George Cooper Movies
Gladys Walton, who starred in many Universal Studios programmers in the early 1920s, was always good at playing working class girls. Here she's Mary Ann McKee, who's employed in an overall factory. As a joke, she slips a love letter into a pair of overalls, which eventually are purchased by Bill Carter, a country blacksmith (Edward Hearne). His friends send Mary Ann a letter, claiming that Carter is a millionaire in search of a bride, and sign his name. But Mary Ann is involved with Red Mike, a mean-tempered crook (George Cooper), and he doesn't find anything funny about the situation. He forces her to assist him in robbing a modiste's shop, but the police show up. Mary Ann manages to evade them, but Red Mike is captured and sent to prison. With him out of the way, Mary Ann packs her bags and heads for Carter. They end up falling in love and getting married. A baby completes their happiness. But then Red Mike gets out of prison and he comes looking for Mary Ann to take her back. She manages to bluff her way through the situation, and then he has a religious vision which inspires him to go straight. He realizes he has no place in Mary Ann's life and leaves her and Carter alone. ~ Janiss Garza, All Movie Guide
- Starring:
- Gladys Walton, Fontaine La Rue, (more)
With a screenplay by Howard Hawks and direction by Jack Conway, this Mexican border tale couldn't possibly have been anything less than a vigorously rugged production. The all-star cast, including some of the best-known villains of the day (Noah Beery and Walter Long among them), adds to the film's manly tone. Richard Dix stars as a first lieutenant working under Colonel Patterson (J. Farrell McDonald), who is on the trail of some drug smugglers on the Mexican border. Colonel Patterson has been keeping watch over a cantina, where the goings-on seem to be particularly suspicious. The first lieutenant is in love with a girl (Helene Chadwick), whose father (Hardee Kirkland) works for the U.S. government. At the cantina, the lieutenant finds himself strangely attracted to a sultry Mexican girl, but when he finds her outfit hidden away in a deserted cabin, he realizes it was the Farrell girl. His discovery leads him to believe she is part of the smuggling ring. It turns out that she was actually helping her father, but both she and the lieutenant are captured by the smugglers. The U.S. cavalry comes to the rescue in a exciting climax. ~ Janiss Garza, All Movie Guide
- Starring:
- Helene Chadwick, Richard Dix, (more)
Although he was completely eclipsed by his incredibly gifted relative, Sidney Chaplin was a fine farceur who could be almost as funny as brother Charles Chaplin. Here he just about steals the show from a group of other solid players. Blanche (Sylvia Breamer) will inherit her aunt's large estate, providing that she gets married within 24 hours. She chooses to wed John Ingram (Tully Marshall), an old man living at a rest home who is not expected to live much longer. She has been seen by the young, good-looking Thomas Burton (Owen Moore), who has fallen in love with her at first sight. With the help of his valet, Judd (Chaplin), he disguises himself as Ingram, whiskers and all, and marries Blanche himself. Then things get really complicated, since the old man's secretary plans to kill the old man off himself as part of a plot to acquire the fortune. Meanwhile, Blanche has taken the old man home to enjoy his last moments -- but the old man is actually Judd in disguise, while Burton pretends to be his nephew. Finally the real Ingram shows up, amidst much confusion. When the hired gunman sends for his thugs, Judd calls for help from everyone he can think of. The police, firemen, the navy, the army and several dozen others appear on the scene and the crooks are rounded up. When Blanche realizes it was Burton she actually married, she decides to make him her permanent husband. ~ Janiss Garza, All Movie Guide
- Starring:
- Owen Moore, Sidney Chaplin, (more)
Even though this light comedy never leaves the confines of its hospital setting, it's still highly amusing. Billy Grant (Richard Dix) winds up in the hospital after going on a wild spree when his fiancée breaks up with him. Jane Brown (Helene Chadwick) is his nurse, and he begs her to marry him. She agrees because she believes that he is dying. The truth is that Grant has married her just to get back at his relatives, who helped ruin his relationship with his fiancée. Jane asks to be transferred to the maternity ward, and she helps a newborn baby and its mother reunite with its father. While searching for the man, however, Jane breaks some hospital rules and she's in danger of being fired. Grant comes to her aid and also claims her as his wife. This picture was based on two stories by author Mary Roberts Rinehart. ~ Janiss Garza, All Movie Guide
- Starring:
- Helene Chadwick, Richard Dix, (more)
Rex Ingram's talents as a director are very much in evidence in this drama, which is leavened by a sizable dose of comedy, courtesy of Harry Myers and George Cooper. Ingram all but allows them to steal the show, which keeps an otherwise maudlin tale from becoming too overbearing. When Joe Bascom (Jack Mulhall) leaves the farm to experience life in the big city, he predictably gets himself into trouble. Ultimately, he is sent up the river for a crime he did not commit. But his time in jail is not all bad -- he meets fellow prisoners Gilly and Mugsy (Myers and Cooper), who turn out to be true friends. When they are released, Bascom takes them back home, where he discovers that his mother (Lydia Knott) is about to be swindled out of her peach orchard by Deacon Tillinger (Edward Connelly). The three friends save Mrs. Bascom's property, and Joe falls in love with Tillinger's daughter, Elsie (Alice Terry). This picture was based on the successful stage play by Winchell Smith and Jack Hazzard. ~ Janiss Garza, All Movie Guide
- Starring:
- Alice Terry, Jack Mulhall, (more)
Comedienne Mabel Normand was in the middle of production for this comedy-drama when William Desmond Taylor was murdered. She was the last person to see him alive, and the shock of his death, combined with stressful police interrogations, caused her to have a breakdown. Filming was halted for several weeks, then resumed in the spring of 1922, and the picture itself wasn't released until the next year. A pair of Castilian nobles, Don Fernando (George Nichols) and Don Diego (Eric Mayne) want to combine their two estates through the marriage of their children. But Don Fernando's son, Ramon (Walter McGrail), has fallen in love with Suzanna, the daughter of a peon on his father's estate. Meanwhile, Don Diego's daughter, Dolores (Winifred Bryston), has been expelled from boarding school because of her love affair with Pancho, a toreador (Leon Bary). Don Fernando tries to separate Suzanna from his son by sending her away, and she ends up as Dolores' maid, with the two young ladies less than fond of each other. The plot thickens when it is revealed that the girls were switched at birth, and Suzanna is really Don Diego's daughter. Although Suzanna tries to keep quiet out of respect for the two old men, the truth eventually comes out and she is allowed to marry Ramon, while Dolores is happily left with Pancho. This was Normand's next to last film for Mack Sennett, and apparently it did well at the box office in spite of the previous year's scandal. Critics, however, gave the film mixed reviews since it didn't have the kind of slapstick that was Normand's special talent. ~ Janiss Garza, All Movie Guide
- Starring:
- Mabel Normand, George Nichols, (more)
Connie (Louise Glaum) is married to attorney Robert MacNair (Mahlon Hamilton). When he leaves town on a business trip, her friend from the old days, Molly May (May Hopkins), invites her to a party. Connie, who misses her old life, decides to go under an assumed name. Teddy Garrick, the host (Joseph Kilgour), makes a play for her and she burns her shoulder trying to get away from him. Dillon, a burglar who is hiding in the house (George Cooper), surreptitiously presses a gun into Connie's hand from behind a curtain. As Garrick comes toward her he is shot dead. Dillon is caught and charged with the crime. His friend, London Hattie (Ruth Stonehouse), asks MacNair to defend him. Connie is haunted by the events at the party, and she is convinced she killed Garrick. Just as she confesses her guilt to the judge, MacNair shows up with evidence proving that the real killer is Trixie, Garrick's jealous mistress (Claire Du Brey). The gun that Connie was holding had never fired. ~ Janiss Garza, All Movie Guide
- Starring:
- Louise Glaum, Mahlon Hamilton, (more)
The six-year-old son of director B. Reeves Eason, Breezy Eason Jr., was killed by a runaway truck during the filming of this silent Western. Little Breezy played Pard, the adopted son of drifter Santa Fe (Harry Carey). The latter gets a job as porter in a Caliente bank, where he discovers that the banker (Alan Hale) is actually the leader of a gang of outlaws. The villain frames Johnny Harron, Carey's young friend, in a robbery and both Harron and Carey are later captured by the outlaw gang. They escape via a subterranean river and arrive in town just in time to save the sheriff (George Nichols) from an angry mob. Carey reveals himself as a special agent sent to catch the villainous Hale, and, with the assistance of the U.S. Cavalry, charges the bandit's lair. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Harry Carey, George Nichols, (more)
Rex Beach's labyrinthine novel The Auction Block was first brought to the screen in 1917. The story involves a millionaire's son who proves his mettle by opening his own shoe store. The boy's life is complicated by his estranged wife and by a gold-digging temptress. The story transports its characters from the sleepy South to the sinful Big City and back again. The best performance is delivered by Alec B. Francis, as the heartbroken millionaire who holds out hope that his son will eventually prove himself to be a "right guy." A costlier film version of The Auction Block, starring Charles Ray, would emerge from MGM in 1926. ~ Hal Erickson, All Movie Guide
Despite director Frank Capra's claims that he "discovered" May Robson for his 1933 production Lady for a Day, the venerable Robson had already been in films for two years when she starred in 1916's A Night Out. The actress plays a lonely crotchety old lady whose well-ordered lifestyle is turned topsy-turvy when her grandsons Jonas (Charles Brown) and Waldo (George Cooper) pay her a visit. The two young sprouts persuade "Granmum" to accompany them on a night on the town. At first resistant, the old lady's resolve is weakened by a few sips of champagne, and by the end of the evening she's having a high old time. Having created this role on the Broadway stage, May Robson had no trouble repeating her theatrical triumph on celluloid. ~ Hal Erickson, All Movie Guide
Anita Stewart may have received top billing in Vitagraph's The Suspect, but the true star of the proceedings was S. Rankin Drew, who also directed the picture. Set in France and Russia, the plot revolves around the cruelties of Russian Grand Duke Karatoff (Anders Randolf, known to friends and enemies alike as "the butcher." Sophie (Stewart), leader of a band of revolutionaries, attempts to assassinate Karatoff but accidentally wounds his son Paul (Drew) instead. Sophie and Paul subsequently marry, hoping to find a common ground for their individual ideologies. But the Duke spoils this plan by forcing Sophie to become his mistress. Leaving his wife in disgust, Paul is waylaid by a jealous rival, whereupon he loses his memory. Having given up Paul for dead, Sophie travels to England, where she falls in love with Sir Richard Stanhope (Frank Wupperman, who later billed himself as Frank Morgan). Much, much more happens before the melodramatic climax, in which Paul is murdered and Sophie is arrested for the crime (thereby justifying the film's title). ~ Hal Erickson, All Movie Guide
Business magnate Peter Worden (Anders Randolph) and district attorney Adrian Scarsdale (Leo Delaney) are both in love with Beatrice King (Virginia Pearson), daughter of banker Randolph King (Charles Kent). Tension arises when the DA is a assigned to an investigation which may prove troublesome for Beatrice's father. Determined to perform his duty to the full extent of the law, Scarsdale indirectly brings about King's suicide, thereby losing Beatrice's love. Worden offers to square all debts accrued by Beatrice and her brother Richard (George Cooper), not out of altruism but because he hopes to persuade Beatrice to marry him, which she does. Later on, DA Scarsdale is obliged to scrutinize Worden's crooked business practices. Still holding Scarsdale responsible for her father's death, Beatrice angrily threatens to destroy Scarsdale's reputation if he doesn't drop the investigation -- and when this fails, Worden himself tries to frame Scarsdale on a bum rap. But the DA is saved from this conspiracy by Beatrice's brother Richard, who kills Worden in a scuffle. Realizing that Scarsdale was right all along, Beatrice tearfully apologizes, whereupon she is assured by the DA that he has never fallen out of love with her. ~ Hal Erickson, All Movie Guide
The plot to this Vitagraph four-reeler was tired, even in 1915. James Morrison plays Ralph Brooks, who is seduced away from his nice sweetheart, Julia Dean (Dorothy Kelly), by the sophisticated Rita Reynolds (Eulalie Jensen). Rita happens to be married, and on the night she is stealing some of her husband's money out of the safe, a burglar, Red Hall (George Cooper), enters the house. Mr. Reynolds (Charles Eldridge) suddenly arrives home, and Red watches Rita kill him. He plans to blackmail her, but she calls the police. Just then Ralph arrives. Red sneaks off and when the cops show up, and Rita pins the murder on her lover. Ralph is sent to prison for life, but he gets away during a riot. With the help of Tug, a sympathetic inmate (Anders Randolf), he is able to force Rita into confessing to her husband's murder. Ralph is exonerated and reunites with his mother (Louise Beaudet), and with Julia. ~ Janiss Garza, All Movie Guide







