Madge Brindley Movies

The British television series Til Death Do Us Part was the forerunner to the American TV hit All in the Family. The original series' Archie Bunker was Alf Garnett, a bigoted, profane cockney played by Warren Mitchell. The "Edith" was the dimwitted Else, portrayed by Dandy Nichols. The British series' catchphrase was not "Stifle yerself, dingbat" but instead "You silly moo!" Eschewing the heavy-handed social commentary indulged in by All in the Family producer Norman Lear, Til Death Do Us Part existed principally to invoke loud (and sometime embarrassed) gusts of laughter. Several feature films were spun off from the property: the first of these, Alf 'N' Family flashed back to Alf and Else's marriage, skipped ahead to the wedding of the Garrett's daughter Rita (Una Stubbs) to unwashed hippie Mike (Anthony Booth), and concluded with the family's move from their crowded flat to a home in the suburbs. Alf 'N' Family was scripted by Til Death Do Us Part creator Johnny Speight. ~ Hal Erickson, All Movie Guide

The original 1958 BBC television production of the last of Nigel Kneale's classic Quatermass scripts -- which is best known in association with the 1967 Hammer Films adaptation by Roy Ward Baker -- runs circles around the feature-film version. As with the other Quatermass serials, Kneale's original script goes a lot deeper into meanings, motivations, and consequences of the events depicted, as well as characterization and plot developments. That's understandable, as the producers had six episodes running over 30 minutes each in which to work, instead of the 98-minute running time of the movie. The result is a storyline in which the mystery is developed as much as the horror and science-fiction elements, and is worthy of Sherlock Holmes, one might add. An excavation for a London subway turns up mysterious skeletons, that are almost -- but not quite -- human. An investigation by Dr. Roney (Cec Linder), a paleontologist, reveals that these creatures had abnormally large brain cavities, much larger than was the norm for any known prehistoric proto-human species. There are other specimens as well, large insect-like creatures, and all were clustered around what seems to be a spacecraft buried at the same time as these skeletons, possibly as long as five million years. The unearthing of the space vehicle brings into the case England's greatest rocket expert, Professor Benard Quatermass (Andre Morell), who comes to believe from the evidence that the vehicle is from Mars, as were the insect-like beings. Even as Quatermass and Roney continue to investigate, they run up against resistance from government officials eager to avoid a panic, and from Quatermass' new superior, Colonel Breen (Anthony Bushell), a weapons expert who doesn't trust intellectuals or idealistic scientists, and wants to believe that the spaceship was part of a World War II Nazi hoax intended to raise hysteria among the public. Meanwhile, hysteria seems called for, as strange and potentially deadly manifestations of telekinetic power and other paranormal phenomenon start to overtake workers at the site of the excavation. Quatermass and Roney are convinced that some potentially catastrophic forces are being tampered with, but no one in the government will listen to them until it is too late, and all hell, literally, starts to break loose. ~ Bruce Eder, All Movie Guide

This British drama is a soft-pedalled paean to the nursing profession. The story takes place in a large hospital, where several aspiring nurses receive their training. Special attention is paid to novice nurse Pat (Delphi Lawrence), who is more concerned with landing a wealthy husband than ministering to the sick, and fellow trainee Susan (Belinda Lee), who is torn between marrying her doctor-lover or continuing her studies. Mandy Miller, one of Britain's best child performers, is effectively cast as a dying heart patient. The Feminine Touch is based on a novel by Sheila MacKay Russell. ~ Hal Erickson, All Movie Guide

A "Hobson's Choice," as any slang expert will tell you, is no choice at all. In this 1953 filmization of Harold Brighouse's 1915 play Hobson's Choice, hero John Mills finds after several reels of evidence to the contrary that he does have a choice over how he'll conduct his life after all. Mills is the assistant to domineering boot-shop owner Charles Laughton, who lords it over his employees and three daughters by day, then tumbles through the streets on many a drunken evening. Laughton's "old-maid" daughter Brenda DeBanzie breaks free of her father's tyranny, marries Mills, and together with her new husband sets up a rival boot shop when Laughton refuses her a dowry. Father rants and raves, but finally agrees to a merger with his daughter that will assure Mills a large measure of freedom over managing things. The winner of the British Film Institute "Best Film" award of 1954, Hobson's Choice chalked up another international success for director David Lean. ~ Hal Erickson, All Movie Guide

The Spider and the Fly is set in Paris during the cloud-cuckoo days before WW I. The storyline intertwines the destinies of three people. Guy Rolfe plays Phillipe de Ledocq, a resourceful safecracker who always manages to elude arrest. Eric Portman is cast as police-chief Maubert, who will not rest until Ledocq is behind bars. And Nadia Gray is Madeleine, the woman beloved by both Ledocq and Maubert. Just as Maubert has managed to capture his man, Ledocq is released at the behest of the government, who wants him to steal secrets from the German embassy revealing the whereabouts of the Kaiser's secret agents. And just how does Madeleine figure into all of this? Spider and the Fly is a diverting precursor to the 1960s TV series It Takes a Thief. ~ Hal Erickson, All Movie Guide

Firmly in the fantasy groove previously plowed by such films as The Canterville Ghost and The Time of Their Lives is the 1947 British comedy The Ghosts of Berkeley Square. Robert Morley and Felix Aylmer play a pair of fatuous Colonel Blimp military types, whose efforts to shorten the war results only in getting the both of them killed. Summoned to a Heavenly court, Morley and Aylmer incur the wrath of Queen Anne. She orders them to haunt a mansion until they can prove themselves worthy of entering the Pearly Gates. For a film that practically no one has ever heard of, Ghosts of Berkeley Square is an embarrassment of riches in the casting department: among the British favorites appearing in the film are Martita Hunt, A.E. Mathews, James Hayter, Ernst Thesiger, and Wilfred Hyde-White. The film was based on the novel No Nightingales by Caryl Brahms and S.J. Simon. ~ Hal Erickson, All Movie Guide