George A. Cooper Movies

In exchange for providing valuable information to the government, a convict is set free. But no sooner has the prisoner set foot on the "outside" than he is mowed down by enemy gunfire. The New Avengers try to find out what he was going to tell, and why he was killed--with a tattered paperback copy of a Western novel as their only clue. Ingredients essential to the outcome of this story are a marathon cross-country chase and a deadly game of cards. ~ Hal Erickson, All Movie Guide

Bless This House is a feature-length spinoff of the British TV sitcom of the same name. The episodic nature of the film suggests that it was cobbled together from various half hours of the original series. Sidney James and Diana Coupland play the nonplussed owners of a "money pit" new home. Their misadventures involve fire, water, homemade booze, and angry neighbors. Most American viewers got their first chance to savor Bless This House when the featurized version was made available to cable TV in the early 1980s. ~ Hal Erickson, All Movie Guide

After George Lazenby portrayed James Bond in On Her Majesty's Secret Service, Sean Connery returned to the tux, gimmicks, and catchphrases of Secret Agent 007 in his penultimate Bond outing, Diamonds Are Forever. Fragments of Ian Fleming's original 1954 novel remain, including the characters of the alluring Tiffany Case (Jill St. John) and fey hitmen Wint (Bruce Glover) and Mr. Kidd (Putter Smith). The remainder of Richard Maibaum and Tom Mankiewicz's script diverges dramatically from the novel, involving Bond in a scheme by the insidious Ernst Blofeld (Charles Gray) to force the world powers to disarm so that he can take over the globe. Folksinger Jimmy Dean shows up briefly as a Howard Hughes-like reclusive billionaire, while Lana Wood (Natalie's sister) participates in one of the film's edgiest cliffhangers. Agreeing to make Diamonds Are Forever only because of the money offered him, Sean Connery parted company with the role for 12 years after this film; he returned to the role once more in 1983, for Irvin Kershner's underrated Thunderball remake Never Say Never Again. ~ Hal Erickson, All Movie Guide

Two French peasants are mistaken for a pair of aristocratic nobles in this historical situation comedy. Gene Wilder and Donald Sutherland play the dual roles. Happy to be taken for nobles, the pair soon runs to escape the guillotine in the wake of the French Revolution's blood purge of the upper class and royalty. Hugh Griffith play Louis XVI, with Billie Whitelaw as the amorous Marie Antoinette. The pair are chased by the evil Duke d'Escargot (Victor Spinetti). Orson Welles appears at the beginning and the end of the film as the narrator. Wilder and Sutherland encounter a variety of comical situations in their dual roles of peasants and blue-blooded eccentrics. ~ Dan Pavlides, All Movie Guide

It wasn't as well received at the box office as the pictures that preceded it or followed it, but Peter Hunt's On Her Majesty's Secret Service was the finest of the James Bond movies and also arguably the last truly great movie in the series. James Bond, portrayed here by George Lazenby (in his only performance in the role) has spent nearly two years trying to track down Ernst Stavro Blofeld (Telly Savalas), the head of SPECTRE. He has been taken off the case by his chief (Bernard Lee), an action the pushes him to the point of considering resigning from Her Majesty's Secret Service, just as he opens a possible new avenue of attack on his quarry. Whilst in the field, Bond has chanced to cross paths with the Contessa Teresa Di Vicenzo (Diana Rigg), a beautiful but desperately unhappy woman, whom he rescues from one apparent suicide attempt and an embarrassing moment at a casino gaming table -- the Contessa, who prefers to be called Tracy ("Teresa was a saint"), is the daughter of Marc Ange Draco (Gabriele Ferzetti), an industrial and construction magnate and also a crime boss, who is impressed with Bond personally as well as professionally, and would like to see him marry his daughter. Bond is, at first, unwilling to involve himself with a woman -- any woman -- on that level, but Draco's underworld contacts give Bond a vital clue to Blofeld's whereabouts that get him back on the case and hot on the man's trail. Journeying incognito to Blofeld's mountaintop retreat in the Swiss Alps, Bond finds the criminal mastermind posing as a would-be nobleman and also as a philanthropist, running a clinic devoted to the treatment and eradication of allergies. It's all a front for a surprisingly sinister (and scientifically valid) plot for international blackmail that would make any previous Bond villain quake in fear. And in the process of staying alive long enough to have a chance of stopping Blofeld, Bond discovers the Tracy is truly like no woman he's ever known before -- one special enough that he finds himself willing to give up his life as a free-living, free-loving bachelor. ~ Bruce Eder, All Movie Guide

When a young girl is found hanging in the local church with fang marks in her neck, the townsfolk immediately suspect Dracula (Christopher Lee) is behind the evil deed. Although he has supposedly been dead for quite some time, the vile vampire is the prime suspect. The Monsignor (Rupert Davies) is called in to exorcise the local castle where Dracula once lived. The diabolical Dracula forces the holy man's assistant to help him in his thirst for blood. His next victim is the Monsignor's niece, who works at the local pub. The prince of darkness meets his demise when he is impaled on a crucifix -- at least until he can find another script that he and his agent can agree on. ~ Dan Pavlides, All Movie Guide

Doctor Who inaugurated its fourth season on September 10, 1966, with episode one of the four-part "The Smugglers." The TARDIS materializes in a cave off a seacoast, but the Doctor (William Hartnell) doesn't know where he is or what year he's in. Soon, however, the Doctor and his companions Ben (Michael Craze) and Polly (Anneke Wills) learn they've arrived in 17th century Cornwall -- smack in the middle of a hotbed of intrigue involving smugglers, pirates, and a mysterious murder. Written by Brian Sayles, "The Smugglers, Episode One" no longer exists in the BBC archives -- nor, for that matter, do episodes two, three, or four, save for a few brief fragments (including, in the case of this episode, the murder that sets the plot in motion). ~ Hal Erickson, All Movie Guide

In the conclusion of the four-part story "The Smugglers," the buried treasure that had set the plot in motion is finally discovered. In addition, the Doctor (William Hartnell) reveals a secret that will profoundly affect himself, his companions, and two sets of villains (one more villainous than the other, of course). Written by Brian Sayles, "The Smugglers, Episode 4" originally aired on October 1, 1966. Except for a brief "murder" sequence that was filed for preview purposes, this episode no longer exists. ~ Hal Erickson, All Movie Guide

Life at the Top is a belated sequel to Room at the Top, John Blaine's "angry young man" British novel that was made into a film in 1959. Laurence Harvey is back as Joe Lampton, the man-on-the-rise protagonist who in Room had given up true love in favor of a career-boosting (and antiseptic) marriage to his boss' daughter. Ten years have passed: Lampton is a business success, but utterly bored by his dead-end marital setup. His wife feels the same, and it isn't long before Mr. and Mrs. Lampton begin conducting separate affairs. While the original Room was a fairly accurate evocation of its era, Life at the Top works too hard and too noisily to be "mod," in reflection of the ethereal Swinging London era. The inclusion of flashbacks from Room at the Top, in which Harvey is seen making love to Simone Signoret, only serves to emphasize the shortcomings of the sequel. The best moments in the later version can be found in the early establishing scenes set in Yorkshire. Life at the Top was followed by a TV series called Man at the Top, starring Kenneth Haigh as Lampton, which in turn was followed by a theatrical feature of the same name. ~ Hal Erickson, All Movie Guide

This British comedy comes from Ray Galton and Alan Simpson, writers of the hit television program Steptoe and Son. Harry H. Corbett (who played Steptoe, Jr. on the tube) is Hemel, a canal-cruising bargee who is dead-set against marriage. He goes about his freewheeling ways until he finds out that he has impregnated one of his playthings (Julia Foster). Unfortunately for him, the young woman's father (Hugh Griffith) is the lock-keeper and he is not about to get out of this predicament without a vow or two. ~ Kristie Hassen, All Movie Guide

This colorful slapstick comedy concerns an honest locksmith who gets talked into a safecracking scheme by a couple of ruthless gangsters. Ernest Wright (Charlie Drake) is duped by a con man into opening a car and safe, which lands him in jail for a year. He is released, but a subsequent event gets him three year in jail and an undeserved reputation as a master thief. The Guv'nor (George Sanders) and Domino (Eddie Byrne) put the squeeze on Ernest to help them in a plan to pilfer some precious gems. With the help of undercover police woman Muriel (Nyree Dawn Porter), Ernest helps trap the crooks and clear his name. ~ Dan Pavlides, All Movie Guide

This third film version of the Curt Siodmak scare piece Donovan's Brain stars Peter Van Eyck as an overly dedicated scientist. When a powerful and ruthless financier dies in a plane crash, Van Eyck keeps the tycoon's brain alive in his laboratory. Gradually, the brain takes over the doctor's mind, forcing him into all sorts of evil chicanery. In a twist not found in the Siodmak original, the brain compels Van Eyck to seek out the financier's murderer. Anne Heywood costars as the dead man's daughter. A strong mulinational supporting cast distinguishes this Anglo-German coproduction. ~ Hal Erickson, All Movie Guide