Royal K. Cole Movies

Yet another serial from penny-pinching producer Sam Katzman, the fifteen chapter Gunfighters of the Northwest suffered from the usual Katzman shortcomings, including grainy stock-footage and slapdash writing. As an added economy measure, not a single scene was filmed indoors! Jock Mahoney plays Northwest Mounted Police Constable O'Mahoney, assigned to track down a mysterious villain known only as The Leader. Trying to locate a secret gold mine, The Leader pits the Indians against the Mounties, whom he blames for creating trouble. All in all, Gunfighters of the Northwest did nothing to re-establish the serial genre as a viable alternative to cheap television Westerns. ~ Hans J. Wollstein, Rovi

Although ostensibly the grand-son of the legendary hero, Clayton Moore's Ken Mason is little more than a cowboy in a black mask in this 12 chapter Republic serial. Mason, the head of the telegraph line work crew, assumes his ancestor's trade-mark mask (but not whip) in order to prevent a local czar (Roy Barcroft) from sabotaging the burgeoning telegraph line. Pamela Blake, a brunette starlet formerly known as Adele Pearce, played Mason's imperiled girlfriend, and the serial also benefitted from the usual competent work of Republic's great stunt-performers, including Dale van Sickel, Tom Steele, Eddie Parker, and Joe Yrigoyen. ~ Hans J. Wollstein, Rovi

Government agent Richard Hendricks (Michael O'Shea) goes undercover to get goods on a gang responsible for dispensing illegal paroles. Posing as a prisoner, Hendricks links up with the gang's inside man, Barney Rodescu (Turhan Bey). As often happens in real life, several pillars of society are getting rich by manipulating the lives of others. The plot is not always logical, but audience involvement is sustained every step of the way. Parole Inc was one of the "in-between" pictures -- not quite a "B", not expensive enough for "A" -- produced by young-and-hungry Eagle Lion studios in the late 1940s. ~ Hal Erickson, Rovi

To stop a madman from blowing up New York City, a researcher dons a flying suit and prepares for battle in this serial, later re-editing into the feature Lost Planet Airmen. ~ Jason Ankeny, Rovi

The all-purpose title Blackmail was again revived for this breezy Republic comedy-mystery. William Marshall (not the African American star of Blacula) plays private eye Dan Turner, assigned to shield playboy Ziggy Cranston (Ricardo Cortez) from a pair of clever blackmailers (Adele Mara, Richard Fraser). As a result of Turner's interference, the extortionists up the ante from $50,000 to three times that amount. A few murders and plot twists later, Turner emerges triumphant; still, one wonders if Cranston wouldn't have been better off handling his persecutors by himself. Originally 67 minutes, Blackmail was trimmed to 54 minutes for its earliest TV showings. ~ Hal Erickson, Rovi

There's no "valley" in Valley of the Zombies, and only one "zombie," played with relish by Ian Keith. At large in a great metropolitan city, Ormand Murks (Keith), recently brought back from the dead, goes on the prowl for human blood, meaning that he's less of a zombie than a vampire (a phenomenon which he "explains" halfway through the picture). He spends most of his time murderously settling scores with old enemies, drawing the attention of police lieutenant Blair (Thomas Jackson), who like Murks seems well-past retirement age. Suspected of committing the murders, doctor's assistant Terry Evans (Robert Livingston) takes it upon himself to track down Murks, with the aid of pretty nurse Susan Drake (Adrian Booth). The ultimate fate of the so-called zombie is given away by the artwork in the film's opening credits. ~ Hal Erickson, Rovi

The most obvious discrepancies concerning this otherwise well-remembered cliffhanger from genre specialist Republic Pictures are the quite demure-looking leopard outfit worn by the serial's heroine, Linda Stirling, and that Darkest Africa looks suspiciously like the hills of suburban Chatsworth. Apparently, producer William J. O'Connell acquired the leopard costume on the cheap but too late for the title to be changed, and the location never really mattered to Republic's mostly juvenile target audience. Making her serial debut, Stirling's innate athleticism came in handy playing Kay Arnold, an heiress turned Jungle Goddess who helps oil company representative Allan Lane fight off a villainous competitor headed by unscrupulous attorney Fletcher Walton (LeRoy Mason) and his henchman, general store proprietor Tom Daggett (Crane Whitley). The remaining 11 chapters had either Stirling rescuing Lane from one peril after another, or vice versa. Although not quite as independently heroic as serial queens such as Pearl White and Ruth Roland, Linda Stirling came as close as anybody, which of course was Republic's goal all along. Her sex appeal, despite the demure costume, was obvious and although this was not why she had chosen the acting profession, Linda tore into her serial assignments with legendary gusto. Ironically, the native of Long Beach, CA, had begun her career studying with Ben Bard, the widower of Ruth Roland. The serial was re-edited and released in a feature version re-titled Jungle Gold. In 1951, Republic resurrected the entire chapterplay under the title Perils of the Darkest Jungle. ~ Hans J. Wollstein, Rovi