Alec Coppel Movies

David Niven is Alex, a scholar who has won the Nobel Prize for developing a universal language. The U.S. State Department has decided to honor him with a statue, to be displayed in London's Grosvenor Square. The commission for the project went to Alex's wife Rhonda (Virna Lisi), who has designed a statue that is completely nude, without even a fig leaf. Husband Alex sees that is it a perfect replica of himself, except for the part usually covered by fig leaves. He accuses his wife of using one of her lovers as a model and begins a hilarious search for the original. Robert Vaughn has some good lines as the American Ambassador, discussing the couple's controversy with the President. ~ Clarke Fountain, Rovi

Mervyn LeRoy, one of the best-known directors of Hollywood's Golden Age, wrapped up his career behind the camera with this suspense drama. Kay Stanton (Jean Seberg) is the wife of well-known psychiatrist Neil Stanton (Arthur Hill). Neil's international reputation often keeps him on the road lecturing at medical conferences, leaving Kay alone at home. Bored and craving attention, Kay becomes involved with a handsome Naval officer named Mark Dominic (Sean Garrison), but the affair is often rocky, and one day, in the midst of an argument, Kay accidentally shoots Mark. Convinced that Mark is dead, Kay panics and calls her friend Daphne (Honor Blackman). With Daphne's help, Kay drags Mark's body to a car, and they drive to a deep ravine, where they toss the body in. Shortly afterward, Kay calls the police to report that a dead body is in the ravine, without giving her name. But they learn that the body was not found; as it turns out, Mark was only wounded in the shooting, and he now waits in a hospital ward, recovering from his wounds and suffering from amnesia. Moment to Moment was made at a time when leading lady Jean Seberg was getting most of her work in European films; she wasn't to make a picture for a U.S. studio for another three years. ~ Mark Deming, Rovi

This is a typical costume drama and adventure story with plenty of fencing, and swash and buckle but not much ingenuity. Based on a story by Anthony Marshall, a swordsman by the name of Thomas Stanwood (Stewart Granger) finds himself fending off a multitude of attackers before he is captured and realizes he was defending himself against the very duke, Don Carlos (Riccardo Garrone), that he is supposed to be helping. The Duke overlooks the mistake and puts Thomas to guard his intended spouse, Orietta Arconti (Sylvia Koscina). She is a cold, arrogant woman who immediately antagonizes Thomas -- until he begins to realize a few things. Orietta's father was killed by the Duke when he took over their city, so how could she really be on the side of Don Carlos? As certain as night follows day, Thomas and Orietta are going to make an unbeatable pair when it comes to righting the wrongs of the past. ~ Eleanor Mannikka, Rovi

Any murder mystery featuring a pigeon named Herman can be trusted to offer more mirth than mayhem and that is the case with this upbeat film by director George Marshall. Glenn Ford stars as Elliott Nash, a television playwright married to Nell (Debbie Reynolds), a successful Broadway thespian. Nell had an ignominious moment in her past when she posed for some photos best left in obscurity and now Elliott is being blackmailed by the owner of the photos. Elliot's solution is to carry out a carefully executed murder and then bury the body underneath a gazebo being constructed in the backyard. Although the dastardly deed goes off without a hitch, the body of the blackmailer turns up elsewhere, leaving Elliott to track down who it was he buried under the gazebo. ~ Eleanor Mannikka, Rovi

Dismissed when first released, later heralded as one of director Alfred Hitchcock's finest films (and, according to Hitchcock, his most personal one), this adaptation of the French novel D'entre les morts weaves an intricate web of obsession and deceit. It opens as Scottie Ferguson (James Stewart) realizes he has vertigo, a condition resulting in a fear of heights, when a police officer is killed trying to rescue him from falling off a building. Scottie then retires from his position as a private investigator, only to be lured into another case by his old college friend, Gavin Elster (Tom Helmore). Elster's wife, Madeleine (Kim Novak), has been possessed by a spirit, and Elster wants Scottie to follow her. He hesitantly agrees, and thus begins the film's wordless montage as Scottie follows the beautiful yet enigmatic Madeleine through 1950s San Francisco (accompanied by Bernard Herrmann's hypnotic score). After saving her from suicide, Scottie begins to fall in love with her, and she appears to feel the same way. Here tragedy strikes, and each twist in the movie's second half changes our preconceptions about the characters and events. In 1996 a new print of Vertigo was released, restoring the original grandeur of the colors and the San Francisco backdrop, as well as digitally enhancing the soundtrack. ~ Dylan Wilcox, Rovi

Previously filmed as a theatrical feature in 1939, Alec Coppel's semi-serious mystery play I Killed the Count was adapted 17 years later as Alfred Hitchcock Presents' only three-part episode. In part three, Inspector Davidson (John Williams) is no closer to solving the murder of Count Martoni than he was in parts one and two -- especially since no fewer than three people have come forward, confessing to the crime. Finally, Davidson is able to separate wheat from chaff and determine who is truly guilty...but he may be forced to free the miscreant on a legal technicality. ~ Hal Erickson, Rovi

Previously filmed as a theatrical feature in 1939, Alec Coppel's semi-serious mystery play I Killed the Count was adapted 17 years later as Alfred Hitchcock Presents' only three-part episode. In part one, London police inspector Davidson (John Williams) hopes to find out who killed the much-hated Count Martoni (John Hoyt). There seems to be no shortage of suspects, and when one of them steps forward to confess to the murder, Davidson is certain that the case is closed...but it isn't, not by a long shot. ~ Hal Erickson, Rovi

Alan Ladd once more journeyed to England to make a film for Columbia's British counterpart (Warwick Studios), and the result was the lively swashbuckler The Black Knight. Ladd plays John, a young swordmaker who aspires to join the Knights of the Round Table. Unfortunately, he is falsely accused of cowardice and banished from his community. Thanks to the secret tutelage of one of Arthur's knights, John is able to train himself in the art of combat, and soon reemerges as the vengeance-seeking Black Knight. In this guise, he is able to bring a group of traitors to justice, rout a band of invading Saracens, and rescue his lady love Linet (Patricia Medina) from certain doom. Anthony Bushell, who was soon to completely forsake acting in favor of producing and directing, costars as King Arthur, while the villains of the piece are essayed by Peter Cushing and future Dr. Who Patrick Troughton. ~ Hal Erickson, Rovi

In this bright British comedy, we meet Capt. Henry St. James (Alec Guinness) as he stands before a firing squad and then learn of the curious chain of events that brought him to his fate. Henry is a ship's captain ferrying a steamer between Gibraltar and North Africa on a regular basis, and he's taken the notion of "a girl in every port" to a whole new level; he has a wife on each side of the water. In Gibraltar, there's Maude (Celia Johnson), an even-tempered housewife who keeps the house tidy and has dinner ready when Henry likes it. In North Africa, mate number two is Nita (Yvonne DeCarlo), who is a sultry fun seeker who likes to hit the nightspots and dance 'till dawn. Between the two of them, Henry would seem to have the best of both worlds; Chief Officer Ricco (Charles Goldner) openly envies Henry's remarkable romantic situation. But things start to go sour when Maude suddenly decides she's a stick in the mud and wants to start living it up, while Nita becomes a homebody and begins learning to cook; Henry is none too happy about either development, and before long he finds he has no spouse on either shore. The Captain's Paradise was trimmed from 93 to 84 minutes for its initial United States release. ~ Mark Deming, Rovi

Radio personality Levis manages to stop a Buddhist art connoisseur from collecting a rare artifact in this comic thriller. ~ All Movie Guide

Mr. Denning (John Mills) is bedeviled by a blackmailer with whom his daughter Liz (Eileen Moore) has fallen in love. In a sudden fit of rage, Denning murders the scoundrel. Panicking, he drives northward with the corpse in the back seat, dumps the body in a lonely rural area, and carefully eliminates all traces of his involvement in the crime. To deflect the authorities, Denning places a highly distinctive ring on the body's finger, so that the dead man will be misidentified. A perfect crime? Well, it seems that Denning's new prospective son-in-law (Sam Wanamaker) is an American attorney with a very inquiring mind. ~ Hal Erickson, Rovi

Blacklisted in Hollywood, director Edward Dmytryk managed to find work in England. Dmytryk's Obsession is based on Alec Coppel's suspense play A Man About a Dog. Robert Newton stars as Dr. Clive Riordan, the insanely jealous husband of unfaithful Storm Riordan (Sally Gray). Aware that Storm is having a torrid affair with an American named Bill Kronin (Phil Brown), Riordan kidnaps the man and chains him up in a deserted building, intending to kill him with an acid bath. The wife's dog, however, turns up at the last minute and spoils his plot. Obsession was released in the U.S. as The Hidden Room. ~ Hal Erickson, Rovi

Radio personality Levis manages to stop a Buddhist art connoisseur from collecting a rare artifact in this comic thriller. ~ Rovi