Fielder Cook Movies

The cum laude holder of a B.A. in literature from Washington and Lee University, Fielder Cook continued his education as a major in Elizabethan Drama at the University of Birmingham (England, not Alabama). With these lofty credentials, Cook could have pursued a career as a theatrical director; instead, he chose to get in on the ground floor of the fledgling medium of television, beginning with Lux Video Theater in 1950. He functioned as producer and director on most of the prestigious live anthologies of TV's Golden Age, including The Kaiser/Aluminum Hour, Kraft Theater, and Playhouse 90. His direction of the original 1955 telecast of Patterns led to his being assigned the 1956 film version of the Rod Serling teleplay. Cook's subsequent film efforts were variable, to say the least: for every winner like A Big Hand for the Little Lady there was a failure like How to Save a Marriage (And Ruin Your Life) (1968). He fared far better in his periodic returns to television, helming such superior made-for-TV movies as The Homecoming: A Christmas Story (the 1971 pilot film for The Waltons), Judge Horton and the Scotsboro Boys (1976), A Love Affair: The Eleanor and Lou Gehrig Story (1977), Gauguin the Savage (1980), and Will There Really Be a Morning? (the 1982 Frances Farmer TV biopic). Fielder Cook has twice been honored with the Emmy award, first for his 1967 TV staging of the Broadway musical Brigadoon, then for the 1970 telecast of Arthur Miller's The Price. ~ Hal Erickson, All Movie Guide
1997  
 
This made-for-TV adaptation of Carson McCullers story features Anna Paquin as Frankie Addams, a 12-year-old tomboy growing up in the deep South in the mid-1940s. Frankie doesn't get along well with most children her age, and she prefers to spend her time with Berenice Brown (Alfre Woodard), the family's housekeeper, and her younger cousin John Henry. However, when Frankie learns that her older sister is getting married -- and that her family may be pulling up stakes and moving away -- she's forced to leave her immaturity behind and, with Berenice's help, begin making her first steps into adulthood. This version of The Member of the Wedding also stars Joanne Pankow and Pat Hingle. ~ Mark Deming, All Movie Guide

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Starring:
Anna PaquinAlfre Woodard, (more)
1987  
 
In this Civil War drama, a plantation owner and her ex-slave begin working as Union spies. ~ Sandra Brennan, All Movie Guide

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1986  
 
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The PBS series Great Performances first presented the made-for-TV feature Seize the Day. The time is the success-driven '50s; Robin Williams plays Tommy Wilhelm, a middle-ager who has just lost his salesman's job. Margaret, his wife (Katherine Borowitz), is on the verge of divorce and fully intends to take him to the cleaners whether he has an income or not. Doctor Adler (Joseph Wiseman), Tommy's judgmental father, cannot abide having a failure in the family and refuses to lend his son a single penny. In desperation, Tommy heads to New York City, where his old wheeler-dealer pal Dr. Tamkin (Jerry Stiller) has promised him a job. Even there, however, Tommy is defeated by the cold-shoulder treatment afforded him by the people whose opinions he values most. Seize the Day was adapted by Ronald Ribman from the novel by Saul Bellow. ~ Hal Erickson, All Movie Guide

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Starring:
Robin WilliamsJerry Stiller, (more)
1985  
 
Based on the novel by Belva Plain, the three-part NBC miniseries Evergreen covered a time span from 1909 to 1959. The story begins in New York's Lower East Side with the arrival of Polish-Jewish immigrant Anna (Lesley Ann Warren). At first employed as a humble seamstress, Anna is whisked into a whole new world when she becomes the wife of the enterprising Joseph Friedman (Armand Assante), who eventually becomes a wealthy Westchester contractor. Even so, Anna's heart belongs to Paul Lerner (Ian Shane), the son of the prosperous Fifth Avenue family which employs her relatives. In 1918, Anna gives birth to Paul's daughter, allowing Joseph to believe that he is the father. The secret surrounding Anna's child will lead to a daunting and frequently heartbreaking chain of events, culminating decades later in the newly formed state of Israel, where Anna's grandson Eric hopes to "find himself" -- and ends up finding more than he bargained for. Also in the cast was Richard Burton's daughter, Kate Burton, as the wealthy Gentile wife of Anna and Joseph's son Maury (Tony Soper), a woman whose very presence causes a near-irreparable rift in an already fragmented family unit. Running a total of six hours, Evergreen originally aired on February 24, 25, and 26, 1985. ~ Hal Erickson, All Movie Guide

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1984  
 
Made for television, Why Me? is the true story of Air Force nurse Leola Mae Harmon (Glynnis O'Connor), whose face is all but destroyed in a head-on automobile accident. As Leola recuperates in a military hospital, her will to live is seriously tested, not only by her shattered face, but also by the loss of her unborn child and the breakup of her marriage. The one person who refuses to feel sorry for Leola -- and who, in fact, admires her spunk -- is dedicated plastic surgeon James Stallings (Armand Assante). Persuading Leola to allow him to rebuild her face, Stallings puts his patient through 40 operations in the next four years. Understandably, the film's dramatic impact is greatest in the early sequences, wherein actress O'Connor, her face obscured by bandages (and by Michael Westmore's disturbingly realistic, Emmy nominated makeup), must convey her thoughts and moods through her eyes, her body language, and an occasional incoherent grunt. Why Me? originally aired March 12, 1984, on ABC. ~ Hal Erickson, All Movie Guide

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Starring:
Glynnis O'ConnorArmand Assante, (more)
1983  
 
Based on the autobiography of actress Frances Farmer, Will There Really Be a Morning? was originally telecast on February 22, 1983 -- only a few months after the "rival" Farmer biopic Frances hit movie-theatre screens. Whether Susan Blakely is superior to Frances' Jessica Lange is open to debate. It is certain that Morning adheres more closely to the facts, principally because adaptor Dalene Young (a specialist in such true-life "perseverance" TV movies) drew her inspiration from Farmer's own words. The premise of the TV movie is that most of Frances' well-documented personal problems, including her drug abuse and mental illness, can be traced to her stormy relationship with her mother (Lee Grant). Joe Lambie plays Frances' movie-star husband Leif Erickson (here called "Bill Anderson," Erickson's real name), while John Heard is playwright Clifford Odets, whose rocky romance with Farmer fueled the flames of her neuroses. ~ Hal Erickson, All Movie Guide

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1981  
 
Written for television by Allan Sloane, Family Reunion stars Bette Davis as an ageing New England schoolteacher who is given an "unlimited" bus ticket as a retirement present. She uses this gift to visit the farthest-flung members of her long-estranged family. In her absence, Davis' small town falls prey to corruptive influences, but with the help of her more honest relatives (four generations' worth, including Bette's real-life grandson J. Ashley Hyman), everything is resolved at the annual Founder's Day gathering. Family Reunion originally aired in two parts, on October 11 and 12, 1981; the preponderance of Davis' family members and unresolved plot strands would seem to suggest that this 4-hour film was intended as a series pilot. ~ Hal Erickson, All Movie Guide

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1980  
 
The story of Paul Gaugin (1848-1903), the Parisian stockbroker who left his job, his wife and his five children for the life of an artist in Tahiti, was superbly fictionalized in Somerset Maugham's The Moon and Sixpence. Gaugin the Savage is the same story with no names changed, told in two wearisome hours. David Carradine is the right age for Gaugin, and certainly does well in conveying the man's callous self-absorption. But we never quite see the inner fire that would compel a man to totally kick over the traces at age 35 and devote the remaining 20 years of his life to art and debauchery. This made-for-TV movie is at its best when showcasing Gaugin's fiercely brilliant paintings. Otherwise, Gaugin the Savage is as shallow as its advertising campaign, which showed a goateed David Carradine standing in the middle of Tahitian garden with both fists clenched--more closely resembling a disgruntled magician rather than a brilliant artist. ~ Hal Erickson, All Movie Guide

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Starring:
David CarradineLynn Redgrave, (more)
1979  
 
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A series of 17 short stories by American writer John Updike form the basis for this examination of the rocky marriage of a New England couple. The movie was made for television in 1979 and directed by Fielder Cook. Updike's stories focus on the issues of fidelity and responsibility hiding beneath the calm veneer of American suburban affluence. Michael Moriarty plays Richard Maple, a non-conformist middle-class man married to Joan Barlow Maple (Blythe Danner). Glenn Close plays the home-wrecker Rebecca. The couple's problems are both traced to childhood incidents in which their propensity for taking the easy way out is established. ~ Michael Betzold, All Movie Guide

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Starring:
Michael MoriartyBlythe Danner, (more)
1979  
 
I Know Why the Caged Bird Sings is based on the writings of African-American poet/playwright Maya Angelou. Though she eventually became America's poet laureate, Angelou was once just another little black girl growing up in Depression-era Arkansas. Her efforts to better herself run up against the stone wall of bigotry; in addition, the girl is traumatized into sullen silence by a brutal rape. Slowly, and with the loving support of her dedicated mother, Angelou overcomes her many deprivations, and by the time she is a high school senior, she has been elected class valedictorian. Constance Good plays young Angelou in this made-for-TV film, which also stars Esther Rolle, Roger E. Mosley, Diahann Carroll, Ruby Dee and Madge Sinclair. Filmed on location in Vicksburg, Mississippi, I Know Why the Caged Bird Sings was adapted for television by Ms. Angelou and Leonora Thuna; it was first telecast April 28, 1979. ~ Hal Erickson, All Movie Guide

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1977  
 
Based on the 1976 autobiography My Luke and I by Eleanor Gehrig and Joseph Durso, Love Affair: The Eleanor & Lou Gehrig Story provides a slightly different slant on the events previously dramatized on film as Pride of the Yankees (1942). The story is told in flashback from the point of view of the wife of baseball's "Iron Man". Sitting in a deserted Yankee stadium, Eleanor (Blythe Danner) relates her tale to her biographer Joseph Durso (Robert Burr). She recalls how she met the painfully shy ballplayer Lou Gehrig (Edward Herrmann) on a blind date in 1933. She remembers her battle of wills with Lou's domineering and possessive mother (played with a nearly impenetrable foreign accent by Patricia Neal), and her 1934 elopement with her "Luke." Other memories include the New York Yankees' goodwill trip to Japan, where relationships became strained between teammates Gehrig and Babe Ruth (Ramon Bieri). Also recalled is the fact that Lou played 2130 consecutive games (a record was only recently broken by Cal Ripken Jr.). Eleanor's story ends inevitably with Lou's slow death from amyotropic lateral sclerosis. In summing up, Eleanor insists that despite the tragic final years, she wouldn't have traded her short time as Mrs. Lou Gehrig for anything. Edward Herrmann took pride in the fact that his portrayal of Lou Gehrig won the unqualified praise of the real Eleanor (though Herrmann learned to bat southpaw for the role, he is seen actually playing baseball only once) Originally scheduled for broadcast on October 9, 1977, the made-for-TV Love Affair was bumped by a World Series playoff game; it was rescheduled for January 15, 1978--smack dab opposite the Super Bowl. ~ Hal Erickson, All Movie Guide

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1976  
 
This Hallmark Hall of Fame adaptation of the classic fairy tale Beauty and the Beast stars George C. Scott and his wife Trish Van Devere in the title roles -- and it should not take a rocket scientist to determine who plays what role. It all begins when Edward Beaumont (Bernard Lee) makes the fatal error of offending a bestial nobleman (Scott), whose ugly, boarlike countenance seemingly reflects a malevolent personality. To save her father from harm, Edward's gorgeous daughter, Belle (Van Devere), agrees to live as a permanent guest in the beast's huge, forboding mansion. Although he has all the resources of magic and mysticism at his beck and call, the Beast comes to the melancholy conclusion that the otherwise dutiful Belle will never consent to become his bride. But miracles do happen, and the virtuous Belle is able to burrow through the Beast's hideous façade and reveal the kindly, fragile soul within -- and in so doing, she herself grows and matures as a human being. Filmed in England, this production originally aired December 3, 1976, on NBC. ~ Hal Erickson, All Movie Guide

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Starring:
George C. ScottTrish VanDevere, (more)
1976  
 
In 1931, nine young black drifters were arrested in Scottsboro, Alabama on the charge of gang-raping a white woman. Despite the flimsiness of the case and the questionable morals of the plaintiff, eight of the nine were sentenced to death by an all-white jury. The U.S. Supreme Court, sensing that the Scottsboro case was an example of racism run amok, reversed the decision. Arguing that the boys had not received proper council, the Court (in a landmark decision) demanded that the case be retried. The judge on the case is James E. Horton, a popular Decatur, Alabama jurist who places his career--and his life--on the line to see to it that the Scottsboro five are given a fair trial. Among the many iniquities arising from this hot-potato case was the utter vilification of the honest Horton by his former friends and associates; he died in 1973, a virtual pariah in his community. Arthur Hill stars as the judge in the made-for-TV Judge Horton and the Scottsboro Boys, which was written by John McGreevey and first telecast April 22, 1976. ~ Hal Erickson, All Movie Guide

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1975  
 
Valley Forge is a videotaped TV adaptation of Maxwell Anderson's 1934 play. Richard Basehart plays General George Washington, whose "shambles of an army" struggles to survive the bitter winter of 1777 at Valley Forge (there's plenty of soap-chip snow, and never mind that it wasn't all that snowy during the actual event). Though determined to hold out against the British, Washington is briefly tempted by the amnesty offer of General Howe (Harry Andrews). The prose gets mighty thick around the second act, but the actors (including Simon Ward, David Dukes and Nancy Marchand) handle Anderson's archaic speech patterns with strength and finesse. Originally telecast on NBC in 1975, Valley Forge was rebroadcast by PBS in the fall of 1976 as part of the nationwide Bicentennial celebration. ~ Hal Erickson, All Movie Guide

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1974  
 
Its title inspired by the famous Robert Frost poem "Stopping By a Woods on a Snowy Evening," Miles to Go Before I Sleep stars Martin Balsam and MacKenzie Phillips. Balsam plays a lonely senior citizen, seeking a means of keeping busy in a world that has shut him out. He takes a part-time job at a youth rehabilitation center, where he meets incorrigible delinquent Phillips. Tentatively reaching out to one another, the two lost souls both find a reason for living. Miles to Go Before I Sleep was first telecast as a 90-minute GE Theater special on January 8, 1975. ~ Hal Erickson, All Movie Guide

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1974  
 
The lighthearted title of this made-for-TV film deftly sets the mood for the 74 minutes to follow. Ben Murphy stars as a rogueish Wild Bill Hickok, carrying on with an incongruously glamorous Calamity Jane (Kim Darby). Amidst the gambling and lovemaking, Will Bill must fend off a gang of vengeful gunslingers. This being a Roy Huggins production, we shouldn't be amazed that Rockford Files regular Stuart Margolin shows up as "Blind Pete". Also starring Jane Alexander (who'd later play Calamity Jane herself) and Tony Franciosa, This is the West That Was premiered December 17, 1974. ~ Hal Erickson, All Movie Guide

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1973  
 
In this children's movies, a young brother and sister escape from the boredom of their suburban neighborhood and high-tail it to the Metropolitan Museum of Art in New York City. There they wind up hiding within the maze of hallways until the girl finds a beautiful white statue. She is captivated by it and becomes obsessed with trying to discover if it is really a Michaelangelo. This leads her and her brother to the mansion of a 70-year old recluse with whom the girl becomes friends. They begin sharing their secrets and talking about art. ~ Sandra Brennan, All Movie Guide

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1973  
 
The 1947 film comedy Miracle on 34th Street starred Edmund Gwenn as a bearded gentleman named Kris Kringle, who was convinced that he was the genuine Santa Claus. The earlier Miracle was good enough as it stood, so why remake it? Still, the full-color 1973 Miracle on 34th Street has the considerable advantage of Sebastian Cabot, his trademarked beard dyed snowy white, as Kringle, so it isn't as bad as expected. The story, which involves the commercial and legal ramifications of the "real" Santa taking a job as a department store Santa at Macy's, was barely updated for the 1970s, meaning that several of the plot devices--including a nasty psychiatrist who has Kringle committed--were somewhat anachronistic. The uplifting final scene, wherein a cynical little girl becomes a true believer of Santa Claus (as do the adults in the story), still works well in the remake, even though Suzanne Davidson isn't in the same league as the original Miracle's Natalie Wood. The TV-movie version of Miracle on 34th Street wasn't too successful, but that didn't stop John Hughes from churning out a second remake in 1994. ~ Hal Erickson, All Movie Guide

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1971  
 
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This made-for-TV drama, based on the book by Earl Hamner Jr., was the basis for the popular long-running television series The Waltons. In this opening installment, the Waltons, led by matriarch Olivia Walton (Patricia Neal), spend an anxious 1933 Christmas Eve together as they await the arrival of their father during a snowstorm. The film won the Golden Globe Award for "Best TV-Movie" that year, and Neal won the "Best Actress" award for her performance. ~ Bernadette McCallion, All Movie Guide

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1971  
 
This comedy murder mystery and pilot for a series that never materialized, has Ernest Borgnine as western sheriff Sam Hill, who has a whole lot of trouble on his hands when he discovers the dead body of the town's newly arrived minister. ~ Mark Hockley, All Movie Guide

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1971  
 
Though Mia Farrow came to prominence as costar of the TV series Peyton Place, much was made by network publicity flacks of Ms. Farrow's TV-movie debut in Goodbye Raggedy Ann. She plays an aspiring actress whose spectacular lack of good fortune in New York utterly destroys her will to go on. Mia is on the verge of suicide, when writer Hal Holbrook arrives on the scene and tries to talk her out of doing herself in. With Holbrook's guidance, Ms. Farrow realigns her notions of true success and gives life a second chance. Mia Farrow has always been a variable actress, but she's on target for most of Goodbye Raggedy Ann--whenever she isn't undermined by the corniness of Jack Sher's teleplay. ~ Hal Erickson, All Movie Guide

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1971  
 
Ernest Borgnine plays alcoholic vagabond Sam Hill in this pilot film for a potential western detective series. Sam Hill is appointed sheriff of a one-horse town, then promptly becomes mixed up in a murder case. The victim was a preacher who was collecting $10,000 to build a new church; the money of course disappeared the moment the preacher turned up dead. Hill investigates and learns that the mysterious Bible-thumper was not all he claimed to be. The sheriff must get to the bottom of the case before he's ousted by a special election. Sam Hill: Who Killed Mr. Foster? lost out in the "Disheveled Frontier Detective" sweepstakes to another TV pilot film, Richard Boone's Hec Ramsey. ~ Hal Erickson, All Movie Guide

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1971  
PG  
Television veteran Fielder Cook brings a TV-like intimacy to his direction of Eagle in a Cage. This underrated film stars Kenneth Haigh as Napoleon Bonaparte, in his years of exile on St. Helena. The story is told from the point of view of the island's governor (John Gielgud), a former schoolteacher who finds greatness thrust upon him upon becoming Napoleon's jailer. By necessity, the emphasis is on conversation rather than action, but it holds the ear throughout. Eagle in a Cage is one of a handful of theatrical films released by the American broadcasting firm of Group W. ~ Hal Erickson, All Movie Guide

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