Stewart Copeland Movies

This biographical documentary relays the fascinating life story of Thomas Maupin, a legendary buck dancer who culled a reputation as one of the most formidable "old-time" hoofers in America. In the film, Maupin{ speaks openly and candidly about the joys and trials of his experiences, not simply as a dancer, but as a father and instructor as well. As directed by Stewart Copeland, the documentary actually uses Maupin's life as a springboard into broader themes including the ability of music to help us rise above our circumstances, and its tendency to build and fortify relationships. ~ Nathan Southern, Rovi

An 18-year old rock & roll fan finds her crafty scheme to have a little fun in the sun with her favorite musician thwarted in this romantic teen comedy starring Amanda Bynes and Jamie-Lynn Sigler. Jenny (Bynes) is a wide-eyed teen who has recently been hired to work at a popular tropical resort for the summer. When Jenny learns that handsome rock star Jason (Chris Carmack) will be a guest at the posh resort, her excitement is simply too powerful to contain. Fortunately for Jenny, fate is on her side this summer, and when Jason falls overboard from his cruise ship Jenny reflexively dives in to save him. Upon rafting to the safety of a nearby shore, Jenny convinces the hunky rocker that the pair are castaways on a deserted island paradise. Of course, considering that the luxury resort is just a stone's throw away, this minor deception is a bit of a stretch, but what's a little white lie when the object of her affections is none the wiser? Jenny's brilliant plan for romance is soon complicated, however, when her romantic rival, Alexis (Sigler), washes ashore pretending to be shipwrecked as well. Now, as the pair competes for Jason's affections, Jenny's deception rapidly begins to unravel. ~ Jason Buchanan, Rovi

A young boy is sent on a remarkable odyssey as he flees a Communist prison camp in this historical drama, set in Eastern Europe in the early '50s. David (Ben Tibber) is a 12-year-old boy who was sentenced with his parents to a Bulgarian labor camp when they were found guilty of political subversion; he hasn't seen his folks in years, and looks to fellow inmate Johannes (Jim Caviezel) for protection and guidance. One day, David is able to escape, and as he flees, he is given a sealed envelope with strict instructions that he is to travel to Denmark, and he cannot open the letter until he gets there. David makes his way to Greece, stows away on an Italian ship, and is befriended by Maria (Viola Carinci), a girl he saves from a fire. Maria convinces her wealthy family to take David in, but when they become curious about his background, David realizes he's in danger and is soon on the run once again. In time, David makes friends with Sophie (Joan Plowright), a kind Swiss woman who gives him a home and is willing to help him complete his long journey. I Am David was adapted from the novel North to Freedom by Anne Holm, and represented a change of pace for director Paul Feig, best known for his work on such offbeat television comedies as Arrested Development and Freaks and Geeks. ~ Mark Deming, Rovi

This gang warfare drama is from director Scott Kalvert, whose previous film was the controversial and violent The Basketball Diaries (1995). In the sweltering summer of 1958, Leon (Stephen Dorff) and Bobby (Brad Renfro) are leaders of the Brooklyn street gang known as the Deuces. When their brother Alley Boy died from an overdose, the two toughs vowed to keep narcotics out of their turf, but now they're being muscled by a new and more powerful gang called the Vipers, fueled by drug money and led by mobster Fritzy Zennetti (Matt Dillon). As a vicious gang war heats up that will determine Brooklyn's future, a romance develops between Bobby and Annie (Fairuza Balk), the leader of a girl gang. Deuces Wild co-stars Frankie Muniz, Balthazar Getty, Max Perlich, Drea de Matteo, Deborah Harry, Vincent Pastore, Joshua Leonard, James Franco, and Johnny Knoxville. ~ Karl Williams, Rovi

In this romantic comedy, good friends change their feelings about each other over the course of their four years in college. Ryan (Freddie Prinze Jr.) and Jennifer (Claire Forlani) have known each other since grade school, though their oil-and-water personalities don't always mesh. Engineering student Ryan focuses on his studies and future career, while Jennifer likes loud music, partying, and not doing her homework. As they suffer their share of disastrous relationships, these two opposites begin to wonder if they were meant to be more than friends. The supporting cast includes Jason Biggs as Ryan's loudmouth roommate Hunter, Amanda Detmer as Jennifer's neurotic pal Amy, Alyson Hannigan as Ryan's sometime girlfriend Betty, and Heather Donahue, who is no worse for wear after her experiences in the Maryland woods in The Blair Witch Project. Director Robert Iscove also worked with Prinze on She's All That (1999). ~ Mark Deming, Rovi

In this comedy-drama, a teenage boy gets a crash course in the mysteries of love and sex. Lydia Callahan (Jennifer Jason Leigh) had her son Sam when she was only 14 years old. Now 14 himself, Sam (Bug Hall) finds himself in the small community of GroVont, WY, after his mother is run out of town by her own father (R. Lee Ermey). While Lydia is helped through her transition by Hank Elkrunner (Michael Greyeyes), Sam doesn't fit in at school and runs afoul of bully Dothan Talbot (Brad Renfro). But he soon makes friends with classmate Maurey Pierce (Mischa Barton), who makes an unusual proposal: since she doesn't want to seem inexperienced when she loses her virginity, perhaps Sam could help her practice the finer points of sex. While Sam is more than willing to help, this arrangement creates complications that his fantasies about his Dream Girl (Drew Barrymore) have not prepared him for. Skipped Parts is based on the novel of the same name by Tim Sandlin. ~ Mark Deming, Rovi

A man under federal protection finds himself on the run from a gang of angry mobsters and a cop gone bad after his successful execution of a multimillion dollar heist. This studio film is not to be confused with the 1997 indie melodrama, starring Cara Buono of The Sopranos and directed by Don Close. ~ Rovi

John Waters wrote and directed this $6.5 million satire on the Manhattan art world, a rags-to-riches comedy about 18-year-old amateur photographer Pecker (so named because he pecks at his food). Pecker (Edward Furlong) is a blue-collar kid who works in a Baltimore sandwich shop and takes snapshots of family, friends, and customers. His mom, Joyce (Mary Kay Place) runs a thrift shop where she offers fashion advice to the homeless, while sis Tina (Martha Plimpton) recruits go-go boys to dance at the local Fudge Palace. Pecker's younger sister, Little Chrissy (Lauren Hulsey), has a sugar addiction, and his grandmother, Memama (Jean Schertler), the "pit beef" queen of Baltimore, conducts prayer meetings with her talking statue of Mary. After hip Manhattan art dealer Rorey Wheeler (Lili Taylor) becomes fascinated with Pecker's photos, a big exhibition is in the offing, followed by overnight fame as the young man becomes the new darling of the New York art scene. Soon Pecker discovers that fame has its price. Shown at the 1998 Toronto Film Festival. ~ Bhob Stewart, Rovi

Lebanese writer Ziad Dolueiri made his directorial debut with this French-Lebanese-Belgian-Norwegian co-production, an autobiographical drama with Arabic and French dialogue. In 1975, after self-confident Tarek (Rami Doueiri, the director's brother) witnesses the start of civil war, he and his pal Omar (Mohamad Chamas) are picked up by Tarek's mother Hala (Carmen Lebbos), a lawyer married to Riad (Joseph Bou Nasser). The next day, Hala is ready to flee, but Riad refuses. With school closed, Tarek and Omar are free to roam about, and they're joined by their new neighbor, May (Rola Al Amin). However, the reality of the war soon intrudes. Shown in the Directors Fortnight section at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

Made for television, The Taking of Pelham One Two Three is adapted from the suspense novel by John Godey, previously filmed as a theatrical feature in 1974. The earlier version was highlighted by the verbal cat-and-mouse game between a cynical veteran NYPD detective, played by Walter Matthau, and a world-weary master criminal, played by Robert Shaw. The remake offers two detectives, Piscotti (Edward James Olmos and Ray (Lorraine Bracco), who match wits with a man calling himself Mr. Blue (Vincent D'Onofrio), who has masterminded the hijacking of a New York subway car. As his cohorts hold the 14 passengers hostage, Mr. Blue demands a $5 million ransom, to be delivered in one hour, or else the captives will be killed one by one. Though the dark humor which pervaded the 1974 version is largely absent here, the remake pulls off the neat trick of being highly suspenseful and subtle and low-key at the same time. The Taking of Pelham One Two Three debuted February 1, 1998, on CBS. ~ Hal Erickson, Rovi

Kenan Thompson and Kel Mitchell, stars of the popular Nickelodeon series All That, confront the ogre of faceless corporate tyranny and have fun doing it in this comedy for young people. Ed (Mitchell) is a teenager who lives for his job at Good Burger, a small but friendly neighborhood hamburger stand, while his buddy Dexter (Thompson) also works there, but lack Ed's single-minded devotion to his job -- he's there because he accidentally destroyed the car of his teacher Mr. Wheat (Sinbad) and has to raise money to pay the damages. When Mondo Burger, a mammoth fast-foot chain, opens across the street, it looks like Good Burger is history, until Ed formulates a secret sauce that brings hundreds of new customers to their door. However, the monomaniacal manager of Mondo Burger, Kurt (Jan Schweiterman), is determined to get his hands on the sauce and put Good Burger out of business. Meanwhile, Ed and Dexter must rescue Otis (Abe Vigoda), the world's oldest fast food employee, from the Demented Hills Asylum, and Ed might just find love with Monique (Shar Jackson) if he could take his mind off the burgers long enough to pay attention to her. Good Burger also features basketball star Shaquille O'Neal as himself and George Clinton as one of the Demented Hills inmates. ~ Mark Deming, Rovi

In part, filmmaker Stephan Elliott (best known for The Adventures of Priscilla Queen of the Desert) made this black, surrealistic and subversive comedy to bid farewell to Australian cultural traditions (i.e. excessive beer drinking, racism and sexism) that are rapidly disappearing due to the increasing infiltration of urban sophistication and political correctness into even the county's most remote regions. Unfortunately, Elliot's outrageous tribute to past 'traditions' is presented with such vulgar abandon that many Australians are sure to be offended, not tickled, even though Elliot did try to tone down the mean spirit of the original script which was first titled 'Big Red.' The story centers on Teddy, a fugitive con-artist who has fled New York and gone into the Australian outback. His troubles begin when he is picked up at a lonely gas station by the blonde and brassy Angie who quickly seduces him and then knocks him out cold. Teddy awakens to find himself in the dusty town of Woop Woop. Surrounded by steep cliffs, the town, which was built near a now-defunct asbestos mine, is ruled by Angie's father Daddy-O, who is as much a warden as he is a local leader, deciding when and who will enter and leave Woop Woop. A weird place that is supported by a kangaroo-meat dog-food factory, it is populated by beer-swilling rednecks, crude eccentrics (and a giant kangaroo named Big Red) who find endless entertainment listening to Oscar & Hammerstein musicals (the town's ramshackle drive-in runs The Sound of Music and South Pacific continuously). Teddy quickly discovers that he is in effect the burg's newest prisoner and is expected to constantly service the sexually insatiable Angie. Not willing to remain a captive, Teddy begins planning his escape. The story's surrealism comes from Elliot's deliberately inappropriate use of musical numbers to punctuate events. ~ Sandra Brennan, Rovi

Boys is a coming-of-age tale about an addled prep school student who nurses a woman back to health after an accident and becomes involved in her cryptic past. John Baker Jr. (Lukas Haas) is a tormented high school senior outcast who's weary of his upper-crust boarding school life and dreads his future as a supermarket chain manager. When he finds Patty Vare (Winona Ryder) unconscious in a field after being thrown from a horse, Baker sees this as an opportunity to break out of his humdrum existence, and he smuggles her into the school to take care of her. The relationship blooms into a somewhat bizarre love affair, as John discovers that Patty is concealing a mysterious secret involving a missing baseball player and a stolen car. Although the film takes a little time to get started, what originates as an analysis of guarded youths making foolish judgments evolves into a celebration of adolescent insurrection. ~ Don Kaye, Rovi