Richard Bright Movies

In this Italian adventure, the deadly drug manufacturing and export operation of a prominent South- American drug czar is discovered by an investigative TV news correspondent and her cameraman who went to the jungle to look into evidence that a notorious, corrupt colonel is still alive. While in the jungles, they encounter hostile natives and other typical dangers. ~ Sandra Brennan, All Movie Guide

Though some viewers might be put off by its length, graphic violence, and absence of likable characters, Sergio Leone's final film is also a cinematic masterpiece. Spanning four decades, the film tells the story of David "Noodles" Aaronson (Robert De Niro) and his Jewish pals, chronicling their childhoods on New York's Lower East Side in the 1920s, through their gangster careers in the 1930s, and culminating in Noodles' 1968 return to New York from self-imposed exile, at which time he learns the truth about the fate of his friends and again confronts the nightmare of his past. The acting, the re-creation of the time period, the cinematography, and the music are all superb. However, even more important is Leone's ability to make the film work on so many different levels: it's both a criticism of gangster-film mythology and a continuation of the director's exploration of the issues of time and history. Strange as it may seem, the violence and gore in the first half of the film turn into a sad elegy about wasted lives and lost love. The film's strengths emerge only in its full 229-minute version -- the 139-minute and other edited versions don't make nearly the same impact. ~ Yuri German, All Movie Guide

This dull, routine slasher film focuses on a nighttime scavenger hunt sponsored by a sorority that takes a tragic turn when a figure in a bear costume with knives strapped to one "paw" begins slashing the women to death. Years ago, a student was killed by her mentally unbalanced boyfriend when she broke off their relationship. After his capture and trial, the young killer was sent to the local Weston Hill Sanitorium for the mentally insane -- and now he has escaped. Even though the sorority is rapidly losing members, the police are no closer to finding the killer than before they heard of the crimes, so Mac (Hal Holbrook), the original victim's father and head of campus security, goes after the serial murderer himself. Even a surprise ending cannot pull the rest of this film out of the horror doldrums. ~ Eleanor Mannikka, All Movie Guide

The excessive violence in this action thriller makes New York City look like the site of a civil war -- or rather, a nauseatingly uncivil war fought between factory workers allied with neighborhood citizens against their enemies: drug pushers and other low-lifes. At first the worker Eddie Merino (Robert Forster) refuses to join a vigilante movement, but when his wife is stabbed and his son killed by a Puerto Rican gang, Eddie eventually opts for his own right to kill. His decision is not allowed to come quickly, he is made to agonize a bit longer. When the gang leader (singer Willie Colón) who killed Eddie's son is caught and brought up for trial, he gets off with a suspended sentence because of a corrupt defense lawyer and an inept judge. Eddie attacks the judge in court and is sent to jail for contempt. When he gets out of jail, he becomes a vigilante, out to kill the guilty or those he sees as protecting the guilty in the death of his son. From then on, a non-stop bloodbath takes over as the star of the film. ~ Eleanor Mannikka, All Movie Guide

In this melodramatic prison flick a convicted killer makes a bad impression on his fellow inmates after he causes trouble with the leader of the prisoners. ~ Sandra Brennan, All Movie Guide

CB radios provide a human connection between the lives of a collection of varied characters in Jonathan Demme's energizing film that exploits the CB radio craze of the mid-'70s. Chrome Angel (Charles Napier) is a truck driver who has an accident and is laid up recuperating at the home of Hot Coffee (Alix Elias). A road-roaring philanderer, Chrome Angel is a bigamist with a wife, Dallas (Ann Wedgeworth), in Dallas and another wife, Portland (Marcia Rodd), in Portland. The two women converge in a small town where Spider (Paul Le Mat) and his embittered brother Blood (Bruce McGill) are both trying to date Electra (Candy Clark). The characters' CB monikers weave the characters into the same CB waveband, exemplifying the interconnectedness of an American subculture. ~ Paul Brenner, All Movie Guide

Doc Levy (Roy Scheider) is an American secret agent who has been running interference between the U.S. government and escaped Nazi war criminal Szell (Laurence Olivier). Believing that Doc has stolen a valuable cache of gems, Szell emerges from his South American hiding place and heads for New York. He has Doc killed, then kidnaps Doc's in-the-dark brother, Babe (Dustin Hoffman). Repeating the phrase "Is it safe?" over and over, Szell, a onetime concentration camp dentist, tries to extract information from Babe by performing sadistic "oral surgery" upon him. Babe, who still doesn't know about the gems, escapes, breaking his own self-imposed rule of nonviolence to defend himself against his pursuers and gearing up for sadistic revenge. ~ Hal Erickson, All Movie Guide

Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption. ~ Lucia Bozzola, All Movie Guide

Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, All Movie Guide

A couple loves heroin as much as they love each other in Jerry Schatzberg's grim drug drama. After an illegal abortion at the behest of her faithless lover (Raul Julia), lost innocent Helen (Kitty Winn) finds solace with small-time crook Bobby (Al Pacino), a regular in Manhattan's "Needle Park." As Bobby shows her around his Upper West Side world, the two become inseparable. When Helen realizes that Bobby is a full-blown junkie, she joins him in addiction, and their downward spiral begins in earnest. Weathering overdoses, prostitution, betrayals, and a "panic" after a major bust, the pair manages to stick together, the habit sealing their fate. ~ Lucia Bozzola, All Movie Guide

Agnes Varda directed this drama which combines formal dramatic structures with the openness of improvisational cinema verite. Independent filmmaker Shirley Clarke plays an avant-garde film director attempting to work with a major studio to finance her next project, in which she hopes to collaborate with James Rado and Jerome Ragni, creators of the musical Hair (who play themselves). She also wants to use Andy Warhol superstar Viva (who also appears as herself) as her leading lady. However, after much give and take between herself and the moneymen, the director learns that the plug has been pulled on her project, pushing her to the brink of suicide. Incorporating newsreel footage and excerpts from the work of poet and playwright Michael McClure into its narrative, Lions Love also features appearances by European screen tough guy Eddie Constantine and noted film writers Carlos Clarens and Peter Bogdanovich, the latter a year after he made his (credited) directorial debut with Targets and two years before his breakthrough with The Last Picture Show. ~ Mark Deming, All Movie Guide