David Copping Movies

Based on a novel by David Morrell, the made-for-TV Brotherhood of the Rose is unabashedly old-fashioned escapist espionage fare. Peter Strauss and David Morse play polar-opposite CIA agents, code names Romulus and Remus. Their superior-and father figure-is crusty CIA official Robert Mitchum. Though Romulus and Remus are devoted to Mitchum, he is only concerned with the greater good of the service-a philosophy that has become despotic over the years. Now Mitchum has determined that Romulus is expendable. Escaping from CIA assassins, Romulus and Remus stumble into a vast rule-the-world conspiracy called The Brotherhood of the Rose. Filmed in New Zealand, this was originally a long miniseries broadcast in two parts, on January 22 and 23, 1989 - and then edited down to feature length. ~ Hal Erickson, All Movie Guide

This well-made Australian blend of Jaws and Alligator is a tense, action-packed thriller involving a monstrous crocodile, a tough ranger (John Jarratt), and a team of aborigines who worship the monster as the god "Numunwari." This leads to lots of gory clashes with the reptile, interwoven with some interesting tribal lore surrounding the legendary croc and a subplot involving a psychic connection between the beast and one of the aborigines. The climactic battle puts a sympathetic spin on the plight of Numunwari, believed to be the last of his kind -- but his unpleasant habit of snapping people in half makes it a bit difficult to muster up enough empathy for the monster. Based on a novel by Grahame Webb. ~ Cavett Binion, All Movie Guide

This patchy, uneven combination of fantasy and musical comedy is hilarious in parts and embarrassing in others, though the premise has great potential in itself -- a screwball Captain Invincible is out to save the world from his nemesis, Mr. Midnight, the white supremacist. Captain Invincible (Alan Arkin) is wallowing in his cups in the Australian outback when he receives an unusual call from the American President asking for his help. Unusual because the Captain had no choice but to go into exile after Joseph McCarthy's Un-American Activities Committee became suspicious of his red cape, and he has never been sober enough to recover from the shock. This history is given in a mock newsreel at the beginning of the film. But now Mr. Midnight is threatening to dismember New York City by convincing all the ethnic groups to live along the seashore. Once they are situated on beachfront property, he will blast out a crack in the earth behind them, cut their connection to the mainland, and send them drifting off into the Atlantic. It seems the dastardly Midnight has stolen the ultra-secret hypno-ray and can slice off New Jersey whenever he wants. Weakened by depression and alcohol, Captain Invincible is nursed back to full throttle by Patty Patria (Kate Fitzpatrick) and is soon ready to zoom over Sydney to the far side of the globe -- after practicing in harness in front of rear-projected scenes. Meanwhile, Mr. Midnight and his sidekick are all set to defend their turf, and their ability to slice it up -- though the (American) patriotic sentimentality that prevails in the end, after several other songs have come and gone, is summarized in a rendition of "God Bless America" that conflicts with the opening scenes and may leave foreign audiences cold. ~ Eleanor Mannikka, All Movie Guide

Director Bruce Beresford continued his tradition of putting socially disenfranchised characters front and center with this wryly observant comedy drama about middle class Australian teens that served as a stark contrast to the popular American teen films of its day. Friends from the Sydney suburb of Cronulla, Debbie (Nell Schofield) and Sue (Jad Capelja) are a pair of average schoolgirls who smoke, drink, have sex, and cheat on exams. The girls are also striving to become "surfie chicks," the groupies that hang around the surfer boy gangs of southern Sydney, pairing off with the objects of their affection. Adhering to odd rules that prevent them from eating or going to the bathroom in the surfers' presence, the girls get into trouble for their wild behavior, with Debbie eventually fearing that she's pregnant, leading to a fatal overdose of heroin for her boyfriend Garry (Geoff Rhoe). Ultimately, Debbie and Sue become disillusioned with the sexism and narrow-mindedness of their crowd. Puberty Blues (1981) was based on the book of the same name by Kathy Lette and Gabrielle Carey, a pair of real-life Sydney teens who wrote newspaper articles under the pseudonym "The Salami Sisters." ~ Karl Williams, All Movie Guide

Despite its title, The Earthling is not a science fiction opus. Instead, it's a low-key character study about a doomed man who finds a new lease on life by helping another lost soul. Suffering from terminal cancer, Patrick Foley (William Holden) returns to his native Australia. Intending to live out his last few months alone, Foley comes out of his shell long enough to teach impressionable young orphan Shawn Daley (Ricky Schroder) a few Bush Country survival skills. Ironically, director Peter Collinson was himself a cancer victim, who died shortly after the film's completion. The Earthling works best on a kiddie-matinee level, with Holden's performance and the gorgeous photography its chief assets. ~ Hal Erickson, All Movie Guide

Breaker Morant is one of the most acclaimed Australian films, telling a powerful tale of wartime betrayal and injustice. Henry "Breaker" Morant (Edward Woodward) is an Englishman living in Australia at the end of the 19th century. When war breaks out in 1899 between Britain and the Boers (descendants of Dutch colonists), Morant and a number of Australians volunteer for duty and are absorbed into the non-regular units of the British army. Acting under orders from his commanders, Morant oversees the execution of several Boer prisoners; it turns out that one of them was German, and in order to keep the peace with Germany, Britain agrees to courtmartial Morant and two other soldiers, sentencing two to death and one to life imprisonment. Based on a play by Kenneth Ross, Bruce Beresford's film is powerfully filmed and acted and has become a classic anti-war movie since its 1980 release; the script (co-written by Beresford) was nominated for an Academy Award. The final execution scene is nearly overpowering in its sense of tragedy and futility. ~ Don Kaye, All Movie Guide

Based on a novel by Colin Theile, the Australian Blue Fin stars Hardy Kruger as a taciturn tuna boat captain. Kruger's son, played by Greg Rowe, can't do anything to please his demanding dad. Hoping to prove his worth, Rowe puts his life-and sometimes other lives-on the line. A big box-office hit in Australia, Blue Fin failed to make a dent in the US. Perhaps it would have fared better had it been released after the internationally popular Aussie film Man From Snowy River. ~ Hal Erickson, All Movie Guide

This easygoing drama offers a look back at the early days of the Australian movie business, and it was based on the real-life adventures of pioneering Aussie exhibitor Lyle Penn. Maurice "Pop" Pym (John Meillon) loves motion pictures, and he wants to open a cinema of his own. But shortly after the turn of the century, financial support for such a venture is hard to come by, so Pop does the next best thing; with his young son and a piano player in tow, Pop carts his collection of silent films and a portable projection system from one small town to another across the continent, showing his pictures wherever and whenever he can. However, Pop quickly learns that he already has a rival; Mr. Palmer (Rod Taylor) has decided to go into the movie business as well, and with deeper pockets, he's able to afford better equipment than Pop's shoestring budget can provide. Ironically, Rod Taylor plays a character who was born in Texas but emigrated to Australia; Taylor was in fact born in Australia and became a film star when he moved to the U.S. ~ Mark Deming, All Movie Guide

Based on a children's novel by Ivan Southall, this sentimental story is an account of a boy stricken with polio during World War I. ~ Jason Ankeny, All Movie Guide

Peter Weir's haunting and evocative mystery is set in the Australia of 1900, a mystical place where the British have attempted to impose their Christian culture with such tweedy refinements as a girls' boarding school. After gauzily-photographed, nicely underplayed scenes of the girls' budding sexuality being restrained in Victorian corsets, the uptight headmistress (Rachel Roberts) takes them on a Valentine's Day picnic into the countryside, and several of the girls, led by the lovely Miranda (Anne Lambert) decide to explore a nearby volcanic rock formation. It's a desolate, primitive, vaguely menacing place, where one can almost feel the presence of ancient pagan spirits. Something -- and there is an unspoken but palpable emphasis on the inherent carnality of the place -- draws four of the girls to explore the rock. Three never return. No one ever finds out why. The repercussions for the school are tragic, and of course Roberts reacts with near-crazed anger, but what really happened? Weir gives enough clues to suggest any number of explanations, both physical and supernatural. ~ Robert Firsching, All Movie Guide