Chris Columbus Movies

Writer-director Chris Columbus mines Paddy Chaveysky's Marty for this bittersweet comedy about a lonely 38-year old Chicago cop dominated by his harridan mother. Danny Muldoon (John Candy), in spite of being well known and well liked in his neighborhood, still lives at home with his mother Rose (Maureen O'Hara, returning to the screen after a twenty year absence) and spends most of his time worrying about her. One night at the local Irish bar, he meets the shy Theresa Luna (Ally Sheedy), whose father is the local funeral director, and both Danny and Theresa immediately fall in love. The only obstacle to their happiness is the jaded opinions of Danny's friends. Rose, in particular, launches into a bigoted Italian salvo that intimidates Danny, making it difficult for him to continue the relationship. ~ Paul Brenner, All Movie Guide

The crew of an experimental, high-tech submersible is called into action to investigate a mysterious nuclear submarine crash. A series of strange encounters leads the crew to suspect the accident was caused by an extraterrestrial craft, and that they may be participating in an encounter with an alien species. However, in order to make contact, they must not only brave the abyss, an exceedingly deep underwater canyon, but also deal with the violent actions of one of their own crew members, an increasingly paranoid Navy SEAL officer. Approved by director James Cameron, The Abyss: Special Edition is an extended director's cut of the 1989 underwater science fiction epic, reinstating nearly a half hour of footage removed from the original release under studio pressure. Much of the restored footage places the film's events in a grander political context, as the crew's mission becomes a factor in the dangerous escalation of nuclear tension between the U.S. and the Soviet Union. The largest change involves the film's ending, which provides further information on the aliens' mission on Earth, bringing the film to closer to Cameron's intention: a modern remake of Robert Wise's The Day the Earth Stood Still. ~ Judd Blaise, All Movie Guide

Johnny Wolfe (Charlie Schlatter) is an Ohio teen whose alcoholic mother Marie (Tuesday Weld) has been a huge Elvis Presley fan since the 1950s. To cheer her up on her birthday, Johnny kidnaps the king of rock & roll (David Keith) after a 1972 concert. Elvis settles in to the Wolfe's den by decorating the house to his flamboyant tastes and helping Marie and her daughter Pam (Angela Goethals) through some difficult times. After Johnny convinces Elvis to perform with him at a high-school talent competition, he also lectures Elvis that he has lost touch with his roots and urges him do drop his schmaltzy Las Vegas image. This implausible but entertaining feature was given the go-ahead by the Presley estate and contains none of the legendary excesses that led to the king's death in 1977. ~ Dan Pavlides, All Movie Guide

In this hit '80s hybrid of the horror movie and the teen flick, a single mom and her two sons become involved with a pack of vampires when they move into an offbeat Northern California town. Lucy (Dianne Wiest) and her sons, Michael (Jason Patric) and Sam (Corey Haim), move to Santa Carla to live with Lucy's lovable but curmudgeonly father (Barnard Hughes). Lucy gets a job from video store-owner Max (Edward Herrmann), then begins dating him, while Sam hangs out with Edward and Alan Frog (Corey Feldman and Jamison Newlander), a pair of vampire-obsessed comic-shop clerks. Soon Michael falls in with some actual vampires after becoming enamored of one of their victims: Star (Jami Gertz), a gypsy-like vixen who is trying to hold onto her humanity even though vampire leader David (Kiefer Sutherland) wants to play Peter Pan to her Wendy. When Michael visits the cavernous hangout of David and his cronies and unwittingly drinks from a wine bottle full of vampiric blood, he becomes an unwilling member of the bloodsucker biker gang. Soon, it's up to Sam and the Frog brothers to destroy David and his ilk without killing Michael and Star. Shot on location in the coastal California town of Santa Cruz and directed by Hollywood pro Joel Schumacher, The Lost Boys became a pop-culture phenomenon thanks to its attractive young stars, offbeat soundtrack, and hip, clever marketing campaign; the film's tagline -- "Sleep all day. Party all night. Never grow old. Never die. It's fun to be a vampire." -- perfectly captured its knowing mixture of attitude and gore. The effects team who transformed Sutherland and company into snarling blood-suckers would go on to provide equally gruesome effects for Blade, another revisionist vampire flick, more than a decade later. ~ Brian J. Dillard, All Movie Guide

Leonard Maltin wasn't alone when he noticed similarities between Goonies and the 1934 Our Gang comedy Mama's Little Pirate. Adapted by Chris Columbus from a story by Steven Spielberg, the film follows a group of misfit kids (including such second-generation Hollywoodites as Josh Brolin and Sean Astin) as they search for buried treasure in a subterranean cavern. Here they cross the path of lady criminal Mama Fratelli (Anne Ramsey) and her outlaw brood. Fortunately, the kids manage to befriend Fratelli's hideously deformed (but soft-hearted) son (John Matuszak), who comes to their rescue. The Spielberg influence is most pronounced in the film's prologue and epilogue, when the viewer is advised that the film's real villains are a group of "Evil Land Developers." The musical score makes excellent use of Max Steiner's main theme from The Adventures of Don Juan, not to mention contributions by the likes of Richard Marx and Cyndi Lauper. ~ Hal Erickson, All Movie Guide

"Don't expose him to bright light. Don't ever get him wet. And don't ever, ever feed him after midnight." This sage advice is ignored midway through Gremlins, with devastating results. This comic Joe Dante effort is set in a Norman Rockwell-esque small town at Christmastime. Seeking a unique gift for his son an erstwhile inventor (Hoyt Axton) purchases a cute, fuzzy little "Mogwai" from a Chinatown shopkeeper's (Keye Luke) grandson (John Louie), who dispenses the above-mentioned warning before closing the deal. Meanwhile, young bank clerk Billy Peltzer (Zach Galligan) must suffer such antagonists as rich-bitch Mrs. Deagle (Polly Holliday) and priggish Gerald (Judge Reinhold) while pursuing his romance with Kate (Phoebe Cates). These and a variety of other plot strands are tied together when the lovable mogwai (named Gizmo) is exposed to bright light and gotten wet. In short order, the town is invaded by nasty, predatory Gremlins, who lay waste to everything in sight as Billy and Kate try to contain the destruction. Like most of Joe Dante's works, Gremlins is chock-full of significant cameo appearances: in this instance, such pop-culture icons as Dick Miller, Jackie Joseph, Chuck Jones, Scott Brady, Harry Carey Jr., Steven Spielberg (the film's executive producer) and even Robby the Robot all show up briefly on screen. ~ Hal Erickson, All Movie Guide

Straight-laced Henry Winkler takes a night-shift job as a morgue attendant. Winkler falls under the spell of wheeler-dealer coworker Michael Keaton, whose catchphrase "Is this a great country or what?" is the clarion call for his many get-rich-quick schemes. His latest plan is to turn the morgue into a nocturnal brothel, for the benefit of anything-goes hooker Shelley Long-and incidentally, to line their own pockets. Director Ron Howard and his frequent scripters Lowell Ganz and Babaloo Mandel turn the potentially lurid story material of Night Shift into an endearing comedy, with winning performances from its three often miscast stars. Keep an eye out during one of the party sequences for Kevin Costner as a carousing college boy. ~ Hal Erickson, All Movie Guide