Lyle Conway Movies

Eve Ensler's theater piece The Vagina Monologues has become an international phenomenon and a source of empowerment for women of all walks of life. However, in 2005 Ensler became involved in a special production of The Vagina Monologues for a group of women whose story was not dealt with in the play -- women who used to be men. A group of transsexuals were interested in staging a version of the show that was unique to them, and Ensler not only gave her blessings to the project, but worked with the cast of transgendered performers to give the text a voice that was appropriate to their circumstances. Filmmakers Josh Aronson and Ariel Orr Jordan were on hand to witness the gestation of this unique performance, and Beautiful Daughters is a documentary which not only chronicles the writing and rehearsals for the transsexual Vagina Monologues, but explores the lives and experiences of the women performing the play, who run the gamut from a respected computer science instructor to a exotic dancer turned real estate salesperson. Produced for broadcast on the premium cable channel Logo, Beautiful Daughters was also screened as part of New York City's 2006 NewFest Film Festival. ~ Mark Deming, Rovi

After the phenomenal box-office and critical success of David Cronenberg's 1986 remake of The Fly, a series of big-budget remakes of '50s horror favorites rode in on its coattails in the late 1980s -- though none managed to rise above mere camp clones of their elders, albeit garnished with modern makeup effects in an attempt to draw modern teen horror-junkies. One remake that managed to live up to its cheesy inspiration was Chuck Russell's version of The Blob, in which the title goo crashes to earth and promptly begins digesting the residents of a small California town while growing to gargantuan proportions. The clean-cut teen hero originally portrayed by Steve McQueen (his first starring role) is replaced here with a rebellious outsider (Kevin Dillon) whose preppie rival (Donovan Leitch) for the affections of the cute heroine (Shawnee Smith) is quickly eliminated by the all-consuming space-gelatin. No sooner has the plasma menace set up house in the town sewers when a shadowy government Blob Squad shows up under the direction of the grandfatherly Dr. Meddows (Joe Seneca), to clean up the mess... or not. This high-spirited remake replaces the '50s "Daddy-O" conventions of the original with '80s cynicism -- not even likeable characters are spared from the slaughter -- and anti-government sentiment. It also pushes the gore envelope in ways unavailable to its low-budget parent -- e.g. the scene in which one victim is sucked through a sink drain was only hinted at in the 1958 film, but here viewers are treated to the entire bone-crunching ordeal. Though the quality of blob effects seems inversely proportional to the creature's size (some of the climactic "wall-of-blob" footage is painfully cheap-looking), the end result is more blob for the monster-movie fan's dollar. ~ Cavett Binion, Rovi