Jane Alexander Movies

Sea Turtles: Ancient Nomads features beautiful underwater photography, with footage of sea turtles gliding through the ocean, flapping gracefully as if flying. Narrated by actress Jane Alexander, this Audubon Society documentary shows how this ancient species, which can live to be 100 years old, hatches its newborns by the thousands on sandy beaches. The baby turtles clamber into the sea and embark on a perilous journey across thousands of miles to reach their home waters. This documentary examines the mystery of how years later the turtles remember the beach where they were born, returning there to spawn another generation. ~ Steve Blackburn, All Movie Guide

In a rare dereliction of duty, veteran officer Pete Malloy (Martin Milner) allows a traffic violator to go free so that he and Jim Reed (Kent McCord) can answer an emergency call. This failure to follow proper procedure comes back to haunt Malloy when the freed violator turns out to be a prime suspect in several armed robberies. Further vexing Pete and Jim is a false-alarm murder threat that pulls them away from more important duties. ~ Hal Erickson, All Movie Guide

A Gunfight was the first mainstream American film to be produced by an Indian tribe -- specifically, the Jicarilla Apaches of New Mexico. Kirk Douglas and Johnny Cash star as Will and Abe, two long-in-tooth gunfighters with nary a dime between them. Although Will and Abe are fast friends, they agree to a winner-take-all showdown, selling tickets to the momentous event. The townspeople are certain that Will is going to win the shootout, but he knows that it would be a fatal mistake to underestimate Abe. Standing on the sidelines is Will's wife Nora (Jane Alexander), who seems curiously disinterested in the outcome, even though she may become a widow before the day is over. Despite the financial input of the Jicarilla tribe, A Gunfight has nothing to do with Indians; perhaps the tribe just wanted to put together a good, old-fashioned western, sans any social commentary. ~ Hal Erickson, All Movie Guide

A young man finds himself trapped in a cycle of reincarnation, reliving the same twenty five years over and over, in this strange drama that was the master's thesis at USC for filmmaker Alan Gadney. ~ Sandra Brennan, All Movie Guide

The 1947 film comedy Miracle on 34th Street starred Edmund Gwenn as a bearded gentleman named Kris Kringle, who was convinced that he was the genuine Santa Claus. The earlier Miracle was good enough as it stood, so why remake it? Still, the full-color 1973 Miracle on 34th Street has the considerable advantage of Sebastian Cabot, his trademarked beard dyed snowy white, as Kringle, so it isn't as bad as expected. The story, which involves the commercial and legal ramifications of the "real" Santa taking a job as a department store Santa at Macy's, was barely updated for the 1970s, meaning that several of the plot devices--including a nasty psychiatrist who has Kringle committed--were somewhat anachronistic. The uplifting final scene, wherein a cynical little girl becomes a true believer of Santa Claus (as do the adults in the story), still works well in the remake, even though Suzanne Davidson isn't in the same league as the original Miracle's Natalie Wood. The TV-movie version of Miracle on 34th Street wasn't too successful, but that didn't stop John Hughes from churning out a second remake in 1994. ~ Hal Erickson, All Movie Guide

A teenage boy battles courageously against brain cancer in this moving made-for-television drama that is based on John Gunther's 1949 autobiographical account of his son's terrible illness. ~ Sandra Brennan, All Movie Guide

The winner of 11 Emmy awards, the made-for-TV Eleanor and Franklin stars Edward Herrmann as Franklin D. Roosevelt and Jane Alexander as Eleanor Roosevelt. The film traces the first four decades of the lives of cousins Franklin and Eleanor, beginning with their marriage in 1905. Conflicts loom in the form of FDR's domineering mother (Rosemary Murphy) and Eleanor's discovery of an affair between her husband and artist Lucy Mercer (Linda Kelsey). After Franklin is stricken by polio in 1921, Eleanor emerges as a formidable and influential public figure. James Costigan wrote the teleplay for Eleanor and Franklin, which first aired as a two-parter on January 11 and 12, 1976. The film was followed several months later by a multipart sequel, Eleanor and Franklin: The White House Years. ~ Hal Erickson, All Movie Guide

First aired March 13, 1977, Eleanor and Franklin: The White House Years was the brilliant follow-up to the equally praiseworthy 1976 TV movie Eleanor and Franklin: The Early Years. The film is framed in a flashback experienced by first lady Eleanor Roosevelt (Jane Alexander) while accompanying the casket carrying the body of her husband Franklin Delano Roosevelt (Edward Herrmann) to its final resting place in Hyde Park. Elected in 1933, FDR endeavors to pull the country out of the Depression with the New Deal during his first term, while Eleanor emerges as a formidable public figure in her own right during the second term, tirelessly working on behalf of social change and reforms. Ever under the baleful eye of his mother Sara (Rosemary Murphy), Roosevelt tries to maintain family equilibrium in the White House as he seeks an unprecedented third term. Sara dies in December of 1941, two days before Roosevelt, in his "Day of Infamy" speech, declares war on Japan. Despite health problems, FDR successfully pursues a fourth term in 1944; he dies in office in April of 1945, a scant few months before the end of World War II. Despite her long-standing displeasure over her husband's long-ago affair with artist Lucy Mercer (Linda Kelsey), a stiff-lipped Eleanor puts on a brave front when Roosevelt dies in the company of Deakins at a health spa in Georgia. Based on Joseph P. Lash's Pulitzer prize-winning biography, Eleanor and Franklin: The White House Years earned Emmies for "Outstanding Special" and for director Daniel Petrie. ~ Hal Erickson, All Movie Guide

A Question of Love is the deceptively bland title for this controversial made-for-TV film. Gena Rowlands plays a divorced nurse who is doing her best to raise her young sons (Keith Mitchell and Josh Albee) without their dad's help. Rowlands' ex-husband Clu Gulager files for full custody of the children. It isn't that Gulager is selfish or vindictive: the fact is that Rowlands is a lesbian, with a live-in lover (Jane Alexander), and Gulager feels that her lifestyle is not in the boys' best interests. Nothing is cut and dried in William Blinn's intelligent screenplay: there are no heroes and villains, no absolute "right" or "wrong." Extremists and moderates are depicted with equanimity, as are the points in favor of both Rowlands' and Gulager's position. While it has unavoidably dated since its first telecast on November 26, 1978, A Question of Love retains most of his dramatic power even after nearly two decades. ~ Hal Erickson, All Movie Guide

Robert Benton's Oscar-winning adaptation of Avery Corman's bestseller takes on contemporary problems of divorce and shifting gender roles, as a jilted husband learns how to be a nurturing father. Manhattan housewife Joanna Kramer (Meryl Streep) walks out on her workaholic ad man husband Ted (Dustin Hoffman), leaving their young son Billy (Justin Henry) in Ted's less than capable hands. Through trial and error, Ted learns how to take care of Billy, devoting more energy to his family than to his work, and finally losing his high-powered job because of his new priorities. When Joanna returns with her own lucrative job and the intent to take custody of Billy, Ted finds employment that won't interfere with his paternal duties. Even though he proves that he can do it all, Joanna still wins in court. Joanna, however, rethinks her desires when she finally grasps how close father and son have become. Addressing the male side of the self-actualization question, previously explored from the female perspective in such 1970s movies as An Unmarried Woman (1978), Alice Doesn't Live Here Anymore (1974), and The Turning Point (1977), Kramer focuses on Ted's evolution from absent parent to ideal father, as he learns to balance domestic and professional lives in the shifting late-1970s social landscape. Joanna's attempt to achieve the same, however, gets buried; only Streep's sensitive performance prevents Joanna from seeming an unsympathetic harridan. Critics praised the film's realistic depiction of Ted's travails, as well as the three lead actors' work; and audiences, perhaps facing the same questions of divorce and self-realization, turned it into a box-office smash. It went on to win five Oscars, including Best Picture, Best Actor, and Best Supporting Actress. ~ Lucia Bozzola, All Movie Guide

Fact-based drama starring Robert Redford as Henry Brubaker, the new inmate at a run-down Southern prison that's become notorious for corruption and violence. After he witnesses several instances of gross misconduct and defuses a tense confrontation with a crazed inmate (Morgan Freeman), Brubaker reveals to the guards and administrators that he's not a criminal at all, but the new warden, assigned by the governor to infiltrate the facility undercover. His identity confirmed, Brubaker takes office and sets about shaping up policies and procedures, despite resistance from, incredibly, even some of the more entitled convicts. With the help of the prison's chief trustee (Yaphet Kotto) and a compassionate ally (Jane Alexander), the warden effects some positive change, but powerful business interests line up against him when his ideas threaten their financial bottom line. A reform-minded, socially conscious, and politically liberal picture of the type usually associated with director Norman Jewison, this fact-based prison drama was the result of a troubled production that saw original director Bob Rafelson replaced with Cool Hand Luke (1967) and The Amityville Horror (1979) helmsman Stuart Rosenberg. Despite the backstage turmoil, Brubaker was an acclaimed release and an Oscar-nominated, career-finale triumph for co-screenwriter Arthur A. Ross, creator of Creature From the Black Lagoon (1954) and father of successful writer/director Gary Ross. ~ Karl Williams, All Movie Guide

Real-life father and son Martin Sheen and Emilio Estevez star in the made-for-TV In the Custody of Strangers. Blue-collar Sheen and his wife Jane Alexander attempt to instill discipline in their three growing children. But their 16-year-old son Estevez chafes at their authoritative attitudes, and runs seriously afoul of the law. Picked up on a drunk-driving charge, Estevez is charged with assault and battery when he fights off the sexual advances of his cellmate. His release continually delayed by judicial red tape, Estevez holds his parents, who are virtually helpless within the strictures of the Law, responsible for the mess he's in. But the real villain of the piece is not a person but an entity: The juvenile justice system, which is overworked, understaffed and swamped with dead-end bureaucracy. Scripted by Jennifer Miller, In the Custody of Strangers debuted on May 26, 1982. ~ Hal Erickson, All Movie Guide

This standard, tongue-in-cheek, gangsters and good guys saga is carried on the star power and screen presence of Clint Eastwood as Lt. Speer, a taciturn, tough, play-it-by-the-book cop, and on Burt Reynolds as Mike Murphy, Speer's old friend in the force, now turned private eye but still a captivating rogue at heart. With a sub-text of playing their well-known screen personas off each other, Eastwood and Reynolds provide more than a surface interpretation of the characters that made them famous. After Murphy's partner is murdered, he focuses on pitting one mob boss against another in an attempt to have both mobsters kill each other. In the meantime, Lt. Speer -- who has never approved of Murphy's private detective business -- does not really know if Murphy is for or against the two top gangsters. Set in the era of speakeasies and Prohibition, an added layer of "film noir" can be discerned under the complex plot, verbal repartée, and episodes of toned-down violence (a kind of parody in themselves). Although this may not be the best film either star has made, it is still interesting to see them together on screen. ~ Eleanor Mannikka, All Movie Guide