John W. Considine, Jr. Movies

Hoping to achieve a brilliant career as a violinist, Julia Seabrook (Ann Sothern) divorces her husband Jeff (Melvyn Douglas), feeling as though he's holding her back. But Jeff is still in love with Julia, and he's willing to move Heaven and Earth to get her back. Meanwhile, David Torrance (Lee Bowman) and Philip Barrows (Richard Ainley) also ardently pursue the mercurial Julia. And that's about all the plot there is in this wafer-thin MGM formula picture. The stars go through the same paces they've gone through in countless earlier films, filling the requisite 89 minutes with sheer personality and little else. ~ Hal Erickson, All Movie Guide

This might be a film about junk mail...but it isn't. Wallace Beery and Marjorie Main are teamed again for this rambunctious western comedy. Beery plays a horse thief who romances saloon owner Main. His goal is to marry the lady and take over her lucrative mail route. He accidentally becomes a hero; she completes the reformation. Jackass Mail made money, but it just wasn't the same as the classic Wallace Beery/Marie Dressler combo of the 1930s. Great title, though. ~ Hal Erickson, All Movie Guide

MGM's A Yank at Eton follows the same basic formula as the 1938 Robert Taylor starrer A Yank at Oxford, with a wartime angle thrown in. This time it's Mickey Rooney as the cocky young American who is shipped off to England to complete his education. Upon his arrival in the hallowed halls of Eton, Timothy Daniels (Rooney), bereft of common courtesy or a sense of tradition, wastes no time alienating the rest of the students. Eventually of course, Timothy knocks the chip off his own shoulder and becomes a model student and top athlete. Freddie Bartholomew, Rooney's costar in so many MGM classics of the 1940s, plays Timothy's upper-classman half-brother Peter Carlton, who applies a little "tough love" to bring our headstrong hero into line; also seen as the school bully is new MGM contractee Peter Lawford, who in 1938 had made his American film debut in the Rooney-Bartholomew starrer Lord Jeff. ~ Hal Erickson, All Movie Guide

Robert Taylor toughened up his image considerably with this gangster movie, which was unusual both in its plot and origins, having come from MGM, which was generally not known for its crime movies. Taylor plays a parolee who is pretending to follow the straight-and-narrow as a hardworking cabbie, but is really the mastermind behind a dog-racing track being built with mob money. Eager works every angle, has a gang that's generally in line, and also has a loyal right-hand man in Jeff Hartnett (Van Heflin, who won an Oscar), his educated assistant, who drinks too much and waxes poetic when he isn't looking after Johnny's interests (and sometimes when he is, too). Eager has only one problem, special prosecutor John Benson Farrell (Edward Arnold) -- who was also the attorney instrumental in sending Eager up -- who has gotten an injunction against the track's opening. But the hood sees an opening when he accidentally crosses paths with a young sociology student, Lisbeth Bard (Lana Turner), who is drawn to him romantically, and then finds out that she's Farrell's step-daughter. After romancing her for a few months, he sets her up in a scam, making her believe that she killed one of Eager's men (Paul Stewart). He "generously" gets her away from the scene and then informs Farrell of what has happened, pointing out that he holds the evidence against Lisbeth. Farrell has no choice but to withdraw the injunction, and the track opens, but problems ensue when rival mobsters decide to try and cut in on Eager and his racket, and he finds out that Lisbeth is so guilt-ridden over her "crime," that she's destroying herself mentally. Eager can't figure out why she feels the way she does or what to do about it, or even if he should do anything to help her, but with Jeff's help, he discovers a nobler side to his nature. Realizing that she really does love him, and knowing it's not possible for the two of them to be together, he goes out in a blaze of glory -- laced with a special irony built into the plot -- solving Lisbeth's problem and also curing her of her love for him, and settling a score or two in the process. ~ Bruce Eder, All Movie Guide

In this sequel to the 1938 boxoffice hit Boys Town, Spencer Tracy repeats his Oscar-winning role of Father Flanagan, with Mickey Rooney likewise reprising his characterization of reformed hoodlum Whitey Marsh. Still operating on the theory that "No boy is bad, if given a chance", Father Flanagan has created Boys Town, a nondemoninational sanctuary for wayward and homeless youngsters in Omaha, Nebraska. Despite the success of his operation insofar as building the character of his charges, the good Father is confronted with ever-mounting debts, and this time not even his old pawnbroker pal Dave Morris (Lee J. Cobb) can come to the rescue. Meanwhile, Whitey Marsh is adopted by the Maitlands, a wealthy couple--a fact that disillusions a sullen, crippled youngster named Ted Martley (Larry Nunn), who'd hoped that the Maitlands would choose him. Upon leaving Boys Town, Whitey tries to pay a visit to his old pal Miles Fenley, who is an inmate in a crooked reform school, but is denied entrance. Driving away from the reformatory, Whitey discovers that a boy from the school, Flips (Darryl Hickman), has stowed away in his car. Whitey agrees not to turn Flip in--a decision he has reason to regret when he is arrested for a robbery committed by Flip. Sent to the same reform school as Miles Fenley, Whitey learns first-hand of the institution's corruption and brutality. He manages to get word to Father Flanagan, who despite his ongoing financial woes takes on the reformatory's unsavory officials and secures a release for Whitey and Flip. But there is still one problem to overcome: Convincing the resentful Ted Martley that the world isn't as bad as he thinks it is. Boasting enough plots for ten films, Men of Boys Town may not have been as good as its predecessor, but it proved to be another box-office bonanza for Spencer Tracy and Mickey Rooney. ~ Hal Erickson, All Movie Guide

This box-office smash comedy of manners featured the popular Myrna Loy as Margot Sherwood Merrick, the stodgy editor of a glamorous women's fashion magazine. To protect herself from suitors and jealous wives of businessmen, she wears a gold band on the third finger of her left hand and pretends that she is married. But the wolfish artist Jeff Thompson (Melvyn Douglas) is undeterred. After his efforts to romance Margot fail repeatedly, her icy exterior finally melts and the two become involved. She then has to explain the ring to all her cronies. Jeff's idea is to pretend to be her long-lost husband, but this plan backfires and leads to some comic complications. ~ Michael Betzold, All Movie Guide

This remake of Penthouse (33) stars Walter Pidgeon as a smooth attorney with a few embarrassing friends. One of these is a gangster (Leo Carrillo) whom Pidgeon has successfully defended. When Pidgeon must go after his "pal" for murder, he is forced to go into hiding. He is also compelled to set up house with a sexy nightclub entertainer (Virginia Bruce), whose encyclopedic knowledge of the gangster's illicit activities will come in handy in court. It doesn't have quite the same bite as Penthouse, thanks mainly to tighter censorial restrictions; the nightclub singer, for example, was a hooker in the original. Both films were based on the same story by Arthur Somers Roche. ~ Hal Erickson, All Movie Guide

Stronger Than Desire is a streamlined remake of 1934's Evelyn Prentice. Instead of the earlier film's William Powell and Myrna Loy, we are offered Walter Pidgeon and Virginia Bruce in the roles of a dynamic attorney and his wife. Little has changed storywise from Evelyn Prentice: Bruce kills (or thinks she kills) a man who is blackmailing her; another woman is accused of the crime; and as luck would have it, Pidgeon defends the accused woman. The remake is inferior to the original, save for the presence of child actress Ann Todd, who as the couple's daughter is a lot more appealing than Evelyn Prentice's nails-on-the-blackboard moppet Cora Sue Collins. Sidebar: Ann Dvorak, playing an "other woman" role originated by Rosalind Russell in Evelyn Prentice, is directed in Society Lawyer by her then-husband, Leslie Fenton. ~ Hal Erickson, All Movie Guide

Clarence Brown directed this heart-tugging piece of Americana, set during the Civil War era. Walter Huston plays a stern family patriarch, a preacher who thrusts his family into poverty in order to set an example for his parishioners. As a result, his son (James Stewart) grows up to resent him. He looks to travel East and go to medical school, but his father's iron-fisted vow of poverty holds him back from education. Defying the father, his mother (Beulah Bondi) sells off part of her dowry to finance her son's education. The young man travels East and becomes so embroiled in his studies he neglects to stay in contact with his family, returning only when he receives news of his father's death. After father's passing, he goes off to war as a doctor, leaving his mother abandoned back home. Having heard nothing from her son since his departure for the Civil War, mother thinks he may have died and contacts President Lincoln (John Carradine) to investigate his whereabouts. Surprisingly, Lincoln responds to the mother's pleas and seeks to find out about the status of her son. ~ Paul Brenner, All Movie Guide

Hold That Kiss is a cute story cutely played by the irresistably cute Maureen O'Sullivan. She plays working girl June Evans, who meets handsome Tommy Bradford (Dennis O'Keefe) at a society wedding. June assumes that Tommy is wealthy, and Tommy assumes same about June. Both keep up the artifice throughout their courtship until the inevitable revelation, remonstration and reconciliation. Most MGM programmers of the 1930s included at least on "offbeat" comedy setpiece, and this one is no exception: After attending a dog show, June is obliged to go home with a huge, slobbering Saint Bernard (one wonders whether Maureen O'Sullivan enjoyed the company of the dog any more than she did the companionship of Cheeta in the "Tarzan" pictures). Stealing every scene he's in is Mickey Rooney as June's obsteperous kid brother. ~ Hal Erickson, All Movie Guide

A golddigger finds that romance doesn't always equal finance in this comedy. Crystal Wetherby (Jean Harlow) is an American widow left stranded in London with a stack of debts incurred by her late husband and barely a shilling to her name. Raymond Dabney (Robert Taylor) is the black sheep of a formerly wealthy family who has just been released from prison for fraud and is looking for work. Crystal hires Raymond to watch over her home so that her creditors won't repossess her belongings; Raymond soon learns that Crystal is being courted by his brother Claude (Reginald Owen), much to Raymond's amusement, since both Crystal and Claude are motivated less by love than the mistaken belief that the other has money. However, Crystal and Raymond become increasingly fond of each other, even though they know they're both flat broke. The supporting cast features two of Old Hollywood's favorite U.K. expatriates, E.E. Clive and Una O'Connor. ~ Mark Deming, All Movie Guide

Warner Baxter does a variation of his Oscar-winning "Cisco Kid" characterization in Robin Hood of El Dorado. Baxter plays the real-life Mexican bandit Joaquin Murietta, which the screenplay depicts as a South of the Border Jesse James. Murietta has turned criminal to avenge the death of his wife and brother at the hands of the Federales, and per the title robs the rich to give to the poor. A bit topheavy in its comic context, Robin Hood of El Dorado works on the level of a good program western. Director William Wellman cowrote the script, which was based on a pulp novel that emphasized the sensuality of Murietta's various lady friends. ~ Hal Erickson, All Movie Guide