Jane Alexander Movies

Presidential historian Michael Beschloss' candid interview with former first lady Betty Ford serves as the centerpiece of this film exploring the life and career of a woman who never shied away from controversy. When Gerald Ford first came into the White House, the American public was still reeling from Richard Nixon and the Watergate Scandal. By encouraging the American public to discuss issues that had historically been swept under the rug, Ford ushered in a new era of honesty and personal accountability. In this documentary, archival photos and film clips combine with new footage shot around Ford's home in Rancho Mirage, Texas to create the definitive account of her lasting legacy. ~ Jason Buchanan, All Movie Guide

Filmmakers Arnie Reisman and Ann Carol Grossman collaborate on this documentary detailing the stories of Elizabeth Arden and Helena Rubenstein, who became the first highly female entrepreneurs in America by creating the global cosmetics industry. In the early 20th Century, make-up was worn almost exclusively by performers and prostitutes, and considered taboo for the average female. Enter Arden and Rubenstein, two immigrants who arrived in the United States without a dollar to their names, and created what would eventually become a $150 billion global health and beauty industry. Though both women lived and worked only blocks apart in New York City for over half a century, their paths would never cross as they competed to become the biggest cosmetics suppliers in the country. The advertising and marketing techniques they developed would become the cornerstone of the industry, transforming both women into household names while elevating their products from merely respectable, to absolutely indispensable. ~ Jason Buchanan, All Movie Guide

In the tradition of Dore Schary's Sunrise at Campobello, the made-for-cable biopic Warm Springs focuses on one of the least publicized aspects in the life of America's most-publicized (and longest-serving) president, Franklin Delano Roosevelt, here played brilliantly by British actor Kenneth Branagh. Like Sunrise, Warm Springs uses as its starting point the year 1921, when the 39-year-old Roosevelt was permanently paralyzed from the waist down by an attack of polio. But whereas the earlier film concentrated on FDR's battle to return to public life despite his handicap, this film zeroes in on Roosevelt's efforts to cure himself of his affliction. Having heard of the therapeutic value of the waters of Warm Springs in rural Georgia, Roosevelt makes a pilgrimage to the area, which is little more than a swamp surrounded by dilapidated shacks. Though he never experiences the "miracle" cure that he so desperately seeks, Roosevelt is instrumental in the conversion of Warm Springs from a backwater hellhole to a streamlined, efficiently managed polio-treatment center, a virtual mecca for hundreds of thousands of others who had been crippled by the debilitating illness. And in the process, he also brings hope, optimism, and racial enlightenment to the poverty-stricken, multiethnic citizens of Warm Springs. Even more significantly, FDR removes the stigma of polio from the public consciousness, forever abolishing the misguided notions that the disease adversely affected the brain, that it could be spread merely by physical contact, or that it represented celestial "punishment" of the victim (it is noted, however, that Roosevelt was always careful never to reveal the true extent of his immobility nor his atrophied legs in public, feeling that it might diminish the nation's image of an "invulnerable" Commander in Chief). Also in the cast are Cynthia Nixon as Roosevelt's devoted wife, Eleanor; Jane Alexander (who'd previously played Eleanor Roosevelt in two TV miniseries) as his over-protective mother Sara; David Paymer as his crusty chief aide Louis Howe; Kathy Bates as his no-nonsense physical therapist Helena Mahoney; and Tim Blake Nelson as Tom Loyless, the man in charge of Warm Springs. Originally telecast by HBO on April 30, 2005. ~ Hal Erickson, All Movie Guide

In this concluding episode of a two-part "crossover" story which began on Law & Order's sister series Law & Order: SVU, the D.A.'s office endeavors to connect the murder of a salesman with the politically influential Mulroney family. Despite pressure brought to bear by powerful matriarch Regina Mulroney (Jane Alexander), A.D.A. Jack McCoy (Sam Waterston) refuses to drop the prosecution. Featured in the cast are SVU regulars Richard Belzer (as Detective John Munch), Christopher Meloni (Detective Elliot Stabler), Mariska Hargitay (Detective Olivia Bensen), and Dann Florek (Captain Don Cragen). ~ Hal Erickson, All Movie Guide

"Based on the Georgia case that shocked the country" (or so said its ad copy), the made-for-TV Stay the Night was originally telecast in two parts in April of 1992. Part One introduces Barbara Hershey as a predatory middle-aged woman who seduces feckless teenager Morgan Wessler. Before this two-hour installment has run its course, Barbara has talked Morgan into murdering her husband and taking sole blame for the deed. In part two, first seen April 27, 1992, Morgan's mother Jane Alexander turns the tables on Barbara, using several of the villainess' own dirty tricks. While Stay the Night is rough sledding during the first half, its denouement is well worth the wait. ~ Hal Erickson, All Movie Guide

In this drama, based on Shirley Lauro's play, a burned-out college speech professor finds himself inspired by an eager, sincere student who desires to leave his ghetto past. ~ Sandra Brennan, All Movie Guide

The elaborate British miniseries Shoulder to Shoulder was an anecdotal dramatization of the women's suffrage movement in England. Covering the period from the 1890s to the end of WWI, the series focused on the movement's most vocal proponent, Mrs. Emmeline Pankhurst (Sian Phillips). As Emmeline's militancy increased, her fervor spilled over to her daughters, Christabel (Patricia Quinn) and Sylvia (Angela Down), much to the delight of her husband, pioneering feminist barrister Richard Pankhurst. With the founding of the Women's Social and Political Union in 1903, Mrs. Pankhurst and her chief lieutenant Lady Constance Lytton (Judy Parfitt) shifted into full gear, despite the efforts of patronizing politicians and surprising brutal police officials to stifle the pro-vote movement. The series was unsparing in its accuracy, with its stark portrayal of the bitter rift between sisters Sylvia and Christabel over the latter's disenchantment with the increasingly violent activities of the W.S.P.U., its disturbing depiction of the force-feeding methods used by the police to quell a hunger strike, and its gruesome reenactment of activist Emily Davison's suicidal act of bravado during a horse race (a tragedy recorded by newsreel photographers of the period). Originally telecast by the BBC in 1974, the six-part Shoulder to Shoulder premiered in the United States on October 5, 1975, as part of the PBS Masterpiece Theatre anthology. ~ Hal Erickson, All Movie Guide

Set in Vienna during the German occupation, this made-for-cable television drama centers on the friendship between a Jewish girl and the young Christian who helps her escape. ~ Sandra Brennan, All Movie Guide

Blood and Orchids was adapted from Norman Katkov from his own fact-based book. The scene is Hawaii, 1937. The wife (Madeline Stowe) of a naval officer (William Russ) is beaten nearly to death by her lover (Matt Salinger)--her husband's best friend. Four native Hawaiians find the woman and take her to the hospital, then flee out of fear of being blamed for the assault themselves. The aristocratic mother (Jane Alexander) of the beaten woman knows the truth, but, coldly insistent upon maintaining white supremacy on the islands, orders her daughter to claim that the Hawaiian boys had abused her. A trial follows, complicated by an honest police officer (Kris Kristofferson), who doesn't believe the victim's story. This two-part TV movie digresses from the source novel by hoking up a romance between the cop and the young wife (Sean Young) of the prosecuting attorney (Jose Ferrer). Blood and Orchids was originally telecast in February of 1986. ~ Hal Erickson, All Movie Guide

The made-for-TV When She Says No takes a prismatic, Rashomon approach to its story of sexual assault. Kathleen Quinlan plays an anthropology professor who, during a roisterous campus party, has sex with three of her colleagues (Rip Torn, Jeffrey DeMunn, David Huffman). She takes the matter to court, insisting that she's been raped. The three men insist that Quinlan led them on--even when saying "no." Both testimonies are presented in flashbacks which substantiate the words of whomever happens to be testifying. When She Says No refuses to cop out with easy answers: the "lady or the tiger" denouement allows the viewer to draw his or her own conclusion. ~ Hal Erickson, All Movie Guide

Real-life father and son Martin Sheen and Emilio Estevez star in the made-for-TV In the Custody of Strangers. Blue-collar Sheen and his wife Jane Alexander attempt to instill discipline in their three growing children. But their 16-year-old son Estevez chafes at their authoritative attitudes, and runs seriously afoul of the law. Picked up on a drunk-driving charge, Estevez is charged with assault and battery when he fights off the sexual advances of his cellmate. His release continually delayed by judicial red tape, Estevez holds his parents, who are virtually helpless within the strictures of the Law, responsible for the mess he's in. But the real villain of the piece is not a person but an entity: The juvenile justice system, which is overworked, understaffed and swamped with dead-end bureaucracy. Scripted by Jennifer Miller, In the Custody of Strangers debuted on May 26, 1982. ~ Hal Erickson, All Movie Guide

A Question of Love is the deceptively bland title for this controversial made-for-TV film. Gena Rowlands plays a divorced nurse who is doing her best to raise her young sons (Keith Mitchell and Josh Albee) without their dad's help. Rowlands' ex-husband Clu Gulager files for full custody of the children. It isn't that Gulager is selfish or vindictive: the fact is that Rowlands is a lesbian, with a live-in lover (Jane Alexander), and Gulager feels that her lifestyle is not in the boys' best interests. Nothing is cut and dried in William Blinn's intelligent screenplay: there are no heroes and villains, no absolute "right" or "wrong." Extremists and moderates are depicted with equanimity, as are the points in favor of both Rowlands' and Gulager's position. While it has unavoidably dated since its first telecast on November 26, 1978, A Question of Love retains most of his dramatic power even after nearly two decades. ~ Hal Erickson, All Movie Guide