Robin Copping Movies

An introverted girl who yearns for popularity (Kristy McNichol) attends a pirate festival in her seaside community, featuring a swordplay demo led by a curly haired hunk (Christopher Atkins). After selecting Mabel (McNichol) to participate in the act, the instructor invites her aboard his boat for a real ride on the high seas -- at which point a gaggle of her catty acquaintances latches on for the trip. Sent to get hamburgers for the outing, Mabel is "accidentally" left behind when one of her "friends" pulls the anchor prematurely. Determined not only to fit in, but to track down her dream guy, Mabel steers a tiny sailboat into stormy waters in pursuit, and gets shipwrecked. Thus begins a fantasy in which the unconscious Mabel imagines herself in a real pirate adventure, complete with her dashing pirate hero, a legion of his crusty shipmates, and dozens of unwed sisters who must rise to the altar before she can. The fantasy mixes film parodies, love songs, animation, and the score of Gilbert & Sullivan's The Pirates of Penzance. The story also loosely follows the structure of said operetta. ~ Derek Armstrong, All Movie Guide

Several female hitchhikers have been murdered in a small Australian seacoast community. The principal suspects are brothers Robert and Mark Gifford (George Mallaby and John Waters). One is an apparently helpless paraplegic, but this doesn't necessarily mean that the filmmakers are going to cop out with the "least likely suspect" revelation. We do know, however, that each brother is covering up for the other. Director/writer Tim Burstall imbues this filming of Russell Braddon'snovel Endplay with his expected healthy vulgarity and leering voyeurism. ~ Hal Erickson, All Movie Guide

This comedy follows the exploits of Tony Petersen (Jack Thompson), a mature married man with two children who decides to go back to school for an undergraduate degree. Tony has one problem, which he probably feels is only a minor complication: he is like catnip for women. Luckily for him, he likes them back. Luckier still, his wife understands this. When things on the campus get dicey for a young woman, the incredible social skills of Petersen enable him to save the day. ~ Clarke Fountain, All Movie Guide

Four Australian directors explore different angles of the title topic in this generally downbeat anthology. In "The Husband" a husband increases his arousal during lovemaking by imagining his wife in different sexual liaisons without realizing that his fantasy may based on fact. The second vignette "The Child" centers on the resentful son of a widow who is having an affair with another. While his mother is off galavanting with her new love, the boy is left in the care of a governess whom he grows to love. The poor boy begins to fear that his new friend will be fired as soon as his mother returns and so goes off on a walk to sort out his feelings. He wanders into a field and it is there he sees his governess making love to his mother's boyfriend. This causes the emotionally fragile lad to shatter and blindly run towards the river where he crazily hops into a boat and begins rowing into the current. The lover, wanting to save the child from harm dives in and tragedy ensues. In "The Priest," a priest wrestles with his love for a nun. Though they want to marry, the nun forces them to leave their orders in the correct way. It is a way filled with red-tape and takes so long that the relationship withers and they remain in their vocations. The final segment "The Family Man" deals with a slob of a husband who decides to celebrate the birth of his third child by having a little fling while his wife recuperates in hospital. He enlists the aid of a buddy and together they get drunk, pick up two floozies and head to his beachhouse. When the gals learn about his wife, they stomp out of the house. Time passes and the husband brings his family to the house for vacation. Much to his horror he finds that the two women have placed a large incriminating sign upon it leaving him to try to explain it all to his wife. ~ Sandra Brennan, All Movie Guide

Australian Mark McManus thinks that his relationship with girlfriend Jeannie Drynan is fairly solid. Indeed it is-until mutual friend David Turnbull spills the beans to McManus' wife Eileen Chapman. The resulting emotional turmoil makes McManus realize that he's more in love with Drynan than ever. As for Turnbull, he gets beaten up for his troubles. Director Tim Burstall cowrote the verbose screenplay of 2000 Weeks with the film's producer, Patrick Ryan. ~ Hal Erickson, All Movie Guide