Ray Collins Movies
A descendant of one of California's pioneer families, American actor Ray Collins' interest in the theatre came naturally. His father was drama critic of the Sacramento Bee. Taking to the stage at age 14, Collins moved to British Columbia, where he briefly headed his own stock company, then went on to Broadway. An established theatre and radio performer by the mid-1930s, Collins began a rewarding association with Orson Welles' Mercury Theatre. He played the "world's last living radio announcer" in Welles' legendary War of the Worlds broadcast of 1938, then moved to Hollywood with the Mercury troupe in 1939. Collins made his film debut as Boss Jim Gettys in Welles' film classic Citizen Kane (1940). After the Mercury disbanded in the early 1940s, Collins kept busy as a film and stage character actor, usually playing gruff business executives. Collins is most fondly remembered by TV fans of the mid-1950s for his continuing role as the intrepid Lt. Tragg on the weekly series Perry Mason. ~ Hal Erickson, All Movie Guide- 1952
Dreamboat stars Clifton Webb as Thornton Sayre, the perfectionist professor of literature at a sedate Midwestern university. Widowed and with a pretty daughter (Anne Francis), Sayre has given no clue to his previous life before becoming a teacher. But thanks to television, everyone discovers that Sayre is actually Bruce Blair, a former silent screen star known as "America's Dreamboat." Sayre's onetime leading lady (Ginger Rogers) has made a comeback hosting screenings of her old films on TV, and the result is acute embarrassment for both the professor and his college. Sayre takes the case all the way to court, where he wangles a compromise agreement: he will permit his films to be televised as long as they're not "doctored" to accommodate commercial endorsements (this was based on a real-life lawsuit involving cowboy Gene Autry -- which Autry lost). The ensuing publicity costs Sayre his college job, but the renewal of interest in his old films results in a new movie contract. Although silent movies and singing commercials are easy satirical targets, Dreamboat still delivers the laughs, and it's fun to see Clifton Webb camping it up as a "Doug Fairbanks" type. ~ Hal Erickson, All Movie Guide
- Starring:
- Clifton Webb, Ginger Rogers, (more)
- 1951
This third entry in Universal's money-spinning "Ma and Pa Kettle" series once more stars Marjorie Main and Percy Kilbride as the title characters. This time, the Kettles extend their hospitality to their stuffy Boston in-laws (Ray Collins and Barbara Brown). Trouble brews when the Bostonites offer to raise the Kettles' grandson in a more "suitable" environment--namely, their own. The plot goes off on another tangent when it is presumed that the Kettle farm is rich with uranium. Ma and Pa Kettle Back on the Farm delivers the goods for fans of the series, and even provides a few bright and funny moments for non-fans. ~ Hal Erickson, All Movie Guide
- Starring:
- Marjorie Main, Percy Kilbride, (more)
The old "Cain and Abel" plot device is redefined within Western terms in MGM's Vengeance Valley. Burt Lancaster stars as ranch-hand Owen Daybright, who has been raised as a son by rancher Arch Stroble (Ray Collins). Stroble's natural son Lee (Robert Walker) has always been envious of Owen, who in turn has spent most of his life pulling Lee out of trouble and keeping the boy's misdeeds a secret from the elder Stroble. When Lee fathers an illegitimate child, he tries to shift the responsibility on Owen, leading to a life-threatening confrontation with the vengeance-seeking brothers of the baby's mother (Sally Forrest). There's plenty more plot twists before virtue finally triumphs. Joanne Dru co-stars as Lee's long-suffering wife Jen, who harbors a secret yen for Owen. Since lapsing into public domain, Vengeance Valley has shown up with increasing frequency on cable television; it has also been made available in a narrated version for the visually impaired. ~ Hal Erickson, All Movie Guide
- Starring:
- Burt Lancaster, Robert Walker, (more)
- 1951
- NR
The Racket was based on a play by Bartlett Cormack, first filmed as a silent in 1928. The storyline was updated to include references to Estes Kefauver's Senate Crime Investigating Committee: otherwise, the plot (and much of the dialogue) was lifted bodily from the Cormack play. Racketeer Robert Ryan has managed to get several government and law-enforcement higher-ups in his pocket. But Ryan can't touch the incorruptible police officer Robert Mitchum, who refuses all attempts at bribery. Ryan pulls strings to get Mitchum transferred to a series of undesirable precincts, but Mitchum will not be dissuaded. The battle of wills between cop and criminal comes to a head when mob-connected nightclub singer Lizabeth Scott turns on her former protector Ryan. The Broadway version of The Racket starred Edward G. Robinson as the racketeer; the 1928 film version featured Louis Wolheim in the Robinson role and Thomas Meighan as the upright cop. Both the silent and sound versions of the property were personally produced by Howard R. Hughes. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Mitchum, Lizabeth Scott, (more)
Gary Cooper stars in this broad naval farce, directed by Henry Hathaway and based upon a John W. Hazard New Yorker magazine story. Cooper plays Lieutenant John Harkness, a wet-behind-the ears naval lieutenant who is given command of his first ship. Unfortunately, not only is Harkness new to commanding a naval vessel, but the crew and his subordinate officers are also new at their jobs. Only two old deck hands know the score. And, while Harkness is trying to figure out naval protocol, he also has to deal with the contraption in the engine room, which turns out to be an elaborate steam engine that powers the ship. ~ Paul Brenner, All Movie Guide
- Starring:
- Gary Cooper, Jane Greer, (more)
- 1951
Columbia and Universal were the leading purveyors of well-crafted "little" pictures in the 1950s. It was Universal who put together Reunion in Reno, which opens with little Maggie (Gigi Perreau) walking into the offices of divorce-attorney Norman (Mark Stevens), demanding a divorce from her parents! It seems that Maggie is an adoptee, who fears that she'll be left in the lurch when mom (Frances Dee) and dad (Leif Erickson) become natural parents, which will happen very soon. As Norman strives to solve his youthful "client"'s problems, problems, he decides at long last to wed his own fiancee Laura (Peggy Dow) -- though if ever there was a strong argument against marriage and parenthood, it is the precocious Maggie. Elements of Reunion in Reno were later reworked into the 1984 comedy Irreconcilable Differences. ~ Hal Erickson, All Movie Guide
- Starring:
- Mark Stevens, Peggy Dow, (more)
- 1951
Upon beginning production on his Korean-war drama I Want You, producer Sam Goldwyn lamented "I've just brought those boys back from the war, and now I have to send them out again!" Goldwyn, of course, was referring to his Oscar-winning "homecoming" drama Best Years of Our Lives. He'd hoped that I Want You would be 1951's "answer" to that post-WW II classic, and while the later film falls short of that goal, it still has much to recommend it. The scene is a small town in the Eastern United States, where the outbreak of hostilities in Korea has a profound effect on several people. WW II veteran Martin Greer (Dana Andrews) wants to re-enlist, much to the dismay of his wife Nancy (Dorothy McGuire). Draftee Jack Greer (Farley Granger) fears that his military service will permanently shelve his plans to marry Carrie Turner (Peggy Dow). Jack's mother Sarah (Mildred Dunnock), having already lost one son in the war, resents the pro-American jingoism of her husband Thomas (Robert Keith). And George Kress, Jr. (Martin Milner) must contend with his possessive father George Kress, Sr. (Walter S. Baldwin), who'll do anything to keep his son out of uniform (Incidentally, both Dana Andrews and Walter S. Baldwin had previously appeared in Best Years of Our Lives). Screenwriter Irwin Shaw adapted I Want You from a series of human-interest articles by Edward Newhouse, which first appeared in The New Yorker. ~ Hal Erickson, All Movie Guide
- Starring:
- Dana Andrews, Dorothy McGuire, (more)
- 1950
Lizabeth Scott and Diana Lynn are both effectively cast against type in Paid in Full. Scott plays Jane Langley, the spectacularly self-sacrificial older sister of selfish, reckless Nancy Langley (Lynn). Though she is in love with Bill Prentice (Robert Cummings), Jane gives him up to Nancy. And when Jane accidently causes the death of Nancy's child, she vows to makes amends by the most direct means possible. What follows is within the Production Code guidelines of the era -- but just barely. An unabashed "woman's picture" (that's what they called them back in 1949), Paid in Full doesn't always play well today, since viewers might be tempted to yell "Get real, Lizabeth!" at the screen. Still, it worked beautifully for its original target audience, especially those who'd read the factual Reader's Digest article upon which it was based. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Cummings, Lizabeth Scott, (more)
- 1950
William Bendix is perfectly cast as a diehard baseball fan who hates umpires with every fibre of his being. Bendix' devotion to baseball has lost him job after job, so his father-in-law (Ray Collins)--who happens to be an umpire--forces Our Hero to enroll in umpire school. Eventually Bendix learns to respect his new job, even gaining a measure of popularity by earning the nickname "Two-Call Johnson" (the result of double vision brought about by an overdose of eye drop medicine). But when Bendix calls a play against a popular pitcher, he is accused of cheating by the angry fans. Forced to disguise himself to get to the Big Game, Bendix arrives at the ball park to a chorus of "boos." Exonerated by the pitcher, who praises the umpire's honesty, Bendix is the hero of the day...until he makes another unpopular call two seconds later. Kill the Umpire is climaxed by a zany chase sequence scripted by former cartoon director Frank Tashlin. ~ Hal Erickson, All Movie Guide
- Starring:
- William Bendix, Una Merkel, (more)
- 1950
The second of Universal's "Ma and Pa Kettle" series, Ma and Pa Kettle Go to Town stars, as ever, Marjorie Main and Percy Kilbride. This time, the Kettles win a letter-writing contest, which offers as first prize an all-expense-paid trip to New York City. Once in Manhattan, the huge Kettle brood raises all sorts of Holy Ned, culminating in an episode involving stolen bank money. Somehow this all ends with a riotous, slapstick-laden square dance. The film's romantic subplot is handled by Richard Long as oldest son Tom Kettle and Meg Randall as his high-society wife Kim. Also carried over from the first Kettle entry are Ray Collins and Barbara Brown as the Kettle's wealthy in-laws. A winner at the box-office, Ma and Pa Kettle Go to Town helped pay for many of Universal's "prestige" releases of 1950. ~ Hal Erickson, All Movie Guide
- Starring:
- Marjorie Main, Percy Kilbride, (more)
- 1950
MGM's The Reformer and the Redhead was the first directorial collaboration of longtime screenwriting partners Norman Panama and Melvin Frank. The reformer is Andrew Rockton Hale (Dick Powell), a mayoral candidate. Hale butts heads with a corrupt political machine, which has recently ordered the firings of several innocent city employees, including zookeeper Kevin Maguire (Cecil Kellaway). The redhead in the case is Maguire's daughter Kathleen (June Allyson), who joins Hale's election team, only to turn on him after a series of misunderstandings. The farcical proceedings culminate in a bit of Bringing Up Baby-style slapstick involving a ferocious lion. By the time Reformer and the Redhead was filmed, Dick Powell and June Allyson had been married for five years. ~ Hal Erickson, All Movie Guide
- Starring:
- June Allyson, Dick Powell, (more)
Summer Stock represented Judy Garland's swan song at MGM. Garland plays the owner of a New England farm which entrepreneur Gene Kelly hopes to convert into a summer theatre. Gloria DeHaven, a member of Kelly's troupe, also happens to be Garland's sister. Aware that the farm is having financial difficulties, DeHaven talks the recalcitrant Garland into allowing the troupe to set up shop in the barn. All sorts of romances wind their way through the summer air as Kelly mounts his production. In the long-anticipated finale, Garland herself steps into the leading-lady slot vacated by her petulant sister DeHaven, and of course the show is a smasheroo. To watch Garland joyfully perform such numbers as "Friendly Star," "If You Feel Like Singing, Sing," and her legendary "drag" specialty "Get Happy," you'd never suspect that she was on the verge of a nervous breakdown (the film opened while Garland was recovering from a suicide attempt). Adding to the overall exuberance of Summer Stock are such dependable supporting players as Eddie Bracken, Phil Silvers, Marjorie Main and Hans Conried (cast as the troupe's resident romantic baritone!) ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Garland, Gene Kelly, (more)
The hero of Ayn Rand's The Fountainhead is Howard Roark (Gary Cooper), a fiercely independent architect obviously patterned after Frank Lloyd Wright. Rather than compromise his ideals, Roark takes menial work as a quarryman to finance his projects. He falls in love with heiress Dominique (Patricia Neal), but ends the relationship when he has the opportunity to construct buildings according to his own wishes. Dominique marries a newspaper tycoon (Raymond Massey) who at first conducts a vitriolic campaign against the "radical" Roark, but eventually becomes his strongest supporter. Upon being given a public-housing contract on the proviso that his plans not be changed in any way, Roark is aghast to learn that his designs will be radically altered. Roark sneaks into the unfinished structure at night, makes certain no one else is around, and dynamites the project into oblivion. At his trial, Roark acts as his own defense, delivering an eloquent paean to individuality. He is acquitted, while the newspaper tycoon, upset that he could offer Roark no help during the trial, kills himself. This clears the way for a final clinch between Roark and Dominique on the skeleton of his latest building project. Ayn Rand's celebration of Objectivism didn't translate very well to film, with Gary Cooper coming off more selfish and petulant than anything else. The Fountainhead's saving graces are the solid direction by King Vidor, the rhapsodic musical score by Max Steiner, and the symbolism inherent in Cooper's manipulation of his power drill when he first lays eyes on Patricia Neal! ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Patricia Neal, (more)
- 1949
Hoping to shed itself of the onus of its low-budget predecessor PRC Pictures, Eagle-Lion productions occasionally invested in such above-average endeavors as Red Stallion in the Rockies. Color-filmed on location in Colorado, the story revolves around a former circus horse who has escaped to the hills. The stallion poses a threat to local horse ranchers via its habit of "kidnapping" prize mares for his own female entourage. When the ranchers organize and set out to kill the stallion, he is sheltered and protected by circus worker Arthur Franz and Wallace Ford. Only by committing an act of heroism does the stallion receive a stay of execution. Silent-screen star Leatrice Joy makes a rare talkie appearance as the wife of wealthy rancher Ray Collins. ~ Hal Erickson, All Movie Guide
- Starring:
- Arthur Franz, Wallace Ford, (more)
Glenn Ford is top-billed in Man From Colorado, though he's anything but a hero. Ford plays a seriously disturbed Civil War vet who kills because he enjoys killing. William Holden, Ford's army buddy, tries to stem Ford's homicidal tendencies. When Ford is appointed the "hanging" judge of a Colorado town, Holden signs on as his deputy. The final break between the two onetime friends comes when Holden casts his lot with a group of disgruntled miners whom Ford has disenfranchised. A fistfight in a burning building brings the no-nonsense Man From Colorado to a brutal conclusion. ~ Hal Erickson, All Movie Guide
- Starring:
- Glenn Ford, William Holden, (more)
- 1949
A pleasant comedy with serious undertones, Free for All stars Robert Cummings as erstwhile inventor Christopher Parker. Hoping to secure a patent on his latest invention--a formula that turns water into gasoline--Parker is flummoxed by yards and yards of governmental and bureaucratic red tape. He also faces formidable opposition in the form of avaricious oil-company executive Blair (Ray Collins). Thankfully, Peterson can occasionally seek comfort in the arms of Alva (Ann Blyth), fortuitously the daughter of sympathetic patent-office employe Mr. Abbott (Percy Kilbride). Within a few years, the heat generated by the House UnAmerican Activities Committee would preclude the on-screen depiction of a villainous oil executive (this particular stereotype would, however, stage a comeback during the energy crises of the 1970s). Outside of its satirical jibes, Free for All scores its biggest laughs when concentrating on the various eccentrics (Percy Helton, Harry Antrim et. al.) dwelling in Mr Abbott's gadget-laden boarding house. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Cummings, Ann Blyth, (more)
- 1949
Reliable serial and western leading lady Adrian Booth is awarded top billing in Republic's Hideout. Hannah (Booth) and Edie (Sheila Ryan) vie for the attentions of naïve attorney George Browning (Lloyd Bridges). Our hero wises up in a hurry when he takes on a gang of jewel thieves, headed by Fogerty (Ray Collins). Comic actor Alan Carney, of the "Brown and Carney" comedy team, turns in an unexpectedly sinister performance as Collins' chief henchman. Hideout was based on a serialized Saturday Evening Post story by William Porter. ~ Hal Erickson, All Movie Guide
- Starring:
- Adrian Booth, Lloyd Bridges, (more)
- 1949
Lloyd Bacon's baseball comedy stars Ray Milland as Vernon Simpson, a chemist who develops a product which repels wood. Signing on with a major league team as a pitcher, he throws screwballs doctored with his solution, becoming a sensation who strikes out every batter he faces. ~ Jason Ankeny, All Movie Guide
- Starring:
- Ray Milland, Jean Peters, (more)
- 1949
One wonders if Donald O'Connor would have consented to star in Francis if he knew that a series was to follow. Adapted by David Stern from his own novel, the film stars O'Connor as GI Peter Sterling, who appears to be bucking for a Section Eight. Seems that Sterling keeps insisting that Francis, a cantankerous Army mule, has the power of speech. It turns out that Francis not only can talk, but is also a superb military strategist. With Francis' help, Sterling breaks up a Nazi spy ring and becomes a hero -- but this is only the beginning, as the future entries in Universal's Francis series would prove over and over. Providing able support to the hapless O'Connor are Patricia Medina, Ray Collins, and especially ZaSu Pitts as a bewildered Army nurse. The voice of Francis is provided by Chill Wills, who likewise showed up in most of the Francis sequels, and who, like O'Connor, bailed out before the final entry, Francis in a Haunted House (1956). ~ Hal Erickson, All Movie Guide
- Starring:
- Donald O'Connor, Patricia Medina, (more)
Henry James based his 1881 novella Washington Square on a real-life incident, wherein a young actor of his acquaintance married an unattractive but very wealthy young woman for the express purpose of living the rest of his life in luxury. Washington Square was turned into a stage play in 1946 by Ruth and Augustus Goetz; this, in turn was adapted for the movies under the title The Heiress. Olivia DeHavilland won an Academy Award (her second) for her portrayal of Catherine Sloper, the plain-Jane daughter of wealthy widower Dr. Austin Sloper (Ralph Richardson). Catherine is not only unattractive, but lacks most of the social graces, thanks in great part to the domineering attitudes of her father. When Catherine falls in love with handsome young Morris Townsend (Montgomery Clift), she is convinced that her love is reciprocated, else why would Morris be so affectionate towards her? Dr. Sloper sees things differently, correctly perceiving that Morris is a callow fortune hunter. Standing up to her father for the first time in her life, Catherine insists that she will elope with Morris; but when Dr. Sloper threatens to cut off her dowry, Morris disappears. Still, Catherine threatens to run off with the next young man who pays any attention to her; Sloper, belatedly realizing how much he has hurt his only child, arranges to leave her his entire fortune. Years pass: Morris returns, insisting that he'd only left because he didn't want to cause Catherine the "grief" of being disinherited. Seemingly touched by Morris' "sincerity", Catherine agrees to elope with him immediately. But when Morris arrives at the appointed hour, he finds the door locked and bolted. Asked how she can treat Morris so cruelly, Catherine replies coldly "Yes, I can be very cruel. I have been taught by masters." Though The Heiress ends on a downbeat note, the audience is gratified to know that Catherine Sloper has matured from ugly-duckling loser to a tower of strength who will never allow herself to be manipulated by anyone ever again. ~ Hal Erickson, All Movie Guide
- Starring:
- Olivia de Havilland, Montgomery Clift, (more)
- 1948
When Homecoming was first released in 1948, some observers felt that Clark Gable's unusually sensitive performance was based on his own memories of losing his wife Carole Lombard in a 1942 plane crash. Intriguingly, Gable's Homecoming co-star is Lana Turner, with whom it was rumored that he was having an affair at the time of Lombard's death. Told in flashback, the story concerns the romance of war-time army surgeon Ulysses Delby Johnson (Gable) and Red Cross nurse Lt. Jane "Snapshot" McCall (Turner). Though married, Johnson cannot help to be drawn to Jane as they slog through the hellish battlegrounds of Italy and France. As the war draws to a close, Johnson is faced with a dilemma: how can he find happiness with Jane without bringing misery to his beloved wife Penny (Anne Baxter). As it turns out, Fate intervenes to solve Johnson's problem. Though well-acted and directed, Homecoming is just too thin to be spread out over 12 reels. ~ Hal Erickson, All Movie Guide
- Starring:
- Clark Gable, Lana Turner, (more)
- 1948
Small-town department store manager Sam Clayton (Gary Cooper) is a born "Good Samaritan", which in his case translates as "sucker." Much to the dismay of his wife Lu (Anne Sheridan), who'd like to save up enough cash for a new house, Sam habitually gives his money away to one "deserving" soul or other. But when Sam himself is in dire financial difficulty, none of the people to whom he's extended his generosity come to his aid. Disillusioned, he goes on a bender and disappears into the night. Thanks to Lu's not-so-gentle remonstrations, however, Sam's debtors finally own up to their obligations, and a happy ending is had by all. Producer/director Leo McCarey has a good thing going in the first few reels of Good Sam, but eventually loses control of the film, resulting in a great deal of illogical plot twists and character transformations in the final footage. Still, it's interesting to watch Gary Cooper doing what amounts to an imitation of Jimmy Stewart. Originally released a 128 minutes, Good Sam was pared down to 114 minutes for reissue. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Ann Sheridan, (more)
Command Decision is a stagebound but consummately acted adaptation of William Wister Haines' Broadway play. Clark Gable, starring in the role essayed on Broadway by Paul Kelly, plays Air Force Brigadier General "Casey" Dennis. With time at a premium, Dennis sends waves of bomber squadrons into Germany to knock out the enemy's jet plane factories. Though Dennis seems utterly unconcerned about the fate of his pilots (even his superior officer Walter Pidgeon is appalled by the heavy losses), the audience knows that his duty is exacting a severe emotional toll on him. Thanks to pressure from a misguided US senator, "butcher" Dennis is replaced by the supposedly more humane Brian Donlevy. But Donlevy realizes that Gable's decisions were the correct ones, and he vows to continue his predecessor's "suicide missions". ~ Hal Erickson, All Movie Guide
- Starring:
- Clark Gable, Walter Pidgeon, (more)
- 1948
Deanna Durbin's career was clearly on the downswing when she starred in For the Love of Mary. Durbin plays a switchboard operator at the White House, whose hiccuping spells throw several incoming special-interest callers into a tizzy. The President himself cures Durbin of her hiccups, thereby becoming entangled with the girl's various romances. She, in turn, finds herself neck-deep in numerous political intrigues. A forgettable comedy with disposable songs, For the Love of Mary turned out to be Deanna Durbin's last picture. The onetime mortgage-lifter of Universal Pictures was tired of the Hollywood grind and of fighting a losing battle with her fluctuating weight; thus she retired to France with her director-husband Charles David. ~ Hal Erickson, All Movie Guide
- Starring:
- Deanna Durbin, Edmond O'Brien, (more)
- 1947
- NR
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Judge Myrna Loy decides that the best way to curb the excesses of playboyish art teacher Cary Grant is to force him to do what he does best--romance a willing young lady. In this instance, the girl is Loy's own sister, played by a blossoming Shirley Temple. Aware that Temple has a serious crush on Grant, Loy orders him to date the teen-aged Temple until the girl gets him out of her system; he is also ordered to keep his hands to himself lest he wind up in the pokey. Grant finds the irrepressible Temple rather wearisome, but he throws himself into his sentence full-force, donning teenaged clothes, speaking in nonsense slang ("Voodoo! Who Do? You Do!" etc.) and participating in the athletic events at a high school picnic. Grant eventually divests himself of Temple by arranging for her to fall for a boy her own age; meanwhile, Loy realizes what we've realized all along--that it is she who is truly smitten by Grant. Adding to the frothy fun of Bachelor and the Bobby-Soxer are the supporting performances of Ray Collins as a sagacious psychologist and Rudy Vallee as a stuffy district attorney. The film's screenplay won an Academy Award for Sidney Sheldon, who went on to create I Dream of Jeannie and to matriculate into a best-selling novelist. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Irving Bacon, (more)
