Miles A. Copeland III Movies

Sex and science fiction are again combined in this sophomoric fantasy set somewhere in the future in an unnamed US city. The tale begins as the media announces the unwelcome arrival of an alien spacecraft, from which a beautiful Asian woman disembarks. She has come to the gang-ravaged city for a little vacation. The head of the city's police regime, General Hayden, wants to catch her and get rid of the gangs simultaneously. To do so, he sounds an earthquake alarm and then orders a mass evacuation of the town. Only the police and the gangs remain, and it is lucky Officer Weed who gets to meet the toothsome alien Amelia first. Since her arrival, Amelia has changed herself into a seductive black woman in a silver metallic suit. Unable to resister her bountiful charms, Weed and she do the nasty, and he learns that among her many talents is her ability to change into any kind of woman she wants to be; he also learns that she needs sex like he needs food. Lucky her, she found a veritable banquet in the lusty Weed. Meanwhile, the gang wars rage on. ~ Sandra Brennan, All Movie Guide

Willem Dafoe stars as groundbreaking early 20th century American poet T.S. Eliot in this biopic focusing on Eliot's disastrous marriage. Young Tom Eliot meets the flamboyant Vivienne Haigh-Wood (Miranda Richardson) while they are both students at Oxford University in England in 1914. Eliot is studying under the famous writer and philosopher Bertrand Russell (Nickolas Grace). Tom and Viv elope after a very brief courtship, without the consent of her parents and against the advice of Viv's brother Maurice (Tim Dutton). On the honeymoon, Tom learns that Viv suffers from a severe hormonal imbalance which causes frequent menstruation. She is under the care of a doctor who calls her problems emotional and prescribes medications which worsen her condition. Viv is moody, often despondent, and frequently drunk. While Tom works as a bank clerk and tries to establish himself as a writer, Viv serves as his secretary and sometimes his muse, but more and more often she embarrasses them in public with her behavior. Yet her influence prevents Tom, who wants to become thoroughly British and a member of the Church of England, from becoming too staid. Eventually, Tom reluctantly commits his wife to a mental asylum and their troubled marriage continues to plague his life and color his work. ~ Michael Betzold, All Movie Guide

Carolyn Chute's fascinatingly complex novel Beans of Egypt, Maine was softened and simplified for this 1994 film treatment. Martha Plimpton plays Earlene Pomerleau, who resides in the Maine backwoods community of Egypt. Earlene is swept off her feet by her studdish, irresponsible neighbor Beal Bean (Patrick McGaw), the youngest member of the much-despised Bean family. She lives to regret her sexual impulsiveness, while Beal is forcefully reminded of the importance of family loyalty. Co-produced by PBS' American Playhouse, the film is a toned-down version of the rough-hewn Chute original, ending so abruptly that it seems as though someone tore out the last five script pages just before shooting started. Beans of Egypt, Maine has been released to video as Forbidden Choices. ~ Hal Erickson, All Movie Guide

Documentary filmmaker Philip Haas made his dramatic feature film debut with The Music of Chance, adapted from Paul Auster's terse, existential novel. The film follows the plight of two hapless drifters -- Jim Nashe (Mandy Patinkin), who is escaping family and responsibility with an inheritance and a red BMW, and Jack Pozzi (James Spader), a down-on-his-luck gambler and world class manipulator. Pozzi convinces Nashe to shoot the works and put his remaining $10,000 into a high stakes poker game against two rich suckers -- reclusive lottery winners Willie Stone (Joel Grey) and Bill Flower (Charles Durning), who share a lavish but isolated country estate, using the remains of their lottery fortune to construct a self-contained world on the grounds of their mansion. Instead of bilking the two millionaires, however, Pozzi and Nashe lose their windfall and find themselves indebted to Stone and Flowers, who compel them to work off their losses by constructing a stone monument on their estate, a chore that results in deception, flight, and possibly murder. ~ Paul Brenner, All Movie Guide

Stacy Cochran's debut film is a black comedy about a yuppie couple (Diane Lane and Stephen Collins) whose lives are turned upside down by the purchase of a .38 revolver. ~ Jason Ankeny, All Movie Guide

Sam Irvin's black comedy stars Rod Steiger as a self-styled vigilante who builds his very own electric chair in order to execute paroled murderers. ~ Jason Ankeny, All Movie Guide

Set the day after the Japanese bombed Pearl Harbor, December focuses on five prep-school students (Wil Wheaton, Balthazar Getty, Brian Krause, Jason London and Chris Young) who are of enlistment age. Though encouraged by their headmaster to enter the army, the boys are wary of battle, and discuss the pros and cons of the situation. ~ John Bush, All Movie Guide

A production based on the book with the same title The Platinum Rainbow: How to Succeed in the Music Business Without Selling Your Soul, by Bob Monaco and James Riordan which is regarded by many musicians as an insightful, honest, valuable "practical instruction manual" for artists who want to succeed in the music business and avoid its mistakes and pitfalls -- whether seeking a small appreciative audience or having greater aspirations for recording and performing in the "big-time" industry. ~ Alice Duncan, All Movie Guide

Peter Berg stars as Henry, a chronic gambler forever in trouble with the mob and the law. Through the auspices of his old friend Cowboy Jack (M.K. Harris), Henry is hired as an all-around flunkey by gang boss Paul Hellwart (Terence Stamp). But there's a problem: Henry is currently sexually involved with a nubile young miss (Michelle Johnson) who happens to be Hellwart's main squeeze. Disloyalty begets violence, and violence begets more violence. Anyone looking for logical character development and clever plot twists will be disappointed by Genuine Risk, though action fans will get their fill. ~ Hal Erickson, All Movie Guide

The Notorious Jessica Hahn gets down and dirty with other stars of female mud wrestling in this video. The buxom babes battle it out on behalf of their favorite rock bands who play thunderously in the background. ~ Sandra Brennan, All Movie Guide

Ozzy Osbourne, Gene Simmons, and Aerosmith's Joe Perry and Steven Tyler are among the Heavy Metal artists interviewed in The Decline of Western Civilization 2: The Metal Years. This follow-up to filmmaker Penelope Spheeris' classic 1981 "punk" documentary The Decline of Western Civilization is a bit more reflective and word-dominated than its predecessor, but no less entertaining. One striking aspect of the film is its before-and-after comparisons of the impact of MTV. Heavy Metal newcomers tend to overpraise the cable service, while the "oldsters" implicitly decry the mainstreaming-and in some cases, homogenizing--of their best work. Interestingly, Spheeris' own style has become more mainstream in the years since Decline of Western Civilization, thanks to experience gleaned on such dramatic films as Hollywood Vice Squad (1986) and Dudes (1987). ~ Hal Erickson, All Movie Guide