. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Peter Graves, (more)
- 1954
In this vintage sci-fi adventure, a team of scientists is studying meteors and is baffled by how and why they are often destroyed when they enter the Earth's atmosphere. In a desire to better understand this process, three astronauts with a background in research -- Richard Stanton (William Lundigan), Jerry Lockwood (Richard Carlson), and Walter Gordon (Robert Karnes) -- are sent into space in a specially designed spaceship to capture a meteor and bring it back safe and sound. Richard Carlson, who played Lockwood, also directed Riders to the Stars; noted sci-fi scribe Curt Siodmak wrote the screenplay. ~ Mark Deming, All Movie Guide
- Starring:
- William Lundigan, Herbert Marshall, (more)
- 1954
Completed in 1953, Dragon's Gold was released by United Artists early the following year. John Archer (the father of present-day leading lady Anne Archer) stars as an insurance investigator, sent to China to locate a missing client. The official story is that the client stole $7 million from his employer, but Archer smells a rat. His olfactory senses are right on target: The supposed theft was actually a smokescreen, contrived by a Red Chinese general (Noel Cravath). Also intimately involved in the intrigue is Hillary Brooke, playing straight once more after several years' worth of TV work on The Abbott and Costello Show and My Little Margie. ~ Hal Erickson, All Movie Guide
- Starring:
- John Archer, Hillary Brooke, (more)
